8L 3s (3/1-equivalent): Difference between revisions

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Pyotr Ilyich Tchaikovsky drew from the Obikhod style for his ''1812 Overture'', as did Nikolai Rimsky-Korsakov in his ''Russian Easter Festival Overture.'' Anatoly Lyadov also drew from them in his ''Ten Arrangements from Obikhod'' Op.61, as did Alexander Raskatov in his ''Obikhod'' (2002).

The pitch set used in these chants traditionally consists of four three-note groups. Each note within a group is separated by a whole tone, and each group is separated by a semitone. If starting from G, the result is: G, A, B / C, D, E / F, G, A / B♭, C, D. Theoretically, more groups can be added either above or below, which has been done by some 20th-century Russian composers. This pitch set also influenced Russian folk music: for example, the Livenka accordion contains the pitch set on its melody side. On a common Livenka accordion, the pitch set will not span a pure tritave.

The pitch set used in these chants traditionally consists of four three-note groups. Each note within a group is separated by a whole tone, and each group is separated by a semitone. If starting from G, the result is: G, A, B / C, D, E / F, G, A / B♭, C, D. Theoretically, more groups can be added either above or below, which has been done by some 20th-century Russian composers. This pitch set also influenced Russian folk music: for example, the Livenka accordion contains the pitch set on its melody side. On a common Livenka accordion, the pitch set will not span a pure tritave.<ref>[https://en.wikipedia.org/wiki/Obikhod Obikhod - Wikipedia]. ''en.wikipedia.org''. Retrieved July 28, 2021.</ref>

== References ==

[[Category:Nonoctave]]

[[Category:Abstract MOS patterns]]

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 Pyotr Ilyich Tchaikovsky drew from the Obikhod style for his ''1812 Overture'', as did Nikolai Rimsky-Korsakov in his ''Russian Easter Festival Overture.'' Anatoly Lyadov also drew from them in his ''Ten Arrangements from Obikhod'' Op.61, as did Alexander Raskatov in his  ''Obikhod'' (2002).
-The pitch set used in these chants traditionally consists of four three-note groups. Each note within a group is separated by a whole tone, and each group is separated by a semitone. If starting from G, the result is: G, A, B / C, D, E / F, G, A / B♭, C, D. Theoretically, more groups can be added either above or below, which has been done by some 20th-century Russian composers. This pitch set also influenced Russian folk music: for example, the Livenka accordion contains the pitch set on its melody side. On a common Livenka accordion, the pitch set will not span a pure tritave.
+The pitch set used in these chants traditionally consists of four three-note groups. Each note within a group is separated by a whole tone, and each group is separated by a semitone. If starting from G, the result is: G, A, B / C, D, E / F, G, A / B♭, C, D. Theoretically, more groups can be added either above or below, which has been done by some 20th-century Russian composers. This pitch set also influenced Russian folk music: for example, the Livenka accordion contains the pitch set on its melody side. On a common Livenka accordion, the pitch set will not span a pure tritave.<ref>[https://en.wikipedia.org/wiki/Obikhod Obikhod - Wikipedia]. ''en.wikipedia.org''. Retrieved July 28, 2021.</ref>
+== References ==
+<references />
 [[Category:Nonoctave]]
 [[Category:Abstract MOS patterns]]