43edo: Difference between revisions

Xenjacob (talk | contribs)
m Modern renderings: Cale Gibbard link
TallKite (talk | contribs)
Notations: added the modern (as opposed to the classical) version of the ups and downs accidentals
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=== Ups and downs notation ===
=== Ups and downs notation ===
The third-sharps and third-flats can be notated using [[ups and downs notation]] and extended [[Helmholtz-Ellis notation|Helmholtz–Ellis]] accidentals:
In [[ups and downs notation]], the "third-sharp" becomes an up and the "two-thirds-sharp" becomes a downsharp.
Note that downsharp can be respelled as dup (double-up), and upflat as dud.
{{sharpness-sharp3a}}


Or one can use the [[Alternative symbols for ups and downs notation#Sharp-3|alternative ups and downs]]. They use sharps and flats with arrows, borrowed from extended [[Helmholtz-Ellis notation|Helmholtz–Ellis]] notation:
{{Sharpness-sharp3}}
{{Sharpness-sharp3}}


The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}.
The notes between A and B can then be notated as A, A{{naturalup}}, A{{sharpdown}}, A♯, B♭, B{{flatup}}, B{{naturaldown}}, B. Note that A♯ is enharmonic to B{{flatdown}}, and B♭ is enharmonic to A{{sharpup}}.


The notes from B to C are B, C♭, B{{sharpdown}} / C{{flatup}}, B♯, and C. Similarily, the notes from E to F are E, F♭, E{{sharpdown}} / F{{flatup}}, E♯, and F. As with the red/blue note system described above, all notes in 43edo therefore have unambiguous names except for B{{sharpdown}} / C{{flatup}} and E{{sharpdown}} / F{{flatup}}.
The notes from B to C are B, C♭, B{{sharpdown}} / C{{flatup}}, B♯, and C. Similarily, the notes from E to F are E, F♭, E{{sharpdown}} / F{{flatup}}, E♯, and F. As with the red/blue note system described below, all notes in 43edo therefore have only one name, except for B{{sharpdown}} / C{{flatup}} and E{{sharpdown}} / F{{flatup}}.


Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings.
Double or even triple arrows may arise if the arrows are taken to have their own layer of enharmonic spellings.
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For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. (Note that this is different than Kite's [[color notation]].) Now we have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯).
For people who are not colorblind, a red-note/blue-note system (similar to that proposed for [[36edo]]) can also be used. (Note that this is different than Kite's [[color notation]].) Now we have the following sequence of notes, each separated by one meride: {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|A♯}}, {{colored note|A♯}}, {{colored note|B♭}}, {{colored note|red|B♭}}, {{colored note|blue|B}}, {{colored note|B}}. (Note that red sharps or blue flats are enharmonically equivalent to simpler notes: {{colored note|red|A♯}} is enharmonic to B♭, and {{colored note|blue|B♭}} is actually just A♯).


The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have unambiguous names except for {{colored note|blue|B♯}} / {{colored note|red|C♭}}, and {{colored note|blue|E♯}} / {{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter).
The diatonic semitone is four steps, so for the region between B and C, we can use: {{colored note|B}}, {{colored note|C♭}}, {{colored note|blue|B♯}} / {{colored note|red|C♭}} (they are enharmonic equivalents), {{colored note|B♯}}, and {{colored note|C}}. All of the notes in 43edo therefore have only one name except for {{colored note|blue|B♯}} / {{colored note|red|C♭}}, and {{colored note|blue|E♯}} / {{colored note|red|F♭}}. It might also be possible to design special symbols for those two notes (resembling a cross between the letters B and C in the former case, and E and F in the latter).


If {{colored note|red|C♭}} and {{colored note|blue|B♯}} (and {{colored note|red|F♭}} / {{colored note|blue|E♯}}) are instead forced to be distinct, but the requirement that all notes be equally spaced is maintained, then we end up with a ''completely'' unambiguous red-note/blue-note notation for [[45edo]], which is another meantone (actually, a [[flattone]]) system.
If {{colored note|red|C♭}} and {{colored note|blue|B♯}} (and {{colored note|red|F♭}} / {{colored note|blue|E♯}}) are instead forced to be distinct, but the requirement that all notes be equally spaced is maintained, then we end up with a ''completely'' single-name red-note/blue-note notation for [[45edo]], which is another meantone (actually, a [[flattone]]) system.


== Approximation to JI ==
== Approximation to JI ==