5L 3s: Difference between revisions
m →A-Team (13&18): also mention 44edo and 57edo |
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* 18edo can be used for a large L/s ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic), or for its nearly pure 9/8 and 7/6. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. | * 18edo can be used for a large L/s ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic), or for its nearly pure 9/8 and 7/6. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. | ||
* 31edo is very close to the 2.9.5.21 POTE tuning, and can be used to make the major mos3rd a near-just 5/4. | * 31edo is very close to the 2.9.5.21 POTE tuning, and can be used to make the major mos3rd a near-just 5/4. | ||
* [[44edo]] (generator 17\44 = 463.64c) and 57edo (generator 22\57 = 463.16c) offer a compromise between 31edo's major third and 13edo's 11/8. | * [[44edo]] (generator 17\44 = 463.64c) and [[57edo]] (generator 22\57 = 463.16c) offer a compromise between 31edo's major third and 13edo's 11/8. | ||
The sizes of the generator, large step and small step of oneirotonic are as follows in various A-Team tunings. | The sizes of the generator, large step and small step of oneirotonic are as follows in various A-Team tunings. | ||