Musical notation: Difference between revisions

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added KISS notation
TallKite (talk | contribs)
added ups and downs, added pergen notation, added supersharp pentatonic notation
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''See also: [[Just intonation]]''.
''See also: [[Just intonation]]''.
* The [[Functional Just System|Functional Just System (FJS)]] (for all of JI)
* The [[Functional Just System|Functional Just System (FJS)]] (for all of JI)
* [[Color notation]] (used in [http://www.tallkite.com/alt-tuner.html alt-tuner])
* [[Color notation]]
* The [[Helmholtz-Ellis notation|Extended Helmholtz-Ellis JI Pitch Notation (HEJI)]]
* The [[Helmholtz-Ellis notation|Extended Helmholtz-Ellis JI Pitch Notation (HEJI)]]
** [[Richie's HEJI extensions]]
** [[Richie's HEJI extensions]]
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''See also: [[MOS scale]], [[Temperament]], [[Regular temperament]]''.
''See also: [[MOS scale]], [[Temperament]], [[Regular temperament]]''.
* [[Diamond-mos notation]]
* [[Diamond-mos notation]]
* [[Pergen|Pergen notation (ups/downs, perhaps plus lifts/drops)]]
* [[KISS notation]]
* [[KISS notation]]
** [[Quasi-diatonic MOS notation]]
** [[Quasi-diatonic MOS notation]]
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* [[Erv Wilson's Linear Notations]]
* [[Erv Wilson's Linear Notations]]
* [[Extended meantone notation]] (diesis and kleisma up/down, for [[meantone]] systems including {{EDOs| 5, 7, 12, 19, 24, 26, 31, 36, 38, 43, 45, 50, 55, 57, 62, 67, 69, 74, 76, 81, 86, 88, 93, 98, 100, 105, 117, 129}})
* [[Extended meantone notation]] (diesis and kleisma up/down, for [[meantone]] systems including {{EDOs| 5, 7, 12, 19, 24, 26, 31, 36, 38, 43, 45, 50, 55, 57, 62, 67, 69, 74, 76, 81, 86, 88, 93, 98, 100, 105, 117, 129}})
* [[Pergen|Pergen notation (ups/downs plus lifts/drops)]]
* [[Pergen|Pergen notation (ups/downs, perhaps plus lifts/drops)]]
* [[Arcturus hendecatonic notation]]
* [[Arcturus hendecatonic notation]]
* [[KISS notation]]
* [[KISS notation]]
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==== Multiple temperaments ====
==== Multiple temperaments ====
* [[Ups and downs notation]] for all edos except 1, 2, 3, 4, 6 and 8
* [[Supersharp pentatonic notation]] for supersharp edos 8, 13 and 18
* [[Easley Blackwood]]'s symbols for ETs 13–24
* [[Easley Blackwood]]'s symbols for ETs 13–24
* [http://ziaspace.com/_academic/BP/ Bohlen–Pierce] theory for [[13edt]] and other [[EDT]]s that deals with the nonatonic scale (LsLsLsLss) (adding "H" and "J" notes)
* [http://ziaspace.com/_academic/BP/ Bohlen–Pierce] theory for [[13edt]] and other [[EDT]]s that deals with the nonatonic scale (LsLsLsLss) (adding "H" and "J" notes)

Revision as of 05:15, 16 July 2025

Types of notation

This is a list of some of the notations that have been used or proposed for composing/performing xenharmonic music.

Intended for any tuning

Intended for just intonation

See also: Just intonation.

Intended for MOS scales and any temperaments containing them

See also: MOS scale, Temperament, Regular temperament.

Intended for both equal and unequal temperaments

Intended for equal temperaments

See also: Equal-step tuning, Equal division of the octave.

Multiple temperaments

One specific temperament

Eclectic selection of scales, defying the above boundaries

Microtonal scores

See the dedicated Scores page.

Microtonal fonts

Notation program/editors for microtonal music

See the dedicated list at the page: Software #Notation software.

See also

External links



Todo: intro

Write an introduction briefly discussing the history and present state of microtonal notation.