31edo modes: Difference between revisions
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Wikispaces>mikesheiman **Imported revision 267790912 - Original comment: ** |
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Taken originally from Scala, Manuel Op De Coul, this is a user-editable list of modes of [[31edo]]. The numbers indicate successive intervals, in dieses. There is also a dedicated page about [[strictly proper 7-tone 31edo scales]]. | |||
== Nothing special == | |||
=Nothing special= | |||
Or, to some, the only important thing. | Or, to some, the only important thing. | ||
|| {{ | {| class="wikitable" | ||
|- | |||
| {{plaincode|'''2 3 3 2 3 2 3 2 3 3 2 3'''}} | |||
| Meantone Chromatic (53/220-comma) | |||
|- | |||
| {{plaincode|'''5 5 3 5 5 5 3'''}} | |||
| Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian | |||
| | |- | ||
| {{plaincode|'''5 3 5 5 3 5 5'''}} | |||
| Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian | |||
|- | |||
| {{plaincode|'''5 5 8 5 8'''}} | |||
| Thirty-one tone Major Pentatonic | |||
|- | |||
| {{plaincode|'''5 3 5 5 5 5 3'''}} | |||
| Thirty-one tone Melodic Minor | |||
|- | |||
| {{plaincode|'''5 3 5 5 3 7 3'''}} | |||
| Thirty-one tone Harmonic Minor | |||
|- | |||
| {{plaincode|'''5 5 3 5 3 7 3'''}} | |||
| Thirty-one tone Harmonic Major | |||
|- | |||
| {{plaincode|'''5 5 3 5 3 5 5'''}} | |||
| Thirty-one tone Major-Minor | |||
| | |- | ||
| {{plaincode|'''8 2 8 2 8 3'''}} | |||
| Thirty-one tone Augmented | |||
| | |- | ||
| {{plaincode|'''3 5 2 5 3 5 3 5'''}} | |||
| Thirty-one tone Diminished | |||
|- | |||
| {{plaincode|'''5 2 6 5 2 5 6'''}} | |||
| "Septimal" Natural Minor | |||
|} | |||
| | |||
| | |||
| | |||
| | |||
== MOS == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''4 5 4 5 4 5 4'''}} | |||
| Neutral[7] | |||
|- | |||
| {{plaincode|'''4 1 4 4 4 1 4 4 1 4'''}} | |||
| Breed 10-tone / Neutral[10] | |||
|- | |||
| {{plaincode|'''7 7 7 7 3'''}} | |||
| Orwell[5] | |||
|- | |||
| {{plaincode|'''4 3 4 3 4 3 4 3 3'''}} | |||
| Orwell[9] | |||
|- | |||
| {{plaincode|'''3 1 3 3 1 3 3 1 3 3 1 3 3'''}} | |||
| Orwell[13] | |||
|- | |||
| {{plaincode|'''9 9 2 9 2'''}} | |||
| Squares[5] | |||
|- | |||
| {{plaincode|'''2 7 2 7 2 2 7 2'''}} | |||
| Squares[8] | |||
|- | |||
| {{plaincode|'''2 5 2 2 2 5 2 2 2 5 2'''}} | |||
| Secor/Barton no-fives / Squares[11] | |||
|- | |||
| {{plaincode|'''5 5 5 5 5 6'''}} | |||
| Whole Tone / Tutone[6] | |||
|- | |||
| {{plaincode|'''4 1 4 1 4 1 4 1 4 1 4 1 1'''}} | |||
| Tutone[13] | |||
|- | |||
| {{plaincode|'''6 6 6 6 1 6'''}} | |||
| Mothra[6] | |||
|- | |||
| {{plaincode|'''5 1 5 1 5 1 5 1 5 1 1'''}} | |||
| de Vries 11-tone / Mothra[11] | |||
|- | |||
| {{plaincode|'''3 4 3 3 3 3 3 3 3 3'''}} | |||
| Miracle[10] | |||
|- | |||
| {{plaincode|'''1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1'''}} | |||
| Blackjack / Miracle[21] | |||
|- | |||
| {{plaincode|'''3 4 4 4 4 4 4 4'''}} | |||
| Greeley[8] | |||
|- | |||
| {{plaincode|'''3 1 3 1 3 1 3 1 3 1 3 1 3 1 3'''}} | |||
| Pseudo-Porcupine 15-note / Nusecond[15] | |||
|- | |||
| {{plaincode|'''2 2 2 2 2 2 2 2 2 2 1 2 2 2 2 2'''}} | |||
| Semi-Equalized Armodue / Valentine[16] | |||
|- | |||
| {{plaincode|'''5 7 5 7 7'''}} | |||
| A-Team[5] | |||
|- | |||
| {{plaincode|'''5 5 2 5 5 2 5 2'''}} | |||
| Oneirotonic / A-Team[8] | |||
|- | |||
