17edo: Difference between revisions
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==Theory== | == Theory == | ||
17 tone equal temperament, or 17-EDO, divides the octave in 17 equal steps, each 70.588 [[cent]]s in size. It is the seventh [[prime numbers|prime]] [[EDO]], following [[13edo]] and coming before [[19edo]]. | 17 tone equal temperament, or 17-EDO, divides the octave in 17 equal steps, each 70.588 [[cent]]s in size. It is the seventh [[prime numbers|prime]] [[EDO]], following [[13edo]] and coming before [[19edo]]. | ||
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Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the [https://en.wikipedia.org/wiki/Mu_chord mu chord] of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for example, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10. | Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the [https://en.wikipedia.org/wiki/Mu_chord mu chord] of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for example, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10. | ||
=Intervals= | == Intervals == | ||
{| class="wikitable" | {| class="wikitable center-all right-1 right-2 left-3" | ||
|- | |- | ||
! Degree | ! Degree | ||
| Line 34: | Line 34: | ||
|- | |- | ||
| 0 | | 0 | ||
|0 | | 0.00 | ||
| Unison | |||
| unison | |||
| P1 | |||
| C | |||
| 1/1 | |||
| | |||
|- | |- | ||
| 1 | |||
| 70.59 | |||
| Super Unison/Minor Second | |||
| minor 2nd | |||
| m2 | |||
| Db | |||
| [[25/24]], [[26/25]], [[33/32]] | |||
| | |||
|- | |- | ||
| 2 | |||
| 141.18 | |||
| Augmented Unison/Neutral Second | |||
| mid 2nd | |||
| ~2 | |||
| vD | |||
| [[13/12]], [[12/11]], [[14/13]], [[25/23]] | |||
| [[Bleu]] | |||
|- | |- | ||
| 3 | |||
| 211.76 | |||
| Major Second/Sub Third | |||
| major 2nd | |||
| M2 | |||
| D | |||
| [[9/8]], [[25/22]], [[8/7]], [[28/25]], [[25/22]], [[26/23]] | |||
| [[Machine]] | |||
|- | |- | ||
| 4 | |||
| 282.35 | |||
| Minor Third/Super Second | |||
| minor 3rd | |||
| m3 | |||
| Eb | |||
| [[13/11]], [[7/6]] | |||
| [[Huxley]] | |||
|- | |- | ||
| 5 | |||
| 352.94 | |||
| Augmented Second/Neutral Third/ <br> Diminished Fourth | |||
Diminished Fourth | | mid 3rd | ||
| ~3 | |||
| vE | |||
| [[11/9]], [[16/13]] | |||
| [[Maqamic]]/[[Hemif]] | |||
|- | |- | ||
| 6 | |||
| 423.53 | |||
| Major Third/Sub Fourth | |||
| major 3rd | |||
| M3 | |||
| E | |||
| [[32/25]], [[33/26]], [[9/7]], [[14/11]], [[23/18]] | |||
| [[Skwares]] | |||
|- | |- | ||
| 7 | |||
| 494.12 | |||
| Perfect Fourth | |||
| perfect 4th | |||
| P4 | |||
| F | |||
| [[4/3]] | |||
| [[Supra]] | |||
|- | |- | ||
| 8 | |||
| 564.71 | |||
| Super Fourth/Diminshed Fifth | |||
| up 4th, mid 4th, <br> diminished 5th | |||
diminished 5th | | ^4, ~4, <br> d5 | ||
| ^F, Gb | |||
d5 | | [[11/8]], [[18/13]] | ||
| [[Progress]] | |||
|- | |- | ||
| 9 | |||
| 635.29 | |||
| Augmented Fourth/Sub Fifth | |||
| augmented 4th, <br> down 5th, mid 5th | |||
down 5th, mid 5th | | A4, <br> v5, ~5 | ||
| F#, vG | |||
v5, ~5 | | [[16/11]], [[13/9]], [[23/16]] | ||
| Progress | |||
|- | |- | ||
| 10 | |||
| 705.88 | |||
| Perfect Fifth | |||
| perfect 5th | |||
| P5 | |||
| G | |||
| [[3/2]] | |||
