29-limit: Difference between revisions

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* Mode 15 of the harmonic or subharmonic series.
* Mode 15 of the harmonic or subharmonic series.


The 29-limit intervals of the 2.3.29 subgroup are [[submajor and supraminor]], with [[29/27]] being a supraminor second, [[32/29]] a submajor second, [[29/24]] a supraminor third, and [[36/29]] a submajor third. While lower-limit supraminor and submajor intervals exist, such as [[14/13]], [[11/10]], and [[17/14]], these combine multiple primes higher than 3, unlike the 29-limit ones. The [[29/1|29th harmonic]] is thus quite simple to classify by [[5L 2s|diatonic]] classification, and has a characteristic [[interval quality]] like harmonics [[5/1|5]], [[7/1]], etc. Note that primes [[17/1|17]] and [[23/1|23]] are not so friendly in terms of interval categorization, and many wish to exclude them, leading to the 2.3.5.7.11.13.19.29 subgroup.
The 29-limit intervals of the 2.3.29 subgroup are [[submajor and supraminor]], with [[29/27]] being a supraminor second, [[32/29]] a submajor second, [[29/24]] a supraminor third, and [[36/29]] a submajor third, with their [[octave complement]]s classified accordingly. While supraminor and submajor intervals occur in lower limits, such as [[14/13]], [[11/10]], and [[17/14]], these combine multiple primes higher than 3, unlike the 29-limit ones. The [[29/1|29th harmonic]] is thus quite simple to classify by [[5L 2s|diatonic]] classification, and has a characteristic [[interval quality]] like harmonics [[5/1|5]], [[7/1|7]], etc. Primes [[17/1|17]] and [[23/1|23]] are not so friendly in terms of interval categorization, and may be considered discordant to the fundamental, being a semitone and a tritone when [[octave reduced]] respectively. Thus many people wish to exclude them, leading to the 2.3.5.7.11.13.19.29 subgroup.


However, the 29-limit approaches the point where [[consonance]] stops being registered, and intervals become very close to each other, such as [[29/28]] only being wider than [[30/29]] by [[841/840]], a comma of 2.06{{c}}. This difference is [[JND|unnoticeable]] melodically, and very difficult to hear harmonically.
However, the 29-limit approaches the point where [[consonance]] stops being registered, and intervals become very close to each other, such as [[29/28]] only being wider than [[30/29]] by [[841/840]], a comma of 2.06{{c}}. This difference is [[JND|unnoticeable]] melodically, and very difficult to hear harmonically.


== Edo approximations ==
== Edo approximations ==
[[282edo]] is the smallest edo that is [[consistent]] to the [[29-odd-limit]]. [[1323edo]] is the smallest edo that is [[distinctly consistent]] to the 29-odd-limit. Intervals [[29/16]] and [[32/29]] are very accurately approximated by [[7edo]] (1\7 for 32/29, 6\7 for 29/16).
[[282edo]] is the smallest edo that is [[consistent]] to the [[29-odd-limit]]. [[1323edo]] is the smallest edo that is [[distinctly consistent]] to the 29-odd-limit. The intervals [[29/16]] and [[32/29]] are very accurately approximated by [[7edo]] (1\7 for 32/29, 6\7 for 29/16).
 
Edos with increasingly better approximations of the 29-limit ([[monotonicity limit]] ≥ 29 and decreasing [[TE error]]): {{EDOs| 72, 77, 99ef, 118, 121i, 130, 140, 152fgj, 159, 183, 217, 243e, 270, 282, 311, 422, 472, 494h, 525, 535, 540, 554e, 566gj, 571, 581, 581j, 624j, 653, 692i, 718, 742i, 814, 882, 908, 954hj, 1106, 1282, 1308, 1323, 1395, 1578 }}, etc. For a more comprehensive list, see [[Sequence of equal temperaments by error]].
 
{{Note| [[Wart notation]] is used to specify the [[val]] chosen for the edo. In the above list, "99ef" means taking the second closest approximations of harmonics 11 and 13. }}


== Music ==
== Music ==
; [[Francium]]
* [https://www.youtube.com/watch?v=PwvKS0RhTgs ''Spring Your Miracle''] (2026)
; [[Randy Wells]]
; [[Randy Wells]]
* [https://www.youtube.com/watch?v=4RsACF6s-5U ''Cloud Aliens''] (2021)
* [https://www.youtube.com/watch?v=4RsACF6s-5U ''Cloud Aliens''] (2021)


[[Category:29-limit| ]] <!-- main article -->
[[Category:29-limit| ]] <!-- main article -->