43edo: Difference between revisions
m →Modern renderings: Cale Gibbard link |
→Notations: added the modern (as opposed to the classical) version of the ups and downs accidentals |
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=== Ups and downs notation === | === Ups and downs notation === | ||
In [[ups and downs notation]], the "third-sharp" becomes an up and the "two-thirds-sharp" becomes a downsharp. | |||
Note that downsharp can be respelled as dup (double-up), and upflat as dud. | |||
{{sharpness-sharp3a}} | |||
Or one can use the [[Alternative symbols for ups and downs notation#Sharp-3|alternative ups and downs]]. They use sharps and flats with arrows, borrowed from extended [[Helmholtz-Ellis notation|Helmholtz–Ellis]] notation: | |||
{{Sharpness-sharp3}} | {{Sharpness-sharp3}} | ||
The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}. | The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}. | ||
The notes from B to C are B, C♭, B{{sharpdown}} / C{{flatup}}, B♯, and C. Similarily, the notes from E to F are E, F♭, E{{sharpdown}} / F{{flatup}}, E♯, and F. As with the red/blue note system described | The notes from B to C are B, C♭, B{{sharpdown}} / C{{flatup}}, B♯, and C. Similarily, the notes from E to F are E, F♭, E{{sharpdown}} / F{{flatup}}, E♯, and F. As with the red/blue note system described below, all notes in 43edo therefore have only one name, except for B{{sharpdown}} / C{{flatup}} and E{{sharpdown}} / F{{flatup}}. | ||
Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings. | Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings. | ||
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For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. (Note that this is different than Kite's [[color notation]].) Now we have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯). | For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. (Note that this is different than Kite's [[color notation]].) Now we have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯). | ||
The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have | The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have only one name except for {{colored note|blue|B♯}} / {{colored note|red|C♭}}, and {{colored note|blue|E♯}} / {{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter). | ||
If {{colored note|red|C♭}} and {{colored note|blue|B♯}} (and {{colored note|red|F♭}} / {{colored note|blue|E♯}}) are instead forced to be distinct, but the requirement that all notes be equally spaced is maintained, then we end up with a ''completely'' | If {{colored note|red|C♭}} and {{colored note|blue|B♯}} (and {{colored note|red|F♭}} / {{colored note|blue|E♯}}) are instead forced to be distinct, but the requirement that all notes be equally spaced is maintained, then we end up with a ''completely'' single-name red-note/blue-note notation for [[45edo]], which is another meantone (actually, a [[flattone]]) system. | ||
== Approximation to JI == | == Approximation to JI == | ||