159edo/Interval names and harmonies: Difference between revisions

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| Dt<, Edb<↑
| Dt<, Edb<↑
| This interval...
| This interval...
* Approximates the [[33/32|Al-Farabi Quartertone]]
* Approximates the [[33/32|Al-Farabi Quartertone]], and thus...
:* Functions as the default parachromatic quartertone in Western-Classical-based harmonic functionally, and thus...
::* Can be used more overtly in both melodic and harmonic voice-leading in general, though doing so in Western-Classical-based music requires a proper set-up
::* Cannot occur as the distance between any two notes in a single chord in Western-Classical-based polypedal harmony due to its dissonance
::* Has the potential to move directly back down to the Tonic through a parachromatic motion
::* Has the potential to move away from the Tonic towards either a Contralead or Supertonic harmony through a diatonic or paradiatonic motion
* Is one half of this system's approximation of the Octave-Reduced Seventeenth Harmonic  
* Is one half of this system's approximation of the Octave-Reduced Seventeenth Harmonic  
* Is one fifth of this system's approximation of the Septimal Subminor Third
* Is one fifth of this system's approximation of the Septimal Subminor Third
* Is the closest approximation of 24edo's own Ultraprime in this system
* Is the closest approximation of 22edo's own Minor Second in this system, and thus...
* Can imitate the sound of a record player going in and out of pitch through chord changes, making it potentially useful in Lo-Fi music
:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since the biyatisma is not tempered out
* Is the closest approximation of 24edo's own Ultraprime in this system, and thus...
:* Follows similar interval arithmetic logic in relation to Pythagorean intervals, albeit with caveats, since the rastma is not tempered out
* Is one of the more important intervals for use in tonality-flux-based chord progressions
* Is one of the more important intervals for use in tonality-flux-based chord progressions
* Functions as the default parachromatic quartertone in this system, and thus...
:* Can be used more overtly in both melodic and harmonic voice-leading in general, though doing so in Western-Classical-based music requires a proper set-up
:* Cannot occur as the distance between any two notes in a single chord in Western-Classical-based polypedal harmony due to its dissonance
:* Has the potential to move directly back down to the Tonic through a parachromatic motion
:* Has the potential to move away from the Tonic towards either a Contralead or Supertonic harmony through a diatonic or paradiatonic motion
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| Dt>, Eb↓\
| Dt>, Eb↓\
| This interval...  
| This interval...  
* Approximates the [[28/27|Septimal Subminor Second]]
* Approximates the [[28/27|Septimal Subminor Second]], and thus...
:* Is the narrowest interval that can be used in Western-Classical-based harmony and Neomedieval harmony as a proper leading tone
* Is the closest approximation of the [[19edo]] Augmented Prime found in this system
* Is the closest approximation of the [[19edo]] Augmented Prime found in this system
* Is one third of this system's approximation of the Ptolemaic Major Second
* Is one third of this system's approximation of the Ptolemaic Major Second
* Can be used for tonality-flux-based chord progressions
* Can be used for tonality-flux-based chord progressions
* Is the narrowest interval that can be used in Western-Classical-based harmony and Neomedieval harmony as a proper leading tone
* Is especially useful for voice-leading during modulation.
* Is especially useful for voice-leading during modulation.
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