4/3: Difference between revisions
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'''4/3''' is the [[frequency ratio]] of the '''just perfect fourth''', which is easily one of the more heavily discussed intervals outside of xenharmony- in fact, some of these usages have gone on to inspire other music theories within xenharmonic contexts, such as certain ideas about [[tetrachord]]s. As its inversion is the perfect fifth, [[3/2]], 4/3 is the [[octave reduced]] form of the third [[subharmonic]]. In the [[Wikipedia: Medieval music #Early polyphony: organum|florid organum]] of Medieval music, 4/3 was reliably considered a consonance, and indeed was frequently emphasized. Once major thirds with a tuning approximating [[5/4]] began to be treated as consonances, however, the perception of 4/3 was altered to where it was at times considered a dissonance. However, as of late, the perfect fourth is once again being reevaluated as a consonance. | '''4/3''' is the [[frequency ratio]] of the '''just perfect fourth''', which is easily one of the more heavily discussed intervals outside of xenharmony- in fact, some of these usages have gone on to inspire other music theories within xenharmonic contexts, such as certain ideas about [[tetrachord]]s. As its inversion is the perfect fifth, [[3/2]], 4/3 is the [[octave reduced]] form of the third [[subharmonic]]. In the [[Wikipedia: Medieval music #Early polyphony: organum|florid organum]] of Medieval music, 4/3 was reliably considered a consonance, and indeed was frequently emphasized. Once major thirds with a tuning approximating [[5/4]] began to be treated as consonances, however, the perception of 4/3 was altered to where it was at times considered a dissonance. However, as of late, the perfect fourth is once again being reevaluated as a consonance. | ||
== Approximations by EDOs == | |||
The following [[EDO]]s (up to 200) contain good approximations<ref>error magnitude below 7, both, absolute (in ¢) and relative (in r¢)</ref> of the interval 3/2. Errors are given by magnitude, the arrows in the table show if the EDO representation is sharp (↑) or flat (↓). | |||
{| class="wikitable sortable right-1 center-2 right-3 right-4 center-5" | |||
|- | |||
! [[EDO]] | |||
! class="unsortable" | deg\edo | |||
! Absolute <br> error ([[Cent|¢]]) | |||
! Relative <br> error ([[Relative cent|r¢]]) | |||
! ↕ | |||
! class="unsortable" | Equally acceptable multiples <ref>Super EDOs up to 200 within the same error tolerance</ref> | |||
|- | |||
| [[12edo|12]] || 5\12 || 1.9550 || 1.9550 || ↑ || [[24edo|10\24]], [[36edo|15\36]] | |||
|- | |||
| [[17edo|17]] || 7\17 || 3.9274 || 5.5637 || ↓ || | |||
|- | |||
| [[29edo|29]] || 12\29 || 1.4933 || 3.6087 || ↓ || | |||
|- | |||
| [[41edo|41]] || 17\41 || 0.4840 || 1.6537 || ↓ || [[82edo|34\82]], [[123edo|51\123]], [[164edo|68\164]] | |||
|- | |||
| [[53edo|53]] || 22\53 || 0.0682 || 0.3013 || ↑ || [[106edo|44\106]], [[159edo|66\159]] | |||
|- | |||
| [[65edo|65]] || 27\65 || 0.4165 || 2.2563 || ↑ || [[130edo|54\130]], [[195edo|81\195]] | |||
|- | |||