| {{plaincode|'''3 2 3 2 2 3 2 2 3 2 3 2 2'''}} | |||
| A-Team[13] | |||
|- | |||
| {{plaincode|'''11 3 11 3 3'''}} | |||
| Joan[5] | |||
|- | |||
| {{plaincode|'''8 3 3 8 3 3 3'''}} | |||
| Hypermavila / Joan[7] | |||
|- | |||
| {{plaincode|'''5 3 3 3 3 5 3 3 3'''}} | |||
| Rothenberg Generalized Diatonic / Joan[9] | |||
|- | |||
| {{plaincode|'''3 2 3 3 3 3 2 3 3 3 3'''}} | |||
| Joan[11] | |||
|- | |||
| {{plaincode|'''8 1 1 8 1 1 8 1 1 1'''}} | |||
| Würschmidt[10] | |||
|- | |||
| {{plaincode|'''1 1 6 1 1 6 1 1 6 1 6'''}} | |||
| Myna[11] | |||
|- | |||
| {{plaincode|'''1 1 12 1 1 1 1 12 1'''}} | |||
| Tritonic[9] | |||
|} | |||
== MODMOS == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''3 4 3 4 4 3 4 3 3'''}} | |||
| Graham Orwell | |||
|- | |||
| {{plaincode|'''5 4 4 5 5 4 4'''}} | |||
| Maqam Rast | |||
|- | |||
| {{plaincode|'''4 4 5 5 3 5 5'''}} | |||
| Maqam Bayati | |||
|- | |||
| {{plaincode|'''5 5 3 5 4 5 4'''}} | |||
| Turkish Major | |||
|- | |||
| {{plaincode|'''4 5 5 4 4 4 5'''}} | |||
| Thaiic | |||
|- | |||
| {{plaincode|'''4 4 4 4 5 5 5'''}} | |||
| Sheimanic | |||
|- | |||
| {{plaincode|'''5 5 4 4 5 5 3'''}} | |||
| Screamapillar | |||
|- | |||
| {{plaincode|'''5 3 5 5 5 4 4'''}} | |||
| Altered Dorian | |||
|- | |||
| {{plaincode|'''3 5 5 5 5 4 4'''}} | |||
| Altered Neapolitan Major | |||
|- | |||
| {{plaincode|'''7 2 7 2 7 2 2 2'''}} | |||
| Onydim | |||
|- | |||
| {{plaincode|'''5 5 2 2 2 2 5 2 2 2 2'''}} | |||
| Squares Major | |||
|- | |||
| {{plaincode|'''5 5 4 6 5 6'''}} | |||
| Harmonic Whole Tone | |||
|- | |||
| {{plaincode|'''5 5 5 2 5 2 5 2'''}} | |||
| Dylydian / Archeodim | |||
|- | |||
| {{plaincode|'''5 2 5 2 5 2 8 2'''}} | |||
| Harmonic Mnarian | |||
|- | |||
| {{plaincode|'''3 4 3 2 3 3 3 4 3 3'''}} | |||
| Miracle Major | |||
|- | |||
| {{plaincode|'''3 4 3 4 4 5 4 4'''}} | |||
| Greeley Major | |||
|- | |||
| {{plaincode|'''7 6 5 7 6'''}} | |||
| Subminor Pentatonic | |||
|- | |||
| {{plaincode|'''5 6 7 6 7'''}} | |||
| Supermajor Pentatonic | |||
|- | |||
| {{plaincode|'''1 6 1 1 1 6 1 1 6 1 6'''}} | |||
| Submyna | |||
|} | |||
== Cradle MOS == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''1 7 1 2 1 7 1 2 1 7 1'''}} | |||
| Nested Bees | |||
|- | |||
| {{plaincode|'''3 1 6 1 3 3 1 6 1 3 3'''}} | |||
| Arc Aurelius | |||
|- | |||
| {{plaincode|'''5 4 5 4 2 5 4 2'''}} | |||
| Xenosquare | |||
|- | |||
| {{plaincode|'''5 4 5 3 5 4 5'''}} | |||
| Scorp | |||
|- | |||
| {{plaincode|'''5 6 2 5 5 6 2'''}} | |||
| Harrison Major | |||
|- | |||
| {{plaincode|'''4 2 4 2 4 2 4 3 3 3'''}} | |||
| Lumma Decatonic | |||
|- | |||
| {{plaincode|'''8 2 8 2 8 2 1'''}} | |||
| AugmentedPlus | |||
|} | |||
== Hexany == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''5 5 8 5 5 3'''}} | |||
| 1-3-5-9 | |||
|- | |||
| {{plaincode|'''5 6 7 6 5 2'''}} | |||
| 1-3-7-9 | |||
|- | |||
| {{plaincode|'''3 7 6 2 6 7'''}} | |||
| 1-3-5-7 | |||
|- | |||
| {{plaincode|'''9 4 1 4 9 4'''}} | |||
| 1-3-9-11 | |||
|- | |||
| {{plaincode|'''4 4 6 4 4 9'''}} | |||
| 1-3-5-11 | |||
|- | |||
| {{plaincode|'''4 7 7 7 4 2'''}} | |||
| 1-3-7-11 | |||
|- | |||
| {{plaincode|'''8 4 6 4 8 1'''}} | |||
| 1-3-5-13 | |||
|} | |||
== Harmonic Series == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''8 7 6 5 5'''}} | |||
| Mode 5 | |||
|- | |||
| {{plaincode|'''7 6 5 5 4 4'''}} | |||
| Mode 6 | |||
|- | |||
