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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{Infobox MOS}} |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | {{MOS intro}} |
| : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2014-11-26 21:36:24 UTC</tt>.<br>
| |
| : The original revision id was <tt>532861392</tt>.<br>
| |
| : The revision comment was: <tt></tt><br>
| |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| |
| <h4>Original Wikitext content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">This is the chromatic scale of the Sephiroth temperament explicated on the page for [[3L 7s]]. However, a tempered-flat chain of the 13th harmonic really comes into its own as a distinct scale when extended to 13 tones. In these "Luach" modes the degrees are to be taken as numbered is descending order so that the the tempered 13th harmonic is fifth rather than tenth in the scale. This inverts the meaning of major and minor so that the Ionian-like mode reaches its degrees almost exclusively by backtracking.
| |
| (Circle of fifths)
| |
| I-V-IX-XIII-IV-VIII-XII-III-VII-XI-II-VI-X: Mode Tishrei
| |
| x-I<span style="font-size: 12.8000001907349px;">-V-IX-XIII-IV-VIII-XII-III-VII-XI-II-VI: Cheshvan</span>
| |
| <span style="font-size: 12.8000001907349px;">vi-x-I-V-IX-XIII-IV-VIII-XII-III-VII-XI-II: Kislev</span>
| |
| ii-<span style="font-size: 12.8000001907349px;">vi-x-I-V-IX-XIII-IV-VIII-XII-III-VII-XI: Tevet</span>
| |
| <span style="font-size: 12.8000001907349px;">xi-ii-vi-x-I-V-IX-XIII-IV-VIII-XII-III-VII: Shvat</span>
| |
| vii-<span style="font-size: 12.8000001907349px;">xi-ii-vi-x-I-V-IX-XIII-IV-VIII-XII-III: Adar minor</span>
| |
| iii-vii<span style="font-size: 12.8000001907349px;">-xi-ii-vi-x-I-V-IX-XIII-IV-VIII-XII: Adar major</span>
| |
| xii-<span style="font-size: 12.8000001907349px;">iii-vii-xi-ii-vi-x-I-V-IX-XIII-IV-VIII: Nisan</span>
| |
| viii-<span style="font-size: 12.8000001907349px;">xii-iii-vii-xi-ii-vi-x-I-V-IX-XIII-IV: Iyar</span>
| |
| iv-<span style="font-size: 12.8000001907349px;">viii-xii-iii-vii-xi-ii-vi-x-I-V-IX-XIII: Sivan</span>
| |
| <span style="font-size: 12.8000001907349px;">xiii-iv-viii-xii-iii-vii-xi-ii-vi-x-I-V-IX: Tammuz</span>
| |
| <span style="font-size: 12.8000001907349px;">ix-xiii-iv-viii-xii-iii-vii-xi-ii-vi-x-I-V: Av</span>
| |
| v-<span style="font-size: 12.8000001907349px;">ix-xiii-iv-viii-xii-iii-vii-xi-ii-vi-x-I: Elul</span>
| |
| || 3/10 || || 360 ||
| |
| || 16/53 || || 362 14/53 ||
| |
| || 13/43 || || 362 34/43 ||
| |
| || 10/33 || || 363 9/11 ||
| |
| || || 17/56 || 364 2/7 ||
| |
| || 7/23 || || 365 5/23 ||
| |
| || 11/36 || || 366 2/3 ||
| |
| || 15/49 || || 367 17/49 ||
| |
| || 19/62 || || 367 18/31 ||
| |
| || 4/13 || || 369 3/13 ||</pre></div>
| |
| <h4>Original HTML content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>10L 3s</title></head><body>This is the chromatic scale of the Sephiroth temperament explicated on the page for <a class="wiki_link" href="/3L%207s">3L 7s</a>. However, a tempered-flat chain of the 13th harmonic really comes into its own as a distinct scale when extended to 13 tones. In these &quot;Luach&quot; modes the degrees are to be taken as numbered is descending order so that the the tempered 13th harmonic is fifth rather than tenth in the scale. This inverts the meaning of major and minor so that the Ionian-like mode reaches its degrees almost exclusively by backtracking.<br />
| |
| (Circle of fifths)<br />
| |
| I-V-IX-XIII-IV-VIII-XII-III-VII-XI-II-VI-X: Mode Tishrei<br />
| |
| x-I<span style="font-size: 12.8000001907349px;">-V-IX-XIII-IV-VIII-XII-III-VII-XI-II-VI: Cheshvan</span><br />
| |
| <span style="font-size: 12.8000001907349px;">vi-x-I-V-IX-XIII-IV-VIII-XII-III-VII-XI-II: Kislev</span><br />
