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| ja = 17平均律
| ja = 17平均律
}}
}}
=<span style="color: #1300ff;">17 tone equal temperament</span>=
__FORCETOC__
__FORCETOC__


'''17-EDO''' divides the octave in 17 equal steps, each 70.588 [[cent|cents]] in size. It is the seventh [[prime_numbers|prime]] edo, following [[13edo|13edo]] and coming before [[19edo|19edo]].
'''17 tone equal temperament''', or '''17-EDO''', divides the octave in 17 equal steps, each 70.588 [[cent]]s in size. It is the seventh [[prime_numbers|prime]] [[EDO]], following [[13edo]] and coming before [[19edo]].


==Theory==
==Theory==
An introduction to 17-EDO theory, through the eyes of the [[SeventeenTonePianoProject|SeventeenTonePianoProject]]: [[SeventeenTheory|SeventeenTheory]].
An introduction to 17-EDO theory, through the eyes of the [[SeventeenTonePianoProject]]: [[SeventeenTheory]].


Another introduction into 17-EDO theory: [http://xenharmony.wikispaces.com/space/showimage/17puzzle.pdf The 17-tone Puzzle] by George Secor.
Another introduction into 17-EDO theory: [http://xenharmony.wikispaces.com/space/showimage/17puzzle.pdf The 17-tone Puzzle] {{dead link}} by George Secor.


[[17edo_Solfege|17edo Solfege]]. [[17edo_tetrachords|17edo tetrachords]]. [http://microtonalismo.com/proyecto-xvii Proyect 17-Perú]
[[17edo Solfege]]. [[17edo tetrachords]]. [http://microtonalismo.com/proyecto-xvii Proyect 17-Perú] {{forbidden}}


17-EDO can plausibly be treated as a 2.3.25.7.11.13.23 subgroup temperament, for which it is quite accurate (though the 7-limit ratios are generally not as well-represented as those of the other integers). Because the 3, 7, 11, and 13 are all sharp, it adapts well to octave shrinking; [[27edt|27edt]] (a variant of 17edo in which the octaves are flattened by ~2.5 cents) is a good alternative. Another one is [[44ed6|44ed6]].
17-EDO can plausibly be treated as a 2.3.25.7.11.13.23 subgroup temperament, for which it is quite accurate (though the 7-limit ratios are generally not as well-represented as those of the other integers). Because the 3, 7, 11, and 13 are all sharp, it adapts well to octave shrinking; [[27edt]] (a variant of 17edo in which the octaves are flattened by ~2.5 cents) is a good alternative. Another one is [[44ed6]].


As a no-fives system, it is best used with timbres in which harmonic multiples of 5 are attenuated or absent. Also, the standard major chord (4:5:6) cannot be used since it includes the fifth harmonic.
As a no-fives system, it is best used with timbres in which harmonic multiples of 5 are attenuated or absent. Also, the standard major chord (4:5:6) cannot be used since it includes the fifth harmonic.


Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the famous [https://en.wikipedia.org/wiki/Mu_chord mu major chord] of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for example, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10.
Instead, the tonic chords of 17-EDO could be considered to be the tetrad 6:7:8:9 and its utonal inversion, the former of which is a subminor chord with added fourth, and the latter a supermajor chord with added second (resembling the [https://en.wikipedia.org/wiki/Mu_chord mu chord] of Steely Dan fame). These are realized in 17-EDO as 0-4-7-10 and 0-3-6-10, respectively. Both of these have distinct moods, and are stable and consonant, if somewhat more sophisticated than their classic 5-limit counterparts. To this group we could also add the 0-3-7-10 (which is a sus4 with added second, or sus2 with added fourth). These three chords comprise the three ways to divide the 17-EDO perfect fifth into two whole tones and one subminor third. Chromatic alterations of them also exist, for example, the 0-3-7-10 chord may be altered to 0-2-7-10 (which approximates 12:13:16:18) or 0-3-8-10 (which approximates 8:9:11:12). The 0-3-8-10 chord is impressive-sounding, resembling a sus4 but with even more tension; it resolves quite nicely to 0-3-6-10.


