33edo: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ | {{ED intro}} | ||
== Theory == | == Theory == | ||
=== Structural properties === | |||
While relatively uncommon, 33edo is actually quite an interesting system. As a multiple of [[11edo]], it approximates the 7th and 11th harmonics via [[orgone]] temperament (see [[26edo]]). 33edo also tunes the 13th harmonic slightly flat, allowing it to approximate the 21st and 17th harmonics as well, having a [[3L 7s]] with {{nowrap|L {{=}} 4|s {{=}} 3}}. The 33c ({{val| 33 52 76 93 }}) and 33cd ({{val| 33 52 76 92 }}) mappings temper out [[81/80]] and can be used to represent [[1/2-comma meantone]], a "[[flattertone]]" tuning where the whole tone is [[10/9]] in size. Indeed, the perfect fifth is tuned about 11{{c}} flat, and two stacked fifths fall only 0.6{{c}} flat of 10/9. Leaving the scale be would result in the standard diatonic scale ([[5L 2s]]) having minor seconds of four steps and whole tones of five steps. This also results in common practice minor and major chords becoming more supraminor and submajor in character, making everything sound almost neutral in quality. The 33cd val also tempers out [[49/48]], which along with the tempering of 81/80 means it supports [[godzilla]]. | |||
Besides the 33cd val, one may also consider the patent val. This val maps 5/4 and 7/4 much more accurately (though still somewhat questionable), but 6/5 and 7/6, and especially 10/9 and 9/7 are much more damaged. Notable commas this val tempers out include 128/125, 36/35, and 225/224, supporting [[august]]. | |||
33edo maps both the [[4:5:6]] and [[6:7:8]] chords inconsistently, with the third harmonic being about a third of a step flat and the 5th and 7th harmonics being about a third of a step sharp. It is thus reasonable to use the second-best approximation of [[3/1|3]], [[5/1|5]], or [[7/1|7]] in either chord, but in any case, the worst of the three intervals in the chord is detuned by over 22 cents, meaning 33edo is near-maximally bad for its size for tonal harmony. From this reasoning, 33edo's triple, [[99edo]], would be a very strong 7-limit system, and it indeed is. | |||
Instead of the flat 19-step fifth you may use the 20-step sharp fifth, over 25{{c}} sharp. Two of these lead to a 9/8 of 7\33, which is about 22/19 in size and may be counted as a small third. Between the flat 5\33 version of 9/8 and the sharp 7\33 version there is, of course, a {{nowrap|6\33 {{=}} 2\[[11edo|11]]}} interval of 218{{c}}. Together, these add up to {{nowrap|6\33 + 5\33 {{=}} 11\33 {{=}} 1\3}}, or 400{{c}}, the same major third as 12edo. We also have both a 327{{c}} minor third ({{nowrap|9\33 {{=}} 6\22 {{=}} 3\11}}), the same as that of [[22edo]], and a flatter 8\33 third of 291{{c}}, which if you like could also be called a flat 19th harmonic, but much more accurately a 13/11 sharp by 1.7{{c}} (if you use the patent val it is an extremely inaccurate 6/5). Another talent it has is that 7/5 is tuned quite accurately by 16\33, and we may put two 8\33 versions of 13/11 together to produce the [[cuthbert triad]]. The 8\33 generator, with MOS of size 5, 9, and 13, gives plenty of scope for these, as well as the 11th, 13th, and 19th harmonics (taking the generator as a 19/16) which are relatively well in tune. | |||
33edo contains an accurate approximation of the [[Bohlen–Pierce]] scale with 4\33 near [[13edt|1\13edt]]. | |||
Other notable 33edo scales are [[diasem]] with {{nowrap|L:m:s {{=}} 5:3:1}} and [[5L 4s]] with {{nowrap|L:s {{=}} 5:2}}. This step ratio for 5L 4s is great for its semitone size of 72.7{{c}}. | |||
=== Odd harmonics === | |||
{{Harmonics in equal|33}} | |||
33edo | 33edo is not especially good at representing all rational intervals in the [[7-limit]], but it does very well on the 7-limit [[k*N subgroups|3*33 subgroup]] 2.27.15.21.11.13. On this subgroup it tunes things to the same tuning as [[99edo]], and as a subgroup patent val it tempers out the same commas. The 99 equal temperaments hemififths, amity, parakleismic, hemiwuerschmidt, ennealimmal and hendecatonic can be reduced to this subgroup and give various possibilities for MOS scales, etc. In particular, the [[terrain]] 2.7/5.9/5 subgroup temperament can be tuned via the 5\33 generator. The full system of harmony provides the optimal patent val for [[slurpee]] temperament in the 5-, 7-, 11-, and 13-limits. | ||
While it might not be the most harmonically accurate temperament, it is structurally quite interesting, and it approximates the full 19-limit consort in its own way. You could even say it tunes the 23rd and 29th harmonics ten cents flat if you were so inclined; as well as getting within two cents of the 37th. | |||
=== Miscellany === | |||
33 is also the number of years in the Iranian calendar's leap cycle, where leap year is inserted once every 4 or 5 years. This corresponds to the [[1L 7s]] with the step ratio of 5:4. | 33 is also the number of years in the Iranian calendar's leap cycle, where leap year is inserted once every 4 or 5 years. This corresponds to the [[1L 7s]] with the step ratio of 5:4. | ||
| Line 35: | Line 40: | ||
|- | |- | ||
| 0 | | 0 | ||
| | | 0 | ||
| [[1/1]] | | [[1/1]] | ||
| 0 | | 0 | ||
| Line 47: | Line 52: | ||
| [[48/47]] | | [[48/47]] | ||
| 36.448 | | 36.448 | ||
| | | −0.085 | ||
| Augmented Unison | | Augmented Unison | ||
| A1 | | A1 | ||
| Line 56: | Line 61: | ||
| [[24/23]] | | [[24/23]] | ||
