User:BudjarnLambeth/Draft related tunings section
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The guidelines
These are draft guidelines for what a standard "related tunings"-type section should look like on edo pages, using 36edo as an example.
- Useful links for working on this
- Temperament Calculator by Sintel (calculates WE & TE)
- x31eq Temperament Finder by Graham Breed (calculates TE)
- Which tunings should be listed for any given edo
- The edo's pure-octaves tuning
- 1 to 3 nearby edonoi (eg an edt, an edf, an ed5, an ed7, an ed4/3, anything like that)
- 1 to 2 nearby ZPIs (or any other "infinite harmonics" optimised tuning other than ZPI)
- 1 to 2 subgroup TE- or WE-optimal tunings, based on the best choice(s) of subgroup for the edo
- 1 other equal tuning of any kind at all (optional)
Additional guidelines for selecting tunings:
- In total, 3 to 8 tunings should be listed.
- The selection of tunings should cover a range of meaningfully different tunings (eg with a range of different mappings).
- Further instructions
- Adding the comparison table at the end is optional.
- The number of decimal places to use in the comparison table is up to the user's discretion, as long as it is self-consistent within the table.
- Where this section should be placed on an edo page
- Synopsis & infobox
- (Any foundational introductory subsections)
- Theory
- Harmonics
- (Any short subsections about theory unique to the edo)
- Additional properties
- Subsets and supersets
- Interval table
- Notation
- (Any long subsections about theory unique to the edo)
- Approximation to JI
- Regular temperament properties
- Uniform maps
- Commas
- Rank-2 temperaments
- OCTAVE STRETCH OR COMPRESSION
- Scales
- (Any subsections about practice unique to the edo)
- Instruments
- Music
- See also
- Notes
- Further reading
- External links
Note: This particular set of headings in this order is only how most edo pages look at the moment, but it might be replaced with a more intuitive standard in the future. If and when that happens, this guideline should be modified to adopt that new standard.
Example (36edo)
Octave stretch or compression
What follows is a comparison of stretched- and compressed-octave 36edo tunings.
- Step size: 33.426 ¢, octave size: 1203.351 ¢
Stretching the octave of 36edo by a little over 3 ¢ results in improved primes 5, 11, and 13, but worse primes 2, 3, and 7. This approximates all harmonics up to 16 within 13.4 ¢. The tuning 21edf does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +3.4 | +3.4 | +6.7 | -11.9 | +6.7 | +7.2 | +10.1 | +6.7 | -8.6 | -6.4 | +10.1 |
Relative (%) | +10.0 | +10.0 | +20.1 | -35.7 | +20.1 | +21.7 | +30.1 | +20.1 | -25.6 | -19.3 | +30.1 | |
Steps (reduced) |
36 (15) |
57 (15) |
72 (9) |
83 (20) |
93 (9) |
101 (17) |
108 (3) |
114 (9) |
119 (14) |
124 (19) |
129 (3) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +5.2 | +10.6 | -8.6 | +13.4 | +8.7 | +10.1 | -16.7 | -5.2 | +10.6 | -3.1 | -13.2 | +13.4 |
Relative (%) | +15.5 | +31.7 | -25.6 | +40.1 | +26.1 | +30.1 | -49.9 | -15.6 | +31.7 | -9.2 | -39.5 | +40.1 | |
Steps (reduced) |
133 (7) |
137 (11) |
140 (14) |
144 (18) |
147 (0) |
150 (3) |
152 (5) |
155 (8) |
158 (11) |
160 (13) |
162 (15) |
165 (18) |
- Step size: 33.368 ¢, octave size: 1201.235 ¢
