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'''TAMNAMS''' (read "tame names"; from '''''T'''emperament-'''A'''gnostic '''M'''os '''NAM'''ing '''S'''ystem''), devised by the XA Discord in 2021, is a system of temperament-agnostic names for scales – primarily [[Octave equivalence|octave-equivalent]] [[moment of symmetry]] scales – as well as their their intervals, their associated generator ranges, and the ratios describing the proportions of large and small steps.
{{Mbox|text=The content of this page is maintained by '''members of the Xenharmonic Alliance Discord'''. If you have any questions, spot any errors, or have any suggestions, be sure to ask there!}}


The goal of TAMNAMS is to name and describe moment-of-symmetry scales, or mosses, that is agnostic of regular temperament theory. For example, the names ''flattone[7]'', ''meantone[7]'', ''pythagorean[7]'', and ''superpyth[7]'' all describe the same step pattern of 5L 2s, with different proportions of large and small steps. Under TAMNAMS parlance, these names can be described broadly as ''soft 5L 2s'' (for flattone and meantone) and ''hard 5L 2s'' (for pythagorean and superpyth), and to describe the step pattern regardless of step ratio or temperament, the name ''diatonic'' is given for the step pattern ''5L 2s'' itself.
'''TAMNAMS''' (from '''''T'''emperament-'''A'''gnostic '''M'''os '''NAM'''ing '''S'''ystem'', read as /ˈteɪmneɪmz/ or /ˈtæmnæmz/), devised by the XA Discord in 2021, is a system of temperament-agnostic names for scales—primarily [[Octave equivalence|octave-equivalent]] [[moment of symmetry]] scales—as well as their intervals, their associated generator ranges, and the ratios describing the proportions of large and small steps.


== Step ratio spectrum ==
The goal of TAMNAMS is to allow musicians and theorists to discuss moment-of-symmetry scales, or mosses, independent of the language of [[regular temperament theory]]. For example, the names ''flattone[7]'', ''meantone[7]'', ''pythagorean[7]'', and ''superpyth[7]'' all describe the same step pattern of 5L 2s, with different proportions of large and small steps. Under TAMNAMS parlance, these names can be described broadly as ''soft 5L 2s'' (for flattone and meantone) and ''hard 5L 2s'' (for pythagorean and superpyth). For discussions of the step pattern itself, the name ''5L 2s'' or, in this example, ''diatonic'', is used.
=== Simple step ratios ===
TAMNAMS names nine specific simple [[Blackwood's R|L:s ratios]]. These correspond to the simplest edos that have the mos scale.
 
{| class=wikitable
|-
|+ Step ratio names
|-
! TAMNAMS Name
! Ratio
!Hardness
! Diatonic example
|-
| Equalized
| L:s = 1:1
|1.000
| [[7edo]]
|-
| Supersoft
| L:s = 4:3
|1.333
| [[26edo]]
|-
| Soft (or monosoft)
| L:s = 3:2
|1.500
| [[19edo]]
|-
| Semisoft
| L:s = 5:3
|1.667
| [[31edo]]
|-
| Basic
| L:s = 2:1
|2.000
| [[12edo]]
|-
| Semihard
| L:s = 5:2
|2.500
| [[29edo]]
|-
| Hard (or monohard)
| L:s = 3:1
|3.000
| [[17edo]]
|-
| Superhard
| L:s = 4:1
|4.000
| [[22edo]]
|-
| Collapsed
| L:s = 1:0
|∞ (infinity)
| [[5edo]]
|}


For example, the 5L 2s (diatonic) scale of 19edo has a step ratio of 3:2, which is ''soft'', and is thus called ''soft diatonic''. Tunings of a mos with L:s larger than that ratio are ''harder'', and tunings with L:s smaller than that are ''softer''.
== Credits ==
This page and its associated pages were mainly written by [[User:Godtone]], [[User:SupahstarSaga]], [[User:Inthar]], and [[User:Ganaram inukshuk]].


The two extremes, equalized and collapsed, are degenerate cases. An equalized mos has L equal to s, so the mos pattern is no longer apparent. A collapsed mos has s = 0, merging adjacent tones s apart into a single tone. In both cases, the mos structure is no longer valid.
== Step ratio spectrum ==
{{Main| Step ratio }}TAMNAMS names nine specific simple [[Blackwood's R|L:s ratios]] tabulated below, which correspond to the simplest edos that have the mos scale. The two extremes, equalized and collapsed, are degenerate cases and define the boundaries for valid tuning ranges. An equalized mos has large and small steps be the same size ({{nowrap|L {{=}} s}}), so the mos pattern is no longer apparent. A collapsed mos has small steps shrunken down to zero ({{nowrap|s {{=}} 0}}), merging adjacent tones s apart into a single tone. In both cases, the mos structure is no longer valid.


=== Step ratio ranges ===
In between the nine specific ratios there are eight named intermediate ranges of step ratios. These names are useful for classifying mos tunings which don't match any of the nine simple step ratios. There are also two additional terms for broader ranges: the term ''hyposoft'' describes step ratios that are ''soft-of-basic'' but not as soft as 3:2; similarly, the term ''hypohard'' describes step ratios that are ''hard-of-basic'' but not as hard as 3:1.
In between the nine specific ratios there are eight named intermediate ranges of step ratios. These names are useful for classifying mos tunings which don't match any of the nine simple step ratios. There are also two additional terms for broader ranges: the term ''hyposoft'' describes step ratios that are ''soft-of-basic'' but not as soft as 3:2; similarly, the term ''hypohard'' describes step ratios that are ''hard-of-basic'' but not as hard as 3:1.


By default, all ranges include their endpoints. For example, a hard tuning is considered a quasihard tuning. To exclude endpoints, the modifier ''strict'' can be used, for example ''strict hyposoft''.
By default, all ranges include their endpoints. For example, a hard tuning is considered a quasihard tuning. To exclude endpoints, the modifier ''strict'' can be used, for example ''strict hyposoft''.


Note that mosses with soft-of-basic step ratios always exhibit [[Rothenberg propriety]], or are ''proper'', whereas mosses with hard-of-basic step ratios do not, or are ''not proper'', with one exception: mosses with only one small step per period are always proper, regardless of the step ratio.
In some cases it can be clearer to name step ratio ranges by their ranges in hardness (for example, 1-1.33 for ultrasoft) or by their boundary step ratios (for example, equalized-to-supersoft for ultrasoft) than by the step ratio ranges tabulated here.
{| class="wikitable"
|+Intermediate ranges
!TAMNAMS Name
!Ratio range
!Hardness
|-
|Hyposoft
|3:2 ≤ L:s ≤ 2:1
|1.500 ≤ L/s ≤ 2.000
|-
|Ultrasoft
|1:1 ≤ L:s ≤ 4:3
|1.000 ≤ L/s ≤ 1.333
|-
|Parasoft
|4:3 ≤ L:s ≤ 3:2
|1.333 ≤ L/s ≤ 1.500
|-
|Quasisoft
|3:2 ≤ L:s ≤ 5:3
|1.500 ≤ L/s ≤ 1.667
|-
|Minisoft
|5:3 ≤ L:s ≤ 2:1
|1.667 ≤ L/s ≤ 2.000
|-
|Minihard
|2:1 ≤ L:s ≤ 5:2
|2.000 ≤ L/s ≤ 2.500
|-
|Quasihard
|5:2 ≤ L:s ≤ 3:1
|2.500 ≤ L/s ≤ 3.000
|-
|Parahard
|3:1 ≤ L:s ≤ 4:1
|3.000 ≤ L/s ≤ 4.000
|-
|Ultrahard
|4:1 ≤ L:s ≤ 1:0
|4.000 ≤ L/s ≤ ∞
|-
|Hypohard
|2:1 ≤ L:s ≤ 3:1
|2.000 ≤ L/s ≤ 3.000
|}