| {{plaincode|'''6 5 5 4 4 4 3'''}} | |||
| Mode 7 | |||
|- | |||
| {{plaincode|'''5 5 4 4 4 3 3 3'''}} | |||
| Mode 8 | |||
|- | |||
| {{plaincode|'''4 4 4 3 3 3 3 2 3 2'''}} | |||
| Mode 10 | |||
|- | |||
| {{plaincode|'''4 3 3 3 3 2 3 2 2 2 2 2'''}} | |||
| Mode 12 | |||
|- | |||
| {{plaincode|'''3 3 3 2 3 2 2 2 2 2 2 2 1 2'''}} | |||
| Mode 14 | |||
|- | |||
| {{plaincode|'''3 2 3 2 2 2 2 2 2 2 1 2 2 1 2 1'''}} | |||
| Mode 16 | |||
|- | |||
| {{plaincode|'''4 4 5 5 6 7'''}} | |||
| Mode 6-over | |||
|- | |||
| {{plaincode|'''2 3 3 3 3 4 4 4 5'''}} | |||
| Mode 9-over | |||
|- | |||
| {{plaincode|'''1 2 2 1 2 2 2 2 2 2 2 3 2 3 3'''}} | |||
| Mode 15-over | |||
|} | |||
== Euler–Fokker genera == | |||
Boxy shapes from the {{nowrap|[3, 5, 7]}} lattice. | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''5 8 5 13'''}} | |||
| Genus primum | |||
|- | |||
| {{plaincode|'''10 3 5 5 5 3'''}} | |||
| Genus secundum | |||
|- | |||
| {{plaincode|'''8 2 8 3 7 3'''}} | |||
| Genus tertium | |||
|- | |||
| {{plaincode|'''10 10 10 1'''}} | |||
| Genus quartum | |||
|- | |||
| {{plaincode|'''5 7 6 7 5 1'''}} | |||
| Genus quintum | |||
|- | |||
| {{plaincode|'''4 6 2 6 4 3 3 3'''}} | |||
| Genus sextum | |||
|- | |||
| {{plaincode|'''4 6 5 6 4 6'''}} | |||
| Genus septimum | |||
|- | |||
| {{plaincode|'''6 6 6 1 6 6'''}} | |||
| Genus octavum | |||
|- | |||
| {{plaincode|'''4 6 9 6 4 2'''}} | |||
| Genus nonum | |||
|- | |||
| {{plaincode|'''13 6 6 6'''}} | |||
| Genus decimum | |||
|- | |||
| {{plaincode|'''5 5 3 5 5 3 2 3'''}} | |||
| Genus diatonicum | |||
|- | |||
| {{plaincode|'''3 5 2 3 5 3 2 5 3'''}} | |||
| Genus chromaticum | |||
|- | |||
| {{plaincode|'''5 5 2 1 5 5 2 3 3'''}} | |||
| Genus diatonicum cum septimis | |||
|- | |||
| {{plaincode|'''3 4 3 3 2 1 4 1 4 1 2 3'''}} | |||
| Genus enharmonicum vocale | |||
|- | |||
| {{plaincode|'''2 2 4 2 2 3 3 3 1 3 3 3'''}} | |||
| Genus enharmonicum instrumentale | |||
|- | |||
| {{plaincode|'''3 2 3 2 3 2 3 3 2 3 2 3'''}} | |||
| Genus diatonico-chromaticum | |||
|- | |||
| {{plaincode|'''5 2 1 2 5 3 2 1 4 1 2 3'''}} | |||
| Genus bichromaticum | |||
|- | |||
| {{plaincode|'''3 1 2 4 2 4 2 4 2 1 3 3'''}} | |||
| Genus [3577] (Joel Mandelbaum ''Andante cantabile'') | |||
|} | |||
== Strictly proper modes == | |||
''See [[Strictly proper 7-tone 31edo scales]]'' | |||
== Greek/tetrachord modes == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''4 4 5 4 4 5 5'''}} | |||
| Neutral Diatonic Mixolydian | |||
|- | |||
| {{plaincode|'''4 5 4 4 5 5 4'''}} | |||
| Neutral Diatonic Lydian | |||
|- | |||
| {{plaincode|'''5 4 4 5 5 4 4'''}} | |||
| Neutral Diatonic Phrygian | |||
|- | |||
| {{plaincode|'''4 4 5 5 4 4 5'''}} | |||
| Neutral Diatonic Dorian | |||
|- | |||
| {{plaincode|'''4 5 5 4 4 5 4'''}} | |||
| Neutral Diatonic Hypolydian | |||
|- | |||
| {{plaincode|'''5 5 4 4 5 4 4'''}} | |||
| Neutral Diatonic Hypophrygian | |||
|- | |||
| {{plaincode|'''5 4 4 5 4 4 5'''}} | |||
| Neutral Diatonic Hypodorian | |||
|- | |||
| {{plaincode|'''4 5 4 4 5 4 5'''}} | |||
| Neutral Mixolydian | |||
|- | |||
| {{plaincode|'''5 4 4 5 4 5 4'''}} | |||
| Neutral Lydian | |||
|- | |||
| {{plaincode|'''4 4 5 4 5 4 5'''}} | |||
| Neutral Phrygian | |||
|- | |||
| {{plaincode|'''4 5 4 5 4 5 4'''}} | |||
| Neutral Dorian | |||
|- | |||
| {{plaincode|'''5 4 5 4 5 4 4'''}} | |||