| |
| ii-<span style="font-size: 12.8000001907349px;">vi-x-I-V-IX-XIII-IV-VIII-XII-III-VII-XI: Tevet</span><br />
| |
| <span style="font-size: 12.8000001907349px;">xi-ii-vi-x-I-V-IX-XIII-IV-VIII-XII-III-VII: Shvat</span><br />
| |
| vii-<span style="font-size: 12.8000001907349px;">xi-ii-vi-x-I-V-IX-XIII-IV-VIII-XII-III: Adar minor</span><br />
| |
| iii-vii<span style="font-size: 12.8000001907349px;">-xi-ii-vi-x-I-V-IX-XIII-IV-VIII-XII: Adar major</span><br />
| |
| xii-<span style="font-size: 12.8000001907349px;">iii-vii-xi-ii-vi-x-I-V-IX-XIII-IV-VIII: Nisan</span><br />
| |
| viii-<span style="font-size: 12.8000001907349px;">xii-iii-vii-xi-ii-vi-x-I-V-IX-XIII-IV: Iyar</span><br />
| |
| iv-<span style="font-size: 12.8000001907349px;">viii-xii-iii-vii-xi-ii-vi-x-I-V-IX-XIII: Sivan</span><br />
| |
| <span style="font-size: 12.8000001907349px;">xiii-iv-viii-xii-iii-vii-xi-ii-vi-x-I-V-IX: Tammuz</span><br />
| |
| <span style="font-size: 12.8000001907349px;">ix-xiii-iv-viii-xii-iii-vii-xi-ii-vi-x-I-V: Av</span><br />
| |
| v-<span style="font-size: 12.8000001907349px;">ix-xiii-iv-viii-xii-iii-vii-xi-ii-vi-x-I: Elul</span><br />
| |
|
| |
|
| | A tempered-flat chain of the 13th harmonic really comes into its own as a distinct scale when extended to 13 tones. In these "Luach" (Hebrew calendar) modes the degrees are to be taken as numbered in descending order so that the the tempered 13th harmonic is fifth rather than tenth in the scale. This inverts the meaning of major and minor so that the Ionian-like mode reaches its degrees almost exclusively by backtracking. |
|
| |
|
| <table class="wiki_table">
| | '''Luachoid''' is a proposed name for this scale. |
| <tr>
| |
| <td>3/10<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>360<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>16/53<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>362 14/53<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>13/43<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>362 34/43<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>10/33<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>363 9/11<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td><br />
| |
| </td>
| |
| <td>17/56<br />
| |
| </td>
| |
| <td>364 2/7<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>7/23<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>365 5/23<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>11/36<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>366 2/3<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>15/49<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>367 17/49<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>19/62<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>367 18/31<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>4/13<br />
| |
| </td>
| |
| <td><br />
| |
| </td>
| |
| <td>369 3/13<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| </body></html></pre></div>
| | == Modes == |
| | === Proposed names === |
| | Names based on the [[wikipedia:Hebrew_calendar|Hebrew calendar]] have been proposed as mode names. |
| | {{MOS modes|Mode Names=Tishrei; Sivan; Adar minor; Cheshvan; Tammuz; Adar major; Kislev; Av; Nisan; Tevet; Elul; Iyar; Shvat}} |
| | |
| | === Degrees === |
| | {{MOS mode degrees}} |
| | |
| | == Intervals == |
| | {{MOS intervals}} |
| | |
| | == Scale tree == |
| | {{MOS tuning spectrum}} |
| | |
| | [[Category:13-tone scales]] |
10L 3s is a 2/1-equivalent (octave-equivalent) moment of symmetry scale containing 10 large steps and 3 small steps, repeating every octave. 10L 3s is a child scale of 3L 7s, expanding it by 3 tones. Generators that produce this scale range from 830.8 ¢ to 840 ¢, or from 360 ¢ to 369.2 ¢.