=== Central spectrum ===
{| class="wikitable center-all"
{| class="wikitable"
|+ style="font-size: 105%;" | Spectrum of step ratio ranges and specific step ratios
|+Central spectrum of step ratio ranges and specific step ratios
|-
|-
! colspan="3" |Step ratio ranges
! colspan="3" | Step ratio ranges
!Specific step ratios
! Specific<br />step ratios
!Notes
! Hardness
! Notes
|-
|-
|
|  
|
|  
|
|  
|'''1:1 (equalized)'''
| '''1:1<br />(equalized)'''
| 1
| Trivial/pathological
| Trivial/pathological
|-
|-
| rowspan="7" |1:1 to 2:1 (soft-of-basic)
| rowspan="7" | 1:1 to 2:1<br />(soft-of-basic)
| colspan="2" | 1:1 to 4:3 (ultrasoft)
| colspan="2" | 1:1 to 4:3<br />(ultrasoft)
|
|
|Step ratios especially close to 1:1 may be called pseudoequalized
|  
| Step ratios especially close to 1:1 may be called pseudoequalized
|-
|-
|
|  
|
|  
|'''4:3 (supersoft)'''
| '''4:3<br />(supersoft)'''
|
| 1.33
|  
|-
|-
| colspan="2" |4:3 to 3:2 (parasoft)
| colspan="2" | 4:3 to 3:2<br />(parasoft)
|
|
|
|  
|  
|-
|-
|
|  
|
|  
|'''3:2 (soft)'''
| '''3:2<br />(soft)'''
|Also called monosoft
| 1.5
| Also called monosoft
|-
|-
| rowspan="3" |3:2 to 2:1 (hyposoft)
| rowspan="3" | 3:2 to 2:1<br />(hyposoft)
|3:2 to 5:3 (quasisoft)
| 3:2 to 5:3<br />(quasisoft)
|
|
|
|  
|  
|-
|-
|
|  
|'''5:3 (semisoft)'''
| '''5:3<br />(semisoft)'''
|
| 1.67
|  
|-
|-
|5:3 to 2:1 (minisoft)
| 5:3 to 2:1<br />(minisoft)
|
|
|
|  
|  
|-
|-
|
|  
|
|  
|
|  
|'''2:1 (basic)'''
| '''2:1<br />(basic)'''
|Also called quintessential
| 2
|
|-
|-
| rowspan="7" | 2:1 to 1:0 (hard-of-basic)
| rowspan="7" | 2:1 to 1:0<br />(hard-of-basic)
| rowspan="3" |2:1 to 3:1 (hypohard)
| rowspan="3" | 2:1 to 3:1<br />(hypohard)
|2:1 to 5:2 (minihard)
| 2:1 to 5:2<br />(minihard)
|
|
|
|  
|  
|-
|-
|
|  
|'''5:2 (semihard)'''
| '''5:2<br />(semihard)'''
|
| 2.5
|  
|-
|-
| 5:2 to 3:1 (quasihard)
| 5:2 to 3:1<br />(quasihard)
|
|
|
|  
|  
|-
|-
|
|  
|
|  
|'''3:1 (hard)'''
| '''3:1<br />(hard)'''
|Also called monohard
| 3
| Also called monohard
|-
|-
| colspan="2" |3:1 to 4:1 (parahard)
| colspan="2" | 3:1 to 4:1<br />(parahard)
|
|
|
|  
|  
|-
|-
|
|  
|
|  
|'''4:1 (superhard)'''
| '''4:1<br />(superhard)'''
|
| 4
|  
|-
|-
| colspan="2" |4:1 to 1:0 (ultrahard)
| colspan="2" | 4:1 to 1:0<br />(ultrahard)
|
|
|Step ratios especially close to 1:0 may be called pseudocollapsed
|  
| Step ratios especially close to 1:0 may be called pseudocollapsed
|-
|-
|
|  
|
|  
|
|  
|'''1:0 (collapsed)'''
| '''1:0<br />(collapsed)'''
|Trivial/pathological
| infinity
| Trivial/pathological
|}
|}
=== Extended spectrum ===
{{Main|TAMNAMS/Appendix#Extended spectrum}}
See [[TAMNAMS/Appendix#Extended spectrum]] which details a more complete glossary that this set of terms is a subset of.
== Naming mos intervals ==
== Naming mos intervals ==
Mos intervals are denoted as a ''quantity'' of '''mossteps''', large or small. An interval that is k mossteps wide is referred to as a ''k-mosstep interval'' or simply ''k-mosstep'' (abbreviated as ''k''ms). A mos's intervals are a 0-mosstep or [[1/1|''unison'']], followed by a 1-mosstep, then a 2-mosstep, and so on, until an n-mosstep interval equal to the ''period'' is reached, where n is thus the number of pitches in the mos per period. If a positive integer multiple of the period equals an octave (or some close approximation thereof), that interval can be referred to plainly as an octave if one prefers, but ''mosoctave'' should not be used unless there is exactly 7 notes per octave. The prefix of mos- in the term mosstep may be replaced with the mos's prefix, specified in the section mos pattern names.
Mos intervals are denoted as a ''quantity'' of '''mossteps''', large or small. An interval that is k mossteps wide is referred to as a ''k-mosstep interval'' or simply ''k-mosstep'' (abbreviated as ''k''ms). A mos's intervals are a 0-mosstep or [[1/1|''unison'']], followed by a 1-mosstep, then a 2-mosstep, and so on, until an n-mosstep interval equal to the ''period'' is reached, where n is thus the number of pitches in the mos per period. If a positive integer multiple of the period equals an octave (or some close approximation thereof), that interval can be referred to plainly as an octave if one prefers, but ''mosoctave'' should not be used unless there is exactly 7 notes per octave. The prefix of mos- in the term mosstep may be replaced with the mos's prefix, specified in the section mos pattern names.
Line 214: Line 134:
In contexts where it doesn't cause ambiguity, the term ''k-mosstep'' can be shortened to ''k-step'', which allows for generalizing terminology described here to non-mos scales. Additionally, for [[non-octave]] scales that assume some generalisation of [[octave equivalence]], the term ''octave'' is replaced with the term ''equave''. Note this also means that if an n-mosstep interval is an octave, this can be referred to as the ''mosequave'' unambiguously and unconfusingly, regardless of what positive integer ''n'' is.
In contexts where it doesn't cause ambiguity, the term ''k-mosstep'' can be shortened to ''k-step'', which allows for generalizing terminology described here to non-mos scales. Additionally, for [[non-octave]] scales that assume some generalisation of [[octave equivalence]], the term ''octave'' is replaced with the term ''equave''. Note this also means that if an n-mosstep interval is an octave, this can be referred to as the ''mosequave'' unambiguously and unconfusingly, regardless of what positive integer ''n'' is.