| Supra | |||
|- | |- | ||
| 11 | |||
| 776.47 | |||
| Super Fifth/Minor Sixth | |||
| minor 6th | |||
| m6 | |||
| Ab | |||
| [[25/16]], [[14/9]], [[11/7]] | |||
| Skwares | |||
|- | |- | ||
| 12 | |||
| 847.06 | |||
| Augmented Fifth/Neutral Sixth/ <br> Diminished Seventh | |||
Diminished Seventh | | mid 6th | ||
| ~6 | |||
| vA | |||
| [[13/8]], [[18/11]], [[23/14]] | |||
| Maqamic/hemif | |||
|- | |- | ||
| 13 | |||
| 917.65 | |||
| Major Sixth/Sub Seventh | |||
| major 6th | |||
| M6 | |||
| A | |||
| [[17/10]], [[22/13]],[[12/7]] | |||
| Huxley | |||
|- | |- | ||
| 14 | |||
| 988.24 | |||
| Minor Seventh/Super Sixth | |||
| minor 7th | |||
| m7 | |||
| Bb | |||
| [[16/9]], [[7/4]], [[25/14]], [[23/13]] | |||
| Machine | |||
|- | |- | ||
| 15 | |||
| 1058.82 | |||
| Augmented Sixth/Neutral Seventh/ <br> Diminished Octave | |||
Diminished Octave | | mid 7th | ||
| ~7 | |||
| vB | |||
| [[11/6]], [[24/13]], [[13/7]] | |||
| Bleu | |||
|- | |- | ||
| 16 | |||
| 1129.41 | |||
| Major Seventh/Sub Octave | |||
| major 7th | |||
| M7 | |||
| B | |||
| [[25/13]], [[48/25]], [[64/33]], [[23/12]] | |||
| | | | ||
|- | |- | ||
| 17 | |||
| 1200.00 | |||
| Perfect Octave | |||
| octave | |||
| P8 | |||
| C | |||
| [[2/1]] | |||
| | |||
|} | |} | ||
<nowiki>*</nowiki>Ratios based on treating 17edo as a 2.3.7.11.13.23.25 subgroup | <nowiki>*</nowiki>Ratios based on treating 17edo as a 2.3.7.11.13.23.25 subgroup | ||
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Combining ups and downs notation with [[color notation]], qualities can be loosely associated with colors: | Combining ups and downs notation with [[color notation]], qualities can be loosely associated with colors: | ||
{| class="wikitable" | {| class="wikitable center-all" | ||
! quality | |||
! color | |||
! monzo format | |||
! examples | |||
|- | |- | ||
| minor | |||
| zo | |||
| {a, b, 0, 1} | |||
| 7/6, 7/4 | |||
|- | |- | ||
| | | " | ||
| | | fourthward wa | ||
| {a, b}, b < -1 | |||
| | | 32/27, 16/9 | ||
|- | |- | ||
| | | mid | ||
| | | ilo | ||
| {a, b, 0, 0, 1} | |||
| | | 11/9, 11/6 | ||
|- | |- | ||
| | | " | ||
| | | lu | ||
| {a, b, 0, 0, -1} | |||
| | | 12/11, 18/11 | ||
|- | |- | ||
| | | major | ||
| | | fifthward wa | ||
| {a, b}, b > 1 | |||
| | | 9/8, 27/16 | ||
|- | |- | ||
| " | |||
| ru | |||
| {a, b, 0, -1} | |||
| 9/7, 12/7 | |||
|} | |} | ||
=Chord Names= | == Chord Names == | ||
All 17edo chords can be named using ups and downs. Here are the zo, ilo and ru triads: | All 17edo chords can be named using ups and downs. Here are the zo, ilo and ru triads: | ||
{| class="wikitable" | {| class="wikitable center-all" | ||
|- | |- | ||
! | ! [[Kite's color notation|color of the 3rd]] | ||
! | ! JI chord | ||
! | ! notes as edosteps | ||
! | ! notes of C chord | ||
! | ! written name | ||
! | ! spoken name | ||
|- | |- | ||
| zo | |||
| 6:7:9 | |||
| 0-4-10 | |||
| C Eb G | |||
| Cm | |||
| C minor | |||
|- | |- | ||
| ilo | |||
| 18:22:27 | |||
| 0-5-10 | |||
| C vE G | |||
| C~ | |||
| C mid | |||
|- | |- | ||
| ru | |||
| 14:18:21 | |||
| 0-6-10 | |||
| C E G | |||
| C | |||
| C major or C | |||
|} | |} | ||
