5L 3s: Difference between revisions
m →Modes: added space after meta-chars / meta-sequences |
m →Functional harmony: added note about the importance of the Oneiro Suspended Pentatonic |
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In ana modes, the ''Oneiro Core Pentad'' or the ''Oneiro Suspended Pentatonic'', i.e. P1-M2-P4-M5-M7 (on J, J-K-M-N-P) is also an important subset: it roughly implies the "least" tonality (In particularly, it only implies ana-ness, not major or minor tonality), and it sounds floaty, suspended and un-tonicized, much like suspended and quartal chords do in diatonic contexts. | |||
Another Western-classical-influenced approach to oneirotonic chord progressions is to let the harmony emerge from counterpoint. | Another Western-classical-influenced approach to oneirotonic chord progressions is to let the harmony emerge from counterpoint. | ||
===== Samples ===== | ===== Samples ===== | ||