17edo: Difference between revisions

Line 26: Line 26:
{| class="wikitable"
{| class="wikitable"
|-
|-
! | Degree
! rowspan="2"| Degree
! | Cents
! colspan="2"| Cents
! | Names of Intervals
! rowspan="2"| Names of Intervals
! colspan="3" | [[Ups and Downs Notation|ups and downs notation]]
! colspan="3" rowspan="2" | [[Ups and Downs Notation|ups and downs notation]]
! | Approximate Ratios*
! rowspan="2"| Approximate Ratios*
! | Temperament(s)generated
! rowspan="2"| Temperament(s)generated
|-
!Pure octave
!25/24et
|-
|-
| | 0
| | 0
| | 0
| | 0
|0
| | Unison
| | Unison
| style="text-align:center;" | unison
| style="text-align:center;" | unison
Line 44: Line 48:
| | 1
| | 1
| | 70.59
| | 70.59
|70.67
| | Super Unison/Minor Second
| | Super Unison/Minor Second
| style="text-align:center;" | minor 2nd
| style="text-align:center;" | minor 2nd
Line 53: Line 58:
| | 2
| | 2
| | 141.18
| | 141.18
|141.345
| | Augmented Unison/Neutral Second
| | Augmented Unison/Neutral Second
| style="text-align:center;" | mid 2nd
| style="text-align:center;" | mid 2nd
Line 62: Line 68:
| | 3
| | 3
| | 211.765
| | 211.765
|212.02
| | Major Second/Sub Third
| | Major Second/Sub Third
| style="text-align:center;" | major 2nd
| style="text-align:center;" | major 2nd
Line 71: Line 78:
| | 4
| | 4
| | 282.35
| | 282.35
|282.69
| | Minor Third/Super Second
| | Minor Third/Super Second
| style="text-align:center;" | minor 3rd
| style="text-align:center;" | minor 3rd
Line 80: Line 88:
| | 5
| | 5
| | 352.94
| | 352.94
|353.36
| | Augmented Second/Neutral Third/
| | Augmented Second/Neutral Third/
Diminished Fourth
Diminished Fourth
Line 90: Line 99:
| | 6
| | 6
| | 423.53
| | 423.53
|424.035
| | Major Third/Sub Fourth
| | Major Third/Sub Fourth
| style="text-align:center;" | major 3rd
| style="text-align:center;" | major 3rd
Line 99: Line 109:
| | 7
| | 7
| | 494.11
| | 494.11
|494.71
| | Perfect Fourth
| | Perfect Fourth
| style="text-align:center;" | perfect 4th
| style="text-align:center;" | perfect 4th
Line 108: Line 119:
| | 8
| | 8
| | 564.71
| | 564.71
| | Super FourthDiminished Fifth
|565.38
| |Super Fourth/Diminshed Fifth
| style="text-align:center;" | up 4th,
| style="text-align:center;" | up 4th,
diminished 5th
diminished 5th
Line 118: Line 130:
| | 9
| | 9
| | 635.29
| | 635.29
|636.05
| | Augmented Fourth/Sub Fifth
| | Augmented Fourth/Sub Fifth
| style="text-align:center;" | augmented 4th,
| style="text-align:center;" | augmented 4th,
Line 128: Line 141:
| | 10
| | 10
| | 705.88
| | 705.88
|706.72
| | Perfect Fifth
| | Perfect Fifth
| style="text-align:center;" | perfect 5th
| style="text-align:center;" | perfect 5th
Line 137: Line 151:
| | 11
| | 11
| | 776.47
| | 776.47
|777.4
| | Super Fifth/Minor Sixth
| | Super Fifth/Minor Sixth
| style="text-align:center;" | minor 6th
| style="text-align:center;" | minor 6th
Line 146: Line 161:
| | 12
| | 12
| | 847.06
| | 847.06
|848.07
| | Augmented Fifth/Neutral Sixth/
| | Augmented Fifth/Neutral Sixth/
Diminished Seventh
Diminished Seventh
Line 156: Line 172:
| | 13
| | 13
| | 917.65
| | 917.65
|918.74
| | Major Sixth/Sub Seventh
| | Major Sixth/Sub Seventh
| style="text-align:center;" | major 6th
| style="text-align:center;" | major 6th
Line 165: Line 182:
| | 14
| | 14
| | 988.235
| | 988.235
|989.41
| | Minor Seventh/Super Sixth
| | Minor Seventh/Super Sixth
| style="text-align:center;" | minor 7th
| style="text-align:center;" | minor 7th
Line 174: Line 192:
| | 15
| | 15
| | 1058.82
| | 1058.82
|1060.09
| | Augmented Sixth/Neutral Seventh/
| | Augmented Sixth/Neutral Seventh/
Diminished Octave
Diminished Octave
Line 184: Line 203:
| | 16
| | 16
| | 1129.41
| | 1129.41
|1130.76
| | Major Seventh/Sub Octave
| | Major Seventh/Sub Octave
| style="text-align:center;" | major 7th
| style="text-align:center;" | major 7th
Line 193: Line 213:
| | 17
| | 17
| | 1200
| | 1200
|1201.43
| | Perfect Octave
| | Perfect Octave
| style="text-align:center;" | octave
| style="text-align:center;" | octave
Line 613: Line 634:
** ''On the Shores of the Dead Sea'': [http://chrisvaisvil.com/?p=784 blog] | [http://www.youtube.com/watch?v=D39MVFhb0Ho video]
** ''On the Shores of the Dead Sea'': [http://chrisvaisvil.com/?p=784 blog] | [http://www.youtube.com/watch?v=D39MVFhb0Ho video]
** ''Only in Disneyland'': [http://chrisvaisvil.com/?p=466 blog] | [http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3 MP3] (guitar solo)
** ''Only in Disneyland'': [http://chrisvaisvil.com/?p=466 blog] | [http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3 MP3] (guitar solo)
** ''17 Reasons I Hate the Blues'': [http://chrisvaisvil.com/?p=460 blog] | [http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3 MP3 ]
** ''17 Reasons I Hate the Blues'': [http://chrisvaisvil.com/?p=460 blog] | [http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3 MP3]
** ''Klingon Opera Overture'': [http://chrisvaisvil.com/?p=422 blog] | [http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3 MP3]
** ''Klingon Opera Overture'': [http://chrisvaisvil.com/?p=422 blog] | [http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3 MP3]
** ''Seventeen Selfless Notes'': [http://chrisvaisvil.com/?p=298 blog] | [http://micro.soonlabel.com/17-ET/if20101028selfless.mp3 MP3 ]
** ''Seventeen Selfless Notes'': [http://chrisvaisvil.com/?p=298 blog] | [http://micro.soonlabel.com/17-ET/if20101028selfless.mp3 MP3]
** ''17et Jazz'': [http://chrisvaisvil.com/?p=76 blog] | [http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3 MP3] (60 x 60 winner)
** ''17et Jazz'': [http://chrisvaisvil.com/?p=76 blog] | [http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3 MP3] (60 x 60 winner)
** ''17 Pink Tuxedos'': [http://chrisvaisvil.com/?p=742 blog] | [http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3 MP3]
** ''17 Pink Tuxedos'': [http://chrisvaisvil.com/?p=742 blog] | [http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3 MP3]