This section's running example will be 3L 4s.
This section's running example will be [[3L&nbsp;4s]].
=== Reasoning for 0-indexed intervals ===
Note that a unison is a 0-mosstep, rather than a mos1st; likewise, the term 1-mosstep is used rather than a mos2nd. One might be tempted to generalize diatonic 1-indexed ordinal names: ''In 31edo's ultrasoft [[mosh]] scale, the perfect mosthird (aka Pmosh3rd) is a neutral third and the major mosfifth (aka Lmosh5th) is a perfect fifth.'' The way intervals are named above (and in 12edo theory) has a problem. An interval that's n steps wide is named ''(n+1)th''. This means that adding two intervals is more complicated than it should be. Stacking two fifths makes a ninth, when naively it would make a tenth. We're used to this for the diatonic scale, but when dealing with unfamiliar scale structures, it can be very confusing.


To overcome this, TAMNAMS uses a 0-indexed name system for non-diatonic mos intervals, which makes the arithmetic needed to understand mos intervals much smoother. Going up a 0-mosstep means to go up zero steps, and stacking two 4-mossteps produces an 8-mosstep, rather than stacking two mos5ths to produce a mos9th. The use of ordinal indexing is generally discouraged when referring to non-diatonic mos intervals.
=== Naming specific mos intervals ===
The phrase ''k-mosstep'' by itself does not specify the exact size of an interval. To refer to specific intervals, the familiar modifiers of ''major'', ''minor'', ''augmented'', ''diminished'' and ''perfect'' are used. As mosses have [[maximum variety]] 2, every interval (except for the [[1/1|unison]] and multiples of the [[period]] which is usually the [[2/1|octave]]) will be in no more than two sizes.


=== Naming specific mos intervals ===
The modifiers of ''major'', ''minor'', ''augmented'', ''perfect'', and ''diminished'' (abbreviated as M, m, A, P, and d respectively) are given as such:
The phrase ''k-mosstep'' by itself does not specify the exact size of an interval. To refer to specific intervals, the familiar modifiers of ''major'', ''minor'', ''augmented'', ''diminished'' and ''perfect'' are used. As mosses are [[Distributional evenness|distributionally even]], every interval (except for the [[1/1|unison]] and [[2/1|octave]]) will be in no more than two sizes.
* Integer multiples of the period, such as the unison and (often but not always) the octave, are '''perfect''' because they only have one size each.
* The generating intervals, or generators, are referred to as '''perfect'''. Note that a mos actually has two generators—a bright and dark generator—and both generators have two sizes each, specifically, the only time the less common size appears is at the end of the generator chain. For our running example of 3L&nbsp;4s, the generators are a 2-mosstep and 5-mosstep (the following subsection explains how to find these). Referring to a mos's generating intervals usually implies its perfect form (a.k.a the common form); specifically:
** The large size of the bright generator is '''perfect''', and the small size is '''diminished'''.
** The large size of the dark generator is '''augmented''', and the small size is '''perfect'''.
* For all other intervals, the large size is '''major''' and the small size is '''minor'''.
* For k-mossteps where k is greater than the number of pitches in the mos, those intervals have the same modifiers as an octave-reduced interval. Similarly, multiples of the octave are perfect, as are generators raised by some multiple of the octave.
For multi-period mosses, note that both the bright and dark generators appear in every period, not just every octave, as what it means for a mos to be multi-period is that there is multiple periods per octave so that some number of periods is (intended to be interpreted to) equal the octave. Therefore, generators that are raised or lowered by some integer multiple of the mos's period are also '''perfect'''. There is an important exception in interval naming for ''n''L&nbsp;''n''s mosses, in which the generators are '''major''' and '''minor''' (for the bright and dark generator respectively) rather than augmented, perfect and diminished, and all other intervals (the octave, unison and multiples of the period) are perfect as would be expected. This is to prevent ambiguity over calling every interval present perfect.