=Intervals=
=Intervals=
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! | Cents
! | Cents
! | Names of Intervals
! | Names of Intervals
! colspan="3" | [[Ups_and_Downs_Notation|ups and downs]] [[Ups_and_Downs_Notation|notation]]
! colspan="3" | [[Ups_and_Downs_Notation|ups and downs notation]]
! | Approximate Ratios*
! | Approximate Ratios*
! | Temperament(s)generated
! | Temperament(s)generated
Line 50: Line 48:
| style="text-align:center;" | m2
| style="text-align:center;" | m2
| style="text-align:center;" | Db
| style="text-align:center;" | Db
| style="text-align:center;" | [[25/24|25/24]], [[26/25|26/25]], [[33/32|33/32]]
| style="text-align:center;" | [[25/24]], [[26/25]], [[33/32]]
| |  
| |  
|-
|-
Line 59: Line 57:
| style="text-align:center;" | ~2
| style="text-align:center;" | ~2
| style="text-align:center;" | Dv
| style="text-align:center;" | Dv
| style="text-align:center;" | [[13/12|13/12]], [[12/11|12/11]], [[14/13|14/13]]
| style="text-align:center;" | [[13/12]], [[12/11]], [[14/13]]
| | [[Bleu|Bleu]]
| | [[Bleu]]
|-
|-
| | 3
| | 3
Line 68: Line 66:
| style="text-align:center;" | M2
| style="text-align:center;" | M2
| style="text-align:center;" | D
| style="text-align:center;" | D
| style="text-align:center;" | [[9/8|9/8]], [[25/22|25/22]], [[8/7|8/7]], [[28/25|28/25]]
| style="text-align:center;" | [[9/8]], [[25/22]], [[8/7]], [[28/25]]
| | [[Machine|Machine]]
| | [[Machine]]
|-
|-
| | 4
| | 4
Line 77: Line 75:
| style="text-align:center;" | m3
| style="text-align:center;" | m3
| style="text-align:center;" | Eb
| style="text-align:center;" | Eb
| style="text-align:center;" | [[13/11|13/11]], [[7/6|7/6]]
| style="text-align:center;" | [[13/11]], [[7/6]]
| | [[Huxley|Huxley]]
| | [[Huxley]]
|-
|-
| | 5
| | 5
Line 87: Line 85:
| style="text-align:center;" | ~3
| style="text-align:center;" | ~3
| style="text-align:center;" | Ev
| style="text-align:center;" | Ev
| style="text-align:center;" | [[11/9|11/9]], [[16/13|16/13]]
| style="text-align:center;" | [[11/9]], [[16/13]]
| | [[maqamic|Maqamic]]/[[Hemif|hemif]]
| | [[Maqamic]]/[[Hemif]]
|-
|-
| | 6
| | 6
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| style="text-align:center;" | M3
| style="text-align:center;" | M3
| style="text-align:center;" | E
| style="text-align:center;" | E
| style="text-align:center;" | [[32/25|32/25]], [[33/26|33/26]], [[9/7|9/7]], [[14/11|14/11]]
| style="text-align:center;" | [[32/25]], [[33/26]], [[9/7]], [[14/11]]
| | [[Skwares|Skwares]]
| | [[Skwares]]
|-
|-
| | 7
| | 7
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| style="text-align:center;" | P4
| style="text-align:center;" | P4
| style="text-align:center;" | F
| style="text-align:center;" | F
| style="text-align:center;" | [[4/3|4/3]]
| style="text-align:center;" | [[4/3]]
| | [[Supra|Supra]]
| | [[Supra]]
|-
|-
| | 8
| | 8
Line 115: Line 113:
| style="text-align:center;" | ^4, d5
| style="text-align:center;" | ^4, d5
| style="text-align:center;" | F^, Gb
| style="text-align:center;" | F^, Gb
| style="text-align:center;" | [[11/8|11/8]], 18/13
| style="text-align:center;" | [[11/8]], [[18/13]]
| | [[Progress|Progress]]
| | [[Progress]]
|-
|-
| | 9
| | 9
Line 125: Line 123:
| style="text-align:center;" | A4, v5
| style="text-align:center;" | A4, v5
| style="text-align:center;" | F#, Gv
| style="text-align:center;" | F#, Gv
| style="text-align:center;" | [[16/11|16/11]], 13/9, [[23/16|23/16]]
| style="text-align:center;" | [[16/11]], [[13/9]], [[23/16]]
| | Progress
| | Progress
|-
|-
Line 134: Line 132:
| style="text-align:center;" | P5
| style="text-align:center;" | P5
| style="text-align:center;" | G
| style="text-align:center;" | G
| style="text-align:center;" | [[3/2|3/2]]
| style="text-align:center;" | [[3/2]]
| | Supra
| | Supra
|-
|-
Line 143: Line 141:
| style="text-align:center;" | m6
| style="text-align:center;" | m6
| style="text-align:center;" | Ab
| style="text-align:center;" | Ab
| style="text-align:center;" | 25/16, 14/9, [[11/7|11/7]]
| style="text-align:center;" | [[25/16]], [[14/9]], [[11/7]]
| | Skwares
| | Skwares
|-
|-
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| style="text-align:center;" | ~6
| style="text-align:center;" | ~6
| style="text-align:center;" | Av
| style="text-align:center;" | Av
| style="text-align:center;" | [[13/8|13/8]], 18/11
| style="text-align:center;" | [[13/8]], [[18/11]]
| | Maqamic/hemif
| | Maqamic/hemif
|-
|-
Line 162: Line 160:
| style="text-align:center;" | M6
| style="text-align:center;" | M6
| style="text-align:center;" | A
| style="text-align:center;" | A
| style="text-align:center;" | [[17/10|17/10]], [[22/13|22/13]],[[12/7|12/7]]
| style="text-align:center;" | [[17/10]], [[22/13]],[[12/7]]
| | Huxley
| | Huxley
|-
|-
Line 171: Line 169:
| style="text-align:center;" | m7
| style="text-align:center;" | m7
| style="text-align:center;" | Bb
| style="text-align:center;" | Bb
| style="text-align:center;" | [[16/9|16/9]], 7/4, 25/14
| style="text-align:center;" | [[16/9]], [[7/4]], [[25/14]]
| | Machine
| | Machine
|-
|-
Line 181: Line 179:
| style="text-align:center;" | ~7
| style="text-align:center;" | ~7
| style="text-align:center;" | Bv
| style="text-align:center;" | Bv
| style="text-align:center;" | [[11/6|11/6]], 24/13, [[13/7|13/7]]
| style="text-align:center;" | [[11/6]], [[24/13]], [[13/7]]
| | Bleu
| | Bleu
|-
|-
Line 190: Line 188:
| style="text-align:center;" | M7
| style="text-align:center;" | M7
| style="text-align:center;" | B
| style="text-align:center;" | B
| style="text-align:center;" | 25/13, 48/25, 64/33
| style="text-align:center;" | [[25/13]], [[48/25]], [[64/33]]
| |  
| |  
|-
|-
Line 199: Line 197:
| style="text-align:center;" | P8
| style="text-align:center;" | P8
| style="text-align:center;" | C
| style="text-align:center;" | C
| style="text-align:center;" | [[2/1|2/1]]
| style="text-align:center;" | [[2/1]]
| |  
| |  
|}
|}
<nowiki>*</nowiki>Ratios based on treating 17edo as a 2.3.7.11.13.25 subgroup
<nowiki>*</nowiki>Ratios based on treating 17edo as a 2.3.7.11.13.25 subgroup


Combining ups and downs notation with [[Kite's_color_notation|color notation]], qualities can be loosely associated with colors:
Combining ups and downs notation with [[Kite's color notation]], qualities can be loosely associated with colors:


{| class="wikitable"
{| class="wikitable"
Line 305: Line 303:
| | '''Error (abs., in [[cent|cents]])'''
| | '''Error (abs., in [[cent|cents]])'''
|-
|-
| style="text-align:center;" | [[18/13|18/13]], [[13/9|13/9]]
| style="text-align:center;" | [[18/13]], [[13/9]]
| style="text-align:center;" | 1.324
| style="text-align:center;" | 1.324
|-
|-
| style="text-align:center;" | [[13/12|13/12]], [[24/13|24/13]]
| style="text-align:center;" | [[13/12]], [[24/13]]
| style="text-align:center;" | 2.604
| style="text-align:center;" | 2.604
|-
|-
| style="text-align:center;" | [[4/3|4/3]], [[3/2|3/2]]
| style="text-align:center;" | [[4/3]], [[3/2]]
| style="text-align:center;" | 3.927
| style="text-align:center;" | 3.927
|-
|-
| style="text-align:center;" | [[11/9|11/9]], [[18/11|18/11]]
| style="text-align:center;" | [[11/9]], [[18/11]]
| style="text-align:center;" | 5.533
| style="text-align:center;" | 5.533
|-
|-
| style="text-align:center;" | [[14/11|14/11]], [[11/7|11/7]]
| style="text-align:center;" | [[14/11]], [[11/7]]
| style="text-align:center;" | 6.021
| style="text-align:center;" | 6.021
|-
|-
| style="text-align:center;" | [[16/13|16/13]], [[13/8|13/8]]
| style="text-align:center;" | [[16/13]], [[13/8]]
| style="text-align:center;" | 6.531
| style="text-align:center;" | 6.531
|-
|-
| style="text-align:center;" | [[13/11|13/11]], [[22/13|22/13]]
| style="text-align:center;" | [[13/11]], [[22/13]]
| style="text-align:center;" | 6.857
| style="text-align:center;" | 6.857
|-
|-
| style="text-align:center;" | [[9/8|9/8]], [[16/9|16/9]]
| style="text-align:center;" | [[9/8]], [[16/9]]
| style="text-align:center;" | 7.855
| style="text-align:center;" | 7.855
|-
|-
| style="text-align:center;" | [[12/11|12/11]], [[11/6|11/6]]
| style="text-align:center;" | [[12/11]], [[11/6]]
| style="text-align:center;" | 9.461
| style="text-align:center;" | 9.461
|-
|-
| style="text-align:center;" | [[9/7|9/7]], [[14/9|14/9]]
| style="text-align:center;" | [[9/7]], [[14/9]]
| style="text-align:center;" | 11.555
| style="text-align:center;" | 11.555
|-
|-
| style="text-align:center;" | [[14/13|14/13]], [[13/7|13/7]]
| style="text-align:center;" | [[14/13]], [[13/7]]
| style="text-align:center;" | 12.878
| style="text-align:center;" | 12.878
|-
|-
| style="text-align:center;" | [[11/8|11/8]], [[16/11|16/11]]
| style="text-align:center;" | [[11/8]], [[16/11]]
| style="text-align:center;" | 13.388
| style="text-align:center;" | 13.388
|-
|-
| style="text-align:center;" | [[7/6|7/6]], [[12/7|12/7]]
| style="text-align:center;" | [[7/6]], [[12/7]]
| style="text-align:center;" | 15.482
| style="text-align:center;" | 15.482
|-
|-
| style="text-align:center;" | [[7/5|7/5]], [[10/7|10/7]]
| style="text-align:center;" | [[7/5]], [[10//7]]
| style="text-align:center;" | 17.806
| style="text-align:center;" | 17.806
|-
|-
| style="text-align:center;" | [[8/7|8/7]], [[7/4|7/4]]
| style="text-align:center;" | [[8/7]], [[7/4|]
| style="text-align:center;" | 19.409
| style="text-align:center;" | 19.409
|-
|-
| style="text-align:center;" | [[15/14|15/14]], [[28/15|28/15]]
| style="text-align:center;" | [[15/14]], [[28/15]]
| style="text-align:center;" | 21.734
| style="text-align:center;" | 21.734
|-
|-
| style="text-align:center;" | [[11/10|11/10]], [[20/11|20/11]]
| style="text-align:center;" | [[11/10]], [[20/11]]
| style="text-align:center;" | 23.828
| style="text-align:center;" | 23.828
|-
|-
| style="text-align:center;" | [[15/11|15/11]], [[22/15|22/15]]
| style="text-align:center;" | [[15/11]], [[22/15]]
| style="text-align:center;" | 27.755
| style="text-align:center;" | 27.755
|-
|-
| style="text-align:center;" | [[10/9|10/9]], [[9/5|9/5]]
| style="text-align:center;" | [[10/9]], [[9/5]]
| style="text-align:center;" | 29.361
| style="text-align:center;" | 29.361
|-
|-
| style="text-align:center;" | [[16/15|16/15]], [[15/8|15/8]]
| style="text-align:center;" | [[16/15]], [[15/8]]
| style="text-align:center;" | 29.445
| style="text-align:center;" | 29.445
|-
|-
| style="text-align:center;" | [[13/10|13/10]], [[20/13|20/13]]
| style="text-align:center;" | [[13/10]], [[20/13]]
| style="text-align:center;" | 30.685
| style="text-align:center;" | 30.685
|-
|-
| style="text-align:center;" | [[6/5|6/5]], [[5/3|5/3]]
| style="text-align:center;" | [[6/5]], [[5/3]]
| style="text-align:center;" | 33.288
| style="text-align:center;" | 33.288
|-
|-
| style="text-align:center;" | [[5/4|5/4]], [[8/5|8/5]]
| style="text-align:center;" | [[5/4]], [[8/5]]
| style="text-align:center;" | 33.373
| style="text-align:center;" | 33.373
|-
|-
| style="text-align:center;" | [[15/13|15/13]], [[26/15|26/15]]
| style="text-align:center;" | [[15/13]], [[26/15]]
| style="text-align:center;" | 34.612
| style="text-align:center;" | 34.612
