TAMNAMS: Difference between revisions

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| [[1L 7s]] || antipine || apine- || apine || || opposite pattern of pine

|-

| [[2L 6s]] || ~~antiekic~~ || ~~anek~~- || ~~anek~~ || antetric mos with 2 periods per octave || ~~opposite pattern~~ of ~~ekic~~

| [[2L 6s]] || subaric || subar- || subar || antetric mos with 2 periods per octave || largest subset mos of jaric and taric

|-

| [[3L 5s]] || checkertonic || check- || chk || || from the [[Kite Giedraitis's Categorizations of 41edo Scales|Kite guitar checkerboard scale]]

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==== Onyx (1L 6s) ====

"1Ln-ic's" and "nL1-ic's (like, the -ic suffix applied to MOSS names, collectivised for 1Lns and nL1s) sounds like "one-el-en-ics" or "en-el-one-ics" which abbreviated sort of sounds like "one-ics" => "onyx". Then "onyx" sounds sort of like "one-six". Furthermore the onyx mineral comes in many colours and types, which seems fitting given this is the parent scale for a wide variety of MOSSes; specifically of interest being 7L 1s (pine), 8L 1s (subneutralic) and 9L 1s (sinatonic). Finally, the name "onyx" is also supposed to be vaguely reminiscent of "anti-archaeotonic" as "chi" (the greek letter) is written like an "x" (this is related to why "christmas" is abbreviated sometimes as "X-mas") and other than that, the letters "o" and "n" and their sounds are also present in "archaeotonic", and "x" is vaguely reminiscent of negation and multiplication. There is also something like a "y" sound in "archaeotonic" in the "aeo" part (depending partially on your pronounciation).

==== Subaric (2L 6s) ====

This name alludes to the fact that 2L 6s is the largest proper '''sub'''set mos of both j'''aric''' (2L 8s) and t'''aric''' (8L 2s).

==== Jaric (2L 8s) ====

This name alludes to a few highly notable and generally inaccurate (with the exception of diaschismic) temperaments that exist in the tuning range of this MOSS. Specifically, notice how the letters and sound of "jaric" has (or is intended to have) a lot of overlap with [[pajara]], [[diaschismic]] and [[injera]] (listed in order of increasingly sharp fourths; note that diatonic fourths and 4-jarasteps are equated in jaric, a notable property).

@@ Line 326: / Line 326: @@
 | [[1L 7s]] || antipine || apine- || apine || || opposite pattern of pine
 |-
-| [[2L 6s]] || antiekic || anek- || anek || antetric mos with 2 periods per octave || opposite pattern of ekic
+| [[2L 6s]] || subaric || subar- || subar || antetric mos with 2 periods per octave || largest subset mos of jaric and taric
 |-
 | [[3L 5s]] || checkertonic || check- || chk || || from the [[Kite Giedraitis's Categorizations of 41edo Scales|Kite guitar checkerboard scale]]
@@ Line 405: / Line 405: @@
 ==== Onyx (1L 6s) ====
 "1Ln-ic's" and "nL1-ic's (like, the -ic suffix applied to MOSS names, collectivised for 1Lns and nL1s) sounds like "one-el-en-ics" or "en-el-one-ics" which abbreviated sort of sounds like "one-ics" => "onyx". Then "onyx" sounds sort of like "one-six". Furthermore the onyx mineral comes in many colours and types, which seems fitting given this is the parent scale for a wide variety of MOSSes; specifically of interest being 7L 1s (pine), 8L 1s (subneutralic) and 9L 1s (sinatonic). Finally, the name "onyx" is also supposed to be vaguely reminiscent of "anti-archaeotonic" as "chi" (the greek letter) is written like an "x" (this is related to why "christmas" is abbreviated sometimes as "X-mas") and other than that, the letters "o" and "n" and their sounds are also present in "archaeotonic", and "x" is vaguely reminiscent of negation and multiplication. There is also something like a "y" sound in "archaeotonic" in the "aeo" part (depending partially on your pronounciation).
+==== Subaric (2L 6s) ====
+This name alludes to the fact that 2L 6s is the largest proper '''sub'''set mos of both j'''aric''' (2L 8s) and t'''aric''' (8L 2s).
 ==== Jaric (2L 8s) ====
 This name alludes to a few highly notable and generally inaccurate (with the exception of diaschismic) temperaments that exist in the tuning range of this MOSS. Specifically, notice how the letters and sound of "jaric" has (or is intended to have) a lot of overlap with [[pajara]], [[diaschismic]] and [[injera]] (listed in order of increasingly sharp fourths; note that diatonic fourths and 4-jarasteps are equated in jaric, a notable property).