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''This page is about the interval region. For the just perfect fifth, see [[3/2]].''
{{About|the [[interval region]]|the just perfect fifth|3/2}}
{{Wikipedia}}
A '''perfect fifth''' ('''P5'''), is the large and most common of the two fifths – intervals spanning 5 degrees or 4 scale steps in the diatonic scale. It is found between the 1st and 5th degrees of all diatonic modes except Locrian. Another diatonic interval around the same size is the '''diminished sixth''' ('''d6'''). More generally, an interval close to 700 cents can be called a perfect fifth.


== As an interval region ==
{{Infobox interval region
| Name = Perfect fifth
| Cents lower = 686
| Cents lower wide = 650
| Cents upper = 720
| Cents upper wide = 750
| JI intervals = 3/2
| MOSes = [[5L 2s]], [[2L 5s]], [[5L 3s]], [[7L 2s]], [[2L 7s]]
| Complement = [[Perfect fourth]]
| Lower region = [[Semidiminished&nbsp;fifth]] <br> [[Tritone]]
| Higher region = [[Minor&nbsp;sixth]]
}}
As a concrete [[interval region]], a perfect fifth is typically near 700{{c}} in size, distinct from semidiminished fifths of rougly 650{{c}}. A rough tuning range for the perfect fifth is about 670 to 730 [[cents]] according to [[Margo Schulter]]'s theory of interval regions. Another common range is the stricter range from 686 to 720{{c}}, which generates a diatonic scale.


A perfect fifth is an interval that is near 700 [[Cent|cents]] in size, distinct from diminished fifths (a type of [[tritone]], about 600 cents). A rough tuning range for the perfect fifth is about 650 to 750 [[cents]], though this is extremely wide; some might prefer to restrict it to around 670-730 cents.
This article covers intervals from 660 to 750{{c}}, but intervals between 650 and 660 cents have been "grandfathered in" due to the fact that superfourths and subfifths were not originally given their own articles.


"Perfect fifth" may also refer to the [[diatonic perfect fifth]], which is a tempered fifth used to generate the diatonic scale, and is not the subject of this article.
=== In mos scales ===
==In just intonation==
Intervals between 654 and 750{{c}} generate the following [[mos]] scales:
The only "perfect" fourth in JI is the '''Pythagorean perfect fifth''' of [[3/2]], about 702 cents in size, which corresponds to the MOS-based interval category of the diatonic perfect fifth, and is the generator for Pythagorean tuning and the diatonic scale. However, various "out of tune" fifths exist, such as the '''Pythagorean wolf fifth [[262144/177147]]''', which is flat of 3/2 by one [[Pythagorean comma]], and is about 678 cents in size.
 
These tables start from the last monolarge mos generated by the interval range.
 
Scales with more than 12 notes are not included.


Other "out of tune" fifths in higher [[Prime limit|limits]] include:
*The 5-limit '''grave fifth''' is a ratio of 40/27, and is about 680 cents
*The 7-limit '''superfifth''' is a ratio of 32/21, and is about 729 cents.
*The 11-limit '''diminished fifth''' is a ratio of 22/15, and is about 663 cents.
**There is also an 11-limit '''acute fifth,''' which is a ratio of 50/33, and is about 720 cents.
*The 13-limit '''ultrafifth''' is a ratio of 20/13, and is about 746 cents, but it might be better analyzed as an [[Minor sixth|inframinor sixth]]. Despite that, it is also here for completeness.
==In EDOs==
The following table lists the best tuning of 3/2, as well as other fifths if present, in various significant [[EDOs]].
{| class="wikitable"
{| class="wikitable"
|+
!EDO
!3/2
!Other fifths
|-
|-
|5
! Range
|720c
! colspan="6" | Mos
|
|-
|-
|7
| 720–750{{c}}
|686c
| rowspan="5" | [[1L&nbsp;1s]]
|
| rowspan="5" | [[2L&nbsp;1s]]
| [[3L&nbsp;2s]]
| colspan="3" | [[5L&nbsp;3s]]
|-
|-
|12
| 700–720{{c}}
|700c
| rowspan="4" | [[2L&nbsp;3s]]
|
| rowspan="2" | [[5L&nbsp;2s]]
| colspan="2" | [[5L&nbsp;7s]]
|-
|-
|15
| 686–700{{c}}
|720c
| colspan="2" | [[7L&nbsp;5s]]
|
|-
|-
|16
| 667–686{{c}}
|675c
| rowspan="2" | [[2L&nbsp;5s]]
|750c ≈ 20/13
| colspan="2" | [[7L&nbsp;2s]]
|-
|-
|17
| 654–667{{c}}
|706c
| [[2L&nbsp;7s]]
|
| [[9L&nbsp;2s]]
|}
 