|}
|}
Line 385: Line 383:
| | '''Error (abs., in [[cent|cents]])'''
| | '''Error (abs., in [[cent|cents]])'''
|-
|-
| style="text-align:center;" | [[18/13|18/13]], [[13/9|13/9]]
| style="text-align:center;" | [[18/13]], [[13/9]]
| style="text-align:center;" | 1.324
| style="text-align:center;" | 1.324
|-
|-
| style="text-align:center;" | [[13/12|13/12]], [[24/13|24/13]]
| style="text-align:center;" | [[13/12]], [[24/13]]
| style="text-align:center;" | 2.604
| style="text-align:center;" | 2.604
|-
|-
| style="text-align:center;" | [[4/3|4/3]], [[3/2|3/2]]
| style="text-align:center;" | [[4/3]], [[3/2]]
| style="text-align:center;" | 3.927
| style="text-align:center;" | 3.927
|-
|-
| style="text-align:center;" | [[11/9|11/9]], [[18/11|18/11]]
| style="text-align:center;" | [[11/9]], [[18/11]]
| style="text-align:center;" | 5.533
| style="text-align:center;" | 5.533
|-
|-
| style="text-align:center;" | [[14/11|14/11]], [[11/7|11/7]]
| style="text-align:center;" | [[14/11]], [[11/7]]
| style="text-align:center;" | 6.021
| style="text-align:center;" | 6.021
|-
|-
| style="text-align:center;" | [[16/13|16/13]], [[13/8|13/8]]
| style="text-align:center;" | [[16/13]], [[13/8]]
| style="text-align:center;" | 6.531
| style="text-align:center;" | 6.531
|-
|-
| style="text-align:center;" | [[13/11|13/11]], [[22/13|22/13]]
| style="text-align:center;" | [[13/11]], [[22/13]]
| style="text-align:center;" | 6.857
| style="text-align:center;" | 6.857
|-
|-
| style="text-align:center;" | [[9/8|9/8]], [[16/9|16/9]]
| style="text-align:center;" | [[9/8]], [[16/9]]
| style="text-align:center;" | 7.855
| style="text-align:center;" | 7.855
|-
|-
| style="text-align:center;" | [[12/11|12/11]], [[11/6|11/6]]
| style="text-align:center;" | [[12/11]], [[11/6]]
| style="text-align:center;" | 9.461
| style="text-align:center;" | 9.461
|-
|-
| style="text-align:center;" | [[9/7|9/7]], [[14/9|14/9]]
| style="text-align:center;" | [[9/7]], [[14/9]]
| style="text-align:center;" | 11.555
| style="text-align:center;" | 11.555
|-
|-
| style="text-align:center;" | [[14/13|14/13]], [[13/7|13/7]]
| style="text-align:center;" | [[14/13]], [[13/7]]
| style="text-align:center;" | 12.878
| style="text-align:center;" | 12.878
|-
|-
| style="text-align:center;" | [[11/8|11/8]], [[16/11|16/11]]
| style="text-align:center;" | [[11/8]], [[16/11]]
| style="text-align:center;" | 13.388
| style="text-align:center;" | 13.388
|-
|-
| style="text-align:center;" | [[7/6|7/6]], [[12/7|12/7]]
| style="text-align:center;" | [[7/6]], [[12/7]]
| style="text-align:center;" | 15.482
| style="text-align:center;" | 15.482
|-
|-
| style="text-align:center;" | [[8/7|8/7]], [[7/4|7/4]]
| style="text-align:center;" | [[8/7]], [[7/4]]
| style="text-align:center;" | 19.409
| style="text-align:center;" | 19.409
|-
|-
| style="text-align:center;" | [[16/15|16/15]], [[15/8|15/8]]
| style="text-align:center;" | [[16/15]], [[15/8]]
| style="text-align:center;" | 29.445
| style="text-align:center;" | 29.445
|-
|-
| style="text-align:center;" | [[5/4|5/4]], [[8/5|8/5]]
| style="text-align:center;" | [[5/4]], [[8/5]]
| style="text-align:center;" | 33.373
| style="text-align:center;" | 33.373
|-
|-
| style="text-align:center;" | [[15/13|15/13]], [[26/15|26/15]]
| style="text-align:center;" | [[15/13]], [[26/15]]
| style="text-align:center;" | 35.976
| style="text-align:center;" | 35.976
|-
|-
| style="text-align:center;" | [[6/5|6/5]], [[5/3|5/3]]
| style="text-align:center;" | [[6/5]], [[5/3]]
| style="text-align:center;" | 37.300
| style="text-align:center;" | 37.300
|-
|-
| style="text-align:center;" | [[13/10|13/10]], [[20/13|20/13]]
| style="text-align:center;" | [[13/10]], [[20/13]]
| style="text-align:center;" | 39.904
| style="text-align:center;" | 39.904
|-
|-
| style="text-align:center;" | [[10/9|10/9]], [[9/5|9/5]]
| style="text-align:center;" | [[10/9]], [[9/5]]
| style="text-align:center;" | 41.227
| style="text-align:center;" | 41.227
|-
|-
| style="text-align:center;" | [[15/11|15/11]], [[22/15|22/15]]
| style="text-align:center;" | [[15/11]], [[22/15]]
| style="text-align:center;" | 42.833
| style="text-align:center;" | 42.833
|-
|-
| style="text-align:center;" | [[11/10|11/10]], [[20/11|20/11]]
| style="text-align:center;" | [[11/10]], [[20/11]]
| style="text-align:center;" | 46.760
| style="text-align:center;" | 46.760
|-
|-
| style="text-align:center;" | [[15/14|15/14]], [[28/15|28/15]]
| style="text-align:center;" | [[15/14]], [[28/15]]
| style="text-align:center;" | 48.855
| style="text-align:center;" | 48.855
|-
|-
| style="text-align:center;" | [[7/5|7/5]], [[10/7|10/7]]
| style="text-align:center;" | [[7/5]], [[10/7]]
| style="text-align:center;" | 52.782
| style="text-align:center;" | 52.782
|}
|}
Line 463: Line 461:


=Commas=
=Commas=
17 EDO [[tempering_out|tempers out]] the following [[Comma|comma]]s. (Note: This assumes [[val|val]] &lt; 17 27 39 48 59 63 |, cent values ​​rounded to 5 digits.)
17 EDO [[tempering_out|tempers out]] the following [[comma]]s. (Note: This assumes [[val]] &lt; 17 27 39 48 59 63 |, cent values ​​rounded to 5 digits.)


{| class="wikitable"
{| class="wikitable"
Line 475: Line 473:
|-
|-
| style="text-align:center;" | <span style="display: block; text-align: center;"></span>
| style="text-align:center;" | <span style="display: block; text-align: center;"></span>
| |<nowiki> | 27 -17 </nowiki>&gt;
| | {{Monzo | 27 -17 }}
| style="text-align:right;" | 66.765
| style="text-align:right;" | 66.765
| | <span style="display: block; text-align: center;">17-Comma</span>
| | <span style="display: block; text-align: center;">17-Comma</span>
Line 482: Line 480:
|-
|-
| style="text-align:center;" | 25/24
| style="text-align:center;" | 25/24
| |<nowiki> |-3 -1 2</nowiki>&gt;
| | {{Monzo | -3 -1 2 }}
| style="text-align:right;" | 70.762
| style="text-align:right;" | 70.762
| | Chromatic semitone
| | Chromatic semitone
Line 489: Line 487:
|-
|-
| style="text-align:center;" | 32805/32768
| style="text-align:center;" | 32805/32768
| |<nowiki> | -15 8 1 </nowiki>&gt;
| | {{Monzo | -15 8 1 }}
| style="text-align:right;" | 1.9537
| style="text-align:right;" | 1.9537
| style="text-align:center;" | Schisma
| style="text-align:center;" | Schisma
Line 496: Line 494:
|-
|-
| style="text-align:center;" | 64/63
| style="text-align:center;" | 64/63
| |<nowiki> | 6 -2 0 -1 </nowiki>&gt;
| | {{Monzo | 6 -2 0 -1 }}
| style="text-align:right;" | 27.264
| style="text-align:right;" | 27.264
| style="text-align:center;" | Septimal Comma
| style="text-align:center;" | Septimal Comma
Line 503: Line 501:
|-
|-
| style="text-align:center;" | 245/243
| style="text-align:center;" | 245/243
| |<nowiki> | 0 -5 1 2 </nowiki>&gt;
| | {{Monzo | 0 -5 1 2 }}
| style="text-align:right;" | 14.191
| style="text-align:right;" | 14.191
| style="text-align:center;" | Sensamagic
| style="text-align:center;" | Sensamagic
Line 510: Line 508:
|-
|-
| style="text-align:center;" | 1728/1715
| style="text-align:center;" | 1728/1715
| |<nowiki> | 6 3 -1 -3 </nowiki>&gt;
| | {{Monzo | 6 3 -1 -3 }}
| style="text-align:right;" | 13.074
| style="text-align:right;" | 13.074
| style="text-align:center;" | Orwellisma
| style="text-align:center;" | Orwellisma
Line 517: Line 515:
|-
|-
| style="text-align:center;" |  
| style="text-align:center;" |  
| |<nowiki> | -6 -8 2 5 </nowiki>&gt;
| | {{Monzo | -6 -8 2 5 }}
| style="text-align:right;" | 1.1170
| style="text-align:right;" | 1.1170
| style="text-align:center;" | Wizma
| style="text-align:center;" | Wizma
Line 524: Line 522:
|-
|-
| style="text-align:center;" | 99/98
| style="text-align:center;" | 99/98
| |<nowiki> | -1 2 0 -2 1 </nowiki>&gt;
| | {{Monzo | -1 2 0 -2 1 }}
| style="text-align:right;" | 17.576
| style="text-align:right;" | 17.576
| style="text-align:center;" | Mothwellsma
| style="text-align:center;" | Mothwellsma
Line 531: Line 529:
|-
|-
| style="text-align:center;" | 896/891
| style="text-align:center;" | 896/891
| |<nowiki> | 7 -4 0 1 -1 </nowiki>&gt;
| | {{Monzo | 7 -4 0 1 -1 }}
| style="text-align:right;" | 9.6880
| style="text-align:right;" | 9.6880
| style="text-align:center;" | Pentacircle
| style="text-align:center;" | Pentacircle
Line 538: Line 536:
|-
|-
| style="text-align:center;" | 243/242
| style="text-align:center;" | 243/242
| |<nowiki> | -1 5 0 0 -2 </nowiki>&gt;
| | {{Monzo | -1 5 0 0 -2 }}
| style="text-align:right;" | 7.1391
| style="text-align:right;" | 7.1391
| style="text-align:center;" | Rastma
| style="text-align:center;" | Rastma
Line 545: Line 543:
|-
|-
| style="text-align:center;" | 385/384
| style="text-align:center;" | 385/384
| |<nowiki> | -7 -1 1 1 1 </nowiki>&gt;
| | {{Monzo | -7 -1 1 1 1 }}
| style="text-align:right;" | 4.5026
| style="text-align:right;" | 4.5026
| style="text-align:center;" | Keenanisma
| style="text-align:center;" | Keenanisma
Line 551: Line 549:
| style="text-align:center;" |  
| style="text-align:center;" |  
|-
|-
| style="text-align:center;" | <span style="display: block; text-align: center;">525/512</span>
| style="text-align:center;" | 525/512
| | <span style="display: block; text-align: left;"><nowiki>| -9 1 2 1 </nowiki>&gt;</span>
| | {{Monzo | -9 1 2 1 }}
| style="text-align:right;" | 43.408
| style="text-align:right;" | 43.408
| style="text-align:center;" | <span style="display: block; text-align: center;">Avicennma</span>
| style="text-align:center;" | Avicennma
| style="text-align:center;" | Avicennma's Enharmonic Diesis
| style="text-align:center;" | Avicennma's Enharmonic Diesis
| style="text-align:center;" |  
| style="text-align:center;" |  
Line 562: Line 560:


=Scales=
=Scales=
<ul><li>[[Otonal_17|Otonal 17]]</li><li>[https://web.archive.org/web/20140215081520/http://microtonalismo.com/proyecto-xvii Blues Peruvian 17edo]</li><li>[[17edo_neutral_scale|17edo neutral scale]]</li><li>[[Scorp|Scorp]]</li><li>[[Screamapillar|Screamapillar]]</li><li>[[Hydra|Hydra]]</li><li>[[MOS_scales_of_17edo|MOS scales of 17edo]] (horograms)</li></ul>
* [[Otonal 17]]
* [https://web.archive.org/web/20140215081520/http://microtonalismo.com/proyecto-xvii Blues Peruvian 17edo]
* [[17edo neutral scale]]
* [[Scorp]]
* [[Screamapillar]]
* [[Hydra]]
* [[MOS scales of 17edo]] (horograms)


[[List_of_17edo_rank_two_temperaments_by_badness|List of 17edo rank two temperaments by badness]]
=Temperaments=
 
* [[List of 17edo rank two temperaments by badness]]
[[List_of_edo-distinct_17c_rank_two_temperaments|List of edo-distinct 17c rank two temperaments]]
* [[List of edo-distinct 17c rank two temperaments]]