| Neutral Hypolydian | |||
|- | |||
| {{plaincode|'''4 5 4 5 4 4 5'''}} | |||
| Neutral Hypophrygian | |||
|- | |||
| {{plaincode|'''5 4 5 4 4 5 4'''}} | |||
| Neutral Hypodorian | |||
|- | |||
| {{plaincode|'''2 2 9 2 2 9 5'''}} | |||
| Hemiolic Chromatic Mixolydian | |||
|- | |||
| {{plaincode|'''2 9 2 2 9 5 2'''}} | |||
| Hemiolic Chromatic Lydian | |||
|- | |||
| {{plaincode|'''9 2 2 9 5 2 2'''}} | |||
| Hemiolic Chromatic Phrygian | |||
|- | |||
| {{plaincode|'''2 2 9 5 2 2 9'''}} | |||
| Hemiolic Chromatic Dorian | |||
|- | |||
| {{plaincode|'''2 9 5 2 2 9 2'''}} | |||
| Hemiolic Chromatic Hypolydian | |||
|- | |||
| {{plaincode|'''9 5 2 2 9 2 2'''}} | |||
| Hemiolic Chromatic Hypophrygian | |||
|- | |||
| {{plaincode|'''5 2 2 9 2 2 9'''}} | |||
| Hemiolic Chromatic Hypodorian | |||
|- | |||
| {{plaincode|'''2 3 8 2 3 8 5'''}} | |||
| Ratio 2:3 Chromatic Mixolydian | |||
|- | |||
| {{plaincode|'''3 8 2 3 8 5 2'''}} | |||
| Ratio 2:3 Chromatic Lydian | |||
|- | |||
| {{plaincode|'''8 2 3 8 5 2 3'''}} | |||
| Ratio 2:3 Chromatic Phrygian | |||
|- | |||
| {{plaincode|'''2 3 8 5 2 3 8'''}} | |||
| Ratio 2:3 Chromatic Dorian | |||
|- | |||
| {{plaincode|'''3 8 5 2 3 8 2'''}} | |||
| Ratio 2:3 Chromatic Hypolydian | |||
|- | |||
| {{plaincode|'''8 5 2 3 8 2 3'''}} | |||
| Ratio 2:3 Chromatic Hypophrygian | |||
|- | |||
| {{plaincode|'''5 2 3 8 2 3 8'''}} | |||
| Ratio 2:3 Chromatic Hypodorian | |||
|- | |||
| {{plaincode|'''3 5 5 3 5 5 5'''}} | |||
| Intense Diatonic Mixolydian, M.Locrian | |||
|- | |||
| {{plaincode|'''5 3 5 5 5 3 5'''}} | |||
| Intense Diatonic Phrygian, M.Dorian | |||
|- | |||
| {{plaincode|'''3 5 5 5 3 5 5'''}} | |||
| Intense Diatonic Dorian, M.Phrygian | |||
|- | |||
| {{plaincode|'''5 5 5 3 5 5 3'''}} | |||
| Intense Diatonic Hypolydian, M.Lydian | |||
|- | |||
| {{plaincode|'''5 5 3 5 5 3 5'''}} | |||
| Intense Diatonic Hypophrygian, M.Mixolydian | |||
|- | |||
| {{plaincode|'''2 5 6 2 5 6 5'''}} | |||
| Soft Diatonic Mixolydian | |||
|- | |||
| {{plaincode|'''5 6 2 5 6 5 2'''}} | |||
| Soft Diatonic Lydian | |||
|- | |||
| {{plaincode|'''6 2 5 6 5 2 5'''}} | |||
| Soft Diatonic Phrygian | |||
|- | |||
| {{plaincode|'''2 5 6 5 2 5 6'''}} | |||
| Soft Diatonic Dorian | |||
|- | |||
| {{plaincode|'''5 6 5 2 5 6 2'''}} | |||
| Soft Diatonic Hypolydian | |||
|- | |||
| {{plaincode|'''6 5 2 5 6 2 5'''}} | |||
| Soft Diatonic Hypophrygian | |||
|- | |||
| {{plaincode|'''5 2 5 6 2 5 6'''}} | |||
| Soft Diatonic Hypodorian | |||
|- | |||
| {{plaincode|'''1 2 10 1 2 10 5'''}} | |||
| Enharmonic Mixolydian | |||
|- | |||
| {{plaincode|'''2 10 1 2 10 5 1'''}} | |||
| Enharmonic Lydian | |||
|- | |||
| {{plaincode|'''10 1 2 10 5 1 2'''}} | |||
| Enharmonic Phrygian | |||
|- | |||
| {{plaincode|'''1 2 10 5 1 2 10'''}} | |||
| Enharmonic Dorian | |||
|- | |||
| {{plaincode|'''2 10 5 1 2 10 1'''}} | |||
| Enharmonic Hypolydian | |||
|- | |||
| {{plaincode|'''10 5 1 2 10 1 2'''}} | |||
| Enharmonic Hypophrygian | |||
|- | |||
| {{plaincode|'''5 1 2 10 1 2 10'''}} | |||
| Enharmonic Hypodorian | |||
|} | |||
== Of particular [[interscalar]] interest == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''6 6 7 6 6'''}} | |||
| [[Quasi-equal]] Pentatonic | |||
|- | |||
| {{plaincode|'''3 3 2 3 3 3 3 3 2 3 3'''}} | |||
| near [[11edo|11edo]] | |||
|} | |||