To find what mos interval sizes are found in a mos, start with the patterns of large and small steps that represents the mos in its brightest mode (the following subsection explains how to do this) and its darkest mode (which is the reverse pattern for the mos's brightest mode). For our running example of 3L 4s, this is LsLsLss (brightest) and ssLsLsL (darkest). To find the large sizes of each k-mosstep, consider the first k mossteps that make up the mos pattern for the brightest mode. Repeat this process with the mos pattern for the darkest mode to find each k-mosstep's small size. To make these sizes more clear, we can denote the mos intervals as a sum of large and small steps iL+js, where i and j are the number of L's and s's in the interval's step pattern; this is to say that the order of L's and s's doesn't matter, rather the amount of each step size. The large and small sizes should differ by replacing one L in the large size with an s.
{| class="wikitable"
{| class="wikitable"
|+Specific interval sizes for 3L 4s
|+ style="font-size: 105%;" | Names for mos intervals for 3L&nbsp;4s
! rowspan="2" | Interval
! colspan="2" |Large size (LsLsLss)
! colspan="2" |Small size (ssLsLsL)
|-
! Step pattern
!Sum
!Step pattern
!Sum
|-
|0-mosstep (unison)
|none
|'''0'''
|none
|'''0'''
|-
|1-mosstep
|L
|'''L'''
|s
|'''s'''
|-
|2-mosstep
|Ls
|'''L+s'''
|ss
|'''2s'''
|-
| 3-mosstep
|LsL
|'''2L+s'''
|ssL
|'''1L+2s'''
|-
|-
|4-mosstep
! Interval classes
|LsLs
! Specific intervals
|'''2L+2s'''
| ssLs
|'''1L+3s'''
|-
|5-mosstep
|LsLsL
|'''3L+2s'''
|ssLsL
|'''2L+3s'''
|-
|6-mosstep
| LsLsLs
|'''3L+3s'''
|ssLsLs
|'''2L+4s'''
|-
|7-mosstep (octave)
|LsLsLss
|'''3L+4s'''
|ssLsLsL
|'''3L+4s'''
|}The modifiers of ''major'', ''minor'', ''augmented'', ''perfect'', and ''diminished'' (abbreviated as M, m, A, P, and d respectively) are given as such:
*Integer multiples of the period, such as the unison and (often but not always) the octave, are '''perfect''' because they only have one size each.
*The generating intervals, or generators, are referred to as '''perfect'''. Note that a mos actually has two generators - a bright and dark generator - and both generators have two sizes each, specifically, the only time the less common size appears is at the end of the generator chain. For our running example of 3L 4s, the generators are a 2-mosstep and 5-mosstep (the following subsection explains how to find these). Referring to a mos's generating intervals usually implies its perfect form (a.k.a the common form); specifically:
**The large size of the bright generator is '''perfect''', and the small size is '''diminished'''.
**The large size of the dark generator is '''augmented''', and the small size is '''perfect'''.
*For all other intervals, the large size is '''major''' and the small size is '''minor'''.
*For k-mossteps where k is greater than the number of pitches in the mos, those intervals have the same modifiers as an octave-reduced interval. Similarly, multiples of the octave are perfect, as are generators raised by some multiple of the octave.
For multi-period mosses, note that both the bright and dark generators appear in every period, not just every octave, as what it means for a mos to be multi-period is that there is multiple periods per octave so that some number of periods is (intended to be interpreted to) equal the octave. Therefore, generators that are raised or lowered by some integer multiple of the mos's period are also '''perfect'''. There is an important exception in interval naming for ''n''L ''n''s mosses, in which the generators are '''major''' and '''minor''' (for the bright and dark generator respectively) rather than augmented, perfect and diminished, and all other intervals (the octave, unison and multiples of the period) are perfect as would be expected. This is to prevent ambiguity over calling every interval present perfect.
{| class="wikitable"
|+Names for mos intervals for 3L 4s
! Interval
! Specific mos interval
!Abbreviation
! Interval size
! Interval size
!Gens up
! Abbreviation
! Gens up
|-
|-
|0-mosstep (unison)
| 0-mosstep (unison)
|Perfect unison
| Perfect unison
|P0ms
| 0
| P0ms
| 0
| 0
|0
|-
|-
| rowspan="2" |1-mosstep
| rowspan="2" | 1-mosstep
|Minor mosstep (or small mosstep)
| Minor mosstep (or small mosstep)
| s
| m1ms
| m1ms
|s
| −3
| -3
|-
|-
|Major mosstep (or large mosstep)
| Major mosstep (or large mosstep)
|M1ms
| L
|L
| M1ms
|4
| 4
|-
|-
| rowspan="2" |2-mosstep
| rowspan="2" | '''2-mosstep'''
|Diminished 2-mosstep
| Diminished 2-mosstep
|d2ms
| 2s
|2s
| d2ms
| -6
| −6
|-
|-
| Perfect 2-mosstep
| '''Perfect 2-mosstep'''
|P2ms
| L + s
|L+s
| P2ms
|1
| 1
|-
|-
| rowspan="2" |3-mosstep
| rowspan="2" | 3-mosstep
|Minor 3-mosstep
| Minor 3-mosstep
|m3ms
| 1L + 2s
|1L+2s
| m3ms
| -2
| −2
|-
|-
|Major 3-mosstep
| Major 3-mosstep
|M3ms
| 2L + s
|2L+s
| M3ms
|5
| 5
|-
|-
| rowspan="2" |4-mosstep
| rowspan="2" | 4-mosstep
|Minor 4-mosstep
| Minor 4-mosstep
|m4ms
| 1L + 3s
|1L+3s
| m4ms
| -5
| −5
|-
|-
| Major 4-mosstep
| Major 4-mosstep
|M4ms
| 2L + 2s
|2L+2s
| M4ms
|2
| 2
|-
|-
| rowspan="2" | 5-mosstep
| rowspan="2" | '''5-mosstep'''
|Perfect 5-mosstep
| '''Perfect 5-mosstep'''
|P5ms
| 2L + 3s
| 2L+3s
| P5ms
| -1
| −1
|-
|-
|Augmented 5-mosstep
| Augmented 5-mosstep
|A5ms
| 3L + 2s
|3L+2s
| A5ms
|6
| 6
|-
|-
| rowspan="2" |6-mosstep
| rowspan="2" | 6-mosstep
|Minor 6-mosstep
| Minor 6-mosstep
|m6ms
| 2L + 4s
|2L+4s
| m6ms
| -4
| −4
|-
|-
|Major 6-mosstep
| Major 6-mosstep
|M6ms
| 3L + 3s
|3L+3s
| M6ms
|3
| 3
|-
|-
|7-mosstep (octave)
| 7-mosstep (octave)
| Perfect octave
| Perfect octave
|P7ms
| 3L + 4s
|3L+4s
| P7ms
|0
| 0
|}
|}
==== How to find a mos's brightest mode and its generators ====
The idea of [[Recursive structure of MOS scales|mos recursion]] may be of help with finding the generators of a mos. Likewise, the idea of modal brightness and [[Modal UDP notation|UDP]] may be of help for a mos's modes.
*To find the mos whose order of steps represent the mos's brightest mode, follow the algorithm described here: [[Recursive structure of MOS scales|Recursive structure of MOS scales#Finding the MOS pattern from xL ys]].
*To find the generators for a mos, follow the algorithm described here: [[Recursive structure of MOS scales#Finding a generator]]. Be sure to follow the additional instructions to produce the generators as some quantity of mossteps. Alternatively, produce an interval matrix using the instructions here ([[Interval matrix#Using step sizes]]) for making an interval matrix out of a mos pattern. The generators are the intervals that appear as one size in all but one mode. The interval that appears in its large size in all but one mode is the perfect bright generator, and the interval that appears in its small size in all but one mode is the perfect dark generator.


=== Naming alterations by a chroma ===
=== Naming alterations by a chroma ===
Line 385: Line 240:


Repetition of "A" or "d" is used to denote repeatedly augmented/diminished mos intervals, and is sufficient in most cases. It's typically uncommon to alter an interval more than three times, such as with a quadruply-augmented and quadruply-diminished interval; in such cases, it's preferable to use a shorthand such as A^n and d^n, or to use alternate notation or terminology.
Repetition of "A" or "d" is used to denote repeatedly augmented/diminished mos intervals, and is sufficient in most cases. It's typically uncommon to alter an interval more than three times, such as with a quadruply-augmented and quadruply-diminished interval; in such cases, it's preferable to use a shorthand such as A^n and d^n, or to use alternate notation or terminology.
{| class="wikitable"
{| class="wikitable"
|+Table of alterations, with abbreviations
|+ style="font-size: 105%;" | Table of alterations, with abbreviations
|-
|-
!Number of chromas
! Number of chromas
!Perfect intervals
! Perfect intervals
!Major/minor intervals
! Major/minor intervals
|-
|-
| +3 chromas
| +3 chromas
|Triply-augmented (AAA, A³, or A^3)
| Triply-augmented (AAA, A³, or A^3)
|Triply-augmented (AAA, A³, or A^3)
| Triply-augmented (AAA, A³, or A^3)
|-
|-
| +2 chromas
| +2 chromas
|Doubly-augmented (AA)
| Doubly-augmented (AA)
|Doubly-augmented (AA)
| Doubly-augmented (AA)
|-
|-
| +1 chroma
| +1 chroma
|Augmented (A)
| Augmented (A)
|Augmented (A)
| Augmented (A)
|-
|-
| rowspan="2" |0 chromas (unaltered)
| rowspan="2" | 0 chromas (unaltered)
| rowspan="2" |Perfect (P)
| rowspan="2" | Perfect (P)
|Major (M)
| Major (M)
|-
|-
|Minor (m)
| Minor (m)
|-
|-
| -1 chroma
| −1 chroma
|Diminished (d)
| Diminished (d)
|Diminished (d)
| Diminished (d)
|-
|-
| -2 chromas
| −2 chromas
|Doubly-diminished (dd)
| Doubly-diminished (dd)
|Doubly-diminished (dd)
| Doubly-diminished (dd)
|-
|-
| -3 chromas
| −3 chromas
|Triply-diminished (ddd, d³, or d^3)
| Triply-diminished (ddd, d³, or d^3)
|Triply-diminished (ddd, d³, or d^3)
| Triply-diminished (ddd, d³, or d^3)
|}Other intervals include the following:
|}
*A generalized [[Diesis (scale theory)|diesis]], or ''mosdiesis'': |L - 2s|
*A generalized [[kleisma]], or more specifically:
**''m-moskleisma'': |mosdiesis - s|
**''p-moskleisma'': |mosdiesis - (L-s)|


=== Naming neutral and interordinal intervals ===
=== Smaller intervals ===
{| class="wikitable"
|+ style="font-size: 105%;" | Mos intervals smaller than a moschroma
|-
! Interval name
! Absolute value of a...
|-
| Moschroma (generalized [[chroma]], provided for reference)
| Large step minus a small step
|-
| Mosdiesis (generalized [[Diesis (scale theory)|diesis]])
| Large step minus two small steps
|-
| Moskleisma (generalized [[kleisma]])
| Mosdiesis minus a moschroma
|-
| Mosgothma (generalized gothma)
| Mosdiesis minus a small step
|}
 
=== Naming neutral and interordinal intervals===
For a discussion of semi-moschroma-altered versions of mos intervals, see [[Neutral and interordinal k-mossteps]].
For a discussion of semi-moschroma-altered versions of mos intervals, see [[Neutral and interordinal k-mossteps]].
=== Other terminology ===
The tonic (unison), the period, the generator and the period-complement of the generator make up all the intervals in any given mos scale that might be labelled "perfect". With the exception of the tonic and the period, they may also be "imperfect". Therefore, the degrees of a mos scale which come in a "perfect" variety are called ''perfectable'' degrees and the degrees of a mos scale which do not come in a "perfect" variety are called ''non-perfectable'' degrees.


