Major third (interval region)
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Interval region | Perfect fourth → |
9/7 (435.1¢)
Supermajor third
Ultramajor third

A major third (M3), as an interval region, is typically near 400 ¢ in size, distinct from the minor third of roughly 300 ¢ and the neutral third of roughly 350 ¢. A rough tuning range for the major third is about 370 to 440 ¢ according to Margo Schulter's theory of interval regions. Major third in this sense refers both to the ~350–450 ¢ range as a whole, and to a specific subdivision within it (~370–415 ¢) as opposed to supermajor thirds; major thirds sharp of this are often called "supermajor thirds".
This article covers intervals between 360 and 460 ¢. The outer range of this might be too extreme to call "major thirds", but this is done so that one can find what they're looking for easily.
In just intonation
By prime limit
3-limit intervals in the range of major thirds include the Pythagorean major third of 81/64, 407.8 ¢ in size, which corresponds to the mos-based interval category of the diatonic major third and is generated by stacking four just perfect fifths of 3/2, and the Pythagorean diminished fourth of 8192/6561, which is flat of 81/64 by one Pythagorean comma, and is about 384 ¢ in size.
Much simpler major thirds exist in higher limits, however, for example:
- The 5-limit classical major third is a ratio of 5/4, and is about 386 ¢.
- The 7-limit (septimal) supermajor third is a ratio of 9/7, and is almost exactly 435 ¢.
- The 11-limit neogothic major third is a ratio of 14/11, and is almost exactly 417.5 ¢.
- The 13-limit (tridecimal) ultramajor third is a ratio of 13/10, and is about 454 ¢.
- There is also a 13-limit (tridecimal) submajor third, which is a ratio of 26/21, and is about 370 ¢.
- The 17-limit (septendecimal) submajor third is a ratio of 21/17, and is about 366 ¢.
By delta
See Delta-N ratio.
Delta 1 | Delta 2 | Delta 3 | Delta 4 | Delta 5 | |||||
---|---|---|---|---|---|---|---|---|---|
5/4 | 386 ¢ | 9/7 | 435 ¢ | 13/10 | 454 ¢ | 19/15 | 409 ¢ | 22/17 | 446 ¢ |
14/11 | 418 ¢ | 21/17 | 366 ¢ | 23/18 | 424 ¢ | ||||
24/19 | 404 ¢ | ||||||||
26/21 | 370 ¢ |
In edos
The following table lists the best tuning of 5/4 and 9/7, as well as other major thirds if present, in various significant edos.
Edo | 5/4 | 9/7 | Other major thirds |
---|---|---|---|
12 | 400 ¢ | ||
15 | 400 ¢ | * | |
16 | 375 ¢ | 450 ¢ | |
17 | ** | 424 ¢ | |
19 | 379 ¢ | 442 ¢ | |
22 | 382 ¢ | 436 ¢ | |
24 | 400 ¢ | 450 ¢ | |
25 | 384 ¢ | 432 ¢ | |
26 | 369 ¢ | 415 ¢ | |
27 | 400 ¢ | 444 ¢ | |
29 | 372 ¢ | 455 ¢ | 414 ¢ ≈ 81/64, 14/11 |
31 | 388 ¢ | 426 ¢ | |
34 | 388 ¢ | 424 ¢ | 459 ¢ ≈ 13/10 |
41 | 381 ¢ | 439 ¢ | 410 ¢ ≈ 81/64 |
53 | 385 ¢ | 430 ¢ | 362 ¢ ≈ 21/17, 408 ¢ ≈ 81/64, 452 ¢ ≈ 13/10 |
* These edos have an approximation to 9/7, but it is sharper than 460 ¢, not really a major third.
** These edos have an approximation to 5/4, but it is flatter than 360 ¢, not really a major third.
In regular temperaments
The two simplest major third ratios are 5/4 and 9/7. The following notable temperaments are generated by them:
Temperaments that use 5/4 as a generator
- Würschmidt, which generates 6/1 by stacking eight 5/4's, so that 128/125 flat of 5/4 represents a neutral third.
- Magic, which generates 3/1 by stacking five 5/4's.
- Dicot, an exotemperament which generates 3/2 by stacking two 5/4's so that the mapping dictates that 5/4 and 6/5 are equated.
- Father, an exotemperament which equates 4/3 and 5/4 as a single "fourth-third" interval, from which it derives its name.
- Augmented, which splits the octave into three equal parts, each representing 5/4.
- The 5-limit circular temperaments in general
Temperaments that use 9/7 as a generator
- Sensi, generated by sharp supermajor thirds representing 9/7 and 13/10, such that a stack of two gives a major sixth approximating 5/3.
- Squares, generated by flat supermajor thirds representing 9/7 and 14/11, such that a stack of four gives 8/3.
In mos scales
Intervals between 360 and 480 cents generate the following mos scales:
These tables start from the last monolarge mos generated by the interval range.
Scales with more than 12 notes are not included.
Range | Mos | ||||
---|---|---|---|---|---|
360–400 ¢ | 1L 2s | 3L 1s | 3L 4s | 3L 7s | |
400–436 ¢ | 1L 1s | 2L 1s | 3L 2s | 3L 5s | 3L 8s |
436–450 ¢ | 8L 3s | ||||
450–480 ¢ | 5L 3s |
See also
- Major third (disambiguation page)
V • T • EInterval regions | |
---|---|
Seconds and thirds | Unison • Comma and diesis • Semitone • Neutral second • Major second • (Interseptimal second-third) • Minor third • Neutral third • Major third |
Fourths and fifths | (Interseptimal third-fourth) • Perfect fourth • Superfourth • Tritone • Subfifth • Perfect fifth • (Interseptimal fifth-sixth) |
Sixths and sevenths | Minor sixth • Neutral sixth • Major sixth • (Interseptimal sixth-seventh) • Minor seventh • Neutral seventh • Major seventh • Octave |