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For a more complete list, see [[Ups and Downs Notation#Chords and Chord Progressions|Ups and Downs Notation - Chords and Chord Progressions]]. | For a more complete list, see [[Ups and Downs Notation#Chords and Chord Progressions|Ups and Downs Notation - Chords and Chord Progressions]]. | ||
=Selected just intervals by error= | == Selected just intervals by error == | ||
{| class="wikitable | {| class="wikitable center-all" | ||
! | ! | ||
!prime 2 | ! prime 2 | ||
!prime 3 | ! prime 3 | ||
!prime 5 | ! prime 5 | ||
!prime 7 | ! prime 7 | ||
!prime 11 | ! prime 11 | ||
!prime 13 | ! prime 13 | ||
|- | |- | ||
!error | ! error | ||
|0¢ | | 0¢ | ||
| +3.93¢ | | +3.93¢ | ||
| -33.4¢ | | -33.4¢ | ||
| Line 315: | Line 307: | ||
| +6.5¢ | | +6.5¢ | ||
|- | |- | ||
![[fifthspan]] | ! [[fifthspan]] | ||
|0 | | 0 | ||
| +1 | | +1 | ||
| -8 | | -8 | ||
| Line 325: | Line 317: | ||
The following table shows how [[Just-24|some prominent just intervals]] are represented in 17edo (ordered by absolute error). | The following table shows how [[Just-24|some prominent just intervals]] are represented in 17edo (ordered by absolute error). | ||
===Best direct mapping, even if inconsistent=== | === Best direct mapping, even if inconsistent === | ||
{| class="wikitable sortable | {| class="wikitable sortable center-1 right-2" | ||
|- | |- | ||
! class=unsortable | Interval, complement | ! class=unsortable | Interval, <br> complement | ||
! | ! Abs. error <br> (in [[cent]]s) | ||
|- | |- | ||
| [[18/13]], [[13/9]] | | [[18/13]], [[13/9]] | ||
| Line 338: | Line 330: | ||
| 2.604 | | 2.604 | ||
|- | |- | ||
| | | [[4/3]], [[3/2]] | ||
| 3.927 | | 3.927 | ||
|- | |- | ||
| Line 347: | Line 339: | ||
| 6.021 | | 6.021 | ||
|- | |- | ||
| | | [[16/13]], [[13/8]] | ||
| 6.531 | | 6.531 | ||
|- | |- | ||
| [[13/11]], [[22/13]] | | [[13/11]], [[22/13]] | ||
| Line 365: | Line 357: | ||
| 12.878 | | 12.878 | ||
|- | |- | ||
| | | [[11/8]], [[16/11]] | ||
| 13.388 | | 13.388 | ||
|- | |- | ||
| [[7/6]], [[12/7]] | | [[7/6]], [[12/7]] | ||
| Line 374: | Line 366: | ||
| 17.806 | | 17.806 | ||
|- | |- | ||
| | | [[8/7]], [[7/4]] | ||
| | | 19.409 | ||
|- | |- | ||
| [[15/14]], [[28/15]] | | [[15/14]], [[28/15]] | ||
| Line 398: | Line 390: | ||
| 33.288 | | 33.288 | ||
|- | |- | ||
| | | [[5/4]], [[8/5]] | ||
| | | 33.373 | ||
|- | |- | ||
| [[15/13]], [[26/15]] | | [[15/13]], [[26/15]] | ||
| Line 405: | Line 397: | ||
|} | |} | ||
===Patent val mapping=== | === Patent val mapping === | ||
{| class="wikitable" | {| class="wikitable center-1 right-2" | ||
|- | |- | ||
! Interval, <br> complement | |||
! Abs. error <br> (in [[cent]]s) | |||
|- | |- | ||
| [[18/13]], [[13/9]] | |||
| 1.324 | |||
|- | |- | ||
| [[13/12]], [[24/13]] | |||
| 2.604 | |||
|- | |- | ||
| '''[[4/3]], [[3/2]]''' | |||
| '''3.927''' | |||
|- | |- | ||
| [[11/9]], [[18/11]] | |||
| 5.533 | |||
|- | |- | ||
| [[14/11]], [[11/7]] | |||
| 6.021 | |||
|- | |- | ||
| '''[[16/13]], [[13/8]]''' | |||
| '''6.531''' | |||
|- | |- | ||
| [[13/11]], [[22/13]] | |||
| 6.857 | |||
|- | |- | ||
| [[9/8]], [[16/9]] | |||
| 7.855 | |||
|- | |- | ||
| [[12/11]], [[11/6]] | |||
| 9.461 | |||
|- | |- | ||
