59edo
| ← 58edo | 59edo | 60edo → |
59 equal divisions of the octave (abbreviated 59edo or 59ed2), also called 59-tone equal temperament (59tet) or 59 equal temperament (59et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 59 equal parts of about 20.3 ¢ each. Each step represents a frequency ratio of 21/59, or the 59th root of 2.
Theory
59edo's best fifth is stretched about 9.91 cents from the just interval, and yet its 5/4 is nearly pure (stretched only 0.127 ¢), as the denominator of a convergent to log25. It is a good porcupine tuning, giving in fact the optimal patent val for 11-limit porcupine. This patent val tempers out 250/243 in the 5-limit, 64/63 and 16875/16807 in the 7-limit, and 55/54, 100/99 and 176/175 in the 11-limit.
Using the flat fifth instead of the sharp one allows for the 12 & 35 temperament, which is a kind of bizarre cousin to garibaldi with a generator of an approximate 15/14, tuned to the size of a whole tone, rather than a fifth. The flat fifth also acts as a generator for flattertone temperament in the 59bcd val, a variant of meantone with very flat fifths.
As every other step of 118edo, 59edo is an excellent tuning for the 2.9.5.21.11 11-limit 2*59 subgroup, on which it takes the same tuning and tempers out the same commas. This can be extended to the 19-limit 2*59 subgroup 2.9.5.21.11.39.17.57, for which the 50 & 59 temperament with a subminor third generator provides an interesting temperament.
Odd harmonics
| Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | 25 | 27 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +9.91 | +0.13 | +7.45 | -0.52 | -2.17 | -6.63 | +10.04 | -3.26 | +7.57 | -2.98 | +2.23 | +0.25 | +9.39 |
| Relative (%) | +48.7 | +0.6 | +36.6 | -2.6 | -10.6 | -32.6 | +49.3 | -16.0 | +37.2 | -14.7 | +11.0 | +1.2 | +46.2 | |
| Steps (reduced) |
94 (35) |
137 (19) |
166 (48) |
187 (10) |
204 (27) |
218 (41) |
231 (54) |
241 (5) |
251 (15) |
259 (23) |
267 (31) |
274 (38) |
281 (45) | |
Subsets and supersets
59edo is the 17th prime edo, following 53edo and before 61edo. As noted above, 118edo is a superset that yields most of the same tuning properties, but it also adds a near-just third harmonic to enable strong full 11-limit tuning.
Intervals
| Steps | Cents | Approximate ratios (2.9.5.21.11.39.17-subgroup) |
Ratios of 3, 7, 13 (tending sharp) |
Ratios of 3, 7, 13 (tending flat) |
|---|---|---|---|---|
| 0 | 0.0 | 1/1 | ||
| 1 | 20.3 | 81/80 | ||
| 2 | 40.7 | 40/39, 45/44 | ||
| 3 | 61.0 | 27/26, 28/27 | ||
| 4 | 81.4 | 21/20, 22/21 | ||
| 5 | 101.7 | 17/16, 18/17, 35/33 | ||
| 6 | 122.0 | 15/14, 14/13 | ||
| 7 | 142.4 | 13/12 | ||
| 8 | 162.7 | 11/10 | ||
| 9 | 183.1 | 10/9 | ||
| 10 | 203.4 | 9/8, 44/39 | ||
| 11 | 223.7 | 25/22 | 8/7 | |
| 12 | 244.1 | 15/13, 39/34 | 8/7 | |
| 13 | 264.4 | 7/6, 64/55 | ||
| 14 | 284.7 | 20/17, 33/28 | ||
| 15 | 305.1 | 25/21 | ||
| 16 | 325.4 | |||
| 17 | 345.8 | 11/9, 39/32, 128/105 | 16/13 | |
| 18 | 366.1 | 21/17 | 16/13 | |
| 19 | 386.4 | 5/4 | ||
| 20 | 406.8 | 81/64 | ||
| 21 | 427.1 | 32/25, 50/39 | ||
| 22 | 447.5 | 22/17, 35/27, 128/99 | ||
| 23 | 467.8 | 21/16, 64/49 | ||
| 24 | 488.1 | 45/34, 85/64 | 4/3 | |
| 25 | 508.5 | 35/26 | 4/3 | |
| 26 | 528.8 | 34/25 | ||
| 27 | 549.2 | 11/8, 48/35 | ||
| 28 | 569.5 | 25/18 | ||
| 29 | 589.8 | 45/32, 128/91 | ||
| 30 | 610.2 | 64/45, 91/64 | ||
| 31 | 630.5 | 36/25 | ||
| 32 | 650.8 | 16/11, 35/24 | ||
| 33 | 671.2 | 25/17 | ||
| 34 | 691.5 | 52/35 | 3/2 | |
| 35 | 711.9 | 68/45, 128/85 | 3/2 | |
| 36 | 732.2 | 32/21, 49/32 | ||
| 37 | 752.5 | 17/11, 54/35, 99/64 | ||
| 38 | 772.9 | 25/16, 39/25 | ||
| 39 | 793.2 | 128/81 | ||
| 40 | 813.6 | 8/5 | ||
| 41 | 833.9 | 34/21 | 13/8 | |
| 42 | 854.2 | 18/11, 64/39, 105/64 | 13/8 | |
| 43 | 874.6 | |||
| 44 | 894.9 | 42/25 | ||
| 45 | 915.3 | 17/10, 56/33 | ||
| 46 | 935.6 | 12/7, 55/32 | ||
| 47 | 955.9 | 26/15, 68/39 | 7/4 | |
| 48 | 976.3 | 44/25 | 7/4 | |
| 49 | 996.6 | 16/9, 39/22 | ||
| 50 | 1016.9 | 9/5 | ||
| 51 | 1037.3 | 20/11 | ||
| 52 | 1057.6 | 24/13 | ||
| 53 | 1078.0 | 13/7, 28/15 | ||
| 54 | 1098.3 | 17/9, 32/17, 66/35 | ||
| 55 | 1118.6 | 21/11, 40/21 | ||
| 56 | 1139.0 | 27/14, 52/27 | ||
| 57 | 1159.3 | 39/20, 88/45 | ||
| 58 | 1179.7 | 160/81 | ||
| 59 | 1200.0 | 2/1 |
Notation
Sagittal notation
Best fifth notation
This notation uses the same sagittal sequence as 66-EDO.
Evo flavor