| 73.681 | | 73.681 | ||
| | | −0.953 | ||
| Double-aug 1sn | | Double-aug 1sn | ||
| AA1 | | AA1 | ||
| Line 65: | Line 70: | ||
| [[16/15]] | | [[16/15]] | ||
| 111.731 | | 111.731 | ||
| | | −2.640 | ||
| Diminished 2nd | | Diminished 2nd | ||
| d2 | | d2 | ||
| Line 74: | Line 79: | ||
| [[12/11]] | | [[12/11]] | ||
| 150.637 | | 150.637 | ||
| | | −5.183 | ||
| Minor 2nd | | Minor 2nd | ||
| m2 | | m2 | ||
| Line 83: | Line 88: | ||
| [[10/9]] | | [[10/9]] | ||
| 182.404 | | 182.404 | ||
| | | −0.586 | ||
| Major 2nd | | Major 2nd | ||
| M2 | | M2 | ||
| Line 173: | Line 178: | ||
| [[11/8]] | | [[11/8]] | ||
| 551.318 | | 551.318 | ||
| | | −5.863 | ||
| Augmented 4th | | Augmented 4th | ||
| A4 | | A4 | ||
| Line 182: | Line 187: | ||
| [[7/5]] | | [[7/5]] | ||
| 582.513 | | 582.513 | ||
| | | −0.694 | ||
| Double-aug 4th | | Double-aug 4th | ||
| AA4 | | AA4 | ||
| Line 208: | Line 213: | ||
| 690.909 | | 690.909 | ||
| [[3/2]] | | [[3/2]] | ||
| 701. | | 701.955 | ||
| | | −11.046 | ||
| Perfect 5th | | Perfect 5th | ||
| P5 | | P5 | ||
| Line 226: | Line 231: | ||
| 763.636 | | 763.636 | ||
| [[14/9]] | | [[14/9]] | ||
| 764. | | 764.916 | ||
| | | −1.280 | ||
| Double-aug 5th | | Double-aug 5th | ||
| AA5 | | AA5 | ||
| Line 236: | Line 241: | ||
| [[8/5]] | | [[8/5]] | ||
| 813.686 | | 813.686 | ||
| | | −13.686 | ||
| Double-dim 6th | | Double-dim 6th | ||
| d6 | | d6 | ||
| Line 244: | Line 249: | ||
| 836.364 | | 836.364 | ||
| [[13/8]] | | [[13/8]] | ||
| 840. | | 840.528 | ||
| | | −4.164 | ||
| Minor 6th | | Minor 6th | ||
| m6 | | m6 | ||
| Line 254: | Line 259: | ||
| [[5/3]] | | [[5/3]] | ||
| 884.359 | | 884.359 | ||
| | | −11.631 | ||
| Major 6th | | Major 6th | ||
| M6 | | M6 | ||
| Line 262: | Line 267: | ||
| 909.091 | | 909.091 | ||
| [[22/13]] | | [[22/13]] | ||
| 910. | | 910.790 | ||
| | | −1.699 | ||
| Augmented 6th | | Augmented 6th | ||
| A6 | | A6 | ||
| Line 281: | Line 286: | ||
| [[30/17]] | | [[30/17]] | ||
| 983.313 | | 983.313 | ||
| | | −1.495 | ||
| Diminished 7th | | Diminished 7th | ||
| d7 | | d7 | ||
| Line 317: | Line 322: | ||
| [[23/12]] | | [[23/12]] | ||
| 1126.319 | | 1126.319 | ||
| | | −0.953 | ||
| Double-dim 8ve | | Double-dim 8ve | ||
| dd8 | | dd8 | ||
| Line 342: | Line 347: | ||
== Notation == | == Notation == | ||
=== Standard notation === | |||
Because the [[chromatic semitone]] in 33edo is 1 step, 33edo can be notated using only naturals, sharps, and flats. However, many key signatures will require double- and triple-sharps and flats, which means that notation in distant keys can be very unwieldy. | |||
{{sharpness-sharp1}} | |||
=== Sagittal notation === | === Sagittal notation === | ||
This notation uses the same sagittal sequence as EDOs [[23edo#Sagittal notation|23]] and [[28edo#Sagittal notation|28]]. | This notation uses the same sagittal sequence as EDOs [[23edo#Sagittal notation|23]] and [[28edo#Sagittal notation|28]]. | ||
| Line 354: | Line 364: | ||
</imagemap> | </imagemap> | ||
== | == Approximation to JI == | ||
{{Q-odd-limit intervals}} | |||
{{Q-odd-limit intervals|32.87|apx=val|header=none|tag=none|title=15-odd-limit intervals by 33cd val mapping}} | |||
== Regular temperament properties == | == Regular temperament properties == | ||
| Line 378: | Line 389: | ||
| 2.3.5 | | 2.3.5 | ||
| 81/80, 1171875/1048576 | | 81/80, 1171875/1048576 | ||
| {{mapping| 33 52 76 }} ( | | {{mapping| 33 52 76 }} (33c) | ||
| +5.59 | | +5.59 | ||
| 4.13 | | 4.13 | ||
| Line 473: | Line 484: | ||
| 509.09<br>(98.09) | | 509.09<br>(98.09) | ||
| 4/3<br>(16/15) | | 4/3<br>(16/15) | ||
| [[August]] ( | | [[August]] (33) | ||
|} | |} | ||
<nowiki/>* [[Normal | <nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct | ||
=== Uniform maps === | |||
{{Uniform map|min=32.8|max=33.2}} | |||
== Octave stretch or compression == | |||
33edo is nearby to many other [[equal tuning]]s which can act as stretched or compressed versions of 33edo, improving some of its harmonics at the expense of others. | |||
Useful options include: | |||
* Stretched: [[ed5|76ed5]], [[ed7|92ed7]], [[52edt]], [[zpi|138zpi]] | |||
* Compressed: [[ed7|93ed7]], [[ed5|77ed5]], [[equal tuning|115ed11]] | |||
[[File:33edo.png|alt=33edo.png|966x199px|33edo.png]] | |||
== Scales == | == Scales == | ||
* {{main|List of MOS scales in {{ROOTPAGENAME}}}} | * {{main|List of MOS scales in {{ROOTPAGENAME}}}} | ||
* Approximate [[12afdo]], 4 3 4 3 3 2 3 2 3 2 2 2 | |||
* | * August[12], 3 2 3 3 3 2 3 3 3 2 3 3 | ||
* | |||
* [[Diasem]], 5 3 5 1 5 3 5 1 5 (*right-handed) | * [[Diasem]], 5 3 5 1 5 3 5 1 5 (*right-handed) | ||
* Diasem, 5 1 5 3 5 1 5 3 5 (*left-handed) | * Diasem, 5 1 5 3 5 1 5 3 5 (*left-handed) | ||
| Line 491: | Line 509: | ||
* Diaslen (4sL), 2 5 1 5 1 5 2 5 1 5 1 | * Diaslen (4sL), 2 5 1 5 1 5 2 5 1 5 1 | ||
* Diaslen (4sC), 1 5 2 5 1 5 1 5 2 5 1 | * Diaslen (4sC), 1 5 2 5 1 5 1 5 2 5 1 | ||
* Elevenplus, 3 3 3 3 3 3 1 2 3 3 3 3 (approximated from [[22edo]]) | |||
* Flattertone[7], 5 5 4 5 5 5 4 (diatonic) | |||
** Fun 5-tone subset of Flattertone[7], 9 5 5 4 10 | |||
* Flattertone[12], 4 1 4 1 4 1 4 4 1 4 1 4 (chromatic) | |||
* Flattertone[19], 3 1 3 1 1 3 1 1 3 1 3 1 1 3 1 1 3 1 1 (enharmonic) | |||
* Iranian Calendar, 5 4 4 4 4 4 4 4 | |||
* Semiquartal, 5 5 2 5 2 5 2 5 2 | |||
* Semiquartal[14], 3 2 3 2 2 3 2 2 3 2 2 | |||
* Blended slurpee{{idio}}, 3 1 2 2 3 3 5 3 3 2 2 4 ([[modmos]] of slurpee[12]) | |||