| [[9/7]], [[14/9]] | |||
| 11.555 | |||
|- | |- | ||
| [[14/13]], [[13/7]] | |||
| 12.878 | |||
|- | |- | ||
| '''[[11/8]], [[16/11]]''' | |||
| '''13.388''' | |||
|- | |- | ||
| [[7/6]], [[12/7]] | |||
| 15.482 | |||
|- | |- | ||
| '''[[8/7]], [[7/4]]''' | |||
| '''19.409''' | |||
|- | |- | ||
| [[16/15]], [[15/8]] | |||
| 29.445 | |||
|- | |- | ||
| '''[[5/4]], [[8/5]]''' | |||
| '''33.373''' | |||
|- | |- | ||
| [[15/13]], [[26/15]] | |||
| 35.976 | |||
|- | |- | ||
| [[6/5]], [[5/3]] | |||
| 37.300 | |||
|- | |- | ||
| [[13/10]], [[20/13]] | |||
| 39.904 | |||
|- | |- | ||
| [[10/9]], [[9/5]] | |||
| 41.227 | |||
|- | |- | ||
| [[15/11]], [[22/15]] | |||
| 42.833 | |||
|- | |- | ||
| [[11/10]], [[20/11]] | |||
| 46.760 | |||
|- | |- | ||
| [[15/14]], [[28/15]] | |||
| 48.855 | |||
|- | |- | ||
| [[7/5]], [[10/7]] | |||
| 52.782 | |||
|} | |} | ||
| Line 489: | Line 481: | ||
[[:File:17ed2-001.svg|17ed2-001.svg]] | [[:File:17ed2-001.svg|17ed2-001.svg]] | ||
=Commas= | == Commas == | ||
17 EDO [[tempering out|tempers out]] the following [[comma]]s. (Note: This assumes [[val]] {{val| 17 27 39 48 59 63 }}, cent values rounded to 5 digits.) | 17 EDO [[tempering out|tempers out]] the following [[comma]]s. (Note: This assumes [[val]] {{val| 17 27 39 48 59 63 }}, cent values rounded to 5 digits.) | ||
{| class="wikitable" | {| class="wikitable center-all left-2 right-3" | ||
|- | |- | ||
! | ! Comma | ||
! | ! Monzo | ||
! | ! Cents | ||
![[Color notation/Temperament Names|Color Name]] | ! [[Color notation/Temperament Names|Color Name]] | ||
! | ! Name 1 | ||
! | ! Name 2 | ||
! | ! Name 3 | ||
|- | |- | ||
| | | | ||
| {{Monzo | 27 -17 }} | |||
| 66.765 | |||
| Sasawa | |||
| | | 17-Comma | ||
| | |||
| | |||
|- | |- | ||
| 25/24 | |||
| {{Monzo | -3 -1 2 }} | |||
| 70.762 | |||
| Yoyo | |||
| Chromatic semitone | |||
| Dicot comma | |||
| | |||
|- | |- | ||
| 32805/32768 | |||
| {{Monzo | -15 8 1 }} | |||
| 1.9537 | |||
| Layo | |||
| Schisma | |||
| | |||
| | |||
|- | |- | ||
| 525/512 | |||
| {{Monzo | -9 1 2 1 }} | |||
| 43.408 | |||
| Zoyoyo | |||
| Avicennma | |||
| Avicennma's Enharmonic Diesis | |||
| | |||
|- | |- | ||
| 64/63 | |||
| {{Monzo | 6 -2 0 -1 }} | |||
| 27.264 | |||
| Ru | |||
| Septimal Comma | |||
| Archytas' Comma | |||
| Leipziger Komma | |||
|- | |- | ||
| 245/243 | |||
| {{Monzo | 0 -5 1 2 }} | |||
| 14.191 | |||
| Zozoyo | |||
| Sensamagic | |||
| | |||
| | |||
|- | |- | ||
| 1728/1715 | |||
| {{Monzo | 6 3 -1 -3 }} | |||
| 13.074 | |||
| Triru-agu | |||
| Orwellisma | |||
| Orwell Comma | |||
| | |||
|- | |- | ||
| | |||
| {{Monzo | -6 -8 2 5 }} | |||
| 1.1170 | |||
| Quinzo-ayoyo | |||
| Wizma | |||
| | |||
| | |||
|- | |- | ||
| 99/98 | |||
| {{Monzo | -1 2 0 -2 1 }} | |||
| 17.576 | |||
| Loruru | |||
| Mothwellsma | |||
| | |||
| | |||
|- | |- | ||
| 896/891 | |||
| {{Monzo | 7 -4 0 1 -1 }} | |||
| 9.6880 | |||
| Saluzo | |||
| Pentacircle | |||
| | |||
| | |||
|- | |- | ||
| 243/242 | |||
| {{Monzo| -1 5 0 0 -2 }} | |||
| 7.1391 | |||
| Lulu | |||
| Rastma | |||
| | |||
| | |||
|- | |- | ||
| 385/384 | |||
| {{Monzo| -7 -1 1 1 1 }} | |||
| 4.5026 | |||
| Lozoyo | |||
| Keenanisma | |||
| | |||
| | |||
|} | |} | ||
Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated. | Note that despite their relatively large size, the 17-comma, the avicennma and the chromatic semitone are all tempered out by the 13-limit patent val, as stated. | ||
=Scales= | == Scales == | ||
* [[Otonal 17]] | * [[Otonal 17]] | ||
* [https://web.archive.org/web/20140215081520/http://microtonalismo.com/proyecto-xvii Blues Peruvian 17edo] | * [https://web.archive.org/web/20140215081520/http://microtonalismo.com/proyecto-xvii Blues Peruvian 17edo] | ||
| Line 610: | Line 602: | ||
* [[MOS scales of 17edo]] (horograms) | * [[MOS scales of 17edo]] (horograms) | ||
=Temperaments= | == Temperaments == | ||
* [[List of 17edo rank two temperaments by badness]] | * [[List of 17edo rank two temperaments by badness]] | ||
* [[List of edo-distinct 17c rank two temperaments]] | * [[List of edo-distinct 17c rank two temperaments]] | ||
=Music= | == Music == | ||
==Scores== | === Scores === | ||
* [http://home.snafu.de/djwolf/PreludeIn17tet.pdf Prelude] (PDF) by [[Daniel Wolf]] | * [http://home.snafu.de/djwolf/PreludeIn17tet.pdf Prelude] (PDF) by [[Daniel Wolf]] | ||
* [http://georghajdu.de/compositions/heptadecatonic-drops/ Heptadecatonic Drops] by [http://georghajdu.de/biography/ Georg Hajdu] | * [http://georghajdu.de/compositions/heptadecatonic-drops/ Heptadecatonic Drops] by [http://georghajdu.de/biography/ Georg Hajdu] | ||
| Line 624: | Line 616: | ||
* [http://christopherbaileymusic.com/walrus/v/#../../kitwo245m45n698th139rwebm845MQPxiF82J7WovYNRLK6klyq456/balladei.pdf Balladei] by [http://christopherbaileymusic.com/quick-bio/ Christopher Bailey] | * [http://christopherbaileymusic.com/walrus/v/#../../kitwo245m45n698th139rwebm845MQPxiF82J7WovYNRLK6klyq456/balladei.pdf Balladei] by [http://christopherbaileymusic.com/quick-bio/ Christopher Bailey] | ||
==Sound files== | === Sound files === | ||
* [https://youtu.be/aU8RmEeXap8 Arm's Length by Diamond Doll (xen-pop)] | * [https://youtu.be/aU8RmEeXap8 Arm's Length by Diamond Doll (xen-pop)] | ||
* [https://themercurytree.bandcamp.com/album/spidermilk Spidermilk] (prog album) by [https://themercurytree.bandcamp.com/ The Mercury Tree] | * [https://themercurytree.bandcamp.com/album/spidermilk Spidermilk] (prog album) by [https://themercurytree.bandcamp.com/ The Mercury Tree] | ||
| Line 676: | Line 668: | ||
** ''Flying Into O'Hare'': [http://chrisvaisvil.com/?p=6909 blog] | [http://micro.soonlabel.com/17-ET/20161125_linn_speactral_17.MP3 MP3] | ** ''Flying Into O'Hare'': [http://chrisvaisvil.com/?p=6909 blog] | [http://micro.soonlabel.com/17-ET/20161125_linn_speactral_17.MP3 MP3] | ||
=Instruments= | == Instruments == | ||
* '''[http://www.microtonalismo.com/proyecto-xvii Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani]''' {{forbidden}} | * '''[http://www.microtonalismo.com/proyecto-xvii Guitar Heptadecatonic from Peruvian - Charles Loli and Antonio Huamani]''' {{forbidden}} | ||
{{External image| http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg {{dead link}} }} | {{External image| http://sphotos.ak.fbcdn.net/hphotos-ak-snc4/hs883.snc4/71639_167001659983806_100000219181856_601995_1526184_n.jpg {{dead link}} }} | ||