11edo: Difference between revisions
→Unequal Derivatives of 11edo: Bryan Deister's ''11 Tone March'' (2023/2024): Add short clip, with Lumatone view |
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[[File:0-8-16-20 chord.wav|thumb|A 0–8–16–20 chord in 11edo illustrating harmony generated from stacking 9/7 intervals.]] | [[File:0-8-16-20 chord.wav|thumb|A 0–8–16–20 chord in 11edo illustrating harmony generated from stacking 9/7 intervals.]] | ||
== Notation == | == Intervals and Notation == | ||
=== Ups and downs notation === | === Ups and downs notation === | ||
11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the ''melodic'' meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5. | 11edo can be notated using ups and downs. Conventional notation, including the staff, note names, relative notation, etc. can be used in two ways. The first preserves the ''melodic'' meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5. | ||