== As a diatonic interval category ==
{{Infobox
| Title = Diatonic perfect fifth
| Header 1 = MOS | Data 1 = [[5L&nbsp;2s]]
| Header 2 = Other names | Data 2 = Perfect 4-diastep
| Header 3 = Generator span | Data 3 = +1 generator
| Header 4 = Tuning range | Data 4 = 686–720{{c}}
| Header 5 = Basic tuning | Data 5 = 700{{c}}
| Header 6 = Function on root | Data 6 = Dominant
| Header 7 = Interval regions | Data 7 = Perfect fifth
| Header 8 = Associated just intervals | Data 8 = [[3/2]]
| Header 9 = Octave complement | Data 9 = [[Perfect fourth]]
}}
A perfect fourth is an interval that spans four steps of the [[5L 2s|diatonic]] scale with a perfect quality, i.e. the quality that exists in all but one modes. It is a [[generator]] of the diatonic scale. Depending on the specific tuning, it ranges from 686 to 720{{cent}} ([[7edo|4\7]] to [[5edo|3\5]]).
 
In [[just intonation]], the just perfect fifth is [[3/2]]. Other intervals are also classified as perfect fifths, sometimes called ''wolf fifths'' or ''imperfect fifths'', if they are reasonably mapped to four steps of the diatonic scale and seven steps of the chromatic scale, or formally 4\7 and [[24edo|14\24]]. The use of 24edo's 14\24 as the mapping criteria here rather than [[12edo]]'s 7\12 better captures the characteristics of many intervals in the [[11-limit|11-]] and [[13-limit]].
 
In [[TAMNAMS]], this interval is called the '''perfect 4-diastep'''.
 
== In just intonation ==
The only "perfect" fifth in JI is the Pythagorean perfect fifth of [[3/2]], about 702{{c}} in size, which corresponds to the mos-based interval category of the diatonic perfect fifth, and is the generator for Pythagorean tuning and the diatonic scale. However, various "out of tune" fifths exist, such as the Pythagorean wolf fifth [[262144/177147]], which is flat of 3/2 by one [[Pythagorean comma]], and is about 678{{c}} in size.
 
Other "out of tune" fifths in higher [[prime limit|limits]] include:
* The 5-limit '''grave fifth''' is a ratio of 40/27, and is about 680{{c}}
* The 7-limit '''superfifth''' is a ratio of 32/21, and is about 729{{c}}.
* The 11-limit '''diminished fifth''' is a ratio of 22/15, and is about 663{{c}}.
** There is also an 11-limit '''acute fifth,''' which is a ratio of 50/33, and is about 720{{c}}.
* The 13-limit '''ultrafifth''' is a ratio of 20/13, and is about 746{{c}}, but it might be better analyzed as an [[minor sixth|inframinor sixth]]. Despite that, it is also here for completeness.
 
== In edos ==
The following table lists the best tuning of 3/2, as well as other fifths if present, in various significant [[edo]]s.
 
