3L 4s
3L 4s, named mosh in TAMNAMS, is a 2/1-equivalent (octave-equivalent) moment of symmetry scale containing 3 large steps and 4 small steps, repeating every octave. Generators that produce this scale range from 342.9 ¢ to 400 ¢, or from 800 ¢ to 857.1 ¢.
| ↖ 2L 3s | ↑ 3L 3s | 4L 3s ↗ |
| ← 2L 4s | 3L 4s | 4L 4s → |
| ↙ 2L 5s | ↓ 3L 5s | 4L 5s ↘ |
ssLsLsL
Name
TAMNAMS suggests the temperament-agnostic name mosh for this scale, adopted from an older mos naming scheme by Graham Breed. The name is a contraction of "mohajira-ish".
Scale properties
- This article uses TAMNAMS conventions for the names of this scale's intervals and scale degrees. The use of 1-indexed ordinal names is reserved for interval regions.
Intervals
| Intervals | Steps subtended |
Range in cents | ||
|---|---|---|---|---|
| Generic | Specific | Abbrev. | ||
| 0-moshstep | Perfect 0-moshstep | P0moshs | 0 | 0.0 ¢ |
| 1-moshstep | Minor 1-moshstep | m1moshs | s | 0.0 ¢ to 171.4 ¢ |
| Major 1-moshstep | M1moshs | L | 171.4 ¢ to 400.0 ¢ | |
| 2-moshstep | Diminished 2-moshstep | d2moshs | 2s | 0.0 ¢ to 342.9 ¢ |
| Perfect 2-moshstep | P2moshs | L + s | 342.9 ¢ to 400.0 ¢ | |
| 3-moshstep | Minor 3-moshstep | m3moshs | L + 2s | 400.0 ¢ to 514.3 ¢ |
| Major 3-moshstep | M3moshs | 2L + s | 514.3 ¢ to 800.0 ¢ | |
| 4-moshstep | Minor 4-moshstep | m4moshs | L + 3s | 400.0 ¢ to 685.7 ¢ |
| Major 4-moshstep | M4moshs | 2L + 2s | 685.7 ¢ to 800.0 ¢ | |
| 5-moshstep | Perfect 5-moshstep | P5moshs | 2L + 3s | 800.0 ¢ to 857.1 ¢ |
| Augmented 5-moshstep | A5moshs | 3L + 2s | 857.1 ¢ to 1200.0 ¢ | |
| 6-moshstep | Minor 6-moshstep | m6moshs | 2L + 4s | 800.0 ¢ to 1028.6 ¢ |
| Major 6-moshstep | M6moshs | 3L + 3s | 1028.6 ¢ to 1200.0 ¢ | |
| 7-moshstep | Perfect 7-moshstep | P7moshs | 3L + 4s | 1200.0 ¢ |
Generator chain
| Bright gens | Scale degree | Abbrev. |
|---|---|---|
| 9 | Augmented 4-moshdegree | A4moshd |
| 8 | Augmented 2-moshdegree | A2moshd |
| 7 | Augmented 0-moshdegree | A0moshd |
| 6 | Augmented 5-moshdegree | A5moshd |
| 5 | Major 3-moshdegree | M3moshd |
| 4 | Major 1-moshdegree | M1moshd |
| 3 | Major 6-moshdegree | M6moshd |
| 2 | Major 4-moshdegree | M4moshd |
| 1 | Perfect 2-moshdegree | P2moshd |
| 0 | Perfect 0-moshdegree Perfect 7-moshdegree |
P0moshd P7moshd |
| −1 | Perfect 5-moshdegree | P5moshd |
| −2 | Minor 3-moshdegree | m3moshd |
| −3 | Minor 1-moshdegree | m1moshd |
| −4 | Minor 6-moshdegree | m6moshd |
| −5 | Minor 4-moshdegree | m4moshd |
| −6 | Diminished 2-moshdegree | d2moshd |
| −7 | Diminished 7-moshdegree | d7moshd |
| −8 | Diminished 5-moshdegree | d5moshd |
| −9 | Diminished 3-moshdegree | d3moshd |
Modes
| UDP | Cyclic order |
Step pattern |
Scale degree (moshdegree) | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | |||
| 6|0 | 1 | LsLsLss | Perf. | Maj. | Perf. | Maj. | Maj. | Aug. | Maj. | Perf. |
| 5|1 | 3 | LsLssLs | Perf. | Maj. | Perf. | Maj. | Maj. | Perf. | Maj. | Perf. |
| 4|2 | 5 | LssLsLs | Perf. | Maj. | Perf. | Min. | Maj. | Perf. | Maj. | Perf. |
| 3|3 | 7 | sLsLsLs | Perf. | Min. | Perf. | Min. | Maj. | Perf. | Maj. | Perf. |
| 2|4 | 2 | sLsLssL | Perf. | Min. | Perf. | Min. | Maj. | Perf. | Min. | Perf. |
| 1|5 | 4 | sLssLsL | Perf. | Min. | Perf. | Min. | Min. | Perf. | Min. | Perf. |
| 0|6 | 6 | ssLsLsL | Perf. | Min. | Dim. | Min. | Min. | Perf. | Min. | Perf. |
Proposed names
The first set of mode nicknames was coined by Andrew Heathwaite. The other set was coined by CellularAutomaton and follows the diatonic modes' naming convention by using ancient Greek toponyms that sound similar to Heathwaite's names. The third shows which modes are a mixture of which diatonic modes, as discussed in #Theory.