{{Todo|expand scales list}} | |||
== Delta-rational harmony == | == Delta-rational harmony == | ||
| Line 1,393: | Line 1,421: | ||
=== Modern renderings === | === Modern renderings === | ||
; {{W|Johann Sebastian Bach}} | ; {{W|Johann Sebastian Bach}} | ||
* [https://www.youtube.com/watch?v=IhR9oFt5zx4 "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] ( | * [https://www.youtube.com/watch?v=IhR9oFt5zx4 "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024) | ||
* [https://www.youtube.com/watch?v=ynPQPm_ekos "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] ( | * [https://www.youtube.com/watch?v=ynPQPm_ekos "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024) | ||
=== 21st century === | === 21st century === | ||
; [[Bryan Deister]] | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/watch?v=swyP6tB78k0 ''groove 33edo''] (2023) | * [https://www.youtube.com/watch?v=swyP6tB78k0 ''groove 33edo''] (2023) | ||
* [https://www.youtube.com/watch?v=GypR6x_Ih1I ''33edo jam''] (2025) | |||
* [https://www.youtube.com/shorts/mkaaAJEyGFU ''33edo riff''] (2025) | |||
* [https://www.youtube.com/shorts/Lf0CCX88w_w ''33edo improv''] (2025-10-27) | |||
* [https://www.youtube.com/shorts/IzRhOdnNC64 ''33edo improv''] (2026-04-27) | |||
; [[Peter Kosmorsky]] | ; [[Peter Kosmorsky]] | ||
| Line 1,404: | Line 1,436: | ||
; [[Budjarn Lambeth]] | ; [[Budjarn Lambeth]] | ||
* [https://youtu.be/scCuGXnj5IY '' | * [https://youtu.be/scCuGXnj5IY ''Enchanted Shopping Mall''] (2024) | ||
; [[Claudi Meneghin]] | ; [[Claudi Meneghin]] | ||
* [https://www.youtube.com/watch?v=REkrbdesbLo ''Rising Canon on a Ground'', for Baroque Oboe, Bassoon, Violone] (2024) | * [https://www.youtube.com/watch?v=REkrbdesbLo ''Rising Canon on a Ground'', for Baroque Oboe, Bassoon, Violone] (2024) – ([https://www.youtube.com/watch?v=4fhcNPjFv14 for Organ]) | ||
* [https://www.youtube.com/watch?v=pkYN8SX6luY ''Lytel Twyelyghte Musicke (Little Twilight Music)'', for Brass and Timpani] (2024) | * [https://www.youtube.com/watch?v=pkYN8SX6luY ''Lytel Twyelyghte Musicke (Little Twilight Music)'', for Brass and Timpani] (2024) | ||
Latest revision as of 03:38, 28 April 2026
| ← 32edo | 33edo | 34edo → |
33 equal divisions of the octave (abbreviated 33edo or 33ed2), also called 33-tone equal temperament (33tet) or 33 equal temperament (33et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 33 equal parts of about 36.4 ¢ each. Each step represents a frequency ratio of 21/33, or the 33rd root of 2.
Theory
Structural properties
While relatively uncommon, 33edo is actually quite an interesting system. As a multiple of 11edo, it approximates the 7th and 11th harmonics via orgone temperament (see 26edo). 33edo also tunes the 13th harmonic slightly flat, allowing it to approximate the 21st and 17th harmonics as well, having a 3L 7s with L = 4, s = 3. The 33c (⟨33 52 76 93]) and 33cd (⟨33 52 76 92]) mappings temper out 81/80 and can be used to represent 1/2-comma meantone, a "flattertone" tuning where the whole tone is 10/9 in size. Indeed, the perfect fifth is tuned about 11 ¢ flat, and two stacked fifths fall only 0.6 ¢ flat of 10/9. Leaving the scale be would result in the standard diatonic scale (5L 2s) having minor seconds of four steps and whole tones of five steps. This also results in common practice minor and major chords becoming more supraminor and submajor in character, making everything sound almost neutral in quality. The 33cd val also tempers out 49/48, which along with the tempering of 81/80 means it supports godzilla.
Besides the 33cd val, one may also consider the patent val. This val maps 5/4 and 7/4 much more accurately (though still somewhat questionable), but 6/5 and 7/6, and especially 10/9 and 9/7 are much more damaged. Notable commas this val tempers out include 128/125, 36/35, and 225/224, supporting august.
33edo maps both the 4:5:6 and 6:7:8 chords inconsistently, with the third harmonic being about a third of a step flat and the 5th and 7th harmonics being about a third of a step sharp. It is thus reasonable to use the second-best approximation of 3, 5, or 7 in either chord, but in any case, the worst of the three intervals in the chord is detuned by over 22 cents, meaning 33edo is near-maximally bad for its size for tonal harmony. From this reasoning, 33edo's triple, 99edo, would be a very strong 7-limit system, and it indeed is.
Instead of the flat 19-step fifth you may use the 20-step sharp fifth, over 25 ¢ sharp. Two of these lead to a 9/8 of 7\33, which is about 22/19 in size and may be counted as a small third. Between the flat 5\33 version of 9/8 and the sharp 7\33 version there is, of course, a 6\33 = 2\11 interval of 218 ¢. Together, these add up to 6\33 + 5\33 = 11\33 = 1\3, or 400 ¢, the same major third as 12edo. We also have both a 327 ¢ minor third (9\33 = 6\22 = 3\11), the same as that of 22edo, and a flatter 8\33 third of 291 ¢, which if you like could also be called a flat 19th harmonic, but much more accurately a 13/11 sharp by 1.7 ¢ (if you use the patent val it is an extremely inaccurate 6/5). Another talent it has is that 7/5 is tuned quite accurately by 16\33, and we may put two 8\33 versions of 13/11 together to produce the cuthbert triad. The 8\33 generator, with MOS of size 5, 9, and 13, gives plenty of scope for these, as well as the 11th, 13th, and 19th harmonics (taking the generator as a 19/16) which are relatively well in tune.