=Music=
=Music=
 
==Scores==
==Compositions==
* [http://home.snafu.de/djwolf/PreludeIn17tet.pdf Prelude] (PDF) by [[Daniel Wolf]]
<ul><li>[https://soundcloud.com/overtoneshock/demanding-two-faces-17-edo Demanding Two Faces] (xen-pop) by [https://soundcloud.com/overtoneshock Stephen Weigel]</li><li>[https://soundcloud.com/overtoneshock/where-were-you-during-the-apocalypse-17-edo Where were you at the Apocalypse?] (xen-pop) by [https://soundcloud.com/overtoneshock Stephen Weigel]</li><li>[http://home.snafu.de/djwolf/PreludeIn17tet.pdf Prelude] by [[Daniel_Wolf|Daniel Wolf]]</li><li>[http://www.georghajdu.de/heptadecatonic_drops.html Heptadecatonic Drops] by Georg Hajdu</li><li>[http://www.georghajdu.de/63.html?&L=1%20 Klangmoraste] by Georg Hajdu</li><li>[http://www.microtonalismo.com/proyecto-xvii Charles Loli 17edo] music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993)</li><li>[http://microtonalismo.com/ microtonalismo] Heptadecatonic Peruvian</li><li>[[Multiverse|Multiverse]] by [[JacobBarton|Jacob Barton]]</li></ul>
* [http://georghajdu.de/compositions/heptadecatonic-drops/ Heptadecatonic Drops] by [http://georghajdu.de/biography/ Georg Hajdu]
* [http://georghajdu.de/compositions/klangmoraste/ Klangmoraste] by Georg Hajdu
* [http://www.microtonalismo.com/proyecto-xvii Charles Loli 17edo] {{forbidden}} music for guitar heptadecatonic (2001) and armony inductive microtonaly (1993)
* [http://microtonalismo.com/ microtonalismo] Heptadecatonic Peruvian
* [[Multiverse]] by [[JacobBarton|Jacob Barton]]
* [http://christopherbaileymusic.com/walrus/v/#../../kitwo245m45n698th139rwebm845MQPxiF82J7WovYNRLK6klyq456/balladei.pdf Balladei] by [http://christopherbaileymusic.com/quick-bio/ Christopher Bailey]