== Naming mos degrees ==
== Naming mos degrees ==
Individual mos degrees, or '''k-mosdegrees''' (abbreviated ''k''md) are based on the modifiers given to intervals using the process for naming mos intervals and alterations. Mosdegrees are 0-indexed and are enumerated starting at the 0-mosdegree, the tonic. For example, if you go up a major k-mosstep up from the root, then the mos degree reached this way is a major k-mosdegree. Much like mossteps, the prefix of mos- may also be replaced with the mos's prefix. If context allows, ''k-mosdegrees'' may also be shortened to ''k-degrees'' to allow generalization to non-mos scales. When the modifiers major/minor or augmented/perfect/diminished are omitted, they are assumed to be the unmodified degrees of the current mode.
Individual mos degrees, (that is, specific notes of a mos scale,) or '''k-mosdegrees''' (abbreviated ''k''md), are based on the modifiers given to intervals using the process for naming mos intervals and alterations. Mosdegrees are 0-indexed and are enumerated starting at the 0-mosdegree, the tonic/root of the scale. For example, if you go up a major k-mosstep up from the root, then the mos degree reached this way is a major k-mosdegree. Much like mossteps, the prefix of mos- may also be replaced with the mos's prefix. If context allows, ''k-mosdegree'' may also be shortened to ''k-degree'' to allow generalization to non-mos scales. When the modifiers major/minor or augmented/perfect/diminished are omitted, they are assumed to be the unmodified degrees of the current mode.


=== Naming mos chords ===
=== Naming mos chords ===
To denote a chord or a mode on a given degree, write the notes of the chord separated by spaces or commas, or the mode, in parentheses after the degree symbol. The most explicit option is to write out the chord in cents, edosteps or mossteps (e.g. in [[13edo]] [[5L 3s]], the (0 369 646) chord can be written (0 4 7)\13, (P0ms M2ms M4ms) or 7|0 (0 2 4ms) and to write the mode. To save space, you can use whatever names or abbreviations for the chord or mode you have defined for the reader. For example, in the LsLLsLLs mode of 5L 3s, we have m2md(0 369 646), or the chord (0 369 646) on the 2-mosdegree which is a minor 2-mosstep. The LsLLsLLs mode also has m2md(7|0), meaning that we have the 7| (LLsLLsLs) mode on the 2-mosdegree which is a minor 2-mosstep in LsLLsLLs (see [[TAMNAMS#Proposal:%20Naming%20mos%20modes|below]] for the convention we have used to name the mode).
To denote a chord or a mode on a given degree, write the notes of the chord separated by spaces or commas, or the mode, in parentheses after the degree symbol. The most explicit option is to write out the chord in cents, edosteps or mossteps (e.g. in [[13edo]] [[5L&nbsp;3s]], the ({{nowrap|0 369 646}}) chord can be written ({{nowrap|0 4 7}})\13, ({{nowrap|P0ms M2ms M4ms}}), or {{nowrap|7{{!}}0 (0 2 4ms)}} and to write the mode. To save space, you can use whatever names or abbreviations for the chord or mode you have defined for the reader. For example, in the LsLLsLLs mode of 5L&nbsp;3s, we have m2md(0 369 646), or the chord ({{nowrap|0 369 646}}) on the 2-mosdegree which is a minor 2-mosstep. The LsLLsLLs mode also has m2md(7|0), meaning that we have the 7|&nbsp;(LLsLLsLs) mode on the 2-mosdegree which is a minor 2-mosstep in LsLLsLLs (see [[TAMNAMS#Proposal:%20Naming%20mos%20modes|below]] for the convention we have used to name the mode).


To analyze a chord as an inversion of another chord (i.e. when the bass is not seen as the root), the following strategies can be used:
To analyze a chord as an inversion of another chord (i.e. when the bass is not seen as the root), the following strategies can be used:
# One can write the root degree first: (6s, 0s, 2s, 7s). The first degree is assumed to be the tonic unless the following method is used:
# One can write the root degree first: (6s, 0s, 2s, 7s). The first degree is assumed to be the tonic unless the following method is used:
# One can write "T" to the left of the tonic: (0s, 2s, T6s, 7s).  
# One can write "T" to the left of the tonic: (0s, 2s, T6s, 7s).
# One can use 0 for the root, using negative numbers for notes below the root. For example, to analyze (0s, 2s, 6s, 7s) on the 7-degree of the LsLLsLLs mode as being rooted on its 6s (thus on the 5-degree of LsLLsLLs), we write 5d(0s, -6s, -4s, 1s). The "5d" here is essential for avoiding confusion with the previous notation.
# One can use 0 for the root, using negative numbers for notes below the root. For example, to analyze (0s, 2s, 6s, 7s) on the 7-degree of the LsLLsLLs mode as being rooted on its 6s (thus on the 5-degree of LsLLsLLs), we write 5d(0s, −6s, −4s, 1s). The "5d" here is essential for avoiding confusion with the previous notation.
# If clarity is desired as to what the root position chord is, slash notation can be used as in conventional notation. Thus the above chord can be written 5d(0s 1s 2s 4s)/7d.
# If clarity is desired as to what the root position chord is, slash notation can be used as in conventional notation. Thus the above chord can be written 5d(0s 1s 2s 4s)/7d.


== Mos pattern names ==
== Mos pattern names==
TAMNAMS uses the following names for selected small mosses. These names are optional; interval size names and step ratio names can be combined with conventional ''xL ys'' names. For example: ''21edo is the soft [[5L 3s]] tuning and its major mosthird is a neutral third of size 342.9 cents.''
TAMNAMS uses the following names for selected small mosses. These names are optional; interval size names and step ratio names can be combined with conventional ''xL ys'' names. For example: ''21edo is the soft [[5L&nbsp;3s]] tuning and its major 2-step is a neutral third of size 342.9 cents.''


Some of the names come from older temperament-agnostic mos names, such as names (such as ''mosh'') from [[Graham Breed]]'s [[Graham Breed's MOS naming scheme|mos names]]. These names have been coined so that mosses can be discussed more independently of RTT temperaments. Sometimes the prefix has a different source than the scale name for euphonic reasons.
Some of the names come from older temperament-agnostic mos names, such as names (such as ''mosh'') from [[Graham Breed]]'s [[Graham Breed's MOS naming scheme|mos names]]. These names have been coined so that mosses can be discussed more independently of RTT temperaments. Sometimes the prefix has a different source than the scale name for euphonic reasons.