== Dimension scales == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''(5) 3 1 4 (5) (5)'''}} <br> {{plaincode|'''3 1 4'''}} | |||
| Michael Sheiman's "Dimension" scale (Maqam Rast mixed with Meantone Diatonic...lattice (ratio/chord map) available below <br> [[File:dimensionscale.jpg|alt=dimensionscale.jpg|512x197px|dimensionscale.jpg]] | |||
|- | |||
| {{plaincode|'''(3 2)3 1 4 (3 2)(3 2)'''}} <br> {{plaincode|'''3 1 4'''}} | |||
| Michael Sheiman's extended 12 tone "Dimension ECT" scale (Maqam Rast mixed with Meantone Diatonic and Michael Sheiman's "6-factor" no wolves 12th harmonic scale) | |||
|} | |||
== Miscellaneous == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''4 1 4 1 3 4 1 4 1 4 1 3'''}} | |||
| Iceface | |||
|- | |||
| {{plaincode|'''1 4 2 3 3 1 4 2 3 2 3 3'''}} | |||
| Centaurus | |||
|- | |||
| {{plaincode|'''3 2 2 3 3 2 3 3 2 2 3 3'''}} | |||
| Fokker 12-tone | |||
|- | |||
| {{plaincode|'''5 3 5 3 5 2 5 3'''}} | |||
| Modus conjunctus | |||
|- | |||
| {{plaincode|'''2 5 3 5 3 5 2 6'''}} | |||
| Subminor Diminished | |||
|- | |||
| {{plaincode|'''2 5 3 5 5 5 6'''}} | |||
| Subminor Altered | |||
|- | |||
| {{plaincode|'''2 8 3 5 2 5 6'''}} | |||
| Phrygian Harmonic | |||
|- | |||
| {{plaincode|'''5 5 3 5 5 2 3 3'''}} | |||
| Bebop Harmonic | |||
|- | |||
| {{plaincode|'''5 7 1 5 7 5 1'''}} | |||
| Tropical Major | |||
|- | |||
| {{plaincode|'''3 3 4 3 5 3 4 3 3'''}} | |||
| Hahn symmetric pentachordal | |||
|- | |||
| {{plaincode|'''3 4 3 3 5 3 4 3 3'''}} | |||
| Hahn pentachordal | |||
|- | |||
| {{plaincode|'''4 4 2 5 3 3 4 3 3'''}} | |||
| Hahn Nonatonic | |||
|- | |||
| {{plaincode|'''8 5 2 3 6 2 5'''}} | |||
| Hyperblue Dorian (this is the original/default tuning) | |||
|- | |||
| {{plaincode|'''8 5 2 3 2 9 2'''}} | |||
| Hyperblue harmonic (this is the original/default tuning) | |||
|- | |||
| {{plaincode|'''5 5 4 8 3 6'''}} | |||
| Harmonic Prometheus | |||
|- | |||
| {{plaincode|'''3 2 3 2 2 2 2 2 2 3 2 3 3'''}} | |||
| Major Miniscale (Mode 16 x Mode 15-over) | |||
|- | |||
| {{plaincode|'''7 3 4 4 7 6'''}} | |||
| Graham Hexatonic | |||
|- | |||
| {{plaincode|'''5 7 3 3 4 4 5'''}} | |||
| [[Maeve Gutierrez#Scale recommendations|Superlydian b7 d6]] | |||
|- | |||
| {{plaincode|'''3 7 8 8 5'''}} | |||
| [[Magnetosphere scale|Magnetosphere]] | |||
|- | |||
| {{plaincode|'''5 4 1 3 5 2 3 6 2'''}} | |||
| [[Oclock]] | |||
|} | |||
== Nonoctave == | |||
{| class="wikitable" | |||
|- | |||
| {{plaincode|'''4 2 4 2 4 2 4 2 4 2'''}} | |||
| Blackwood | |||
|- | |||
| {{plaincode|'''4 4 6 4 4 4 6'''}} | |||
| Mavila | |||
|- | |||
| {{plaincode|'''8 2 8 2 8 2'''}} | |||
| Suboctave Augmented | |||
|- | |||
| {{plaincode|'''2 6 2 6 2 6 2 6'''}} | |||
| Superoctave Diminished | |||
|- | |||
| {{plaincode|'''4 4 3 7 3 5 3 (7)'''}} | |||
| Saba | |||
|- | |||
| {{plaincode|'''5 5 5 3 5 5 5'''}} | |||
| Superlydian | |||
|- | |||
| {{plaincode|''See main article''}} | |||
| The [[Erose-McClain double mode]]s | |||
|} | |||
== 9-tone == | |||
{{main|9-tone 31edo scales}} | |||
{{Navbox scale gallery}} | |||
[[Category:31edo]] | |||
[[Category:Modes]] | |||
[[Category:Lists of scales]] | |||
Latest revision as of 01:17, 17 December 2025
Taken originally from Scala, Manuel Op De Coul, this is a user-editable list of modes of 31edo. The numbers indicate successive intervals, in dieses. There is also a dedicated page about strictly proper 7-tone 31edo scales.
