2L 5s: Difference between revisions

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 The most common way of notating this scale is to use the same note names and accidentals as that of diatonic (CDEFGAB, #, and b), but read as antidiatonic instead. There are, however, two ways of notating accidentals:
-* Harmonic antidiatonic notation, where the sharps and flats of diatonic switch roles: sharps flatten and flats sharpen. This article will use this interpretation of sharps and flats.
+* Harmonic antidiatonic notation, where the sharps and flats of diatonic switch roles: sharps flatten and flats sharpen. This article uses this interpretation of sharps and flats.
-* Melodic antidiatonic notation, where the meaning of sharps and flats are preserved: sharps sharpen and flats flatten.
+* Melodic antidiatonic notation, where the meaning of sharps and flats is preserved: sharps sharpen and flats flatten.
-In any case, the naturals DEFGABC are applied to the step pattern sLsssLs, the antidorian mode on D. Thus, the basic gamut for 2L 5s is the following:
+For this article, the naturals DEFGABC are applied to the step pattern sLsssLs, the antidorian mode on D. Thus, the basic gamut for 2L 5s is the following:
 {{MOS gamut|Notation=DEFGABC; b; #}}