Major second: Difference between revisions
The concept started as an interval in the diatonic scale, and is still used this way. The interval region is a later association. You can't just make it the main definition Tag: Undo |
m Undo revision 184743 by VectorGraphics (talk) Tag: Undo |
||
| Line 84: | Line 84: | ||
|} | |} | ||
== In | == In edos == | ||
The following table lists the best tuning of 10/9, 9/8, and 8/7, as well as other major seconds if present, in various significant [[edo | The following table lists the best tuning of 10/9, 9/8, and 8/7, as well as other major seconds if present, in various significant [[edo]]s. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! | ! Edo | ||
! 10/9 | ! 10/9 | ||
! 9/8 | ! 9/8 | ||
| Line 181: | Line 181: | ||
|} | |} | ||
== In | == In mos scales == | ||
Being a small interval, major seconds generate a number of monosmall and monolarge [[mos | Being a small interval, major seconds generate a number of monosmall and monolarge [[mos]]. | ||
These tables start from the last monolarge | These tables start from the last monolarge mos generated by the interval range. | ||
Scales with more than 12 notes are not included. | Scales with more than 12 notes are not included. | ||
| Line 191: | Line 191: | ||
|- | |- | ||
! Range | ! Range | ||
! colspan="3" | | ! colspan="3" | Mos | ||
|- | |- | ||
| 150–171{{c}} | | 150–171{{c}} | ||