33edo contains an accurate approximation of the Bohlen–Pierce scale with 4\33 near 1\13edt.
Other notable 33edo scales are diasem with L:m:s = 5:3:1 and 5L 4s with L:s = 5:2. This step ratio for 5L 4s is great for its semitone size of 72.7 ¢.
Odd harmonics
| Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | -11.0 | +13.7 | +13.0 | +14.3 | -5.9 | -4.2 | +2.6 | +4.1 | -6.6 | +1.9 | -10.1 |
| Relative (%) | -30.4 | +37.6 | +35.7 | +39.2 | -16.1 | -11.5 | +7.3 | +11.4 | -18.2 | +5.4 | -27.8 | |
| Steps (reduced) |
52 (19) |
77 (11) |
93 (27) |
105 (6) |
114 (15) |
122 (23) |
129 (30) |
135 (3) |
140 (8) |
145 (13) |
149 (17) | |
33edo is not especially good at representing all rational intervals in the 7-limit, but it does very well on the 7-limit 3*33 subgroup 2.27.15.21.11.13. On this subgroup it tunes things to the same tuning as 99edo, and as a subgroup patent val it tempers out the same commas. The 99 equal temperaments hemififths, amity, parakleismic, hemiwuerschmidt, ennealimmal and hendecatonic can be reduced to this subgroup and give various possibilities for MOS scales, etc. In particular, the terrain 2.7/5.9/5 subgroup temperament can be tuned via the 5\33 generator. The full system of harmony provides the optimal patent val for slurpee temperament in the 5-, 7-, 11-, and 13-limits.
While it might not be the most harmonically accurate temperament, it is structurally quite interesting, and it approximates the full 19-limit consort in its own way. You could even say it tunes the 23rd and 29th harmonics ten cents flat if you were so inclined; as well as getting within two cents of the 37th.
Miscellany
33 is also the number of years in the Iranian calendar's leap cycle, where leap year is inserted once every 4 or 5 years. This corresponds to the 1L 7s with the step ratio of 5:4.
Intervals
| Step # | ET | Just | Difference (ET minus Just) |
Extended Pythagorean notation | |||
|---|---|---|---|---|---|---|---|
| Cents | Interval | Cents | |||||
| 0 | 0 | 1/1 | 0 | 0 | Perfect Unison | P1 | D |
| 1 | 36.364 | 48/47 | 36.448 | −0.085 | Augmented Unison | A1 | D# |
| 2 | 72.727 | 24/23 | 73.681 | −0.953 | Double-aug 1sn | AA1 | Dx |
| 3 | 109.091 | 16/15 | 111.731 | −2.640 | Diminished 2nd | d2 | Ebb |
| 4 | 145.455 | 12/11 | 150.637 | −5.183 | Minor 2nd | m2 | Eb |
| 5 | 181.818 | 10/9 | 182.404 | −0.586 | Major 2nd | M2 | E |
| 6 | 218.182 | 17/15 | 216.687 | +1.495 | Augmented 2nd | A2 | E# |
| 7 | 254.545 | 15/13 | 247.741 | +6.804 | Double-aug 2nd/Double-dim 3rd | AA2/dd3 | Ex/Fbb |
| 8 | 290.909 | 13/11 | 289.210 | +1.699 | Diminished 3rd | d3 | Fb |
| 9 | 327.273 | 6/5 | 315.641 | +11.631 | Minor 3rd | m3 | F |
| 10 | 363.636 | 16/13 | 359.472 | +4.164 | Major 3rd | M3 | F# |
| 11 | 400.000 | 5/4 | 386.314 | +13.686 | Augmented 3rd | A3 | Fx |
| 12 | 436.364 | 9/7 | 435.084 | +1.280 | Double-dim 4th | dd4 | Gbb |
| 13 | 472.727 | 21/16 | 470.781 | +1.946 | Diminished 4th | d4 | Gb |
| 14 | 509.091 | 4/3 | 498.045 | +11.046 | Perfect 4th | P4 | G |
| 15 | 545.455 | 11/8 | 551.318 | −5.863 | Augmented 4th | A4 | G# |
| 16 | 581.818 | 7/5 | 582.513 | −0.694 | Double-aug 4th | AA4 | Gx |
| 17 | 618.182 | 10/7 | 617.488 | +0.694 | Double-dim 5th | dd5 | Abb |
| 18 | 654.545 | 16/11 | 648.682 | +5.863 | Diminished 5th | d5 | Ab |
| 19 | 690.909 | 3/2 | 701.955 | −11.046 | Perfect 5th | P5 | A |
| 20 | 727.273 | 32/21 | 729.219 | -1.946 | Augmented 5th | A5 | A# |
| 21 | 763.636 | 14/9 | 764.916 | −1.280 | Double-aug 5th | AA5 | Ax |
| 22 | 800.000 | 8/5 | 813.686 | −13.686 | Double-dim 6th | d6 | Bbb |
| 23 | 836.364 | 13/8 | 840.528 | −4.164 | Minor 6th | m6 | Bb |
| 24 | 872.727 | 5/3 | 884.359 | −11.631 | Major 6th | M6 | B |
| 25 | 909.091 | 22/13 | 910.790 | −1.699 | Augmented 6th | A6 | B# |
| 26 | 945.455 | 12/7 | 933.129 | +12.325 | Double-aug 6th/Double-dim 7th | AA6/dd7 | Bx/Cbb |
| 27 | 981.818 | 30/17 | 983.313 | −1.495 | Diminished 7th | d7 | Cb |
| 28 | 1018.182 | 9/5 | 1017.596 | +0.586 | Minor 7th | m7 | C |
| 29 | 1054.545 | 11/6 | 1049.363 | +5.183 | Major 7th | M7 | C# |
| 30 | 1090.909 | 15/8 | 1088.268 | +2.640 | Augmented 7th | A7 | Cx |
| 31 | 1127.273 | 23/12 | 1126.319 | −0.953 | Double-dim 8ve | dd8 | Dbb |
| 32 | 1163.636 | 47/24 | 1163.551 | +0.085 | Diminished 8ve | d8 | Db |
| 33 | 1200 | 2/1 | 1200 | 0 | Perfect Octave | P8 | D |
Notation
Standard notation
Because the chromatic semitone in 33edo is 1 step, 33edo can be notated using only naturals, sharps, and flats. However, many key signatures will require double- and triple-sharps and flats, which means that notation in distant keys can be very unwieldy.
| Step offset | −2 | −1 | 0 | +1 | +2 |
|---|---|---|---|---|---|
| Symbol | |
|
|
|
|
Sagittal notation
This notation uses the same sagittal sequence as EDOs 23 and 28.