| UDP | Cyclic order |
Step pattern |
Mode names (Heathwaite) |
Mode names (CA) |
Mixed diatonic modes |
|---|---|---|---|---|---|
| 6|0 | 1 | LsLsLss | Dril | Dalmatian | Dorian + Lydian |
| 5|1 | 3 | LsLssLs | Gil | Galatian | Aeolian + Lydian |
| 4|2 | 5 | LssLsLs | Kleeth | Cilician | Aeolian + Ionian |
| 3|3 | 7 | sLsLsLs | Bish | Bithynian | Phrygian + Ionian |
| 2|4 | 2 | sLsLssL | Fish | Pisidian | Phrygian + Mixolydian |
| 1|5 | 4 | sLssLsL | Jwl | Illyrian | Locrian + Mixolydian |
| 0|6 | 6 | ssLsLsL | Led | Lycian | Locrian + Dorian |
Theory
Mosh can be thought of as a midpoint between two diatonic scales which are two cyclic orders away from each other. For example, LsLsLss is the midpoint between LsLLLsL and LLLsLLs. You can prove this by simple addition.
2 1 2 2 2 1 2 (LsLLLsL) + 2 2 2 1 2 2 1 (LLLsLLs) = 4 3 4 3 4 3 3 (LsLsLss) The rest of the equivalencies are listed in #Proposed names.There are two notable harmonic entropy minima: * Neutral third scales, such as dicot, hemififth, and mohajira, in which the generator is a neutral 3rd (around 350 ¢) and two of them make a 3/2 (702 ¢). * Magic, in which the generator is 5/4 (386 ¢) and 5 of them make a 3/1 (1902 ¢).Low harmonic entropy scales
3\10 represents a dividing line between "neutral third scales" on the bottom (eg. 17edo neutral scale), and scales generated by submajor and major thirds at the top, with 10edo standing in between. The neutral third scales, after three more generators, make mos 7L 3s (dicoid); the other scales make mos 3L 7s (sephiroid). In dicoid, the generators are all "neutral thirds," and two of them make an approximation of the "perfect fifth." Additionally, the L of the scale is somewhere around a "whole tone" and the s of the scale is somewhere around a "neutral tone". In sephiroid, the generators are major thirds (including some very flat ones), and two generators are definitely sharp of a perfect fifth. L ranges from a "supermajor second" to a "major third" and s is a "semitone" or smaller.Tuning ranges
Ultrasoft mosh tunings have step ratios that are less than 4:3, which implies a generator flatter than 7\24 = 350 ¢. Ultrasoft mosh can be considered "meantone mosh". This is because the large step is a "meantone" in these tunings, somewhere between near-10/9 (as in 38edo) and near-9/8 (as in 24edo). Ultrasoft mosh edos include 24edo, 31edo, 38edo, and 55edo. * 24edo can be used to make large and small steps more distinct (the step ratio is 4/3), or for its nearly pure 3/2. * 38edo can be used to tune the diminished and perfect mosthirds near 6/5 and 11/9, respectively. These identifications are associated with mohajira temperament. The sizes of the generator, large step and small step of mosh are as follows in various ultrasoft mosh tunings.Ultrasoft
| 24edo (supersoft) | 31edo | 38edo | 55edo | JI intervals represented | |
|---|---|---|---|---|---|
| generator (g) | 7\24, 350.00 | 9\31, 348.39 | 11\38, 347.37 | 16\55, 349.09 | 11/9 |
| L (4g − octave) | 4\24, 200.00 | 5\31, 193.55 | 6\38, 189.47 | 9\55, 196.36 | 9/8, 10/9 |
| s (octave − 3g) | 3\24, 150.00 | 4\31, 154.84 | 5\38, 157.89 | 7\55, 152.72 | 11/10, 12/11 |
Quasisoft