If one intends to use both 36edo's vals for 5/1 at once, stretching the octave of 36edo by about 1 ¢ optimises 36edo for that dual-5 usage, while also making slight improvements to primes 3, 7, 11, and 13. This approximates all harmonics up to 16 within 16.6 ¢. Several almost-identical tunings do this: 57edt, 93ed6, 101ed7, 155zpi, and the 2.3.7.13-subgroup TE and WE tunings of 36et.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +1.2 | +0.0 | +2.5 | +16.6 | +1.2 | +1.3 | +3.7 | +0.0 | -15.6 | -13.7 | +2.5 |
Relative (%) | +3.7 | +0.0 | +7.4 | +49.7 | +3.7 | +3.9 | +11.1 | +0.0 | -46.6 | -41.2 | +7.4 | |
Steps (reduced) |
36 (36) |
57 (0) |
72 (15) |
84 (27) |
93 (36) |
101 (44) |
108 (51) |
114 (0) |
119 (5) |
124 (10) |
129 (15) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -2.6 | +2.5 | +16.6 | +4.9 | +0.1 | +1.2 | +7.7 | -14.3 | +1.3 | -12.5 | +10.6 | +3.7 |
Relative (%) | -7.9 | +7.6 | +49.7 | +14.8 | +0.3 | +3.7 | +23.2 | -42.9 | +3.9 | -37.5 | +31.9 | +11.1 | |
Steps (reduced) |
133 (19) |
137 (23) |
141 (27) |
144 (30) |
147 (33) |
150 (36) |
153 (39) |
155 (41) |
158 (44) |
160 (46) |
163 (49) |
165 (51) |
- 36edo
- Step size: 33.333 ¢, octave size: 1200.000 ¢
Pure-octaves 36edo approximates all harmonics up to 16 within 15.3 ¢.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | -2.2 | +0.0 | -3.9 | +13.7 | +15.3 | -2.0 |
Relative (%) | +0.0 | -5.9 | +0.0 | +41.1 | -5.9 | -6.5 | +0.0 | -11.7 | +41.1 | +46.0 | -5.9 | |
Steps (reduced) |
36 (0) |
57 (21) |
72 (0) |
84 (12) |
93 (21) |
101 (29) |
108 (0) |
114 (6) |
120 (12) |
125 (17) |
129 (21) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -7.2 | -2.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | -4.1 | +15.3 | +5.1 | -2.0 |
Relative (%) | -21.6 | -6.5 | +35.2 | +0.0 | -14.9 | -11.7 | +7.5 | +41.1 | -12.3 | +46.0 | +15.2 | -5.9 | |
Steps (reduced) |
133 (25) |
137 (29) |
141 (33) |
144 (0) |
147 (3) |
150 (6) |
153 (9) |
156 (12) |
158 (14) |
161 (17) |
163 (19) |
165 (21) |
- Step size: 33.304 ¢, octave size: 1198.929 ¢
Compressing the octave of 36edo by about 2 ¢ results in much improved primes 5 and 11, but much worse primes 7 and 13. This approximates all harmonics up to 16 within 11.6 ¢. The 11- and 13-limit TE tunings of 36et both do this, as do their respective WE tunings.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -1.1 | -3.7 | -2.1 | +11.2 | -4.7 | -5.2 | -3.2 | -7.3 | +10.1 | +11.6 | -5.8 |
Relative (%) | -3.2 | -11.0 | -6.4 | +33.6 | -14.2 | -15.5 | -9.6 | -21.9 | +30.4 | +34.9 | -17.4 | |
Step | 36 | 57 | 72 | 84 | 93 | 101 | 108 | 114 | 120 | 125 | 129 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -11.1 | -6.2 | +7.5 | -4.3 | -9.3 | -8.4 | -2.1 | +9.0 | -8.8 | +10.6 | +0.2 | -6.9 |
Relative (%) | -33.5 | -18.7 | +22.6 | -12.9 | -28.0 | -25.1 | -6.2 | +27.2 | -26.5 | +31.7 | +0.6 | -20.6 | |
Step | 133 | 137 | 141 | 144 | 147 | 150 | 153 | 156 | 158 | 161 | 163 | 165 |
Tuning | Octave size (cents) |
Prime error (cents) | Mapping of primes 2–13 (steps) | |||||
---|---|---|---|---|---|---|---|---|
2 | 3 | 5 | 7 | 11 | 13 | |||
21edf | 1203.351 | +3.3 | +3.3 | −12.0 | +7.2 | −6.5 | +5.1 | 36, 57, 83, 101, 124, 133 |
57edt | 1201.235 | +1.2 | 0.0 | +16.6 | +1.3 | −13.7 | −2.6 | 36, 57, 84, 101, 124, 133 |
155zpi | 1200.587 | +0.6 | −1.0 | +15.1 | −0.5 | −16.0 | −5.0 | 36, 57, 83, 101, 124, 133 |
36edo | 1200.000 | 0.0 | −2.0 | +13.7 | −2.2 | +15.3 | −7.2 | 36, 57, 84, 101, 125, 133 |
13-limit TE | 1198.929 | −1.1 | −3.7 | +11.2 | −5.2 | +11.6 | −11.1 | 36, 57, 84, 101, 125, 133 |
11-limit TE | 1198.330 | −1.7 | −4.6 | +9.8 | −6.8 | +9.5 | −13.4 | 36, 57, 84, 101, 125, 133 |
Blank template
Octave stretch or compression
What follows is a comparison of stretched- and compressed-octave EDONAME tunings.