1L ns names are named with the an- prefix if they are generalised names and anti- prefix if the name for the corresponding nL1s scale assumed a period of an octave.
=== Names for mosses with 6-10 steps ===
This list is maintained by [[User:Inthar]] and [[User:Godtone]].


This list is maintained by [[User:Inthar]] and [[User:Godtone]].
{| class="wikitable center-all"
{| class="wikitable center-all"
|+ TAMNAMS moss names
|+ style="font-size: 105%;" | TAMNAMS moss names
!colspan=6| 2-note mosses
|-
! Pattern !! Name !! Prefix<ref name=prefix>used in interval, degree and mode names, e.g. ''perfect 3-oneirostep, perfect 3-oneirodegree, oneiro-3-up''</ref> !! Abbr.<ref name="abbr">written abbreviations of prefixes, e.g. ''P3oneis, P3oneid, onei-3|4''</ref> !! Allows non-octave tunings?<ref name="general">whether the name can be used for mosses with no octaves; lightly tempered octaves are allowed;<br/>names for mosses with more than 5 notes do not admit nonoctave tunings because the names are specific to the corresponding valid tuning range</ref> !! Etymology
|-
| [[1L 1s]] || trivial || triv- || trv || Yes; can have any period || the simplest valid mos pattern
|-
| [[1L 1s]] || monowood || monowd- || wood || No; must have octave period || blackwood[10] & whitewood[14] generalized to n-wood for nL ns
|-
!colspan=6| 3-note mosses (non-octave<ref name=general/>)
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! (Non-octave periods allowed)<ref name=general/> !! Etymology
|-
| [[1L 2s]] || antrial || atri- || atri || Yes; can have any period || broader range than trial so named w.r.t. it (anti-trial; antial; antrial)
|-
| [[2L 1s]] || trial || tri- || tri  || Yes; can have any period || from tri- for 3
|-
!colspan=6| 4-note mosses
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! Allows non-octave tunings?<ref name=general/> !! Etymology
|-
| [[1L 3s]] || antetric || atetra- || att || Yes; can have any period || broader range than tetric so named w.r.t. it (anti-tetric; antetric)
|-
|-
| [[2L 2s]] || biwood || biwd- || bw  || No; two periods must be an octave || from 2-wood
! colspan="5" | 6-note mosses
|-
|-
| [[3L 1s]] || tetric || tetra- || tt || Yes; can have any period || from tetra- for 4
! Pattern !! Name !! Prefix<ref group="note" name="prefix">used in interval, degree and mode names, e.g. ''perfect 3-oneirostep, perfect 3-oneirodegree, oneiro-3-up''</ref> !! Abbr.<ref group="note" name="abbr">written abbreviations of prefixes, e.g. ''P3oneis, P3oneid, onei-3|4''</ref> !! Etymology
|-
|-
!colspan=6| 5-note mosses (non-octave<ref name=general/>)
| [[1L&nbsp;5s]] || antimachinoid || amech- || amk || Opposite pattern of machinoid.
|-
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! (Non-octave periods allowed)<ref name=general/> !! Etymology
| [[2L&nbsp;4s]] || malic || mal- || mal || Sister mos of 4L&nbsp;2s; apples have concave ends, whereas lemons/limes have convex ends.
|-
|-
| [[1L 4s]] || pedal || ped- || ped || || one big toe and four small toes
| [[3L&nbsp;3s]] || triwood || triwd- || tw || [[Blackwood]][10] and [[whitewood]][14] generalized to 3 periods.
|-
|-
| [[2L 3s]] || pentic || pent- || pt || || common pentatonic; from penta- for 5
| [[4L&nbsp;2s]] || citric || citro- || cit || Parent (or subset) mos of 4L&nbsp;6s and 6L&nbsp;4s.
|-
|-
| [[3L 2s]] || antipentic || apent- || apt || || opposite pattern of common pentatonic mos
| [[5L&nbsp;1s]] || machinoid || mech- || mk || From [[machine]] temperament.
|-
|-
| [[4L 1s]] || manual || manu- || manu || || one thumb and four longer fingers
! colspan="5" | 7-note mosses
|-
|-
!colspan=6| 6-note mosses
! Pattern !! Name !! Prefix !! Abbr. !! Etymology
|-
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! See notes on tuning<ref name=general/> !! Etymology
| [[1L&nbsp;6s]] || onyx || on- || on || Sounds like "one-six" depending on one's pronunciation; also called ''anti-archeotonic<ref group="note" name="anti-name">Alternate name based on the name of its sister mos, with anti- prefix added.</ref>''.
|-
|-
| [[1L 5s]] || antimachinoid || amech- || amech || || opposite pattern of machinoid
| [[2L&nbsp;5s]] || antidiatonic || pel- || pel || Opposite pattern of diatonic; pel- is from pelog.
|-
|-
| [[2L 4s]] || malic || mal- || mal || antrial mos w/ 2 periods per octave || apples have two concave ends, lemons have two pointy ends.
| [[3L&nbsp;4s]] || mosh || mosh- || mosh || From "mohajira-ish", a name from [[Graham Breed's MOS naming scheme|Graham Breed's naming scheme]].
|-
|-
| [[3L 3s]] || triwood || triwd- || trw || trivial mos w/ 3 periods per octave || from 3-wood
| [[4L&nbsp;3s]] || smitonic || smi- || smi || From "sharp minor third".
|-
|-
| [[4L 2s]] || citric || citro- || cit || trial mos w/ 2 periods per octave || parent mos of lemon and lime
| [[5L&nbsp;2s]] || diatonic || dia- || dia ||  
|-
|-
| [[5L 1s]] || machinoid || mech- || mech || || from [[machine]] temperament
| [[6L&nbsp;1s]] || archaeotonic || arch- || arc || Originally a name for 13edo's 6L&nbsp;1s scale; also called ''archæotonic/archeotonic<ref group="note" name="spelling">Spelling variant.</ref>''.
|-
|-
!colspan=6| 7-note mosses
! colspan="5" | 8-note mosses
|-
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! See notes on tuning<ref name=general/> !! Etymology
! Pattern !! Name !! Prefix !! Abbr. !! Etymology
|-
|-
| [[1L 6s]] || onyx || on- || on || || from a ''lot'' of naming puns
| [[1L&nbsp;7s]] || antipine || apine- || ap || Opposite pattern of pine.
|-
|-
| [[2L 5s]] || antidiatonic || pel- || pel || || pel- is from pelog
| [[2L&nbsp;6s]] || subaric || subar- || sb || Parent (or subset) mos of 2L&nbsp;8s and 8L&nbsp;2s.
|-
|-
| [[3L 4s]] || mosh || mosh- || mosh || || Graham Breed's name; from "mohajira-ish"
| [[3L&nbsp;5s]] || checkertonic || check- || chk || From the [[Kite Giedraitis's Categorizations of 41edo Scales|Kite guitar checkerboard scale]].
|-
|-
| [[4L 3s]] || smitonic || smi- || smi || || from "sharp minor third"
| [[4L&nbsp;4s]] || tetrawood || tetrawd- || ttw || Blackwood[10] and whitewood[14] generalized to 4 periods; also called ''diminished<ref group="note" name="unofficial2">Common name no longer recommend by TAMNAMS due to risk of ambiguity. Provided for reference.</ref>.''
