User:BudjarnLambeth/Quasipelog theory: Difference between revisions
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* Inharmonic bells | * Inharmonic bells | ||
* Inharmonic synth timbres (eg from an additive synth) with a 'metallic' or 'bell-like' sound | * Inharmonic synth timbres (eg from an additive synth) with a 'metallic' or 'bell-like' sound | ||
* Inharmonic plastic-like timbres | |||
* Human voices with a 'thin', 'reedy' tone | * Human voices with a 'thin', 'reedy' tone | ||
* Woodwinds with a 'thin', 'reedy' tone | * Woodwinds with a 'thin', 'reedy' tone | ||
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=== Quasipelog minor === | === Quasipelog minor === | ||
'''Quasipelog minor''' is defined as mode ssLsL of the [[mavila]][5] [[MOS scale]]. | '''Quasipelog minor''' is defined as mode ssLsL of the [[mavila]][5] [[MOS scale]]. It has a gestalt (feeling) similar to the natural minor scale. | ||
=== Quasipelog major === | === Quasipelog major === | ||
'''Quasipelog major''' is defined as mode LssLs of the mavila[5] MOS scale. | '''Quasipelog major''' is defined as mode LssLs of the mavila[5] MOS scale. It has a gestalt similar to mixolydian. | ||
=== Quasipelog heptatonic === | === Quasipelog heptatonic === | ||
'''Quasipelog heptatonic''' is defined as mode ssLssLs of the mavila[7] MOS scale. | '''Quasipelog heptatonic''' is defined as mode ssLssLs of the mavila[7] MOS scale. It has a gestalt similar to phrygian. | ||
=== Quasipelog chromatic === | === Quasipelog chromatic === | ||
'''Quasipelog chromatic''' is defined the mavila[16] MOS scale made from stacking 7 fifths up and 8 fifths down (or, 8 fourths up and 7 fourths down). | '''Quasipelog chromatic''' is defined the mavila[16] MOS scale made from stacking 7 fifths up and 8 fifths down (or, 8 fourths up and 7 fourths down). | ||
It has a gestalt similar to the chromatic scale. | |||
One step of the quasipelog chromatic scale is called a '''QPC step'''. | One step of the quasipelog chromatic scale is called a '''QPC step'''. | ||
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<pre> | <pre> | ||
Quasipelog minor -2+3++6 | Quasipelog minor -2+3-5++6 | ||
Gestalt: diminished-like | |||
1\16 | 1\16 | ||
5\16 | 5\16 | ||
| Line 317: | Line 321: | ||
9\30 | 9\30 | ||
14\30 | 14\30 | ||
25\30 | |||
30\30 | |||
''(mode 4 thereof)'' | |||
5\16 | |||
8\16 | |||
9\16 | |||
13\16 | |||
16\16 | |||
8\23 | |||
12\23 | |||
13\23 | |||
19\23 | |||
23\23 | |||
11\30 | |||
16\30 | |||
17\30 | |||
25\30 | |||
30\30 | |||
Quasipelog minor -2+3++6 | |||
Gestalt: diminished-like | |||
1\16 | |||
5\16 | |||
9\16 | |||
13\16 | |||
16\16 | |||
1\23 | |||
7\23 | |||
13\23 | |||
19\23 | |||
23\23 | |||
1\30 | |||
9\30 | |||
17\30 | |||
25\30 | 25\30 | ||
30\30 | 30\30 | ||
Quasipelog minor-2-5 | Quasipelog minor-2-5 | ||
Gestalt: whole tone scale-like | |||
1\16 | 1\16 | ||
4\16 | 4\16 | ||
| Line 340: | Line 384: | ||
Quasipelog minor+2 | Quasipelog minor+2 | ||
Gestalt: hirajoshi-like | |||
3\16 | 3\16 | ||
4\16 | 4\16 | ||
| Line 356: | Line 401: | ||
17\30 | 17\30 | ||
21\30 | 21\30 | ||
30\30 | |||
Quasipelog minor +2++3-6 | |||
Gestalt: kokin-joshi-like | |||
3\16 | |||
6\16 | |||
9\16 | |||
10\16 | |||
16\16 | |||
4\23 | |||
9\23 | |||
13\23 | |||
14\23 | |||
23\23 | |||
5\30 | |||
12\30 | |||
17\30 | |||
18\30 | |||
30\30 | |||
Quasipelog minor +2+3++6 | |||
Gestalt: mixolydian-like | |||
3\16 | |||
5\16 | |||
9\16 | |||
13\16 | |||
16\16 | |||
4\23 | |||
7\23 | |||
13\23 | |||
19\23 | |||
23\23 | |||
5\30 | |||
9\30 | |||
17\30 | |||
25\30 | |||
30\30 | 30\30 | ||
Quasipelog minor-3 | Quasipelog minor-3 | ||
Gestalt: bebop-like | |||
2\16 | 2\16 | ||
3\16 | 3\16 | ||
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Quasipelog minor+3+6 | Quasipelog minor+3+6 | ||
Gestalt: major pentatonic-like | |||
2\16 | 2\16 | ||
5\16 | 5\16 | ||
| Line 397: | Line 484: | ||
Quasipelog minor+3 | Quasipelog minor+3 | ||
Gestalt: major pentatonic-like | |||
2\16 | 2\16 | ||
5\16 | 5\16 | ||
| Line 416: | Line 504: | ||
