3/2: Difference between revisions

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See a list of EDOs with increasingly better approximations of 3:2 (and by extension 4:3) at {{OEIS|A060528}}.  Also relevant are the {{OEIS|A005664|denominators of the convergents to log<sub>2</sub>(3)}}


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== See also ==
== See also ==


* [[Wikipedia:Perfect fifth]]
* [[Gallery of Just Intervals]]
* [[Gallery of Just Intervals]]
* [[4/3]] – its [[octave complement]]
* [[4/3]] – its [[octave complement]]
* {{OEIS|A060528}} – a list of EDOs with increasingly better approximations of 3:2 (and by extension 4:3)
* {{OEIS|A005664}} – denominators of the convergents to log<sub>2</sub>(3)


[[Category:3-limit]]
[[Category:3-limit]]

Revision as of 09:03, 7 March 2021

Interval information
Ratio 3/2
Factorization 2-1 × 3
Monzo [-1 1
Size in cents 701.955¢
Name just perfect fifth
Color name w5, wa 5th
FJS name [math]\displaystyle{ \text{P5} }[/math]
Special properties superparticular,
reduced,
reduced harmonic
Tenney height (log2 nd) 2.58496
Weil height (log2 max(n, d)) 3.16993
Wilson height (sopfr(nd)) 5

[sound info]
Open this interval in xen-calc

3/2, the just perfect fifth, is the largest superparticular interval, spanning the distance between the 2nd and 3rd harmonics. It is an interval with low harmonic entropy, and therefore high consonance.

Variations of the fifth (whether just or not) appear in most music of the world. On a harmonic instrument, the third harmonic is usually the loudest one that is not an octave double of the fundamental. Treatment of the perfect fifth as consonant historically precedes treatment of the major third (see 5:4) as consonant. 3:2 is the simple JI interval best approximated by 12edo, after the octave.

Producing a chain of just perfect fifths yields Pythagorean tuning. Such a chain does not close at a circle, but continues infinitely. 12edo is a system which flattens the perfect fifth by about 2 cents so that the circle close at 12 tones. Meanwhile, meantone temperaments are systems which flatten the perfect fifth such that the major third generated by four fifths upward be closer to 5:4 -- or, in the case of quarter-comma meantone (see 31edo), identical.

In composition, the presence of perfect fifths can provide a "ground" upon which unusual intervals may be placed while still sounding structurally coherent. Systems excluding perfect fifths can thus sound more "xenharmonic".

Some better (compared to 12edo) approximations of the perfect fifth are 29edo, 41edo, and 53edo.

Approximations by EDOs

The following EDOs (up to 200) contain good approximations[1] of the interval 3/2. Errors are given by magnitude, the arrows in the table show if the EDO representation is sharp (↑) or flat (↓).

EDO deg\edo Absolute
error (¢)
Relative
error ()
Equally acceptable multiples [2]
12 7\12 1.9550 1.9550 14\24, 21\36
17 10\17 3.9274 5.5637
29 17\29 1.4933 3.6087
41 24\41 0.4840 1.6537 48\82, 72\123, 96\164
53 31\53 0.0682 0.3013 62\106, 93\159
65 38\65 0.4165 2.2563 76\130, 114\195
70 41\70 0.9021 5.2625
77 45\77 0.6563 4.2113
89 52\89 0.8314 6.1663
94 55\94 0.1727 1.3525 110\188
111 65\111 0.7477 6.9162
118 69\118 0.2601 2.5575
135 79\135 0.2672 3.0062
142 83\142 0.5466 6.4675
147 86\147 0.0858 1.0512
171 100\171 0.2006 2.8588
176 103\176 0.3177 4.6600
183 107\183 0.3157 4.8138
200 117\200 0.0450 0.7500
  1. error magnitude below 7, both, absolute (in ¢) and relative (in r¢)
  2. Super EDOs up to 200 within the same error tolerance

See also

Todo: merge articles

3/2 and just perfect fifth