159edo/Interval names and harmonies: Difference between revisions
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| Lesser Supraminor Second, Tendoretromean Augmented Prime | | Lesser Supraminor Second, Tendoretromean Augmented Prime | ||
| Ed>↓, D#↑\ | | Ed>↓, D#↑\ | ||
| In addition to its properties as a type of | | In addition to its properties as a type of supraminor second, this interval is also one third of a Ptolemaic Major Third in this system and is thus used accordingly. | ||
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| 18 | | 18 | ||
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| Greater Supraminor Second, Diptolemaic Limma, Retroptolemaic Augmented Prime | | Greater Supraminor Second, Diptolemaic Limma, Retroptolemaic Augmented Prime | ||
| Ed<\, Eb↑↑, D#↑ | | Ed<\, Eb↑↑, D#↑ | ||
| This interval is not only both two thirds of Pythagorean Major Second and the approximation of the Large Limma or Diptolemaic Limma in this system, but also a type of | | This interval is not only both two thirds of Pythagorean Major Second and the approximation of the Large Limma or Diptolemaic Limma in this system, but also a type of supraminor second, and is thus used accordingly. | ||
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| 19 | | 19 | ||
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| Artoneutral Second, Lesser Super-Augmented Prime | | Artoneutral Second, Lesser Super-Augmented Prime | ||
| Ed<, Dt#<↓ | | Ed<, Dt#<↓ | ||
| As one of two | | As one of two neutral seconds in this system, this interval is notable for being half of the approximation of the Neo-Gothic Minor Third, though it is also sometimes used in much the same way as 24edo's own Neutral Second. | ||
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| 20 | | 20 | ||
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| Tendoneutral Second, Greater Super-Augmented Prime | | Tendoneutral Second, Greater Super-Augmented Prime | ||
| Ed>, Dt#>↓ | | Ed>, Dt#>↓ | ||
| As one of two | | As one of two neutral seconds in this system, this interval is the one that most closely resembles the [[low-complexity JI]] neutral second, and thus, it is frequently used in much the same way as 24edo's own Neutral Second. | ||
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| 21 | | 21 | ||
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| Greater Submajor Second, Ultra-Augmented Prime | | Greater Submajor Second, Ultra-Augmented Prime | ||
| Ed<↑, Dt#<, Fb↓/ | | Ed<↑, Dt#<, Fb↓/ | ||
| In addition to its properties as the interval that most closely resembles the | | In addition to its properties as the interval that most closely resembles the Undecimal Submajor Second, this interval serves as both the Ultra-Augmented Prime and as one third of a Perfect Fourth, and is used accordingly. | ||
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| 23 | | 23 | ||
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| Greater Subminor Third | | Greater Subminor Third | ||
| F↓, Et>/, E#↓↓, Gbb | | F↓, Et>/, E#↓↓, Gbb | ||
| This interval can be interpreted as a type of third on the basis of it approximating result of subtracting a syntonic comma from a Pythagorean Minor Third; however, it most frequently appears in approximations of [[5-limit]] Harmonic scales as the interval between the Ptolemaic Minor Sixth and the Ptolemaic Major Seventh, making it double as a type of augmented second. | | This interval can be interpreted as a type of third on the basis of it approximating the result of subtracting a syntonic comma from a Pythagorean Minor Third; however, it most frequently appears in approximations of [[5-limit]] Harmonic scales as the interval between the Ptolemaic Minor Sixth and the Ptolemaic Major Seventh, making it double as a type of augmented second. | ||
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| 37 | | 37 | ||
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| RKm3, kn3 | | RKm3, kn3 | ||
| Wide Minor Third | | Wide Minor Third | ||
| Ft<↓, F↑/ | | Ft<↓, F↑/, Gdb< | ||
| The main thing of note concerning this interval is that two of these add up to this system's approximation of the Paraminor Fifth. | | The main thing of note concerning this interval is that two of these add up to this system's approximation of the Paraminor Fifth. | ||
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| Line 545: | Line 545: | ||
| ? | | ? | ||
| 144/119, 165/136 | | 144/119, 165/136 | ||
| | | kN3 | ||
| | | Lesser Supraminor Third | ||
| | | Ft>↓, Gdb> | ||
| | | This interval is mainly of interest due to the fact that it's exactly twice the size of it's fourth complement- the approximation of the Undecimal Submajor Second- and its interesting properties as a type of supraminor third. | ||
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| 45 | | 45 | ||
| Line 557: | Line 557: | ||
| [[39/32]] | | [[39/32]] | ||
| [[17/14]] | | [[17/14]] | ||
| | | KKm3, rn3 | ||
| | | Greater Supraminor Third | ||
| | | Ft<\, F↑↑, Gb↓↓ | ||
| | | This interval is of interest because not only does it have 13-limit interpretations, but it also has usage as a 17-odd-limit interval, and all while being easily reached by stacking three Ptolemaic Minor Seconds. | ||
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| 46 | | 46 | ||
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| ? | | ? | ||
| ? | | ? | ||
| | | n3 | ||
| | | Artoneutral Third | ||
| | | Ft< | ||
| | | As one of two neutral thirds in this system, this interval is the one that most closely resembles the [[low-complexity JI]] neutral third, and thus, it is frequently used in much the same way as 24edo's own Neutral Third; on top of that, it can be stacked in interesting ways in this system. | ||
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| 47 | | 47 | ||
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| ? | | ? | ||
| ? | | ? | ||
| | | N3 | ||
| | | Tendoneutral Third | ||
| | | Ft> | ||
| | | As one of two neutral seconds in this system, this interval is notable for being one half of a possible generator for this system's superpyth diatonic scale. | ||
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| 48 | | 48 | ||
| Line 593: | Line 593: | ||
| '''[[16/13]]''' | | '''[[16/13]]''' | ||
| [[21/17]] | | [[21/17]] | ||
| | | kkM3, RN3 | ||
| | | Lesser Submajor Third | ||
| | | Ft>/, F#↓↓, Gb↓ | ||
| | | As both the approximation of the octave-reduced thirteenth subharmonic, and ostensibly one of the easiest 13-limit thirds to utilize in chords framed by some type of sharp wolf fifth, this interval is used accordingly. | ||
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| 49 | | 49 | ||
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| ? | | ? | ||
| 68/55 | | 68/55 | ||
| | | Kn3 | ||
| | | Greater Submajor Third | ||
| | | Ft<↑, Gb↓/ | ||
| | | In addition to its properties as a type of submajor third, this interval is also one third of a Pythagorean Major Seventh in this system and is thus used accordingly. | ||
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| 50 | | 50 | ||