| 17edo (soft) | 27edo (semisoft) | 44edo | JI intervals represented | |
|---|---|---|---|---|
| generator (g) | 5\17, 352.94 | 8\27, 355.56 | 13\44, 354.55 | 16/13, 11/9 |
| L (4g − octave) | 3\17, 211.76 | 5\27, 222.22 | 8\44, 218.18 | 9/8, 8/7 |
| s (octave − 3g) | 2\17, 141.18 | 3\27, 133.33 | 5\44, 137.37 | 12/11, 13/12, 14/13 |
Hypohard
| 10edo (basic) | 13edo (hard) | 23edo (semihard) | |
|---|---|---|---|
| generator (g) | 3\10, 360.00 | 4\13, 369.23 | 7\23, 365.22 |
| L (4g − octave) | 2\10, 240.00 | 3\13, 276.92 | 5\23, 260.87 |
| s (octave − 3g) | 1\10, 120.00 | 1\13, 92.31 | 2\23, 104.35 |
Ultrahard
| 16edo (superhard) | 19edo | 22edo | 41edo | JI intervals represented | |
|---|---|---|---|---|---|
| generator (g) | 5\16, 375.00 | 6\19, 378.95 | 7\22, 381.82 | 13\41, 380.49 | 5/4 |
| L (4g − octave) | 4\16, 300.00 | 5\19, 315.79 | 6\22, 327.27 | 11\41, 321.95 | 6/5 |
| s (octave − 3g) | 1\16, 75.00 | 1\19, 63.16 | 1\22, 54.54 | 2\41, 58.54 | 25/24 |
Scales
Scale tree
| Generator(edo) | Cents | Step ratio | Comments | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Bright | Dark | L:s | Hardness | |||||||
| 2\7 | 342.857 | 857.143 | 1:1 | 1.000 | Equalized 3L 4s | |||||
| 11\38 | 347.368 | 852.632 | 6:5 | 1.200 | Mohaha / ptolemy ↑ | |||||
| 9\31 | 348.387 | 851.613 | 5:4 | 1.250 | Mohaha / migration / mohajira | |||||
| 16\55 | 349.091 | 850.909 | 9:7 | 1.286 | ||||||
| 7\24 | 350.000 | 850.000 | 4:3 | 1.333 | Supersoft 3L 4s | |||||
| 19\65 | 350.769 | 849.231 | 11:8 | 1.375 | Mohaha / mohamaq | |||||
| 12\41 | 351.220 | 848.780 | 7:5 | 1.400 | Mohaha / neutrominant | |||||
| 17\58 | 351.724 | 848.276 | 10:7 | 1.429 | Hemif / hemififths | |||||
| 5\17 | 352.941 | 847.059 | 3:2 | 1.500 | Soft 3L 4s | |||||
| 18\61 | 354.098 | 845.902 | 11:7 | 1.571 | Suhajira | |||||
| 13\44 | 354.545 | 845.455 | 8:5 | 1.600 | ||||||
| 21\71 | 354.930 | 845.070 | 13:8 | 1.625 | Golden suhajira (354.8232 ¢) | |||||
| 8\27 | 355.556 | 844.444 | 5:3 | 1.667 | Semisoft 3L 4s Suhajira / ringo | |||||
| 19\64 | 356.250 | 843.750 | 12:7 | 1.714 | Beatles | |||||
| 11\37 | 356.757 | 843.243 | 7:4 | 1.750 | ||||||
| 14\47 | 357.447 | 842.553 | 9:5 | 1.800 | ||||||
| 3\10 | 360.000 | 840.000 | 2:1 | 2.000 | Basic 3L 4s Scales with tunings softer than this are proper | |||||
| 13\43 | 362.791 | 837.209 | 9:4 | 2.250 | ||||||
| 10\33 | 363.636 | 836.364 | 7:3 | 2.333 | ||||||
| 17\56 | 364.286 | 835.714 | 12:5 | 2.400 | ||||||
| 7\23 | 365.217 | 834.783 | 5:2 | 2.500 | Semihard 3L 4s | |||||
| 18\59 | 366.102 | 833.898 | 13:5 | 2.600 | Unnamed golden tuning (366.2564 ¢) | |||||
| 11\36 | 366.667 | 833.333 | 8:3 | 2.667 | ||||||
| 15\49 | 367.347 | 832.653 | 11:4 | 2.750 | ||||||
| 4\13 | 369.231 | 830.769 | 3:1 | 3.000 | Hard 3L 4s | |||||
| 13\42 | 371.429 | 828.571 | 10:3 | 3.333 | ||||||
| 9\29 | 372.414 | 827.586 | 7:2 | 3.500 | Sephiroth | |||||
| 14\45 | 373.333 | 826.667 | 11:3 | 3.667 | ||||||
| 5\16 | 375.000 | 825.000 | 4:1 | 4.000 | Superhard 3L 4s | |||||
| 11\35 | 377.143 | 822.857 | 9:2 | 4.500 | Muggles | |||||
| 6\19 | 378.947 | 821.053 | 5:1 | 5.000 | Magic | |||||
| 7\22 | 381.818 | 818.182 | 6:1 | 6.000 | Würschmidt ↓ | |||||
| 1\3 | 400.000 | 800.000 | 1:0 | → ∞ | Collapsed 3L 4s | |||||