159edo/Interval names and harmonies: Difference between revisions
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:* It frequently acts as a chromatic semitone in Western-Classical-based harmony | :* It frequently acts as a chromatic semitone in Western-Classical-based harmony | ||
* Approximates the [[26/25|Large Tridecimal Third-Tone]] and the [[27/26|Small Tridecimal Third-Tone]], and thus... | * Approximates the [[26/25|Large Tridecimal Third-Tone]] and the [[27/26|Small Tridecimal Third-Tone]], and thus... | ||
:* It demonstrates third-tone functionality- especially in relation to this system's approximation of the Pythagorean Major Second- due to the combination commas tempered out in this system | :* It demonstrates third-tone functionality- especially in relation to this system's approximation of the Pythagorean Major Second- due to the combination of commas tempered out in this system | ||
* Is the closest approximation of [[17edo]]'s Minor Second found in this system, and thus... | * Is the closest approximation of [[17edo]]'s Minor Second found in this system, and thus... | ||
:* Is capable of being used for similar modulatory moves, albeit with caveats, since such moves on their own don't work the exact same way in this system | :* Is capable of being used for similar modulatory moves, albeit with caveats, since such moves on their own don't work the exact same way in this system | ||
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* Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit Supraminor Second that is reached by subtracting the syntonic comma from the Alpharabian Tendoneutral Second, and thus... | * Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit Supraminor Second that is reached by subtracting the syntonic comma from the Alpharabian Tendoneutral Second, and thus... | ||
:* As is typical of a Supraminor Second, it is not sharp enough to truly sound neutral, but is nevertheless sharp enough to be distinct from a Minor Second | :* As is typical of a Supraminor Second, it is not sharp enough to truly sound neutral, but is nevertheless sharp enough to be distinct from a Minor Second | ||
:* It demonstrates trienthird functionality- namely in relation to this system's approximation of the Ptolemaic Major Third- due to the combination commas tempered out in this system | :* It demonstrates trienthird functionality- namely in relation to this system's approximation of the Ptolemaic Major Third- due to the combination of commas tempered out in this system | ||
* Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used... | * Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used... | ||
:* As an unexpected option for a Diatonic-type semitone in Western-Classical-based harmony | :* As an unexpected option for a Diatonic-type semitone in Western-Classical-based harmony | ||