Approximation to JI
The following tables show how 15-odd-limit intervals are represented in 33edo. Prime harmonics are in bold; inconsistent intervals are in italics.
| Interval and complement | Error (abs, ¢) | Error (rel, %) |
|---|---|---|
| 1/1, 2/1 | 0.000 | 0.0 |
| 9/5, 10/9 | 0.586 | 1.6 |
| 7/5, 10/7 | 0.694 | 1.9 |
| 9/7, 14/9 | 1.280 | 3.5 |
| 13/11, 22/13 | 1.699 | 4.7 |
| 15/8, 16/15 | 2.640 | 7.3 |
| 13/8, 16/13 | 4.164 | 11.5 |
| 11/6, 12/11 | 5.183 | 14.3 |
| 11/8, 16/11 | 5.863 | 16.1 |
| 15/13, 26/15 | 6.804 | 18.7 |
| 13/12, 24/13 | 6.882 | 18.9 |
| 15/11, 22/15 | 8.504 | 23.4 |
| 15/14, 28/15 | 10.352 | 28.5 |
| 3/2, 4/3 | 11.046 | 30.4 |
| 5/3, 6/5 | 11.631 | 32.0 |
| 7/6, 12/7 | 12.325 | 33.9 |
| 7/4, 8/7 | 12.992 | 35.7 |
| 5/4, 8/5 | 13.686 | 37.6 |
| 9/8, 16/9 | 14.272 | 39.2 |
| 11/9, 18/11 | 16.228 | 44.6 |
| 11/10, 20/11 | 16.814 | 46.2 |
| 13/7, 14/13 | 17.156 | 47.2 |
| 11/7, 14/11 | 17.508 | 48.1 |
| 13/10, 20/13 | 17.850 | 49.1 |
| 13/9, 18/13 | 17.928 | 49.3 |
| Interval and complement | Error (abs, ¢) | Error (rel, %) |
|---|---|---|
| 1/1, 2/1 | 0.000 | 0.0 |
| 7/5, 10/7 | 0.694 | 1.9 |
| 13/11, 22/13 | 1.699 | 4.7 |
| 15/8, 16/15 | 2.640 | 7.3 |
| 13/8, 16/13 | 4.164 | 11.5 |
| 11/6, 12/11 | 5.183 | 14.3 |
| 11/8, 16/11 | 5.863 | 16.1 |
| 15/13, 26/15 | 6.804 | 18.7 |
| 13/12, 24/13 | 6.882 | 18.9 |
| 15/11, 22/15 | 8.504 | 23.4 |
| 15/14, 28/15 | 10.352 | 28.5 |
| 3/2, 4/3 | 11.046 | 30.4 |
| 7/4, 8/7 | 12.992 | 35.7 |
| 5/4, 8/5 | 13.686 | 37.6 |
| 11/9, 18/11 | 16.228 | 44.6 |
| 13/7, 14/13 | 17.156 | 47.2 |
| 13/10, 20/13 | 17.850 | 49.1 |
| 13/9, 18/13 | 17.928 | 49.3 |
| 11/7, 14/11 | 18.856 | 51.9 |
| 11/10, 20/11 | 19.550 | 53.8 |
| 9/8, 16/9 | 22.092 | 60.8 |
| 7/6, 12/7 | 24.038 | 66.1 |
| 5/3, 6/5 | 24.732 | 68.0 |
| 9/7, 14/9 | 35.084 | 96.5 |
| 9/5, 10/9 | 35.778 | 98.4 |
| Interval and complement | Error (abs, ¢) | Error (rel, %) |
|---|---|---|
| 1/1, 2/1 | 0.000 | 0.0 |
| 9/5, 10/9 | 0.586 | 1.6 |
| 7/5, 10/7 | 0.694 | 1.9 |
| 9/7, 14/9 | 1.280 | 3.5 |
| 13/11, 22/13 | 1.699 | 4.7 |
| 13/8, 16/13 | 4.164 | 11.5 |
| 11/6, 12/11 | 5.183 | 14.3 |
| 11/8, 16/11 | 5.863 | 16.1 |
| 13/12, 24/13 | 6.882 | 18.9 |
| 15/14, 28/15 | 10.352 | 28.5 |
| 3/2, 4/3 | 11.046 | 30.4 |
| 5/3, 6/5 | 11.631 | 32.0 |
| 7/6, 12/7 | 12.325 | 33.9 |
| 11/9, 18/11 | 16.228 | 44.6 |
| 11/10, 20/11 | 16.814 | 46.2 |
| 11/7, 14/11 | 17.508 | 48.1 |
| 13/9, 18/13 | 17.928 | 49.3 |
| 13/10, 20/13 | 18.513 | 50.9 |
| 13/7, 14/13 | 19.207 | 52.8 |
| 9/8, 16/9 | 22.092 | 60.8 |
| 5/4, 8/5 | 22.677 | 62.4 |
| 7/4, 8/7 | 23.371 | 64.3 |
| 15/11, 22/15 | 27.860 | 76.6 |
| 15/13, 26/15 | 29.559 | 81.3 |
| 15/8, 16/15 | 33.723 | 92.7 |
Regular temperament properties
| Subgroup | Comma list | Mapping | Optimal 8ve stretch (¢) |
Tuning error | |
|---|---|---|---|---|---|
| Absolute (¢) | Relative (%) | ||||
| 2.3 | [-52 33⟩ | [⟨33 52]] | +3.48 | 3.49 | 9.59 |
| 2.3.5 | 81/80, 1171875/1048576 | [⟨33 52 76]] (33c) | +5.59 | 4.13 | 11.29 |
| 2.3.5.7 | 49/48, 81/80, 1875/1792 | [⟨33 52 76 92]] (33cd) | +6.29 | 3.77 | 10.31 |
| 2.3.5.7.11 | 45/44, 49/48, 81/80, 1375/1344 | [⟨33 52 76 92 114]] (33cd) | +5.36 | 3.84 | 10.50 |
| 2.3.5.7.11.13 | 45/44, 49/48, 65/64, 81/80, 275/273 | [⟨33 52 76 92 114 122]] (33cd) | +4.65 | 3.84 | 10.52 |
Rank-2 temperaments
| Periods per 8ve |
Generator* | Cents* | Associated ratio* |
Temperaments |
|---|---|---|---|---|
