4L 7s: Difference between revisions
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== Notation == | == Notation == | ||
The notation used in this article is LssLsLssLss = | The notation used in this article is LssLsLssLss = А҃В҃Г҃Д҃Е҃Ѕ҃З҃И҃Ѳ҃І҃Ѫ҃А҃, based on old Cyrillic numerals 1-10 using the titlo as a numeric sign, and the addition of the big yus (Ѫ) for 11. Chromas are represented by regular sharps and flats. | ||
Thus the 15edo gamut is as follows: | Thus the 15edo gamut is as follows: | ||
'''А҃''' А҃#/В҃b '''В҃ Г҃ Д҃''' Д҃#/Е҃b '''Е҃ Ѕ҃''' Ѕ҃#/З҃b '''З҃ И҃ Ѳ҃''' Ѳ҃#/І҃b '''І҃ Ѫ҃ А҃''' | '''А҃''' А҃#/В҃b '''В҃ Г҃ Д҃''' Д҃#/Е҃b '''Е҃ Ѕ҃''' Ѕ҃#/З҃b '''З҃ И҃ Ѳ҃''' Ѳ҃#/І҃b '''І҃ Ѫ҃ А҃''' | ||
==== Letter names ==== | ==== Letter names ==== | ||
The letters can be named in English as such: Az, Vede, Glagol, Dobro, Yest, Dzelo, Zemlya, Izhe, Thita, I( | The letters can be named in English as such: Az, Vede, Glagol, Dobro, Yest, Dzelo, Zemlya, Izhe, Thita, I(Ee), Yus. | ||
== Intervals == | == Intervals == | ||
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== Modes == | == Modes == | ||
The names are based on smitonic modes, modified with the "super-" prefix, with thematic additions as there are an extra 4 modes available. | The names are based on smitonic modes, modified with the "super-" prefix, with thematic additions, as there are an extra 4 modes available. | ||
{| class="wikitable center-all" | {| class="wikitable center-all" |
Revision as of 20:33, 8 April 2021
↖ 3L 6s | ↑ 4L 6s | 5L 6s ↗ |
← 3L 7s | 4L 7s | 5L 7s → |
↙ 3L 8s | ↓ 4L 8s | 5L 8s ↘ |
┌╥┬╥┬┬╥┬┬╥┬┬┐ │║│║││║││║│││ │││││││││││││ └┴┴┴┴┴┴┴┴┴┴┴┘
ssLssLssLsL
4L 7s or mynatonic my-na-TON-ik /maɪnəˈtɒnɪk/ refers to the structure of MOS scales with generators ranging from 1\4edo (one degree of 4edo, 300¢) to 3\11edo (three degrees of 11edo, 327.27¢), representing approximate diatonic minor thirds (6/5). The name refers to the temperament that is one of the harmonic entropy minimums in this range (Myna), as well as being a pun on "minor third".
4L 7s has a heptatonic subset, which is the hard end of the spectrum of the smitonic scale (4L 3s).
Notation
The notation used in this article is LssLsLssLss = А҃В҃Г҃Д҃Е҃Ѕ҃З҃И҃Ѳ҃І҃Ѫ҃А҃, based on old Cyrillic numerals 1-10 using the titlo as a numeric sign, and the addition of the big yus (Ѫ) for 11. Chromas are represented by regular sharps and flats. Thus the 15edo gamut is as follows: А҃ А҃#/В҃b В҃ Г҃ Д҃ Д҃#/Е҃b Е҃ Ѕ҃ Ѕ҃#/З҃b З҃ И҃ Ѳ҃ Ѳ҃#/І҃b І҃ Ѫ҃ А҃
Letter names
The letters can be named in English as such: Az, Vede, Glagol, Dobro, Yest, Dzelo, Zemlya, Izhe, Thita, I(Ee), Yus.
