50/49: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Wikispaces>genewardsmith
**Imported revision 244887783 - Original comment: **
+ etymology
 
(38 intermediate revisions by 21 users not shown)
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
{{Interwiki
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| en = 50/49
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-08-08 15:27:00 UTC</tt>.<br>
| de = 50/49
: The original revision id was <tt>244887783</tt>.<br>
| es =
: The revision comment was: <tt></tt><br>
| ja =
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
}}
<h4>Original Wikitext content:</h4>
{{Infobox Interval
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The septimal sixth-tone or jubilisma, 50/49, is the only superparticular comma aside from 126/125 which has a numerator which is neither square nor triangular, meaning it is not the difference between septimal superparticular rations with numerators differing by either one or two; instead, 50/49 = (10/7)/(7/5). Tempering it out equates the two, leading to temperaments where the square root of two does service for both.
| Name = small septimal diesis, small septimal sixth-tone, septimal tritonic diesis, jubilisma
| Color name = rryy-2, biruyo negative 2nd,<br>Biruyo comma
| Comma = yes
}}
{{Wikipedia|Septimal third tone #Septimal sixth tone}}


[[http://en.wikipedia.org/wiki/Septimal_sixth-tone]]</pre></div>
'''50/49''', the '''small septimal diesis''' (a.k.a. '''small septimal sixth-tone''' or '''septimal tritonic diesis'''), is a [[7-limit]] [[medium comma]]. It is the only [[superparticular]] [[comma]] in the 7-limit aside from [[126/125]] and [[4375/4374]] which has a numerator which is neither square nor [[triangular number|triangular]], meaning it is not the difference between septimal superparticular rations with numerators differing by either one or two; instead, {{nowrap| 50/49 = ([[10/7]])/([[7/5]]) }}.  
<h4>Original HTML content:</h4>
 
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;50_49&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The septimal sixth-tone or jubilisma, 50/49, is the only superparticular comma aside from 126/125 which has a numerator which is neither square nor triangular, meaning it is not the difference between septimal superparticular rations with numerators differing by either one or two; instead, 50/49 = (10/7)/(7/5). Tempering it out equates the two, leading to temperaments where the square root of two does service for both.&lt;br /&gt;
== Temperaments ==
&lt;br /&gt;
[[Tempering out]] this comma equates the two septimal tritones (i.e. [[7/5]] and [[10/7]]) with each other, leading to temperaments where [[sqrt(2/1)]] approximates both. In the [[2.5.7 subgroup]], this is known as the jubilic temperament, and the comma is thus known as the '''jubilisma'''. In the full 7-limit, this comma further equates [[15/14]] and [[21/20]] and enables all the [[jubilismic chords]].
&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_sixth-tone" rel="nofollow"&gt;http://en.wikipedia.org/wiki/Septimal_sixth-tone&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
 
''It cannot be tempered out if all of the consonances of the 7-odd-limit are distinct'', but it ''can'' be equated with other commas; for example:
* ([[36/35]])/(50/49) = [[126/125]]
* ([[45/44]])/(50/49) = [[441/440]]
* ([[49/48]])/(50/49) = [[2401/2400]]
* (50/49)/([[55/54]]) = [[540/539]]
* (50/49)/([[56/55]]) = [[1375/1372]]
* (50/49)/([[64/63]]) = [[225/224]]
* (50/49)/([[65/64]]) = [[640/637]]
* (50/49)/([[66/65]]) = [[1625/1617]]
* (50/49)/([[78/77]]) = [[275/273]]
* (50/49)/([[81/80]]) = [[4000/3969]]
 
See [[Jubilismic family]] for the rank-3 family where it is tempered out, and [[Jubilismic clan]] for the rank-2 clan where it is tempered out.
 
Equal temperaments tempering out 50/49 include [[12edo]], [[22edo]], [[26edo]], [[38edo]], [[48edo]], and [[54edo]].
 
== Approximations ==
{{Interval edo approximation|min_edo=12}}
 
== Etymology ==
The name ''jubilisma'' is likely a reference to the 50-year biblical jubilee cycle.
 
== See also ==
* [[List of superparticular intervals]]
* [[49/48]] – the large septimal sixth-tone
 
[[Category:Jubilismic]]
[[Category:Commas referencing a famous use of a number]]

Latest revision as of 08:24, 4 March 2026

Interval information
Ratio 50/49
Factorization 2 × 52 × 7-2
Monzo [1 0 2 -2
Size in cents 34.97561¢
Names small septimal diesis,
small septimal sixth-tone,
septimal tritonic diesis,
jubilisma
Color name rryy-2, biruyo negative 2nd,
Biruyo comma
FJS name [math]\displaystyle{ \text{d}{-2}^{5,5}_{7,7} }[/math]
Special properties superparticular,
reduced
Tenney norm (log2 nd) 11.2586
Weil norm (log2 max(n, d)) 11.2877
Wilson norm (sopfr(nd)) 26
Comma size medium
S-expression S5/S7
Open this interval in xen-calc

50/49, the small septimal diesis (a.k.a. small septimal sixth-tone or septimal tritonic diesis), is a 7-limit medium comma. It is the only superparticular comma in the 7-limit aside from 126/125 and 4375/4374 which has a numerator which is neither square nor triangular, meaning it is not the difference between septimal superparticular rations with numerators differing by either one or two; instead, (10/7)/(7/5).

Temperaments

Tempering out this comma equates the two septimal tritones (i.e. 7/5 and 10/7) with each other, leading to temperaments where sqrt(2/1) approximates both. In the 2.5.7 subgroup, this is known as the jubilic temperament, and the comma is thus known as the jubilisma. In the full 7-limit, this comma further equates 15/14 and 21/20 and enables all the jubilismic chords.

It cannot be tempered out if all of the consonances of the 7-odd-limit are distinct, but it can be equated with other commas; for example:

See Jubilismic family for the rank-3 family where it is tempered out, and Jubilismic clan for the rank-2 clan where it is tempered out.

Equal temperaments tempering out 50/49 include 12edo, 22edo, 26edo, 38edo, 48edo, and 54edo.

Approximations

Edo approximations for 50/49 (34.98 ¢)
≤ 80edo, relative error ≤ 10%
Edo Step size Cents (¢) Absolute error (¢) Relative error (%)
31 1\31 38.71 +3.73 +9.65
32 1\32 37.50 +2.52 +6.73
33 1\33 36.36 +1.39 +3.82
34 1\34 35.29 +0.32 +0.90
35 1\35 34.29 -0.69 -2.01
36 1\36 33.33 -1.64 -4.93
37 1\37 32.43 -2.54 -7.84
66 2\66 36.36 +1.39 +7.63
67 2\67 35.82 +0.85 +4.72
68 2\68 35.29 +0.32 +1.80
69 2\69 34.78 -0.19 -1.11
70 2\70 34.29 -0.69 -4.02
71 2\71 33.80 -1.17 -6.94
72 2\72 33.33 -1.64 -9.85

Etymology

The name jubilisma is likely a reference to the 50-year biblical jubilee cycle.

See also