| 1 | 2\33 | 72.73 | 21/20 | Slurpee (33) |
| 1 | 4\33 | 145.45 | 12/11 | Bohpier (33cd) |
| 1 | 7\33 | 254.55 | 8/7 | Godzilla (33cd) |
| 1 | 8\33 | 290.91 | 25/21 | Quasitemp (33b) |
| 1 | 10\33 | 363.64 | 49/40 | Submajor (33ee) / interpental (33e) |
| 1 | 14\33 | 509.09 | 4/3 | Flattertone (33cd) Deeptone a.k.a. tragicomical (33) |
| 1 | 16\33 | 581.82 | 7/5 | Tritonic (33) |
| 3 | 7\33 (4\33) |
254.55 (145.45) |
8/7 (12/11) |
Triforce (33d) |
| 3 | 13\33 (2\33) |
472.73 (72.73) |
4/3 (25/24) |
Inflated (33bcddd) |
| 3 | 14\33 (3\33) |
509.09 (98.09) |
4/3 (16/15) |
August (33) |
* Octave-reduced form, reduced to the first half-octave, and minimal form in parentheses if distinct
Uniform maps
| Min. size | Max. size | Wart notation | Map |
|---|---|---|---|
| 32.5930 | 32.8089 | 33cdeeff | ⟨33 52 76 92 113 121] |
| 32.8089 | 32.8339 | 33cdff | ⟨33 52 76 92 114 121] |
| 32.8339 | 32.9468 | 33cd | ⟨33 52 76 92 114 122] |
| 32.9468 | 32.9492 | 33d | ⟨33 52 77 92 114 122] |
| 32.9492 | 33.0979 | 33 | ⟨33 52 77 93 114 122] |
| 33.0979 | 33.1042 | 33e | ⟨33 52 77 93 115 122] |
| 33.1042 | 33.1238 | 33ef | ⟨33 52 77 93 115 123] |
| 33.1238 | 33.3054 | 33bef | ⟨33 53 77 93 115 123] |
Octave stretch or compression
33edo is nearby to many other equal tunings which can act as stretched or compressed versions of 33edo, improving some of its harmonics at the expense of others.
Useful options include:
Scales
- Approximate 12afdo, 4 3 4 3 3 2 3 2 3 2 2 2
- August[12], 3 2 3 3 3 2 3 3 3 2 3 3
- Diasem, 5 3 5 1 5 3 5 1 5 (*right-handed)
- Diasem, 5 1 5 3 5 1 5 3 5 (*left-handed)
- Diaslen (4sR), 1 5 1 5 2 5 1 5 1 5 2
- Diaslen (4sL), 2 5 1 5 1 5 2 5 1 5 1
- Diaslen (4sC), 1 5 2 5 1 5 1 5 2 5 1
- Elevenplus, 3 3 3 3 3 3 1 2 3 3 3 3 (approximated from 22edo)
- Flattertone[7], 5 5 4 5 5 5 4 (diatonic)
- Fun 5-tone subset of Flattertone[7], 9 5 5 4 10
- Flattertone[12], 4 1 4 1 4 1 4 4 1 4 1 4 (chromatic)
- Flattertone[19], 3 1 3 1 1 3 1 1 3 1 3 1 1 3 1 1 3 1 1 (enharmonic)
- Iranian Calendar, 5 4 4 4 4 4 4 4
- Semiquartal, 5 5 2 5 2 5 2 5 2
- Semiquartal[14], 3 2 3 2 2 3 2 2 3 2 2
- Blended slurpee[idiosyncratic term], 3 1 2 2 3 3 5 3 3 2 2 4 (modmos of slurpee[12])
Delta-rational harmony
The tables below show chords that approximate 3-integer-limit delta-rational chords with least-squares error less than 0.001.
Fully delta-rational triads
| Steps | Delta signature | Least-squares error |
|---|---|---|
| 0,1,2 | +1+1 | 0.00021 |
| 0,1,3 | +1+2 | 0.00048 |
| 0,1,4 | +1+3 | 0.00078 |
| 0,2,3 | +2+1 | 0.00039 |
| 0,2,4 | +1+1 | 0.00087 |
| 0,3,4 | +3+1 | 0.00056 |
| 0,3,11 | +1+3 | 0.00007 |
| 0,5,8 | +3+2 | 0.00084 |
| 0,8,18 | +2+3 | 0.00082 |
| 0,9,20 | +2+3 | 0.00076 |
| 0,12,17 | +2+1 | 0.00048 |
| 0,13,20 | +3+2 | 0.00063 |
| 0,15,21 | +2+1 | 0.00063 |
| 0,16,28 | +1+1 | 0.00082 |
| 0,18,25 | +2+1 | 0.00081 |
| 0,18,31 | +1+1 | 0.00058 |
| 0,19,24 | +3+1 | 0.00095 |
Partially delta-rational tetrads
| Steps | Delta signature | Least-squares error |
|---|---|---|
| 0,1,2,3 | +1+?+1 | 0.00053 |
| 0,1,2,4 | +1+?+2 | 0.00094 |
| 0,1,3,4 | +1+?+1 | 0.00080 |
| 0,1,17,18 | +2+?+3 | 0.00073 |
| 0,1,17,19 | +1+?+3 | 0.00071 |
| 0,1,18,19 | +2+?+3 | 0.00042 |
| 0,1,18,20 | +1+?+3 | 0.00032 |
| 0,1,19,20 | +2+?+3 | 0.00010 |
| 0,1,19,21 | +1+?+3 | 0.00008 |
| 0,1,20,21 | +2+?+3 | 0.00023 |
| 0,1,20,22 | +1+?+3 | 0.00049 |
| 0,1,21,22 | +2+?+3 | 0.00056 |
| 0,1,21,23 | +1+?+3 | 0.00091 |