|-
|-
| [[5L 2s]] || diatonic|| dia- || dia || ||
| [[5L&nbsp;3s]] || oneirotonic || oneiro- || onei || Originally a name for 13edo's 5L&nbsp;3s scale; also called ''oneiro''<ref group="note">Shortened form of name.</ref>.
|-
|-
| [[6L 1s]] || arch(a)eotonic || arch- || arch || || originally a name for 13edo's 6L 1s
| [[6L&nbsp;2s]] || ekic || ek- || ek || From [[echidna]] and [[hedgehog]] temperaments.
|-
|-
!colspan=6| 8-note mosses
| [[7L&nbsp;1s]] || pine || pine- || p || From [[porcupine]] temperament.
|-
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! See notes on tuning<ref name=general/> !! Etymology
! colspan="5" | 9-note mosses
|-
|-
| [[1L 7s]] || antipine || apine- || apine || || opposite pattern of pine
! Pattern !! Name !! Prefix !! Abbr. !! Etymology
|-
|-
| [[2L 6s]] || subaric || subar- || subar || antetric mos w/ 2 periods per octave || largest subset mos of jaric and taric
| [[1L&nbsp;8s]] || antisubneutralic || ablu- || ablu || Opposite pattern of subneutralic.
|-
|-
| [[3L 5s]] || checkertonic || check- || chk || || from the [[Kite Giedraitis's Categorizations of 41edo Scales|Kite guitar checkerboard scale]]
| [[2L&nbsp;7s]] || balzano || bal- || bz || Originally a name for 20edo's 2L&nbsp;7s (and 2L 11) scales; bal- is pronounced /bæl/.
|-
|-
| [[4L 4s]] || tetrawood; diminished || tetrawd- || ttw || trivial mos w/ 4 periods per octave || from 4-wood
| [[3L&nbsp;6s]] || tcherepnin || cher- || ch || In reference to Tcherepnin's 9-note scale in 12edo.
|-
|-
| [[5L 3s]] || oneirotonic || oneiro- || onei || || originally a name for 13edo's 5L 3s
| [[4L&nbsp;5s]] || gramitonic || gram- || gm || From "grave minor third".
|-
|-
| [[6L 2s]] || ekic || ek- || ek || tetric mos w/ 2 periods per octave || from temperaments [[echidna]] and [[hedgehog]]
| [[5L&nbsp;4s]] || semiquartal || cthon- || ct || From "half fourth"; cthon- is from "chthonic".
|-
|-
| [[7L 1s]] || pine || pine- || pine || || from [[porcupine]] temperament
| [[6L&nbsp;3s]] || hyrulic || hyru- || hy || References [[triforce]] temperament.
|-
|-
!colspan=6| 9-note mosses
| [[7L&nbsp;2s]] || armotonic || arm- || arm || From [[Armodue]] theory; also called ''superdiatonic<ref group="note" name="unofficial2" />.''
|-
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! See notes on tuning<ref name=general/> !! Etymology
| [[8L&nbsp;1s]] || subneutralic || blu- || blu || Derived from the generator being between supraminor and neutral quality; blu- is from [[bleu]] temperament.
|-
|-
| [[1L 8s]] || antisubneutralic || ablu- || ablu || || opposite pattern of subneutralic
! colspan="5" | 10-note mosses
|-
|-
| [[2L 7s]] || balzano || bal- /bæl/ || bal || || from Balzano scale in 20edo which is 2L 7s
! Pattern !! Name !! Prefix !! Abbr. !! Etymology
|-
|-
| [[3L 6s]] || tcherepnin || cher- || ch || antrial mos w/ 3 periods per octave || common name
| [[1L&nbsp;9s]] || antisinatonic || asina- || asi || Opposite pattern of sinatonic.
|-
|-
| [[4L 5s]] || gramitonic || gram- || gram || ||from "grave minor third"
| [[2L&nbsp;8s]] || jaric || jara- || ja || From [[pajara]], [[injera]], and [[diaschismic]] temperaments.
|-
|-
| [[5L 4s]] || semiquartal || cthon- || cth || || from "half fourth" and "chthonic"
| [[3L&nbsp;7s]] || sephiroid || seph- || sp || From [[sephiroth]] temperament.
|-
|-
| [[6L 3s]] || hyrulic || hyru- || hyru || trial mos w/ 3 periods per octave || allusion to [[triforce]] temperament
| [[4L&nbsp;6s]] || lime || lime- || lm || Sister mos of 6L&nbsp;4s; limes are smaller than lemons, as are 4L&nbsp;6s's step sizes compared to 6L&nbsp;4s.
|-
|-
| [[7L 2s]] || superdiatonic; armotonic || arm- || arm || || superdiatonic is a common name; arm- and armotonic references [[Armodue]]
| [[5L&nbsp;5s]] || pentawood || pentawd- || pw || Blackwood[10] and whitewood[14] generalized to 5 periods.
|-
|-
| [[8L 1s]] || subneutralic || blu- || blu || || derived from the generator being between supraminor and neutral quality. blu- is from [[bleu]] temperament
| [[6L&nbsp;4s]] || lemon || lem- || le || From [[lemba]] temperament. Also sister mos of 4L&nbsp;6s.
|-
|-
!colspan=6| 10-note mosses
| [[7L&nbsp;3s]] || dicoid || dico- || di || From [[Dicot family#Dichotic|dichotic]] and [[dicot]] (dicoid) exotemperaments; pronounced /'daɪˌkɔɪd/.
|-
|-
! Pattern !! Name !! Prefix<ref name=prefix/> !! Abbr.<ref name=abbr/> !! See notes on tuning<ref name=general/> !! Etymology
| [[8L&nbsp;2s]] || taric || tara- || ta || Sister mos of 2L&nbsp;8s; based off of the [[wikipedia:Hindustani_numerals|Hindi]] word for 18 (aṭhārah), since 18edo contains basic 8L&nbsp;2s.
|-
|-
| [[1L 9s]] || antisinatonic || asina- || asi || || opposite pattern of sinatonic
| [[9L&nbsp;1s]] || sinatonic || sina- || si || Derived from the generator being within the range of a [[sinaic]].
|-
| [[2L 8s]] || jaric || jara- || jar || pedal mos w/ 2 periods per octave || from temperaments [[pajara]], [[injera]] and [[diaschismic]]
|-
| [[3L 7s]] || sephiroid || seph- || seph || || from [[sephiroth]] temperament
|-
| [[4L 6s]] || lime || lime- || lime || pentic mos w/ 2 periods per octave || limes/4L 6s's steps tend to be smaller than lemons/6L 4s's steps
|-
| [[5L 5s]] || pentawood || pentawd- || pw || trivial mos w/ 5 periods per octave || from 5-wood
|-
| [[6L 4s]] || lemon || lem- || lem || anpentic mos w/ 2 periods per octave || from [[lemba]] temperament
|-
| [[7L 3s]] || dicoid /'daɪˌkɔɪd/ || dico-|| dico || || from exotemperaments [[Dicot family#Dichotic|dichotic]] and [[dicot]] (dicoid)
|-
| [[8L 2s]] || taric || tara- || tar || manual mos w/ 2 periods per octave || from Hindi ''aṭhārah'' '[[#Taric (8L 2s)|18]]'
|-
| [[9L 1s]] || sinatonic || sina- || si || || from [[sinaic]]
|}
|}
<references/>For the reasoning for these names, see [[TAMNAMS/Appendix|TAMNAMS/Appendix#Reasoning for mos pattern names]].
<references group="note" />
 
=== Expansion to smaller mosses ===
For names for mosses with fewer than 6 steps, see [[TAMNAMS/Appendix#Expanding names for smaller mosses|here]].
 