A tempered-flat chain of the 13th harmonic really comes into its own as a distinct scale when extended to 13 tones. In these "Luach" (Hebrew calendar) modes the degrees are to be taken as numbered in descending order so that the the tempered 13th harmonic is fifth rather than tenth in the scale. This inverts the meaning of major and minor so that the Ionian-like mode reaches its degrees almost exclusively by backtracking.
Luachoid is a proposed name for this scale.
Modes
Proposed names
Names based on the Hebrew calendar have been proposed as mode names.
Modes of 10L 3s
| UDP |
Cyclic order |
Step pattern
|
| 12|0 |
1 |
LLLLsLLLsLLLs
|
| 11|1 |
10 |
LLLsLLLLsLLLs
|
| 10|2 |
6 |
LLLsLLLsLLLLs
|
| 9|3 |
2 |
LLLsLLLsLLLsL
|
| 8|4 |
11 |
LLsLLLLsLLLsL
|
| 7|5 |
7 |
LLsLLLsLLLLsL
|
| 6|6 |
3 |
LLsLLLsLLLsLL
|
| 5|7 |
12 |
LsLLLLsLLLsLL
|
| 4|8 |
8 |
LsLLLsLLLLsLL
|
| 3|9 |
4 |
LsLLLsLLLsLLL
|
| 2|10 |
13 |
sLLLLsLLLsLLL
|
| 1|11 |
9 |
sLLLsLLLLsLLL
|
| 0|12 |
5 |
sLLLsLLLsLLLL
|
Degrees
Scale degrees of the modes of 10L 3s
| UDP
|
Cyclic order
|
Step pattern
|
Scale degree (mosdegree)
|
| 0
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
10
|
11
|
12
|
13
|
| 12|0
|
1
|
LLLLsLLLsLLLs
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Aug.
|
Maj.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
| 11|1
|
10
|
LLLsLLLLsLLLs
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
| 10|2
|
6
|
LLLsLLLsLLLLs
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
| 9|3
|
2
|
LLLsLLLsLLLsL
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
| 8|4
|
11
|
LLsLLLLsLLLsL
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
| 7|5
|
7
|
LLsLLLsLLLLsL
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
| 6|6
|
3
|
LLsLLLsLLLsLL
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
| 5|7
|
12
|
LsLLLLsLLLsLL
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
| 4|8
|
8
|
LsLLLsLLLLsLL
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
| 3|9
|
4
|
LsLLLsLLLsLLL
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Min.
|
Min.
|
Min.
|
Perf.
|
| 2|10
|
13
|
sLLLLsLLLsLLL
|
Perf.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Maj.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Min.
|
Min.
|
Min.
|
Perf.
|
| 1|11
|
9
|
sLLLsLLLLsLLL
|
Perf.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Min.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Min.
|
Min.
|
Min.
|
Perf.
|
| 0|12
|
5
|
sLLLsLLLsLLLL
|
Perf.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Min.
|
Min.
|
Min.
|
Min.
|
Dim.
|
Min.
|
Min.
|
Min.
|
Perf.
|
Intervals
Intervals of 10L 3s
| Intervals
|
Steps subtended
|
Range in cents
|
| Generic
|
Specific
|
Abbrev.
