159edo/Interval names and harmonies: Difference between revisions
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| Greater Subminor Second, Diptolemaic Augmented Prime | | Greater Subminor Second, Diptolemaic Augmented Prime | ||
| Eb↓, D#↓↓ | | Eb↓, D#↓↓ | ||
| Although this interval frequently acts as the Diptolemaic Chroma, it can also act as a trienstone- that is, a third of a tone- since it's one third of the | | Although this interval frequently acts as the Diptolemaic Chroma, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Pythagorean Major Second. | ||
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| 10 | | 10 | ||
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| Tendomean Minor Second, Tendomean Augmented Prime | | Tendomean Minor Second, Tendomean Augmented Prime | ||
| D#\, Eb↑\ | | D#\, Eb↑\ | ||
| As the | | As the approximation of both the seventeenth harmonic and the interval formed from stacking two Ultraprimes, this interval is used accordingly. | ||
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| 15 | | 15 | ||
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| Wide Minor Second, Artoretromean Augmented Prime | | Wide Minor Second, Artoretromean Augmented Prime | ||
| Ed<↓, Eb↑/, D#/ | | Ed<↓, Eb↑/, D#/ | ||
| | | In addition to being the approximation of the Septimal Major Semitone, this interval is also one third of a Lesser Submajor Third in this system, and is thus used accordingly. | ||
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| 17 | | 17 | ||