Intervals
Generators | Notation (1/1 = А҃) | Interval category name | Generators | Notation of 2/1 inverse | Interval category name |
---|---|---|---|---|---|
The 11-note MOS has the following intervals (from some root): | |||||
0 | А҃ | perfect unison | 0 | А҃ | dodecave (same as octave) |
1 | Д҃ | perfect myfourth (minor third) | -1 | Ѳ҃ | perfect myninth (major sixth) |
2 | З҃b | minor myseventh | -2 | Ѕ҃ | major mysixth |
3 | І҃b | minor mytenth | -3 | Г҃ | major mythird |
4 | В҃b | minor mysecond | -4 | Ѫ҃ | major myeleventh |
5 | Е҃b | minor myfifth | -5 | И҃ | major myeight |
6 | И҃b | minor myeight | -6 | Е҃ | major myfifth |
7 | Ѫ҃b | minor myeleventh | -7 | В҃ | major mysecond |
8 | Г҃b | minor mythird | -8 | І҃ | major mytenth |
9 | Ѕ҃b | minor mysixth | -9 | З҃ | major myseventh |
10 | Ѳ҃b | diminished myninth | -10 | Д҃# | augmented mythird |
The chromatic 15-note MOS (either 4L 11s, 11L 4s, or 15edo) also has the following intervals (from some root): | |||||
11 | А҃b | diminished dodecave | -11 | А҃# | augmented unison (mychroma, mycomma) |
12 | Д҃b | diminished myfourth | -12 | Ѳ҃# | augmented myninth |
13 | З҃bb | diminished myseventh | -13 | Ѕ҃# | augmented mysixth |
14 | І҃bb | diminished mytenth | -14 | Г҃# | augmented mythird |
Genchain
The generator chain for this scale is as follows:
Д҃b | А҃b | Ѳ҃b | Ѕ҃b | Г҃b | Ѫ҃b | И҃b | Е҃b | В҃b | І҃b | З҃b | Д҃ | А҃ | Ѳ҃ | Ѕ҃ | Г҃ | Ѫ҃ | И҃ | Е҃ | В҃ | І҃ | З҃ | Д҃# | А҃# | Ѳ҃# | Ѕ҃# | Г҃# | Ѫ҃# | И҃# | Е҃# | В҃# | І҃# | З҃# |
d4 | d12 | d9 | m6 | m3 | m11 | m8 | m5 | m2 | m10 | m7 | P4 | P1 | P9 | M6 | M3 | M11 | M8 | M5 | M2 | M10 | M7 | A4 | A1 | A9 | A6 | A3 | A11 | A8 | A5 | A2 | A10 | A7 |
Tuning ranges
Soft range
The soft range for tunings of mynatonic encompasses parasoft and hyposoft tunings. This implies step ratios smaller than 2/1, meaning a generator sharper than 4\15 = 320¢. This is the range associated with extensions of Orgone[7].
Hypohard
Hypohard tunings of mynatonic have step ratios between 2/1 and 3/1, implying a generator sharper than 5\19 = 315.79¢ and flatter than 4\15 = 320¢. This range represents one of the harmonic entropy minimums, where 6 generators make a just diatonic fifth (3/2), an octave above. This is the range associated with kleismic temperament (and its extensions).
Parahard
Parahard tunings of mynatonic have step ratios between 3/1 and 4/1, implying a generator sharper than 6\23 = 313.04¢ and flatter than 5\19 = 315.79¢. The minor third is at its purest here, but the resulting scales tend to result in intervals that employ a much higher limit harmony, especially in the case of the superhard 23edo.
Hyperhard
Hyperhard tunings of mynatonic have step ratios between 4/1 and 6/1, implying a generator sharper than 8\31 = 309.68¢ and flatter than 6\23 = 313.04¢. The eponymous temperament, Myna, resides here, as this is the range where 10 generators make a just diatonic fifth (3/2), two octaves above. These scales are stacked with simple intervals, but it's melodically difficult due to the extreme step size disparity.
Modes
The names are based on smitonic modes, modified with the "super-" prefix, with thematic additions, as there are an extra 4 modes available.
Mode | UDP | Name |
---|---|---|
LsLssLssLss | 10|0 | Supernerevarine |
LssLsLssLss | 9|1 | Supervivecan |
LssLssLsLss | 8|2 | Supernumidian |
LssLssLssLs | 7|3 | Superlorkhanic |
sLsLssLssLs | 6|4 | Superbaardauan |
sLssLsLssLs | 5|5 | Supersothic |
sLssLssLsLs | 4|6 | Supervvardenic |
sLssLssLssL | 3|7 | Superkagrenacan |
ssLsLssLssL | 2|8 | Supernecromic |
ssLssLsLssL | 1|9 | Superalmalexian |
ssLssLssLsL | 0|10 | Superdagothic |
Temperaments
Scale tree
The spectrum looks like this:
1\4 | 300¢ | ||||||||
10\39 | 307.692 | ||||||||
9\35 | 308.571 | ||||||||
8\31 | 309.677 | Myna | |||||||
23\89 | 310.112 | Myna | |||||||
15\58 | 310.345 | Myna | |||||||
7\27 | 311.111 | Starlingtet | |||||||
6\23 | 313.043 | Skateboard | |||||||
17\65 | 313.846 | ||||||||
11\42 | 314.286 | ||||||||
16\61 | 314.754 | ||||||||
21\80 | 315 | ||||||||
26\99 | 315.152 | Parakleismic | |||||||
315.332 | |||||||||
5\19 | 315.789 | Keemun | |||||||
19\72 | 316.667 | Catakleismic | |||||||
316.785 | |||||||||
14\53 | 316.981 | Hanson/Marveltwintri/Cata | |||||||
317.17 | |||||||||
23\87 | 317.241 | Countercata | |||||||
9\34 | 317.647 | ||||||||
4\15 | 320 | Boundary of propriety
(generators larger than this are proper) | |||||||
321.539 | |||||||||
11\41 | 321.951 | Superkleismic | |||||||
322.268 | |||||||||
18\67 | 322.388 | ||||||||
322.585 | |||||||||
7\26 | 323.068 | Magicaltet/Orgone | |||||||
10\37 | 324.324 | Orgone | |||||||
13\48 | 325 | Oregon | |||||||
16\59 | 325.424 | Oregon | |||||||
19\70 | 325.714 | Oregon | |||||||
22/81 | 325.926 | Oregon | |||||||
3\11 | 327.273 | Oregon |