Quasipelog minor+5 | Quasipelog minor+5 | ||
Gestalt: pelog-like | |||
2\16 | 2\16 | ||
4\16 | 4\16 | ||
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Quasipelog minor-6 | Quasipelog minor-6 | ||
Gestalt: harmonic major-like | |||
2\16 | 2\16 | ||
4\16 | 4\16 | ||
| Line 454: | Line 544: | ||
Quasipelog minor-plus-all (quasipelog minor+2+3+5+6) | Quasipelog minor-plus-all (quasipelog minor+2+3+5+6) | ||
Gestalt: whole tone scale-like | |||
3\16 | 3\16 | ||
5\16 | 5\16 | ||
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<pre> | <pre> | ||
Quasipelog major -3 | |||
Gestalt: minor pentatonic-like | |||
4\16 | |||
7\16 | |||
9\16 | |||
14\16 | |||
16\16 | |||
6\23 | |||
10\23 | |||
13\23 | |||
20\23 | |||
23\23 | |||
8\30 | |||
13\30 | |||
17\30 | |||
26\30 | |||
30\30 | |||
Quasipelog major+3+5+7 | Quasipelog major+3+5+7 | ||
Gestalt: pelog-like | |||
6\16 | 6\16 | ||
7\16 | 7\16 | ||
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Quasipelog major-4 | Quasipelog major-4 | ||
Gestalt: mixolydian-like | |||
5\16 | 5\16 | ||
6\16 | 6\16 | ||
| Line 515: | Line 628: | ||
Quasipelog major+4+7 | Quasipelog major+4+7 | ||
Gestalt: pelog-like | |||
6\16 | 6\16 | ||
7\16 | 7\16 | ||
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Quasipelog major+4 | Quasipelog major+4 | ||
Gestalt: dorian-like | |||
5\16 | 5\16 | ||
7\16 | 7\16 | ||
| Line 553: | Line 668: | ||
Quasipelog major-minus-all (quasipelog major-3-4-5-7) | Quasipelog major-minus-all (quasipelog major-3-4-5-7) | ||
Gestalt: iwato-like | |||
4\16 | 4\16 | ||
6\16 | 6\16 | ||
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Quasipelog major-plus-all (quasipelog major+3+4+5+7) | Quasipelog major-plus-all (quasipelog major+3+4+5+7) | ||
Gestalt: han-kumoi-like | |||
6\16 | 6\16 | ||
8\16 | 8\16 | ||
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16\16 | 16\16 | ||
9\23 | 9\23 | ||
12\23 | |||
14\23 | |||
22\23 | |||
23\23 | 23\23 | ||
12\30 | 12\30 | ||
16\30 | |||
18\30 | |||
29\30 | |||
30\30 | 30\30 | ||
</pre> | </pre> | ||
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<pre> | <pre> | ||
Altered QPH 1,3,4,5,7 | Altered QPH 1,2-1,4,6-1,7 | ||
4\16 | Gestalt: like Messiean's modes | ||
1\16 | |||
7\16 | |||
10\16 | |||
14\16 | |||
16\16 | |||
1\23 | |||
10\23 | |||
14\23 | |||
20\23 | |||
23\23 | |||
1\30 | |||
13\30 | |||
18\30 | |||
26\30 | |||
30\30 | |||
Altered QPH 1,-2,+3,-4,5,-7 | |||
Gestalt: phrygian dominant-like | |||
1\16 | |||
5\16 | |||
6\16 | |||
9\16 | |||
13\16 | |||
16\16 | |||
1\23 | |||
7\23 | |||
9\23 | |||
13\23 | |||
19\23 | |||
23\23 | |||
1\30 | |||
9\30 | |||
12\30 | |||
17\30 | |||
25\30 | |||
30\30 | |||
Altered QPH 1,2,4,5,7 | |||
Gestalt: equipentatonic-like | |||
2\16 | |||
7\16 | 7\16 | ||
9\16 | 9\16 | ||
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16\16 | 16\16 | ||
3\23 | |||
10\23 | 10\23 | ||
13\23 | 13\23 | ||
| Line 607: | Line 768: | ||
23\23 | 23\23 | ||
4\30 | |||
13\30 | 13\30 | ||
17\30 | 17\30 | ||
| Line 614: | Line 775: | ||
Altered QPH 1,2,4,6,7 | Altered QPH 1,2,4,6,7 | ||
Gestalt: natural minor-like | |||
2\16 | 2\16 | ||
7\16 | 7\16 | ||
| Line 632: | Line 794: | ||
30\30 | 30\30 | ||
Altered QPH 1, | Altered QPH 1,3,4,5-1,5,7-1 | ||
Gestalt: blues scale-like | |||
4\16 | |||
7\16 | |||
8\16 | |||
9\16 | |||
13\16 | |||
16\16 | |||
6\23 | |||
10\23 | |||
12\23 | |||
13\23 | |||
19\23 | |||
23\23 | |||
8\30 | |||
13\30 | |||
16\30 | |||
17\30 | |||
25\30 | |||
30\30 | |||
Altered QPH 1,3,4,5,7 | |||
Gestalt: minor pentatonic-like | |||
4\16 | |||
7\16 | 7\16 | ||
9\16 | 9\16 | ||
| Line 639: | Line 825: | ||
16\16 | 16\16 | ||
6\23 | |||
10\23 | 10\23 | ||
13\23 | 13\23 | ||
| Line 645: | Line 831: | ||
23\23 | 23\23 | ||
8\30 | |||
13\30 | 13\30 | ||
17\30 | 17\30 | ||
26\30 | 26\30 | ||
30\30 | |||
Altered QPH 1,3,5,6+1,7-1 | |||
Gestalt: lydian-like | |||
6\23 | |||
13\23 | |||
17\23 | |||
19\23 | |||
23\23 | |||
8\30 | |||
17\30 | |||
22\30 | |||
25\30 | |||
30\30 | 30\30 | ||
</pre> | </pre> | ||