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning ZPINAME does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning EDONOI does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Steps (reduced) |
12 (0) |
19 (7) |
24 (0) |
28 (4) |
31 (7) |
34 (10) |
36 (0) |
38 (2) |
40 (4) |
42 (6) |
43 (7) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Steps (reduced) |
44 (8) |
46 (10) |
47 (11) |
48 (0) |
49 (1) |
50 (2) |
51 (3) |
52 (4) |
53 (5) |
54 (6) |
54 (6) |
55 (7) |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. Its SUBGROUP WE tuning and SUBGROUP TE tuning both do this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- EDONAME
- Step size: NNN ¢, octave size: NNN ¢
Pure-octaves EDONAME approximates all harmonics up to 16 within NNN ¢.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Steps (reduced) |
12 (0) |
19 (7) |
24 (0) |
28 (4) |
31 (7) |
34 (10) |
36 (0) |
38 (2) |
40 (4) |
42 (6) |
43 (7) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Steps (reduced) |
44 (8) |
46 (10) |
47 (11) |
48 (0) |
49 (1) |
50 (2) |
51 (3) |
52 (4) |
53 (5) |
54 (6) |
54 (6) |
55 (7) |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. Its SUBGROUP WE tuning and SUBGROUP TE tuning both do this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning EDONOI does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Steps (reduced) |
12 (0) |
19 (7) |
24 (0) |
28 (4) |
31 (7) |
34 (10) |
36 (0) |
38 (2) |
40 (4) |
42 (6) |
43 (7) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Steps (reduced) |
44 (8) |
46 (10) |
47 (11) |
48 (0) |
49 (1) |
50 (2) |
51 (3) |
52 (4) |
53 (5) |
54 (6) |
54 (6) |
55 (7) |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning ZPINAME does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
Plan for roll-out
Edo pages which currently have an "octave stretch", "related tunings", "zeta properties", etc. section:
--
- High priority pages: 19, 22, 27, 31, 41, 58, 72 edos.
- Medium-high priority pages: 8, 13, 14, 16, 23, 60, 99 edos.
- Low-medium priority pages: 32, 33, 39, 42, 45, 54, 59, 64, 103, 118, 152 edos.
- Low priority pages: 111, 125, 145, 159, 166, 182, 198, 212, 243, 247 edos.
- This standard will need to be rolled out to those above pages.
It can optionally be rolled out to other edo pages later.
- Things to note
- When rolling it out try not to delete existing body text but instead rework it where possible.
- This section will not replace any "n-edo and octave stretch" pages. Still, add this section to the relevant edo page, but also link to the "n-edo and octave stretch" page at the top of this section, using the see also Template, eg: "{{See also|36edo and octave stretch}}".
Possible tunings to be used on each page
You can remove some of these or add more that aren't listed here; this section is pretty much just brainstorming.
(Used https://x31eq.com/temper-pyscript/net.html, used WE instead of TE cause it kept defaulting to WE and I kept not remembering to switch it)
- High-priority
19edo
- 49ed6
- 30ed3
- 2.3.5.11 WE (63.192c)
- 13-limit WE (63.291c)
- 65zpi (63.331c)
22edo
- 1ed54.5c
- 11-limit WE (54.494c)
- 13-limit WE (54.546c)
- 80zpi (54.483c)
27edo
- 43edt
- 70ed6
- 90ed10
- 97ed12
- 7-limit WE (44.306c)
- 13-limit WE (44.375c)
- 105zpi (44.674c)
- 106zpi (44.302c)
31edo
- 80ed6
- 111ed12
- 25ed7/4 (replaces 229ed169)