Revo flavor

In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's primary comma (the comma it exactly represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it approximately represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this EDO.
Second-best fifth notation
This notation uses the same sagittal sequence as EDOs 45 and 52.
Evo flavor

Revo flavor

Evo-SZ flavor

Because it contains no Sagittal symbols, this Evo-SZ Sagittal notation is also a Stein–Zimmerman notation.
Octave stretch or compression
59edo’s approximations of 3/1, 7/1 and 11/1 are improved by 93edt, a stretched-octave version of 59edo. The trade-off is a slightly worse 2/1 and 5/1.
211ed12 is also a solid stretched-octave option, which improves 59edo's 3/1, doing a little, but not much, damage to most other primes.
If one prefers compressed octaves, then 153ed6 is a viable option. It improves upon 59edo’s 3/1, 7/1 and 13/1 at the cost of a slightly worse 2/1 and 5/1, but substantially worse 11/1.
Scales
- Porcupine scales
- Porcupine[7]: 8 8 8 11 8 8 8
- Porcupine[15]: 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3
- Porcupine[22]: 3 2 3 3 2 3 3 2 3 3 3 2 3 3 2 3 3 2 3 3 2 3
- Antechinus (nonoctave period)
Instruments
- Lumatone
See Lumatone mapping for 59edo.
Music
- Microtonal improvisation in 59edo (2025)
- icosa - Oliver Buckland (microtonal cover in 59edo) (2025)
- Le Ciel - Malice Mizer (microtonal cover in 59edo) (2026)
- "too powerful if i had social skills" from Melancholie (2023) – Spotify | Bandcamp | YouTube
- "Stay Away From The Fog" from Void (2025) – Spotify | Bandcamp | YouTube
- Chinchillian Fugue – first mode of the Porcupine[7] scale in 59edo