Nothing special
Or, to some, the only important thing.
2 3 3 2 3 2 3 2 3 3 2 3
|
Meantone Chromatic (53/220-comma) |
5 5 3 5 5 5 3
|
Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian |
5 3 5 5 3 5 5
|
Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian |
5 5 8 5 8
|
Thirty-one tone Major Pentatonic |
5 3 5 5 5 5 3
|
Thirty-one tone Melodic Minor |
5 3 5 5 3 7 3
|
Thirty-one tone Harmonic Minor |
5 5 3 5 3 7 3
|
Thirty-one tone Harmonic Major |
5 5 3 5 3 5 5
|
Thirty-one tone Major-Minor |
8 2 8 2 8 3
|
Thirty-one tone Augmented |
3 5 2 5 3 5 3 5
|
Thirty-one tone Diminished |
5 2 6 5 2 5 6
|
"Septimal" Natural Minor |
MOS
4 5 4 5 4 5 4
|
Neutral[7] |
4 1 4 4 4 1 4 4 1 4
|
Breed 10-tone / Neutral[10] |
7 7 7 7 3
|
Orwell[5] |
4 3 4 3 4 3 4 3 3
|
Orwell[9] |
3 1 3 3 1 3 3 1 3 3 1 3 3
|
Orwell[13] |
9 9 2 9 2
|
Squares[5] |
2 7 2 7 2 2 7 2
|
Squares[8] |
2 5 2 2 2 5 2 2 2 5 2
|
Secor/Barton no-fives / Squares[11] |
5 5 5 5 5 6
|
Whole Tone / Tutone[6] |
4 1 4 1 4 1 4 1 4 1 4 1 1
|
Tutone[13] |
6 6 6 6 1 6
|
Mothra[6] |
5 1 5 1 5 1 5 1 5 1 1
|
de Vries 11-tone / Mothra[11] |
3 4 3 3 3 3 3 3 3 3
|
Miracle[10] |
1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1
|
Blackjack / Miracle[21] |
3 4 4 4 4 4 4 4
|
Greeley[8] |
3 1 3 1 3 1 3 1 3 1 3 1 3 1 3
|
Pseudo-Porcupine 15-note / Nusecond[15] |
2 2 2 2 2 2 2 2 2 2 1 2 2 2 2 2
|
Semi-Equalized Armodue / Valentine[16] |
5 7 5 7 7
|
A-Team[5] |
5 5 2 5 5 2 5 2
|
Oneirotonic / A-Team[8] |
3 2 3 2 2 3 2 2 3 2 3 2 2
|
A-Team[13] |
11 3 11 3 3
|
Joan[5] |
8 3 3 8 3 3 3
|
Hypermavila / Joan[7] |
5 3 3 3 3 5 3 3 3
|
Rothenberg Generalized Diatonic / Joan[9] |
3 2 3 3 3 3 2 3 3 3 3
|
Joan[11] |
8 1 1 8 1 1 8 1 1 1
|
Würschmidt[10] |
1 1 6 1 1 6 1 1 6 1 6
|
Myna[11] |
1 1 12 1 1 1 1 12 1
|
Tritonic[9] |
MODMOS
3 4 3 4 4 3 4 3 3
|
Graham Orwell |
5 4 4 5 5 4 4
|
Maqam Rast |
4 4 5 5 3 5 5
|
Maqam Bayati |
5 5 3 5 4 5 4
|
Turkish Major |
4 5 5 4 4 4 5
|
Thaiic |
4 4 4 4 5 5 5
|
Sheimanic |
5 5 4 4 5 5 3
|
Screamapillar |
5 3 5 5 5 4 4
|
Altered Dorian |
3 5 5 5 5 4 4
|
Altered Neapolitan Major |
7 2 7 2 7 2 2 2
|
Onydim |
5 5 2 2 2 2 5 2 2 2 2
|
Squares Major |
5 5 4 6 5 6
|
Harmonic Whole Tone |
5 5 5 2 5 2 5 2
|
Dylydian / Archeodim |
5 2 5 2 5 2 8 2
|
Harmonic Mnarian |
3 4 3 2 3 3 3 4 3 3
|
Miracle Major |
3 4 3 4 4 5 4 4
|
Greeley Major |
7 6 5 7 6
|
Subminor Pentatonic |
5 6 7 6 7
|
Supermajor Pentatonic |
1 6 1 1 1 6 1 1 6 1 6
|
Submyna |
Cradle MOS
1 7 1 2 1 7 1 2 1 7 1
|
Nested Bees |
3 1 6 1 3 3 1 6 1 3 3
