38edo: Difference between revisions
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== Theory == | == Theory == | ||
Since {{nowrap|38 {{=}} 2 × 19}}, it can be thought of as two parallel [[19edo]]s. While the halving of the step size lowers [[consistency]] and leaves it only mediocre in terms of overall [[relative interval error|relative error]], the fact that the 3rd and 5th harmonics are flat by almost exactly the same amount, while the 11th is double that means there are quite a few near perfect composite ratios, such as the the [[6/5]] it shares with 19edo, plus [[11/9]], [[15/11]] & [[25/22]], (and their inversions) while a single step nears [[55/54]]; the approximation to [[11/9]] in particular should be noted for forming a 10-strong [[consistent circle]]. This gives several interesting possibilities for unusual near-just chords such as 15:18:22:25:30. It [[tempering out|tempers out]] the same [[5-limit]] commas as 19edo, namely [[81/80]], [[3125/3072]] and [[15625/15552]]. In the [[7-limit]], we can add [[50/49]], and tempering out 81/80 and 50/49 gives [[injera]] temperament, for which 38 is the [[optimal patent val]]. In the [[11-limit]], we can add 121/120 and 176/175. | Since {{nowrap|38 {{=}} 2 × 19}}, it can be thought of as two parallel [[19edo]]s. While the halving of the step size lowers [[consistency]] and leaves it only mediocre in terms of overall [[relative interval error|relative error]], the fact that the 3rd and 5th harmonics are flat by almost exactly the same amount, while the 11th is double that means there are quite a few near perfect composite ratios, such as the the [[6/5]] it shares with 19edo, plus [[11/9]], [[15/11]] & [[25/22]], (and their inversions) while a single step nears [[55/54]]; the approximation to [[11/9]] in particular should be noted for forming a 10-strong [[consistent circle]]. This gives several interesting possibilities for unusual near-just chords such as 15:18:22:25:30. | ||
It [[tempering out|tempers out]] the same [[5-limit]] commas as 19edo, namely [[81/80]], [[3125/3072]] and [[15625/15552]]. In the [[7-limit]], we can add [[50/49]], and tempering out 81/80 and 50/49 gives [[injera]] temperament, for which 38 is the [[optimal patent val]]. In the [[11-limit]], we can add 121/120 and 176/175. | |||
Using the [[Warts|38df]] mapping, every [[prime interval]] from 3 to 19 is characterized by a flat intonation. Furthermore, the [[mapping]] of all [[19-odd-limit]] intervals in 38df aligns with their closest approximations in 38edo, excepting for 7/4 and 13/8, along with their octave complements 8/7 and 16/13, which are by definition mapped to their secondary optimal steps within 38df. In other words, all 19-odd-limit intervals are [[consistency|consistent]] within the 38df [[val]] {{val| 38 60 88 106 131 140 155 161 }}. | Using the [[Warts|38df]] mapping, every [[prime interval]] from 3 to 19 is characterized by a flat intonation. Furthermore, the [[mapping]] of all [[19-odd-limit]] intervals in 38df aligns with their closest approximations in 38edo, excepting for 7/4 and 13/8, along with their octave complements 8/7 and 16/13, which are by definition mapped to their secondary optimal steps within 38df. In other words, all 19-odd-limit intervals are [[consistency|consistent]] within the 38df [[val]] {{val| 38 60 88 106 131 140 155 161 }}. | ||
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! 19-odd-limit ratios,<br>in 38df val | ! 19-odd-limit ratios,<br>in 38df val | ||
! colspan="3" | [[Ups and downs notation]]* | ! colspan="3" | [[Ups and downs notation]]* | ||
([[Enharmonic unisons in ups and downs notation|EUs]]: vvA1 and vvd2) | |||
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== Approximation to JI == | == Approximation to JI == | ||
=== | === Interval mappings === | ||
{ | {{Q-odd-limit intervals}} | ||
== Instruments == | == Instruments == | ||
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== Music == | == Music == | ||
* [https://www.youtube.com/watch?v=Cw1Cz1ojoSw Canon at the Semitone on The Mother's Malison Theme for Cor Anglais and Violin] | ; [[Bryan Deister]] | ||
* [https://www.youtube.com/shorts/rewy-32BfRs ''Spirit of the Night - Secret of Mana (microtonal cover in 38edo)''] (2025) | |||
; [[Claudi Meneghin]] | |||
* [https://www.youtube.com/watch?v=Cw1Cz1ojoSw Canon at the Semitone on The Mother's Malison Theme for Cor Anglais and Violin] (2022) | |||
[[Category:38edo| ]] <!-- Main article --> | [[Category:38edo| ]] <!-- Main article --> | ||