- 11-limit WE (38.748c)
- 13-limit WE (38.725c)
- 127zpi (38.737c)
41edo
- 65edt
- 106ed6
- 147ed12
- 11-limit WE (29.277c)
- 13-limit WE (29.267c)
- 184zpi (29.277c)
58edo
- 92edt
- 150ed6
- 7-limit WE (20.667c)
- 13-limit WE (20.663c)
- 288zpi (20.736c)
- 289zpi (20.666c)
72edo
- 144edt
- 186ed6
- 11-limit WE ( 16.677c)
- 13-limit WE (16.680c)
- 380zpi (16.678c)
- Medium-high priority
8edo
- 29ed12
- No-7s 17-limit WE (147.895c)
- No-7s 19-limit WE (148.148c)
- 18zpi (153.463c)
- 19zpi (147.467c)
13edo
- 2.5.11.13 WE (92.483c)
- 2.5.7.13 WE (92.804c)
- 2.3 WE (91.405c) (good for opposite 7 mapping)
- 38zpi (92.531c)
14edo
- 22edt
- 36ed6
- 11-limit WE (85.842c)
- 13-limit WE (85.759c)
- 42zpi (86.329c)
16edo
- 25edt
- 41ed6
- 57ed12
- 2.5.7.13 WE (75.105c)
- 13-limit WE (75.315c)
- 15zpi (75.262c)
23edo (too many edonoi, too many ZPIs)
- Main: "23edo and octave stretching"
- 36edt
- 59ed6
- 60ed6
- 68ed8
- 11ed7/5
- 1ed33/32
- 2.3.5.13 WE (52.447c)
- 2.7.11 WE (51.962c)
- 13-limit WE (52.237c)
- 83zpi (53.105c)
- 84zpi (52.615c)
- 85zpi (52.114c)
- 86zpi ( 51.653c)
- 87zpi (51.201c)
60edo (too many edonoi, too many zpis)
- 95edt
- 139ed5
- 155ed6
- 208ed11
- 255ed19
- 272ed23 (great for catnip temperament)
- 13-limit WE (20.013c)
- 299zpi (20.128c)
- 300zpi (20.093c)
- 301zpi (20.027c)
- 302zpi (19.962c)
- 303zpi (19.913c)
- 304zpi (19.869c)
99edo
- 157edt
- 256ed6
- 7-limit WE (12.117c)
- 13-limit WE (12.123c)
- 567zpi (12.138c)
- 568zpi (12.115c)
- Low-medium priority
32edo (too many edonoi, too many zpis)
- 90ed7
- 51edt
- 75ed5
- 1ed46/45
- 11-limit WE (37.453c)
- 13-limit WE (37.481c)
- 131zpi (37.862c)
- 132zpi (37.662c)
- 133zpi (37.418c)
- 134zpi (37.176c)
33edo (too many edonoi)
- 76ed5
- 92ed7
- 52edt
- 1ed47/46
- 114ed11
- 122ed13
- 93ed7
- 23edPhi
- 77ed5
- 123ed13
- 115ed11
- 11-limit WE (36.349c)
- 13-limit WE (36.357c)
- 137zpi (36.628c)
- 138zpi (36.394c)
- 139zpi (36.179c)
39edo
- 62edt
- 101ed6
- 18ed11/8
- 2.3.5.11 WE (30.703c)
- 2.3.7.11.13 WE (30.787c)
- 13-limit WE (30.757c)
- 171zpi (30.973c)
- 172zpi (30.836c)
- 173zpi (30.672c)
42edo
- 42ed257/128 (replace w something similar but simpler)
- AS123/121 (1ed123/121)
- 11ed6/5
- 34ed7/4
- 7-limit WE (28.484c)
- 13-limit WE (28.534c)
- 189zpi (28.689c)
- 190zpi (28.572c)
- 191zpi (28.444c)
45edo
- 126ed7
- 13ed11/9
- 7-limit WE (26.745c)
- 13-limit WE (26.695c)
- 207zpi (26.762)
- 208zpi (26.646)
- 209zpi (26.550)
54edo
- 86edt
- 126ed5
- 152ed7
- 38ed5/3
- 40ed5/3
- 2.3.7.11.13 WE (22.180c)
- 13-limit WE (22.198c)
- 262zpi (22.313c)
- 263zpi (22.243c)
- 264zpi (22.175c)
59edo (too many ZPIs)
- 93edt
- 166ed7
- 203ed11
- 7-limit WE (20.301c)
- 11-limit WE (20.310c)
- 13-limit WE (20.320c)
- 293zpi (20.454c)
- 294zpi (20.399c)
- 295zpi (20.342c)
- 296zpi (20.282c)
- 297zpi (20.229c)
64edo (too many ZPIs, too many edonoi)
- 149ed5
- 180ed7
- 222ed11
- 47ed5/3
- 11-limit WE (18.755c)
- 13-limit WE (18.752c)
- 325zpi (18.868c)
- 326zpi (18.816c)
- 327zpi (18.767c)
- 328zpi (18.721c)
- 329zpi (18.672c)
- 330zpi (18.630c)
103edo (too many edonoi)
- 163edt
- 239ed5
- 289ed7
- 356ed11
- 381ed13
- 421ed17
- 466ed23
- 13-limit WE (11.658c)
- Best nearby ZPI(s)
118edo
- 187edt
- 69edf
- 13-limit WE (10.171c)
- Best nearby ZPI(s)
152edo
- 241edt
- 13-limit WE ( 7.894c)
- Best nearby ZPI(s)
- Low priority
(add brainstorm list here)