|
Arc Aurelius |
5 4 5 4 2 5 4 2
|
Xenosquare |
5 4 5 3 5 4 5
|
Scorp |
5 6 2 5 5 6 2
|
Harrison Major |
4 2 4 2 4 2 4 3 3 3
|
Lumma Decatonic |
8 2 8 2 8 2 1
|
AugmentedPlus |
Hexany
5 5 8 5 5 3
|
1-3-5-9 |
5 6 7 6 5 2
|
1-3-7-9 |
3 7 6 2 6 7
|
1-3-5-7 |
9 4 1 4 9 4
|
1-3-9-11 |
4 4 6 4 4 9
|
1-3-5-11 |
4 7 7 7 4 2
|
1-3-7-11 |
8 4 6 4 8 1
|
1-3-5-13 |
Harmonic Series
8 7 6 5 5
|
Mode 5 |
7 6 5 5 4 4
|
Mode 6 |
6 5 5 4 4 4 3
|
Mode 7 |
5 5 4 4 4 3 3 3
|
Mode 8 |
4 4 4 3 3 3 3 2 3 2
|
Mode 10 |
4 3 3 3 3 2 3 2 2 2 2 2
|
Mode 12 |
3 3 3 2 3 2 2 2 2 2 2 2 1 2
|
Mode 14 |
3 2 3 2 2 2 2 2 2 2 1 2 2 1 2 1
|
Mode 16 |
4 4 5 5 6 7
|
Mode 6-over |
2 3 3 3 3 4 4 4 5
|
Mode 9-over |
1 2 2 1 2 2 2 2 2 2 2 3 2 3 3
|
Mode 15-over |
Euler–Fokker genera
Boxy shapes from the [3, 5, 7] lattice.
5 8 5 13
|
Genus primum |
10 3 5 5 5 3
|
Genus secundum |
8 2 8 3 7 3
|
Genus tertium |
10 10 10 1
|
Genus quartum |
5 7 6 7 5 1
|
Genus quintum |
4 6 2 6 4 3 3 3
|
Genus sextum |
4 6 5 6 4 6
|
Genus septimum |
6 6 6 1 6 6
|
Genus octavum |
4 6 9 6 4 2
|
Genus nonum |
13 6 6 6
|
Genus decimum |
5 5 3 5 5 3 2 3
|
Genus diatonicum |
3 5 2 3 5 3 2 5 3
|
Genus chromaticum |
5 5 2 1 5 5 2 3 3
|
Genus diatonicum cum septimis |
3 4 3 3 2 1 4 1 4 1 2 3
|
Genus enharmonicum vocale |
2 2 4 2 2 3 3 3 1 3 3 3
|
Genus enharmonicum instrumentale |
3 2 3 2 3 2 3 3 2 3 2 3
|
Genus diatonico-chromaticum |
5 2 1 2 5 3 2 1 4 1 2 3
|
Genus bichromaticum |
3 1 2 4 2 4 2 4 2 1 3 3
|
Genus [3577] (Joel Mandelbaum Andante cantabile) |
Strictly proper modes
See Strictly proper 7-tone 31edo scales
Greek/tetrachord modes
4 4 5 4 4 5 5
|
Neutral Diatonic Mixolydian |
4 5 4 4 5 5 4
|
Neutral Diatonic Lydian |
5 4 4 5 5 4 4
|
Neutral Diatonic Phrygian |
4 4 5 5 4 4 5
|
Neutral Diatonic Dorian |
4 5 5 4 4 5 4
|
Neutral Diatonic Hypolydian |
5 5 4 4 5 4 4
|
Neutral Diatonic Hypophrygian |
5 4 4 5 4 4 5
|
Neutral Diatonic Hypodorian |
4 5 4 4 5 4 5
|
Neutral Mixolydian |
5 4 4 5 4 5 4
|
Neutral Lydian |
4 4 5 4 5 4 5
|
Neutral Phrygian |
4 5 4 5 4 5 4
|
Neutral Dorian |
5 4 5 4 5 4 4
|
Neutral Hypolydian |
4 5 4 5 4 4 5
|
Neutral Hypophrygian |
5 4 5 4 4 5 4
|
Neutral Hypodorian |
2 2 9 2 2 9 5
|
Hemiolic Chromatic Mixolydian |
2 9 2 2 9 5 2
|
Hemiolic Chromatic Lydian |
9 2 2 9 5 2 2
|
Hemiolic Chromatic Phrygian |
2 2 9 5 2 2 9
|
Hemiolic Chromatic Dorian |
2 9 5 2 2 9 2
|
Hemiolic Chromatic Hypolydian |
9 5 2 2 9 2 2
|
Hemiolic Chromatic Hypophrygian |
5 2 2 9 2 2 9
|
Hemiolic Chromatic Hypodorian |
