19-limit: Difference between revisions
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{{Prime limit navigation|19}} | |||
The '''19-limit''' consists of [[just intonation]] [[interval]]s whose [[ratio]]s contain no [[prime factor]]s higher than 19. It is the 8th [[prime limit]] and is a superset of the [[17-limit]] and a subset of the [[23-limit]]. | |||
The 19-limit is a [[rank and codimension|rank-8]] system, and can be modeled in a 7-dimensional [[lattice]], with the primes 3, 5, 7, 11, 13, 17, and 19 represented by each dimension. The prime 2 does not appear in the typical 19-limit lattice because [[octave equivalence]] is presumed. If octave equivalence is not presumed, an eighth dimension is needed. | |||
These things are contained by the 19-limit, but not the 17-limit: | |||
* The [[19-odd-limit|19-]] and [[21-odd-limit]]; | |||
* Mode 10 and 11 of the harmonic or subharmonic series. | |||
== Terminology and notation == | |||
[[Interval_region|Interval categories]] of [[harmonic class|HC19]] are relatively clear. [[19/16]] is most commonly considered a minor third, as 1–19/16–3/2 is an important {{w|tertian}} chord (the [[Functional Just System]] and [[Helmholtz–Ellis notation]] agree). However, 19/16 may act as an augmented second in certain cases. This is more complex on its own but may simplify certain combinations with other intervals, especially if [[17/16]] is considered an augmented unison and/or if [[23/16]] is considered an augmented fourth. Perhaps most interestingly, [[Sagittal notation]] provides an accidental to enharmonically spell intervals of HC19 this way. | |||
== Edo approximation == | |||
see | Here is a list of [[edo]]s with progressively better tunings for 19-limit intervals ([[monotonicity limit]] ≥ 19 and decreasing [[TE error]]): {{EDOs| 34dh, 38df, 41, 50, 53, 58h, 68, 72, 94, 103h, 111, 121, 130, 140, 152fg, 159, 161, 183, 190g, 193, 212gh, 217, 243e, 270, 311, 400, 422, 460, 525, 581, 742, 935, 954h }} and so on. For a more comprehensive list, see [[Sequence of equal temperaments by error]]. | ||
Here is a list of edos which provides relatively good tunings for 19-limit intervals ([[TE relative error]] < 5%): {{EDOs| 72, 111, 217, 243e, 270, 282, 311, 354, 364, 373g, 400, 422, 460, 494(h), 525, 540, 581, 597, 624, 643, 653, 692, 718, 742, 764h, 814, 836f, 882, 908, 925, 935, 954h and }} so on. | |||
: '''Note''': [[wart notation]] is used to specify the [[val]] chosen for the edo. In the above list, "34dh" means taking the second closest approximations of harmonics 7 and 19. | |||
== Intervals == | |||
Here are all the [[21-odd-limit]] intervals of 19-limit: | |||
{| class="wikitable" | |||
! Ratio | |||
! Cents Value | |||
! colspan="2" | Color Name | |||
! Interval Name | |||
|- | |||
| [[20/19]] | |||
| 88.801 | |||
| 19uy1 | |||
| nuyo 1son | |||
| small undevicesimal semitone | |||
|- | |||
| [[19/18]] | |||
| 93.603 | |||
| 19o2 | |||
| ino 2nd | |||
| large undevicesimal semitone | |||
|- | |||
| [[21/19]] | |||
| 173.268 | |||
| 19uz2 | |||
| nuzo 2nd | |||
| small undevicesimal whole tone | |||
|- | |||
| [[19/17]] | |||
| 192.558 | |||
| 19o17u2 | |||
| nosu 2nd | |||
| large undevicesimal whole tone, quasi-meantone | |||
|- | |||
| [[22/19]] | |||
| 253.805 | |||
| 19u1o2 | |||
| nulo 2nd | |||
| undevicesimal second-third | |||
|- | |||
| [[19/16]] | |||
| 297.513 | |||
| 19o3 | |||
| ino 3rd | |||
| undevicesimal minor third | |||
|- | |||
| [[24/19]] | |||
| 404.442 | |||
| 19u3 | |||
| inu 3rd | |||
| small undevicesimal major third | |||
|- | |||
| [[19/15]] | |||
| 409.244 | |||
| 19og4 | |||
| nogu 4th | |||
| large undevicesimal major third | |||
|- | |||
| [[19/14]] | |||
| 528.687 | |||
| 19or4 | |||
| noru 4th | |||
| undevicesimal acute fourth | |||
|- | |||
| [[26/19]] | |||
| 543.015 | |||
| 19u3o4 | |||
| nutho 4th | |||
| undevicesimal super fourth | |||
|- | |||
| [[19/13]] | |||
| 656.985 | |||
| 19o3u5 | |||
| nothu 5th | |||
| undevicesimal subfifth | |||
|- | |||
| [[28/19]] | |||
| 671.313 | |||
| 19uz5 | |||
| nuzo 5th | |||
| undevicesimal gravefifth | |||
|- | |||
| [[30/19]] | |||
| 790.756 | |||
| 19uy5 | |||
| nuyo 5th | |||
| small undevicesimal minor sixth | |||
|- | |||
| [[19/12]] | |||
| 795.558 | |||
| 19o6 | |||
| ino 6th | |||
| large undevicesimal minor sixth | |||
|- | |||
| [[32/19]] | |||
| 902.487 | |||
| 19u6 | |||
| inu 6th | |||
| undevicesimal major sixth | |||
|- | |||
| [[19/11]] | |||
| 946.195 | |||
| 19o1u7 | |||
| nolu 7th | |||
| undevicesimal sixth-seventh | |||
|- | |||
| [[34/19]] | |||
| 1007.442 | |||
| 19u17o7 | |||
| nuso 7th | |||
| small undevicesimal minor seventh | |||
|- | |||
| [[38/21]] | |||
| 1026.732 | |||
| 19or7 | |||
| noru 7th | |||
| large undevicesimal minor seventh | |||
|- | |||
| [[36/19]] | |||
| 1106.397 | |||
| 19u7 | |||
| inu 7th | |||
| small undevicesimal major seventh | |||
|- | |||
| [[19/10]] | |||
| 1111.199 | |||
| 19og8 | |||
| nogu 8ve | |||
| large undevicesimal major seventh | |||
|} | |||
== Music == | |||
; [[Domin]] | |||
* [https://www.youtube.com/watch?v=WTo5YihoLqs ''Asuttan''] (2024) | |||
* [https://www.youtube.com/watch?v=OPt3Y9VSliU ''Asuttan Bouta''] (2024) | |||
; [[Joseph Monzo]] | |||
* [https://www.youtube.com/watch?v=it5avwRE8PI ''Theme from Invisible Haircut''] (1990) | |||
[[Category:19-limit| ]] <!-- main article --> |
Latest revision as of 16:23, 20 August 2025
The 19-limit consists of just intonation intervals whose ratios contain no prime factors higher than 19. It is the 8th prime limit and is a superset of the 17-limit and a subset of the 23-limit.
