Subfifth
A subfifth, infrafifth or semidiminished fifth is an interval that spans four steps of the diatonic scale with a quality between diminished and perfect. It exists in neutralized diatonic scales as exactly one half of a minor ninth.
In just intonation, an interval may be classified as a subfifth if it is reasonably mapped to 4\7 and 13\24 (precisely four steps of the diatonic scale and six and a half steps of the chromatic scale).
As a concrete interval region, it is typically near 650 ¢ in size. It is too narrow to sound like a perfect fifth and too wide to sound like a tritone. Margo Schulter, in her article Regions of the Interval Spectrum, proposes an approximate range for a subfifth to be from 640 ¢ to 672 ¢. Of course, this categorization should not be taken for granted. Since music is subjective and culturally influenced, the borders of what is a superfourth are "fuzzy". Other descriptions are possible and legitimate.
Some of the simplest subfifths in just intonation are 16/11 (about 649 ¢) and 22/15 (about 663 ¢), both undecimal (11-based) subfifths; and 35/24 (about 653 ¢) and 72/49 (about 666 ¢), both septimal (7-based) subfifths.
Information about subfifths in the conventional interval region format may be found at Tritone.
The inversion of a subfifth is a superfourth.
See also
- Superfourth – the octave complement region
V • T • EInterval regions | |
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Seconds and thirds | Comma and diesis • Semitone • Neutral second • Major second • (Interseptimal second-third) • Minor third • Neutral third • Major third |
Fourths and fifths | (Interseptimal third-fourth) • Perfect fourth • Superfourth • Tritone • Subfifth • Perfect fifth • (Interseptimal fifth-sixth) |
Sixths and sevenths | Minor sixth • Neutral sixth • Major sixth • (Interseptimal sixth-seventh) • Minor seventh • Neutral seventh • Major seventh • Octave |