2 3 8 2 3 8 5
|
Ratio 2:3 Chromatic Mixolydian |
3 8 2 3 8 5 2
|
Ratio 2:3 Chromatic Lydian |
8 2 3 8 5 2 3
|
Ratio 2:3 Chromatic Phrygian |
2 3 8 5 2 3 8
|
Ratio 2:3 Chromatic Dorian |
3 8 5 2 3 8 2
|
Ratio 2:3 Chromatic Hypolydian |
8 5 2 3 8 2 3
|
Ratio 2:3 Chromatic Hypophrygian |
5 2 3 8 2 3 8
|
Ratio 2:3 Chromatic Hypodorian |
3 5 5 3 5 5 5
|
Intense Diatonic Mixolydian, M.Locrian |
5 3 5 5 5 3 5
|
Intense Diatonic Phrygian, M.Dorian |
3 5 5 5 3 5 5
|
Intense Diatonic Dorian, M.Phrygian |
5 5 5 3 5 5 3
|
Intense Diatonic Hypolydian, M.Lydian |
5 5 3 5 5 3 5
|
Intense Diatonic Hypophrygian, M.Mixolydian |
2 5 6 2 5 6 5
|
Soft Diatonic Mixolydian |
5 6 2 5 6 5 2
|
Soft Diatonic Lydian |
6 2 5 6 5 2 5
|
Soft Diatonic Phrygian |
2 5 6 5 2 5 6
|
Soft Diatonic Dorian |
5 6 5 2 5 6 2
|
Soft Diatonic Hypolydian |
6 5 2 5 6 2 5
|
Soft Diatonic Hypophrygian |
5 2 5 6 2 5 6
|
Soft Diatonic Hypodorian |
1 2 10 1 2 10 5
|
Enharmonic Mixolydian |
2 10 1 2 10 5 1
|
Enharmonic Lydian |
10 1 2 10 5 1 2
|
Enharmonic Phrygian |
1 2 10 5 1 2 10
|
Enharmonic Dorian |
2 10 5 1 2 10 1
|
Enharmonic Hypolydian |
10 5 1 2 10 1 2
|
Enharmonic Hypophrygian |
5 1 2 10 1 2 10
|
Enharmonic Hypodorian |
Of particular interscalar interest
6 6 7 6 6
|
Quasi-equal Pentatonic |
3 3 2 3 3 3 3 3 2 3 3
|
near 11edo |
Dimension scales
Miscellaneous
4 1 4 1 3 4 1 4 1 4 1 3
|
Iceface |
1 4 2 3 3 1 4 2 3 2 3 3
|
Centaurus |
3 2 2 3 3 2 3 3 2 2 3 3
|
Fokker 12-tone |
5 3 5 3 5 2 5 3
|
Modus conjunctus |
2 5 3 5 3 5 2 6
|
Subminor Diminished |
2 5 3 5 5 5 6
|
Subminor Altered |
2 8 3 5 2 5 6
|
Phrygian Harmonic |
5 5 3 5 5 2 3 3
|
Bebop Harmonic |
5 7 1 5 7 5 1
|
Tropical Major |
3 3 4 3 5 3 4 3 3
|
Hahn symmetric pentachordal |
3 4 3 3 5 3 4 3 3
|
Hahn pentachordal |
4 4 2 5 3 3 4 3 3
|
Hahn Nonatonic |
8 5 2 3 6 2 5
|
Hyperblue Dorian (this is the original/default tuning) |
8 5 2 3 2 9 2
|
Hyperblue harmonic (this is the original/default tuning) |
5 5 4 8 3 6
|
Harmonic Prometheus |
3 2 3 2 2 2 2 2 2 3 2 3 3
|
Major Miniscale (Mode 16 x Mode 15-over) |
7 3 4 4 7 6
|
Graham Hexatonic |
5 7 3 3 4 4 5
|
Superlydian b7 d6 |
3 7 8 8 5
|
Magnetosphere |
5 4 1 3 5 2 3 6 2
|
Oclock |
Nonoctave
4 2 4 2 4 2 4 2 4 2
|
Blackwood |
4 4 6 4 4 4 6
|
Mavila |
8 2 8 2 8 2
|
Suboctave Augmented |
2 6 2 6 2 6 2 6
|
Superoctave Diminished |
4 4 3 7 3 5 3 (7)
|
Saba |
5 5 5 3 5 5 5
|
Superlydian |
See main article
|
The Erose-McClain double modes |
9-tone
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