=== Expansion to larger mosses ===
{{see also| TAMNAMS Extension}}
Various users have proposed names for mosses with more than 10 steps, commonly referred to as "TAMNAMS extensions". Chief among these are the following:
 
* [[User:Frostburn/TAMNAMS Extension]]
* [[User:Ganaram inukshuk/TAMNAMS Extension]]


== Naming mos modes ==
== Naming mos modes ==
TAMNAMS uses [[UDP]] to name modes (i.e. the format pu|pd (p) for mosses with period 1/p of the equave, where u is the number of bright generators up and d is the number of bright generators down). For non-diatonic mosses, the diamond mos accidentals can be used to alter modes, and the degree modified is indicated using TAMNAMS's 0-indexing convention. For example, LsLsLLLs can be written "5L 3s 5|2 @4d".
By default, TAMNAMS uses a simplified version of [[Modal UDP notation]] which specifies the number of generators up and down without multiplying them by the number of periods per equave. This only affects how the modes of multi-period MOS scales are written: for example, the modes of 4L&nbsp;2s are written as 2|0, 1|1, and 0|2, instead of 4|0(2), 2|2(2), and 0|2(4). The modes for single-period MOS scales, such as 5|2 in 5L&nbsp;3s, are written the same way to that of standard UDP notation.
 
For a mos pattern given a name in TAMNAMS, there is also the option of using the prefix for the pattern instead of saying "xL ys": the 5L 3s mode LsLLsLLs can be written "onei-5|2".


== Proposal: Extensions for Descendent MOSes ==
Other mode notation schemes or mode names can be used instead, if desired.
{{see also| TAMNAMS Extension}}
{{MOS mode degrees|Scale Signature=5L 3s|MOS Prefix=mos|Mode Names=Default}}
{{see also| User:Frostburn/TAMNAMS Extension}}
For modes with altered scale degrees, the abbreviations for the scale degrees are listed after the UDP for the mode.
{{MOS mode degrees|Scale Signature=5L 3s|MOS Prefix=mos|MODMOS Step Pattern=LsLsLLLs|Mode Names=Default}}
Notation, such as [[Diamond-mos notation|diamond-mos]], can be used instead of the abbreviation of a mosdegree. For example, LsLsLLLs can be written {{nowrap|"5L 3s 5{{!}}2 m4md"}}. {{nowrap|"5L 3s 5{{!}}2 @4d"}}.


There is currently a proposal for a series of systematic extensions to this system for naming MOSes descended from the main ones listed here, as well as a few others.  These extensions are currently being worked on mainly by [[User:Frostburn|Frostburn]].
For a mos pattern given a name in TAMNAMS, there is also the option of using the prefix for the pattern instead of saying "xL ys": the 5L&nbsp;3s mode LsLLsLLs can be written "onei-5|2".


== Non-mos scales ==
== Generalization to non-mos scales ==
=== Intervals in arbitrary scales ===
=== Intervals in arbitrary scales ===
Zero-indexed interval names are also used for arbitrary scales, so we can still call a k-step interval a ''k-step'' and the corresponding degree the ''k-degree''. But instead of ''k-mosstep'' and ''k-mosdegree'', we use ''k-scalestep'' and ''k-scaledegree'' for arbitrary scales.
Zero-indexed interval names are also used for arbitrary scales, so we can still call a k-step interval a ''k-step'' and the corresponding degree the ''k-degree''. But instead of ''k-mosstep'' and ''k-mosdegree'', we use ''k-scalestep'' and ''k-scaledegree'' for arbitrary scales.


=== Proposal: Naming 3-step-size scales' step ratios ===
=== Proposal: Naming ternary scales' step ratios===
Analogously to 2-step-size scales including mosses, scales with three step sizes L > M > S, including [[MV3]] scales, can also be defined by their L:M:S ratios. Here TAMNAMS names the L/M ratio and then the M/S ratio as if these were mos step ratios: for example, [[21edo]] [[diasem]] (5L 2M 2s, LMLSLMLSL or its inverse) has a step ratio of L:M:S = 3:2:1, so we name it ''soft-basic diasem''.
Analogously to binary scales including mosses, ternary scales, i.e. those with three step sizes {{nowrap|L &gt; M &gt; S}}, including [[MV3]] scales, can also be defined by their L:M:S ratios. Here TAMNAMS names the L/M ratio and then the M/S ratio as if these were mos step ratios: for example, [[21edo]] [[diasem]] (5L&nbsp;2M&nbsp;2s, LMLSLMLSL or its inverse) has a step ratio of {{nowrap|L:M:S {{=}} 3:2:1}}, so we name it ''soft-basic diasem''. If the ratios are the same, repetition may optionally be omitted, so that [[26edo]] diasem, 4:2:1, may optionally be called "basic diasem" instead of "basic-basic diasem". Not to be confused with step ratios where one ratio is unspecified; for that, use:


For step ratios where one ratio is unspecified:
* x:y:z (where x:y is known but y:z is not) is called ''(hardness term for x/y)-any''. x:x:1 is called ''equalized-any'' or ''LM-equalized'' (where {{nowrap|x &ge; 1}} represents a free variable).
* x:y:z (where x:y is known but y:z is not) is called ''(hardness term for x/y)-any''. x:x:1 is called ''equalized-any'' or ''LM-equalized''.
* x:y:z (where y:z is known but x:y is not) is called ''any-(hardness term for y/z)''. x:1:1 is called ''any-equalized'' or ''MS-equalized'' (where {{nowrap|x &ge; 1}} represents a free variable).
* x:y:z (where y:z is known but x:y is not) is called ''any-(hardness term for y/z)''. x:1:1 is called ''any-equalized'' or ''MS-equalized''.
* x:y:z (where x:z is known but x:y and y:z are not) is called ''outer-(hardness term for x/z)-any''. x:1:x is called ''outer-equalized-any'' or ''LS-equalized''. (where {{nowrap|x &ge; 0}} represents a free variable).


=== 3-step scale pattern names ===
=== Naming MV3 intervals ===
[[MV3]] scales, such as [[diasem]], have at most 3 sizes for each interval class. For every interval class that occurs in exactly 3 sizes, we use ''large'', ''medium'', and ''small k-step''. For every interval class that occurs in 2 sizes, we use ''large k-step'' and ''small k-step''.  If an interval class only has one size, then we call it ''perfect k-step''.


=== Naming MV3 intervals ===
== Appendix==
[[MV3]] scales, such as [[diasem]], have at most 3 sizes for each interval class. For every interval class that occurs in exactly 3 sizes, we use ''large'', ''medium'' and ''small k-step''. For every interval class that occurs in 2 sizes, we use ''large k-step'' and ''small k-step''.  If an interval class only has one size, then we call it ''perfect k-step''.
=== Reasoning for step ratio names ===
{{Main|TAMNAMS/Appendix#Reasoning for step ratio names}}
 
=== Reasoning for mos interval names ===
{{Main|TAMNAMS/Appendix#Reasoning for mos interval names}}


== Appendix ==
=== Reasoning for mos pattern names ===
{{See also|TAMNAMS/Appendix}}
{{Main|TAMNAMS/Appendix#Reasoning for mos pattern names}}


[[Category:MOS scale]]
[[Category:TAMNAMS]]