==Sound files==
==Sound files==
<ul><li>[http://chrisvaisvil.com/shanidar-cave-17-edo/ Shanidar Cave] is a piece in 17 edo that features an electric 17 edo guitar and what is essentially an electric tanpura which ends up making this a sort of fusion of middle eastern and Indian music in a sense. by[[Chris_Vaisvil| Chris Vaisvil]]</li><li><span style=""><span style=""><span style="">''[https://soundcloud.com/aaron-krister-johnson/puhlops-and-lauguas-big-adventure Puhlops and Laugua's Big Adventure]'' </span></span> </span> by [http://www.untwelve.org/board |Aaron Krister Johnson]</li><li><span style=""><span style=""><span style="">''[https://soundcloud.com/aaron-krister-johnson/adagio-for-margo Adagio for Margo]'' </span></span> </span> by [http://www.untwelve.org/board Aaron Krister Johnson]</li><li><span style=""><span style=""><span style="">''[http://home.comcast.net/~teamouse/Transformation.mp3 Transformation]'' </span></span> </span> by [http://home.comcast.net/%7Eteamouse/ Herman Miller]</li><li><span style=""><span style=""><span style="">''[http://www.emcollective.org/chris/items/17tet/17waltz.mp3 Waltz]'' </span></span> </span> by Christopher Bailey</li><li><span style=""><span style=""><span style="">''[http://www.emcollective.org/chris/items/17Chorus/17tppp4_lostfound.mp3 Lostfound]'' </span></span> </span> by Christopher Bailey</li><li>excerpt from <span style=""><span style=""><span style="">''[http://music.columbia.edu/~chris/sounds/balladei_exc.mp3 Balladei]'' </span></span> </span> (in 17, 29 and 12) by [http://music.columbia.edu/%7Echris/ Christopher Bailey] , CD available [http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ref=sr_1_19/105-0183009-3913216?ie=UTF8&s=music&qid=1184598550&sr=1-19 here] .</li><li><span style=""><span style=""><span style="">''[http://www.h-pi.com/mp3/17ET.mp3 Two-Part Invention in 17ET]'' </span></span></span> by Aaron Andrew Hunt</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3 Overture to A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li>''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3 Fairy Lullaby from A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]</li><li><span style="">''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3 A Calamitous Simultaneity]'' </span> by Igliashon Jones (17edo and 22edo)</li><li><span style="">''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3 First Impressions]'' </span> by Igliashon Jones</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3 I Insist] by Igliashon Jones</li><li>''[http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3 Etude no1 for 2 Pianos in 17 Equal Temperament]'' and ''[http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3 Etude no2 for 2 Pianos in 17 Equal Temperament]'' Jon Lyle Smith</li><li>A number of compositions from [http://www.archive.org/details/seventeenTPP_01 seventeen-tone piano project phase I] , [[SeventeenTPPPhaseTwo|seventeen-tone piano project phase II]], [[SeventeenTPPPhaseThree|seventeen-tone piano project phase III]].</li><li>[http://www.archive.org/search.php?query=subject%3A%2217-edo%22 17edo] - 17edo-tagged compositions on www.archive.org</li><li>[http://soundclick.com/share?songid=8839072 sing a blue] by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp; voice.</li><li>[http://soundclick.com/share?songid=8839073 stringfinger it everybean] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li>[http://soundclick.com/share?songid=8839069 cat feet belly] by Andrew Heathwaite (composed 2008, recorded 2010).</li><li><span style=""><span style=""><span style="">''[http://www.youtube.com/watch?v=a9N_T6LNDaE 17 Tone Jam]'' </span></span></span> by Marmalade Man</li><li>[http://www.youtube.com/results?search_query=17edo&search=tag youtube videos tagged with 17edo]</li><li>[http://chrisvaisvil.com/?p=784 On the Shores of the Dead Sea blog] <span style=""><span style=""><span style="">''[http://www.youtube.com/watch?v=D39MVFhb0Ho video of On the Shores of the Dead Sea]'' </span></span> </span> by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[http://chrisvaisvil.com/?p=466 Only in Disneyland 17 blog] edo guitar solo <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3 play Only in Disneyland]'' </span></span> </span> by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[http://chrisvaisvil.com/?p=460 17 Reasons I Hate the Blues blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3 play 17 Reasons I Hate the Blues]'' </span></span> </span> by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[http://chrisvaisvil.com/?p=422 Klingon Opera Overture blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3 play Klingon Opera Overture]'' </span></span> </span> by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[http://chrisvaisvil.com/?p=298 Seventeen Selfless Notes blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/if20101028selfless.mp3 play Seventeen Selfless Notes]'' </span></span> </span> by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[http://chrisvaisvil.com/?p=76 17ET Jazz blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3 play 17et Jazz]'' </span></span></span> by[[Chris_Vaisvil| Chris Vaisvil]] (60 x 60 winner)</li><li>[http://chrisvaisvil.com/?p=742 17 Pink Tuxedos blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3 play 17 Pink Tuxedos]'' </span></span></span> by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[http://chrisvaisvil.com/?p=706 Devil in the Deep Blue Sea blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3 play Devil in the Deep Blue sea]'' </span></span></span> blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass).</li><li>[http://chrisvaisvil.com/?p=585 Seventeen Years in the Sixties blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3 play Seventeen Years in the Sixties]'' </span></span></span> by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[http://chrisvaisvil.com/?p=699 CT Scan blog] <span style=""><span style=""><span style="">''[http://www.youtube.com/watch?v=ZEEuytYwtbo play video CT Scan]'' </span></span></span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=470 Fish and a Grenade blog] <span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3 play Fish and a Grenade]'' </span></span></span> (parental advisory language) by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=550 Seventeen Unsteady Hands blog] <span style=""><span style=""><span style="">''[http://www.youtube.com/watch?v=rAKHCqBNhfc play video of performance of Seventeen Unsteady Hands]'' </span></span></span> by Chris Vaisvil</li><li>[http://chrisvaisvil.com/?p=38 The Pond blog] by Chris Vaisvil and <span style=""><span style=""><span style="">''[http://www.youtube.com/watch?v=25sC3_uheyA video version of The Pond with Japanese Garden]'' </span></span></span></li><li><span style="">[http://chrisvaisvil.com/?p=305 Graveyard blog] </span><span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3 play Graveyard]'' </span></span> </span> by Chris Vaisvil</li><li><span style=""><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3 For Brass and Voice Choirs in 17 edo]'' </span></span></span> by [http://chrisvaisvil.com/ Chris Vaisvil] [http://chrisvaisvil.com/?p=1039 more on the composition]</li><li><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3 And I Became One With My Per Fungi]'' </span></span> by [http://chrisvaisvil.com/ Chris Vaisvil] =&gt; [http://chrisvaisvil.com/?p=1439 more on composition]</li><li><span style=""><span style="">''[http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3 counterintuitive (17 edo guitar solo)]'' </span></span> by [http://www.chrisvaisvil.com/ Chris Vaisvil] =&gt; [http://chrisvaisvil.com/?p=1427 more on composition]</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Sanchez/No_Love_by_Gregory_Sanchez_1_on_SoundCloud___Hear_the_world_s_sounds.mp3 No Love] by [https://soundcloud.com/gregory-sanchez-2/no-love Gregory Sanchez]</li><li>[http://webzoom.freewebs.com/ralphjarzombek/micro7(17tet).mp3 Micro7] by Ralph Jarzombek</li><li>[http://micro.soonlabel.com/17-ET/20161125_linn_speactral_17.MP3 Flying Into O'Hare] by [[Chris_Vaisvil|Chris Vaisvil]]</li><li>[https://drive.google.com/drive/folders/0BwsXD8q2VCYUM0tRdDNhVzNhcHM Helas, pitié] by Alex Ness (in 17edo with stretched octaves)</li></ul>
