ED5: Difference between revisions

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Line 9: Line 9:
*[[7ed5]] compare [[3edo]]
*[[7ed5]] compare [[3edo]]
*[[8ed5]]
*[[8ed5]]
*[[9ed5]]
*[[9ed5]] compare [[4edo]]
*[[10ed5]]
*[[10ed5]]
*[[11ed5]]
*[[11ed5]]
Line 19: Line 19:
*[[17ed5]]
*[[17ed5]]
*[[18ed5]]
*[[18ed5]]
*[[19ed5]] compare [[Bohlen-Pierce|Bohlen-Pierce]]
*[[19ed5]] compare [[Bohlen-Pierce]]
*[[20ed5]] (Hieronymus Tuning)
*[[20ed5]] (Hieronymus Tuning)
*[[21ed5]] compare [[9edo]]
*[[21ed5]] compare [[9edo]]
Line 32: Line 32:
*[[30ed5]] compare [[13edo]]
*[[30ed5]] compare [[13edo]]
*[[31ed5]]
*[[31ed5]]
*[[32ed5]] compare [[14edo]]
*[[32ed5]]
*[[33ed5]]
*[[33ed5]]
*[[34ed5]]
*[[34ed5]]
Line 42: Line 42:
*[[40ed5]]
*[[40ed5]]
*[[41ed5]]
*[[41ed5]]
*[[42ed5]]
*[[42ed5]] compare [[18edo]]
*[[43ed5]]
*[[43ed5]]
*[[44ed5]] compare [[19edo]]
*[[44ed5]] compare [[19edo]]
Line 49: Line 49:
*[[47ed5]]
*[[47ed5]]
*[[48ed5]]
*[[48ed5]]
*[[49ed5]]
*[[49ed5]] compare [[21edo]]
*[[50ed5]]
*[[50ed5]]
*[[51ed5]] compare [[22edo]]
*[[51ed5]] compare [[22edo]]
Line 65: Line 65:
*[[63ed5]]
*[[63ed5]]
*[[64ed5]]
*[[64ed5]]
*[[65ed5]]
*[[65ed5]] compare [[28edo]]
*[[66ed5]]
*[[66ed5]]
*[[67ed5]]
*[[67ed5]]
Line 72: Line 72:
*[[70ed5]]
*[[70ed5]]
*[[71ed5]]
*[[71ed5]]
*[[72ed5]]
*[[72ed5]] compare [[31edo]]
*[[73ed5]]
*[[73ed5]]
*[[74ed5]]
*[[74ed5]]
*[[75ed5]]
*[[75ed5]]
*[[76ed5]]
*[[76ed5]] compare [[52edt]]
*[[77ed5]]
*[[77ed5]]
*[[78ed5]]
*[[78ed5]]
*[[79ed5]]
*[[79ed5]] compare [[34edo]]
*[[80ed5]]
*[[80ed5]]
*[[81ed5]]
*[[81ed5]] compare [[35edo]]
*[[82ed5]]
*[[82ed5]]
*[[83ed5]]
*[[83ed5]]
*[[84ed5]]
*[[84ed5]]
*[[85ed5]]
*[[85ed5]]
*[[86ed5]]
*[[86ed5]] compare [[37edo]]
*[[87ed5]]
*[[87ed5]]
*[[88ed5]]
*[[88ed5]] compare [[38edo]]
*[[89ed5]]
*[[89ed5]]
*[[90ed5]]
*[[90ed5]]
*[[91ed5]]
*[[91ed5]]
*[[92ed5]]
*[[92ed5]]
*[[93ed5]]
*[[93ed5]] compare [[40edo]]
*[[94ed5]]
*[[94ed5]]
*[[95ed5]]
*[[95ed5]] compare [[41edo]]
*[[96ed5]]
*[[96ed5]]
*[[97ed5]]
*[[97ed5]]
*[[98ed5]]
*[[98ed5]]
*[[99ed5]]
*[[99ed5]]
*[[100ed5]]
*[[100ed5]] compare [[43edo]]


==See also==
==See also==

Revision as of 06:01, 30 December 2018

Division of the Fifth Harmonic (5/1) into n equal parts

The fifth harmonic is particularly wide as far as equivalences go. There are (at absolute most) ~4.8 pentaves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with pentave equivalence, this fact shapes one's musical approach dramatically. Following this, the quintessential example of a pentave based tuning is hyperpyth (see 17ed5). However, perhaps the more common reason to use these scales is in approximation with lower harmonic factors than 5. This approach is highlighted by Hieronymus (20ed5) which itself is a zeta peak tuning (not "no-fives", full on zeta). Other reasons for taking the nth root of 5 include finding temperaments like orwell, meantone, and thuja. This approach can of course be used indiscriminately.

See also

Pentave Reduced Harmonics

Pentave Reduced Subharmonics

http://www.nonoctave.com/tuning/fifth_harmonic.html