{| class="wikitable"
|-
|-
|19
! Edo
|694c
! 3/2
|
! Other fifths
|-
|-
|22
| 5
|709c
| 720{{c}}
|654c ≈ 22/15
|  
|-
|-
|24
| 7
|700c
| 686{{c}}
|750c ≈ 20/13, 650c ≈ 22/15
|  
|-
|-
|25
| 12
|720c
| 700{{c}}
|672c ≈ 40/27
|  
|-
|-
|26
| 15
|692c
| 720{{c}}
|738c ≈ 32/21, 20/13
|  
|-
|-
|27
| 16
|711c
| 675{{c}}
|666c 22/15
| {{nowrap|750{{c}} 20/13}}
|-
|-
|29
| 17
|704c
| 706{{c}}
|745c ≈ 20/13, 663c ≈ 22/15
|  
|-
|-
|31
| 19
|697c
| 694{{c}}
|736c ≈ 32/21, 659c ≈ 22/15
|  
|-
|-
|34
| 22
|706c
| 709{{c}}
|742c 20/13, 671c ≈ 40/27, 22/15
| {{nowrap|654{{c}} ≈ 22/15}}
|-
|-
|41
| 24
|702c
| 700{{c}}
|732c 32/21, 674c 40/27
| {{nowrap|750{{c}} 20/13|650{{c}} 22/15}}
|-
|-
|53
| 25
|702c
| 720{{c}}
|748c ≈ 20/13, 724c ≈ 32/21, 679c ≈ 40/27, 657c ≈ 22/15
| {{nowrap|672{{c}} ≈ 40/27}}
|-
| 26
| 692{{c}}
| {{nowrap|738{{c}} ≈ 32/21, 20/13}}
|-
| 27
| 711{{c}}
| {{nowrap|666{{c}} ≈ 22/15}}
|-
| 29
| 704{{c}}
| {{nowrap|745{{c}} ≈ 20/13|663{{c}} ≈ 22/15}}
|-
| 31
| 697{{c}}
| {{nowrap|736{{c}} ≈ 32/21|659{{c}} ≈ 22/15}}
|-
| 34
| 706{{c}}
| {{nowrap|742{{c}} ≈ 20/13|671{{c}} ≈ 40/27, 22/15}}
|-
| 41
| 702{{c}}
| {{nowrap|732{{c}} ≈ 32/21|674{{c}} ≈ 40/27}}
|-
| 53
| 702{{c}}
| {{nowrap|748{{c}} ≈ 20/13|724{{c}} ≈ 32/21|679{{c}} ≈ 40/27|657{{c}} ≈ 22/15}}
|}
|}
==In temperaments==
 
== In temperaments ==
The simplest perfect 5th ratio is 3/2. The following notable temperaments are generated by it:
The simplest perfect 5th ratio is 3/2. The following notable temperaments are generated by it:
===Temperaments that use 3/2 as a generator===
 
*[[Compton]], the temperament of the Pythagorean comma, equivalent to 12edo
=== Temperaments that use 3/2 as a generator ===
**The 3-limit [[Circular temperament|circular temperaments]] in general
* [[Meantone]], the temperament flattening 3/2 such that four 3/2s stack to [[5/4]]
*[[Archy]], the temperament sharpening 3/2 such that four 3/2s stack to [[9/7]]
* [[Schismatic]], the temperament slightly sharpening 3/2 such that nine 3/2s stack to [[6/5]]
*[[Meantone]], the temperament flattening 3/2 such that four 3/2s stack to [[5/4]]
* [[Superpyth]], the temperament sharpening 3/2 such that four 3/2s stack to [[9/7]]
*[[Mavila]], the temperament flattening 3/2 such that four 3/2s stack to [[6/5]]
* [[Compton]], the temperament of the Pythagorean comma, equivalent to 12edo
*Various historical [[Well temperament|well temperaments]] generated by tempered 4/3s or 3/2s, equivalent to 12edo as compton and meantone
* [[Mavila]], the temperament flattening 3/2 such that four 3/2s stack to [[6/5]]
* Various historical [[well temperament]]s generated by tempered 4/3s or 3/2s, equivalent to 12edo as compton and meantone
 
{{Navbox intervals}}
{{Navbox intervals}}