The 19-limit is a rank-8 system, and can be modeled in a 7-dimensional lattice, with the primes 3, 5, 7, 11, 13, 17, and 19 represented by each dimension. The prime 2 does not appear in the typical 19-limit lattice because octave equivalence is presumed. If octave equivalence is not presumed, an eighth dimension is needed.
These things are contained by the 19-limit, but not the 17-limit:
- The 19- and 21-odd-limit;
- Mode 10 and 11 of the harmonic or subharmonic series.
Terminology and notation
Interval categories of HC19 are relatively clear. 19/16 is most commonly considered a minor third, as 1–19/16–3/2 is an important tertian chord (the Functional Just System and Helmholtz–Ellis notation agree). However, 19/16 may act as an augmented second in certain cases. This is more complex on its own but may simplify certain combinations with other intervals, especially if 17/16 is considered an augmented unison and/or if 23/16 is considered an augmented fourth. Perhaps most interestingly, Sagittal notation provides an accidental to enharmonically spell intervals of HC19 this way.
Edo approximation
Here is a list of edos with progressively better tunings for 19-limit intervals (monotonicity limit ≥ 19 and decreasing TE error): 34dh, 38df, 41, 50, 53, 58h, 68, 72, 94, 103h, 111, 121, 130, 140, 152fg, 159, 161, 183, 190g, 193, 212gh, 217, 243e, 270, 311, 400, 422, 460, 525, 581, 742, 935, 954h and so on. For a more comprehensive list, see Sequence of equal temperaments by error.
Here is a list of edos which provides relatively good tunings for 19-limit intervals (TE relative error < 5%): 72, 111, 217, 243e, 270, 282, 311, 354, 364, 373g, 400, 422, 460, 494(h), 525, 540, 581, 597, 624, 643, 653, 692, 718, 742, 764h, 814, 836f, 882, 908, 925, 935, 954h and so on.
- Note: wart notation is used to specify the val chosen for the edo. In the above list, "34dh" means taking the second closest approximations of harmonics 7 and 19.
Intervals
Here are all the 21-odd-limit intervals of 19-limit:
Ratio | Cents Value | Color Name | Interval Name | |
---|---|---|---|---|
20/19 | 88.801 | 19uy1 | nuyo 1son | small undevicesimal semitone |
19/18 | 93.603 | 19o2 | ino 2nd | large undevicesimal semitone |
21/19 | 173.268 | 19uz2 | nuzo 2nd | small undevicesimal whole tone |
19/17 | 192.558 | 19o17u2 | nosu 2nd | large undevicesimal whole tone, quasi-meantone |
22/19 | 253.805 | 19u1o2 | nulo 2nd | undevicesimal second-third |
19/16 | 297.513 | 19o3 | ino 3rd | undevicesimal minor third |
24/19 | 404.442 | 19u3 | inu 3rd | small undevicesimal major third |
19/15 | 409.244 | 19og4 | nogu 4th | large undevicesimal major third |
19/14 | 528.687 | 19or4 | noru 4th | undevicesimal acute fourth |
26/19 | 543.015 | 19u3o4 | nutho 4th | undevicesimal super fourth |
19/13 | 656.985 | 19o3u5 | nothu 5th | undevicesimal subfifth |
28/19 | 671.313 | 19uz5 | nuzo 5th | undevicesimal gravefifth |
30/19 | 790.756 | 19uy5 | nuyo 5th | small undevicesimal minor sixth |
19/12 | 795.558 | 19o6 | ino 6th | large undevicesimal minor sixth |
32/19 | 902.487 | 19u6 | inu 6th | undevicesimal major sixth |
19/11 | 946.195 | 19o1u7 | nolu 7th | undevicesimal sixth-seventh |
34/19 | 1007.442 | 19u17o7 | nuso 7th | small undevicesimal minor seventh |
38/21 | 1026.732 | 19or7 | noru 7th | large undevicesimal minor seventh |
36/19 | 1106.397 | 19u7 | inu 7th | small undevicesimal major seventh |
19/10 | 1111.199 | 19og8 | nogu 8ve | large undevicesimal major seventh |
Music
- Asuttan (2024)
- Asuttan Bouta (2024)
- Theme from Invisible Haircut (1990)