13edo scales: Difference between revisions

| '''1/1''', '''2/1'''

| '''9/8''', 10/9, 11/10, 19/17, 21/19  

| '''5/4''', 11/9, 16/13, 26/21

| '''11/8''', 18/13, 26/19   

| 8/5, '''13/8''', 18/11, 21/13

The oneirotonic scale is the darker, damper, more "minory" cousin of archaeotonic. Only 2 out of 8 oneirotonic modes (Dylathian and Ilarnekian) are "major" in the sense of having a major third, and both sound pretty bittersweet.

The names I use for the oneirotonic interval classes are borrowed from diatonic interval categories: "second", "third", "fourth", "tritone" (4-step intervals), "fifth" (5-step intervals), "sixth" (6-step intervals), "seventh" (7-step intervals) and octave. You just have to remember that there's an extra category between fourths and fifths and that fourths and fifths are dissonant. Like in archeotonic you can change the perception of an interval by approaching it from different directions, but in oneirotonic it will change what diatonic interval class you hear it as: say, as both a third and a fourth, rather than both a major and a minor third.

 

 

 

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Despite being melodically familiar, oneirotonic may be the most harmonically complex of the 13edo scales; the most common consonant triad is a fairly complex 4:9:21. Hence oneirotonic may especially benefit from either using inharmonic timbres in addition to harmonic ones or using a well-tempered version of 13edo adopted for this scale. The availability of certain consonances also varies greatly by mode: for example, only Dylathian, Ilarnekian and Sarnathian have a 5/4 on the tonic, and only Mnarian, Kadathian, Hlanithian and Sarnathian have an 11/8 on the tonic.

 

 

 

#Celephaïsian: 2 1 2 2 1 2 2 1 (the oneirotonic melodic minor. Very classical-sounding; Easley Blackwood's 13-note etude uses this as its home mode.)

 

 

The brighter modes can be viewed as providing a distorted version of diatonic functional harmony. For example, in the Dylathian mode, the 4:5:9 triad on the sixth degree can sound like both "V" and "III of iv" depending on context. Basic chord progressions can move by minor fourths, thirds, or major seconds: for example, J major-M minor-P minor-Ob major-J major (in Ilarnekian) or J major-K major-O major-M major-J major (in Dylathian).

 

 

 

 

[[File:Oneirotonic 3 part sample.mp3]]

 

| Ilarnekian 2 2 1 2 1 2 2 1 || ↔ || Ryonian    2 2 2 2 2 2 1

Generated by 3\13, the 276.9-cent minor third approximating [[13/11]], this scale sounds a little like the octatonic scale in 12edo with an extra small step inserted. Two of these make an 11/8 and three make a 13/8, making this scale very good for 4:11:13 triads. (In terms of regular temperament theory, this makes 13edo a tuning for the [[Color notation|bithotrilu]] temperament that tempers out the bithotrilu comma 1352/1331 = {{monzo|3 0 0 0 -3 2}}, aka "lovecraft temperament".) [[17edo]] also supports bithotrilu temperament and thus has a similar 4L 5s scale, generated by the 4\17 minor third. Similar scales also exist in 22edo and 31edo with flatter generators, but they use a [[Orwell|different temperament]] and won't approximate the 13th harmonic.

| '''1/1''', '''2/1'''

| '''9/8''', 10/9, 11/10, 19/17, 21/19

| 7/6, 13/11, 20/17, '''19/16''', 22/19  

| 13/10, 17/13, '''21/16''', 22/17  

| '''11/8''', 18/13, 26/19  

| 8/5, '''13/8''', 18/11, 21/13