| 0,1,22,23 | +2+?+3 | 0.00090 |
| 0,1,31,32 | +1+?+2 | 0.00071 |
| 0,2,3,4 | +2+?+1 | 0.00077 |
| 0,2,6,11 | +1+?+3 | 0.00094 |
| 0,2,7,12 | +1+?+3 | 0.00013 |
| 0,2,8,13 | +1+?+3 | 0.00069 |
| 0,2,12,13 | +3+?+2 | 0.00083 |
| 0,2,12,15 | +1+?+2 | 0.00087 |
| 0,2,13,14 | +3+?+2 | 0.00045 |
| 0,2,13,16 | +1+?+2 | 0.00014 |
| 0,2,14,15 | +3+?+2 | 0.00008 |
| 0,2,14,17 | +1+?+2 | 0.00060 |
| 0,2,15,16 | +3+?+2 | 0.00031 |
| 0,2,16,17 | +3+?+2 | 0.00071 |
| 0,2,18,20 | +2+?+3 | 0.00084 |
| 0,2,18,22 | +1+?+3 | 0.00024 |
| 0,2,19,21 | +2+?+3 | 0.00020 |
| 0,2,19,23 | +1+?+3 | 0.00058 |
| 0,2,20,22 | +2+?+3 | 0.00046 |
| 0,3,4,5 | +3+?+1 | 0.00097 |
| 0,3,5,9 | +2+?+3 | 0.00010 |
| 0,3,6,10 | +2+?+3 | 0.00090 |
| 0,3,7,12 | +1+?+2 | 0.00074 |
| 0,3,8,13 | +1+?+2 | 0.00037 |
| 0,3,10,17 | +1+?+3 | 0.00009 |
| 0,3,17,23 | +1+?+3 | 0.00096 |
| 0,3,18,22 | +1+?+2 | 0.00088 |
| 0,3,18,24 | +1+?+3 | 0.00027 |
| 0,3,19,20 | +2+?+1 | 0.00059 |
| 0,3,19,21 | +1+?+1 | 0.00063 |
| 0,3,19,22 | +2+?+3 | 0.00030 |
| 0,3,19,23 | +1+?+2 | 0.00023 |
| 0,3,20,21 | +2+?+1 | 0.00014 |
| 0,3,20,22 | +1+?+1 | 0.00015 |
| 0,3,20,23 | +2+?+3 | 0.00070 |
| 0,3,21,22 | +2+?+1 | 0.00032 |
| 0,3,21,23 | +1+?+1 | 0.00095 |
| 0,3,22,23 | +2+?+1 | 0.00078 |
| 0,3,27,32 | +1+?+3 | 0.00004 |
| 0,4,5,12 | +1+?+2 | 0.00026 |
| 0,4,6,16 | +1+?+3 | 0.00066 |
| 0,4,8,13 | +2+?+3 | 0.00023 |
| 0,4,11,20 | +1+?+3 | 0.00023 |
| 0,4,13,14 | +3+?+1 | 0.00091 |
| 0,4,13,19 | +1+?+2 | 0.00048 |
| 0,4,14,15 | +3+?+1 | 0.00050 |
| 0,4,14,16 | +3+?+2 | 0.00055 |
| 0,4,14,17 | +1+?+1 | 0.00021 |
| 0,4,15,16 | +3+?+1 | 0.00009 |
| 0,4,15,17 | +3+?+2 | 0.00023 |
| 0,4,15,18 | +1+?+1 | 0.00085 |
| 0,4,16,17 | +3+?+1 | 0.00034 |
| 0,4,17,18 | +3+?+1 | 0.00077 |
| 0,4,17,25 | +1+?+3 | 0.00043 |
| 0,4,19,23 | +2+?+3 | 0.00041 |
| 0,4,20,24 | +2+?+3 | 0.00094 |
| 0,4,22,27 | +1+?+2 | 0.00020 |
| 0,4,24,31 | +1+?+3 | 0.00022 |
| 0,5,6,9 | +3+?+2 | 0.00003 |
| 0,5,7,10 | +3+?+2 | 0.00097 |
| 0,5,7,19 | +1+?+3 | 0.00004 |
| 0,5,9,17 | +1+?+2 | 0.00017 |
| 0,5,10,16 | +2+?+3 | 0.00019 |
| 0,5,11,13 | +2+?+1 | 0.00087 |
| 0,5,11,15 | +1+?+1 | 0.00018 |
| 0,5,12,14 | +2+?+1 | 0.00011 |
| 0,5,12,23 | +1+?+3 | 0.00067 |
| 0,5,13,15 | +2+?+1 | 0.00067 |
| 0,5,16,23 | +1+?+2 | 0.00008 |
| 0,5,17,27 | +1+?+3 | 0.00055 |
| 0,5,19,24 | +2+?+3 | 0.00051 |
| 0,5,22,31 | +1+?+3 | 0.00057 |
| 0,5,24,30 | +1+?+2 | 0.00036 |
| 0,5,25,26 | +3+?+1 | 0.00071 |
| 0,5,25,27 | +3+?+2 | 0.00082 |
| 0,5,25,28 | +1+?+1 | 0.00045 |
| 0,5,26,27 | +3+?+1 | 0.00018 |
| 0,5,26,28 | +3+?+2 | 0.00016 |
| 0,5,26,29 | +1+?+1 | 0.00090 |
| 0,5,27,28 | +3+?+1 | 0.00035 |
| 0,5,28,29 | +3+?+1 | 0.00090 |
| 0,6,7,17 | +1+?+2 | 0.00087 |
| 0,6,8,22 | +1+?+3 | 0.00045 |
| 0,6,9,14 | +1+?+1 | 0.00031 |
| 0,6,11,18 | +2+?+3 | 0.00093 |
| 0,6,12,21 | +1+?+2 | 0.00036 |
| 0,6,12,25 | +1+?+3 | 0.00032 |
| 0,6,15,18 | +3+?+2 | 0.00026 |
| 0,6,16,19 | +3+?+2 | 0.00095 |
| 0,6,16,28 | +1+?+3 | 0.00053 |
| 0,6,18,26 | +1+?+2 | 0.00064 |
| 0,6,19,25 | +2+?+3 | 0.00062 |
| 0,6,20,24 | +1+?+1 | 0.00052 |
| 0,6,21,23 | +2+?+1 | 0.00031 |
| 0,6,21,32 | +1+?+3 | 0.00033 |
| 0,6,22,24 | +2+?+1 | 0.00063 |
| 0,6,25,32 | +1+?+2 | 0.00034 |
| 0,7,8,14 | +1+?+1 | 0.00029 |
| 0,7,8,24 | +1+?+3 | 0.00080 |
| 0,7,9,11 | +3+?+1 | 0.00066 |
| 0,7,9,12 | +2+?+1 | 0.00041 |
| 0,7,9,13 | +3+?+2 | 0.00019 |
| 0,7,10,12 | +3+?+1 | 0.00009 |
| 0,7,10,13 | +2+?+1 | 0.00070 |
| 0,7,11,13 | +3+?+1 | 0.00087 |