* [https://soundcloud.com/overtoneshock/demanding-two-faces-17-edo Demanding Two Faces] (xen-pop) by [https://soundcloud.com/overtoneshock Stephen Weigel]
* [https://soundcloud.com/overtoneshock/where-were-you-during-the-apocalypse-17-edo Where were you at the Apocalypse?] (xen-pop) by [https://soundcloud.com/overtoneshock Stephen Weigel]* [http://chrisvaisvil.com/shanidar-cave-17-edo/ Shanidar Cave] is a piece in 17 edo that features an electric 17 edo guitar and what is essentially an electric tanpura which ends up making this a sort of fusion of middle eastern and Indian music in a sense. by[[Chris_Vaisvil| Chris Vaisvil]]
* ''[https://soundcloud.com/aaron-krister-johnson/puhlops-and-lauguas-big-adventure Puhlops and Laugua's Big Adventure]'' by [http://www.untwelve.org/board |Aaron Krister Johnson]
* ''[https://soundcloud.com/aaron-krister-johnson/adagio-for-margo Adagio for Margo]'' by [http://www.untwelve.org/board Aaron Krister Johnson]
* ''[http://home.comcast.net/~teamouse/Transformation.mp3 Transformation]'' by [http://home.comcast.net/%7Eteamouse/ Herman Miller] {{dead link}}
* ''[https://christopherbailey.bandcamp.com/track/waltz-in-17-tone-equal-tuning-2006 Waltz]'' by Christopher Bailey
* ''Lost & Found Things #2'' [https://soundcloud.com/zipzappoozoo/lost-and-found-things-2 (studio)] [https://soundcloud.com/zipzappoozoo/lost_found_live (live)] by Christopher Bailey
* ''[https://soundcloud.com/zipzappoozoo/balladei-live-christopher-bailey Balladei (live)]'' (in 17, 29 and 12) by [http://music.columbia.edu/%7Echris/ Christopher Bailey] , CD available [http://www.amazon.com/Christopher-Bailey-Shiau-Uen-Jacob-Rhodebeck/dp/B000TDZSAU/ here] .
* ''[http://www.h-pi.com/mp3/17ET.mp3 Two-Part Invention in 17ET]'' {{dead link}} by Aaron Andrew Hunt
* ''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/MSND-Ovtr.mp3 Overture to A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]
* ''[http://micro.soonlabel.com/gene_ward_smith/Others/McGowan/FairyLullaby-1.mp3 Fairy Lullaby from A Midsummer Night's Dream]'' by [http://azuma-asobi.com/ Rick McGowan]
* ''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2017-A%20Calamitous%20Simultaneity.mp3 A Calamitous Simultaneity]'' by Igliashon Jones (17edo and 22edo)
* ''[http://micro.soonlabel.com/gene_ward_smith/Others/Igs/First%20Impressions.mp3 First Impressions]'' by Igliashon Jones
* [http://micro.soonlabel.com/gene_ward_smith/Others/Igs/I%20Insist.mp3 I Insist] by Igliashon Jones
* ''[http://archive.org/download/EtudeNo1For2PianosIn17EqualTemperament/EtudeForTwoPianosIn17edo.mp3 Etude no1 for 2 Pianos in 17 Equal Temperament]'' {{dead link}} and ''[http://archive.org/download/EtudeNo2For2PianosIn17EqualTemperament/EtudeNo2ForTwoPianosIn17edo.mp3 Etude no2 for 2 Pianos in 17 Equal Temperament]'' {{dead link}} by Jon Lyle Smith
* A number of compositions from [http://www.archive.org/details/seventeenTPP_01 seventeen-tone piano project phase I] , [[SeventeenTPPPhaseTwo|seventeen-tone piano project phase II]], [[SeventeenTPPPhaseThree|seventeen-tone piano project phase III]].
<!-- currently redundant:
* [http://www.archive.org/search.php?query=subject%3A%2217-edo%22 17edo] - 17edo-tagged compositions on www.archive.org
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* [http://soundclick.com/share?songid=8839072 sing a blue] by Andrew Heathwaite (composed 2008, recorded 2010). This and the other pieces below by Andrew for cümbüş, steel tubes &amp; voice.
* [http://soundclick.com/share?songid=8839073 stringfinger it everybean] by Andrew Heathwaite (composed 2008, recorded 2010).
* [http://soundclick.com/share?songid=8839069 cat feet belly] by Andrew Heathwaite (composed 2008, recorded 2010).
* ''[http://www.youtube.com/watch?v=a9N_T6LNDaE 17 Tone Jam]'' by Marmalade Man
* [http://www.youtube.com/results?search_query=17edo&search=tag youtube videos tagged with 17edo]
* [http://micro.soonlabel.com/gene_ward_smith/Others/Sanchez/No_Love_by_Gregory_Sanchez_1_on_SoundCloud___Hear_the_world_s_sounds.mp3 No Love] by [https://soundcloud.com/gregory-sanchez-2 Gregory Sanchez]
* [http://webzoom.freewebs.com/ralphjarzombek/micro7(17tet).mp3 Micro7] by Ralph Jarzombek
* [https://drive.google.com/drive/folders/0BwsXD8q2VCYUM0tRdDNhVzNhcHM Helas, pitié] by Alex Ness (in 17edo with stretched octaves)
* by [[Chris Vaisvil]]:
** ''On the Shores of the Dead Sea'': [http://chrisvaisvil.com/?p=784 blog] | [http://www.youtube.com/watch?v=D39MVFhb0Ho video]
** ''Only in Disneyland'': [http://chrisvaisvil.com/?p=466 blog] | [http://micro.soonlabel.com/17-ET/daily20110205-17et-disneyland.mp3 MP3] (guitar solo)
** ''17 Reasons I Hate the Blues'': [http://chrisvaisvil.com/?p=460 blog] | [http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3 MP3 ]
** ''Klingon Opera Overture'': [http://chrisvaisvil.com/?p=422 blog] | [http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3 MP3]
** ''Seventeen Selfless Notes'': [http://chrisvaisvil.com/?p=298 blog] | [http://micro.soonlabel.com/17-ET/if20101028selfless.mp3 MP3 ]
** ''17et Jazz'': [http://chrisvaisvil.com/?p=76 blog] | [http://micro.soonlabel.com/17-ET/60x60-4001-1-ver2.mp3 MP3] (60 x 60 winner)
** ''17 Pink Tuxedos'': [http://chrisvaisvil.com/?p=742 blog] | [http://micro.soonlabel.com/17-ET/daily20110416-17_pink-tuxes.mp3 MP3]
** ''Devil in the Deep Blue Sea'': [http://chrisvaisvil.com/?p=706 blog] | [http://micro.soonlabel.com/17-ET/daily20110401-17-2-devil_in_the_deep_blue_sea.mp3 MP3] (blues collaboration between The Two Regs (vocals / lyrics) and Norm Harris (percussion) and Chris Vaisvil (17 note per octave electric guitar and fretless bass))
** ''Seventeen Years in the Sixties'': [http://chrisvaisvil.com/?p=585 blog] | [http://micro.soonlabel.com/17-ET/daily20110318-seventeen-years-in-the-sixties.mp3 MP3]
** ''CT Scan'': [http://chrisvaisvil.com/?p=699 blog] | [http://www.youtube.com/watch?v=ZEEuytYwtbo MP3]
** ''Fish and a Grenade'': [http://chrisvaisvil.com/?p=470 blog] | [http://micro.soonlabel.com/17-ET/daily20110208-17-a-fish-and-a-grenade.mp3 MP3] (parental advisory: language)
** ''Seventeen Unsteady Hands'': [http://chrisvaisvil.com/?p=550 blog] | [http://www.youtube.com/watch?v=rAKHCqBNhfc video of performance]
** ''The Pond'': [http://chrisvaisvil.com/?p=38 blog] | [http://www.youtube.com/watch?v=25sC3_uheyA video]
** ''Graveyard'': [http://chrisvaisvil.com/?p=305 blog] | [http://micro.soonlabel.com/17-ET/if20101028-graveyard.mp3 MP3]
** ''For Brass and Voice Choirs in 17 edo'': [http://chrisvaisvil.com/?p=1039 blog] | [http://micro.soonlabel.com/17-ET/daily20110713_q49_17_brass_voice_choirs.mp3 MP3]
** ''And I Became One With My Pet Fungi'': [http://chrisvaisvil.com/?p=1439 blog] | [http://micro.soonlabel.com/17-ET/daily20111015-fungi.mp3 MP3]
** ''Counterintuitive'': [http://chrisvaisvil.com/?p=1427 blog] | [http://micro.soonlabel.com/17-ET/20111014-STE-002-counter-intuitive.mp3 MP3] (guitar solo)
** ''Flying Into O'Hare'': [http://chrisvaisvil.com/?p=6909 blog] | [http://micro.soonlabel.com/17-ET/20161125_linn_speactral_17.MP3 MP3]


=Instruments=
=Instruments=
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* [http://chrisvaisvil.com/?p=436 17 note per octave conversion from a "standard" stratocastor copy] - conversion by Brad Smith
* [http://chrisvaisvil.com/?p=436 17 note per octave conversion from a "standard" Stratocaster copy] - conversion by Brad Smith


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