| [[70edo|70]] || 29\70 || 0.9021 || 5.2625 || ↓ || | |||
|- | |||
| [[77edo|77]] || 32\77 || 0.6563 || 4.2113 || ↑ || | |||
|- | |||
| [[89edo|89]] || 37\89 || 0.8314 || 6.1663 || ↑ || | |||
|- | |||
| [[94edo|94]] || 39\94 || 0.1727 || 1.3525 || ↓ || [[188edo|78\188]] | |||
|- | |||
| [[111edo|111]] || 46\111 || 0.7477 || 6.9162 || ↓ || | |||
|- | |||
| [[118edo|118]] || 49\118 || 0.2601 || 2.5575 || ↑ || | |||
|- | |||
| [[135edo|135]] || 56\135 || 0.2672 || 3.0062 || ↓ || | |||
|- | |||
| [[142edo|142]] || 59\142 || 0.5466 || 6.4675 || ↑ || | |||
|- | |||
| [[147edo|147]] || 61\147 || 0.0858 || 1.0512 || ↓ || | |||
|- | |||
| [[171edo|171]] || 71\171 || 0.2006 || 2.8588 || ↑ || | |||
|- | |||
| [[176edo|176]] || 73\176 || 0.3177 || 4.6600 || ↓ || | |||
|- | |||
| [[183edo|183]] || 76\183 || 0.3157 || 4.8138 || ↑ || | |||
|- | |||
| [[200edo|200]] || 83\200 || 0.0450 || 0.7500 || ↓ || | |||
|- | |||
|} | |||
<references/> | |||
== See also == | == See also == | ||
* [[3/2]] – its [[octave complement]] | * [[3/2]] – its [[octave complement]] | ||
Revision as of 13:09, 4 December 2021
| Interval information |
reduced,
reduced subharmonic
[sound info]
4/3 is the frequency ratio of the just perfect fourth, which is easily one of the more heavily discussed intervals outside of xenharmony- in fact, some of these usages have gone on to inspire other music theories within xenharmonic contexts, such as certain ideas about tetrachords. As its inversion is the perfect fifth, 3/2, 4/3 is the octave reduced form of the third subharmonic. In the florid organum of Medieval music, 4/3 was reliably considered a consonance, and indeed was frequently emphasized. Once major thirds with a tuning approximating 5/4 began to be treated as consonances, however, the perception of 4/3 was altered to where it was at times considered a dissonance. However, as of late, the perfect fourth is once again being reevaluated as a consonance.
Approximations by EDOs
The following EDOs (up to 200) contain good approximations[1] of the interval 3/2. Errors are given by magnitude, the arrows in the table show if the EDO representation is sharp (↑) or flat (↓).
| EDO | deg\edo | Absolute error (¢) |
Relative error (r¢) |
↕ | Equally acceptable multiples [2] |
|---|---|---|---|---|---|
| 12 | 5\12 | 1.9550 | 1.9550 | ↑ | 10\24, 15\36 |
| 17 | 7\17 | 3.9274 | 5.5637 | ↓ | |
| 29 | 12\29 | 1.4933 | 3.6087 | ↓ | |
| 41 | 17\41 | 0.4840 | 1.6537 | ↓ | 34\82, 51\123, 68\164 |
| 53 | 22\53 | 0.0682 | 0.3013 | ↑ | 44\106, 66\159 |
| 65 | 27\65 | 0.4165 | 2.2563 | ↑ | 54\130, 81\195 |
| 70 | 29\70 | 0.9021 | 5.2625 | ↓ | |
| 77 | 32\77 | 0.6563 | 4.2113 | ↑ | |
| 89 | 37\89 | 0.8314 | 6.1663 | ↑ | |
| 94 | 39\94 | 0.1727 | 1.3525 | ↓ | 78\188 |
| 111 | 46\111 | 0.7477 | 6.9162 | ↓ | |
| 118 | 49\118 | 0.2601 | 2.5575 | ↑ | |
| 135 | 56\135 | 0.2672 | 3.0062 | ↓ | |
| 142 | 59\142 | 0.5466 | 6.4675 | ↑ | |
| 147 | 61\147 | 0.0858 | 1.0512 | ↓ | |
| 171 | 71\171 | 0.2006 | 2.8588 | ↑ | |
| 176 | 73\176 | 0.3177 | 4.6600 | ↓ | |
| 183 | 76\183 | 0.3157 | 4.8138 | ↑ | |
| 200 | 83\200 | 0.0450 | 0.7500 | ↓ |