| 0,7,12,27 | +1+?+3 | 0.00041 |
| 0,7,16,30 | +1+?+3 | 0.00098 |
| 0,7,17,22 | +1+?+1 | 0.00008 |
| 0,7,19,26 | +2+?+3 | 0.00073 |
| 0,7,20,29 | +1+?+2 | 0.00002 |
| 0,7,23,26 | +3+?+2 | 0.00010 |
| 0,7,28,32 | +1+?+1 | 0.00033 |
| 0,7,29,31 | +2+?+1 | 0.00020 |
| 0,7,30,32 | +2+?+1 | 0.00091 |
| 0,8,12,29 | +1+?+3 | 0.00097 |
| 0,8,13,22 | +2+?+3 | 0.00051 |
| 0,8,15,21 | +1+?+1 | 0.00062 |
| 0,8,15,31 | +1+?+3 | 0.00047 |
| 0,8,16,18 | +3+?+1 | 0.00066 |
| 0,8,16,19 | +2+?+1 | 0.00031 |
| 0,8,16,20 | +3+?+2 | 0.00043 |
| 0,8,16,27 | +1+?+2 | 0.00090 |
| 0,8,17,19 | +3+?+1 | 0.00022 |
| 0,8,17,20 | +2+?+1 | 0.00098 |
| 0,8,19,27 | +2+?+3 | 0.00085 |
| 0,8,24,29 | +1+?+1 | 0.00020 |
| 0,9,11,16 | +3+?+2 | 0.00051 |
| 0,9,13,20 | +1+?+1 | 0.00002 |
| 0,9,14,24 | +2+?+3 | 0.00073 |
| 0,9,18,30 | +1+?+2 | 0.00090 |
| 0,9,19,28 | +2+?+3 | 0.00096 |
| 0,9,21,27 | +1+?+1 | 0.00040 |
| 0,9,22,24 | +3+?+1 | 0.00087 |
| 0,9,22,25 | +2+?+1 | 0.00053 |
| 0,9,22,26 | +3+?+2 | 0.00026 |
| 0,9,23,25 | +3+?+1 | 0.00013 |
| 0,9,23,26 | +2+?+1 | 0.00093 |
| 0,10,11,26 | +1+?+2 | 0.00035 |
| 0,10,11,32 | +1+?+3 | 0.00081 |
| 0,10,12,20 | +1+?+1 | 0.00098 |
| 0,10,14,18 | +2+?+1 | 0.00050 |
| 0,10,14,25 | +2+?+3 | 0.00088 |
| 0,10,15,29 | +1+?+2 | 0.00041 |
| 0,10,16,21 | +3+?+2 | 0.00055 |
| 0,10,19,32 | +1+?+2 | 0.00021 |
| 0,10,27,31 | +3+?+2 | 0.00082 |
| 0,10,28,30 | +3+?+1 | 0.00045 |
| 0,10,28,31 | +2+?+1 | 0.00016 |
| 0,10,29,31 | +3+?+1 | 0.00068 |
| 0,11,12,18 | +3+?+2 | 0.00030 |
| 0,11,13,16 | +3+?+1 | 0.00081 |
| 0,11,14,17 | +3+?+1 | 0.00044 |
| 0,11,16,31 | +1+?+2 | 0.00064 |
| 0,11,17,25 | +1+?+1 | 0.00091 |
| 0,11,19,23 | +2+?+1 | 0.00045 |
| 0,11,21,26 | +3+?+2 | 0.00074 |
| 0,12,15,24 | +1+?+1 | 0.00087 |
| 0,12,15,28 | +2+?+3 | 0.00013 |
| 0,12,17,23 | +3+?+2 | 0.00054 |
| 0,12,18,21 | +3+?+1 | 0.00043 |
| 0,12,19,22 | +3+?+1 | 0.00095 |
| 0,12,23,27 | +2+?+1 | 0.00083 |
| 0,12,26,31 | +3+?+2 | 0.00005 |
| 0,13,14,24 | +1+?+1 | 0.00019 |
| 0,13,17,22 | +2+?+1 | 0.00085 |
| 0,13,21,27 | +3+?+2 | 0.00035 |
| 0,13,22,25 | +3+?+1 | 0.00097 |
| 0,13,23,26 | +3+?+1 | 0.00054 |
| 0,13,28,32 | +2+?+1 | 0.00055 |
| 0,14,17,24 | +3+?+2 | 0.00099 |
| 0,14,18,28 | +1+?+1 | 0.00043 |
| 0,14,21,26 | +2+?+1 | 0.00080 |
| 0,14,25,31 | +3+?+2 | 0.00054 |
| 0,14,27,30 | +3+?+1 | 0.00050 |
| 0,15,16,20 | +3+?+1 | 0.00055 |
| 0,15,17,28 | +1+?+1 | 0.00064 |
| 0,15,21,28 | +3+?+2 | 0.00045 |
| 0,15,22,32 | +1+?+1 | 0.00039 |
| 0,16,18,26 | +3+?+2 | 0.00049 |
| 0,16,19,25 | +2+?+1 | 0.00031 |
| 0,16,20,24 | +3+?+1 | 0.00018 |
| 0,16,25,32 | +3+?+2 | 0.00095 |
| 0,17,22,28 | +2+?+1 | 0.00091 |
| 0,17,23,27 | +3+?+1 | 0.00066 |
| 0,18,27,31 | +3+?+1 | 0.00095 |
| 0,19,21,28 | +2+?+1 | 0.00065 |
| 0,20,24,31 | +2+?+1 | 0.00078 |
| 0,21,22,32 | +3+?+2 | 0.00091 |
| 0,22,27,32 | +3+?+1 | 0.00038 |
Instruments
Music
Modern renderings
- "Contrapunctus 4" from The Art of Fugue, BWV 1080 (1742–1749) – rendered by Claudi Meneghin (2024)
- "Contrapunctus 11" from The Art of Fugue, BWV 1080 (1742–1749) – rendered by Claudi Meneghin (2024)
21st century
- groove 33edo (2023)
- 33edo jam (2025)
- 33edo riff (2025)
- 33edo improv (2025-10-27)
- 33edo improv (2026-04-27)
- Enchanted Shopping Mall (2024)
- Rising Canon on a Ground, for Baroque Oboe, Bassoon, Violone (2024) – (for Organ)
- Lytel Twyelyghte Musicke (Little Twilight Music), for Brass and Timpani (2024)
- Mysteries of Thirty-Three (2024)