|
| 0-mosstep
|
Perfect 0-mosstep
|
P0ms
|
0
|
0.0 ¢
|
| 1-mosstep
|
Minor 1-mosstep
|
m1ms
|
s
|
0.0 ¢ to 92.3 ¢
|
| Major 1-mosstep
|
M1ms
|
L
|
92.3 ¢ to 120.0 ¢
|
| 2-mosstep
|
Minor 2-mosstep
|
m2ms
|
L + s
|
120.0 ¢ to 184.6 ¢
|
| Major 2-mosstep
|
M2ms
|
2L
|
184.6 ¢ to 240.0 ¢
|
| 3-mosstep
|
Minor 3-mosstep
|
m3ms
|
2L + s
|
240.0 ¢ to 276.9 ¢
|
| Major 3-mosstep
|
M3ms
|
3L
|
276.9 ¢ to 360.0 ¢
|
| 4-mosstep
|
Perfect 4-mosstep
|
P4ms
|
3L + s
|
360.0 ¢ to 369.2 ¢
|
| Augmented 4-mosstep
|
A4ms
|
4L
|
369.2 ¢ to 480.0 ¢
|
| 5-mosstep
|
Minor 5-mosstep
|
m5ms
|
3L + 2s
|
360.0 ¢ to 461.5 ¢
|
| Major 5-mosstep
|
M5ms
|
4L + s
|
461.5 ¢ to 480.0 ¢
|
| 6-mosstep
|
Minor 6-mosstep
|
m6ms
|
4L + 2s
|
480.0 ¢ to 553.8 ¢
|
| Major 6-mosstep
|
M6ms
|
5L + s
|
553.8 ¢ to 600.0 ¢
|
| 7-mosstep
|
Minor 7-mosstep
|
m7ms
|
5L + 2s
|
600.0 ¢ to 646.2 ¢
|
| Major 7-mosstep
|
M7ms
|
6L + s
|
646.2 ¢ to 720.0 ¢
|
| 8-mosstep
|
Minor 8-mosstep
|
m8ms
|
6L + 2s
|
720.0 ¢ to 738.5 ¢
|
| Major 8-mosstep
|
M8ms
|
7L + s
|
738.5 ¢ to 840.0 ¢
|
| 9-mosstep
|
Diminished 9-mosstep
|
d9ms
|
6L + 3s
|
720.0 ¢ to 830.8 ¢
|
| Perfect 9-mosstep
|
P9ms
|
7L + 2s
|
830.8 ¢ to 840.0 ¢
|
| 10-mosstep
|
Minor 10-mosstep
|
m10ms
|
7L + 3s
|
840.0 ¢ to 923.1 ¢
|
| Major 10-mosstep
|
M10ms
|
8L + 2s
|
923.1 ¢ to 960.0 ¢
|
| 11-mosstep
|
Minor 11-mosstep
|
m11ms
|
8L + 3s
|
960.0 ¢ to 1015.4 ¢
|
| Major 11-mosstep
|
M11ms
|
9L + 2s
|
1015.4 ¢ to 1080.0 ¢
|
| 12-mosstep
|
Minor 12-mosstep
|
m12ms
|
9L + 3s
|
1080.0 ¢ to 1107.7 ¢
|
| Major 12-mosstep
|
M12ms
|
10L + 2s
|
1107.7 ¢ to 1200.0 ¢
|
| 13-mosstep
|
Perfect 13-mosstep
|
P13ms
|
10L + 3s
|
1200.0 ¢
|
Scale tree
Scale tree and tuning spectrum of 10L 3s
| Generator(edo)
|
Cents
|
Step ratio
|
Comments
|
| Bright
|
Dark
|
L:s
|
Hardness
|
| 9\13
|
|
|
|
|
|
830.769
|
369.231
|
1:1
|
1.000
|
Equalized 10L 3s
|
|
|
|
|
|
|
52\75
|
832.000
|
368.000
|
6:5
|
1.200
|
|
|
|
|
|
|
43\62
|
|
832.258
|
367.742
|
5:4
|
1.250
|
|
|
|
|
|
|
|
77\111
|
832.432
|
367.568
|
9:7
|
1.286
|
|
|
|
|
|
34\49
|
|
|
832.653
|
367.347
|
4:3
|
1.333
|
Supersoft 10L 3s
|
|
|
|
|
|
|
93\134
|
832.836
|
367.164
|
11:8
|
1.375
|
|
|
|
|
|
|
59\85
|
|
832.941
|
367.059
|
7:5
|
1.400
|
|
|
|
|
|
|
|
84\121
|
833.058
|
366.942
|
10:7
|
1.429
|
|
|
|
|
25\36
|
|
|
|
833.333
|
366.667
|
3:2
|
1.500
|
Soft 10L 3s
|
|
|
|
|
|
|
91\131
|
833.588
|
366.412
|
11:7
|
1.571
|
|
|
|
|
|
|
66\95
|
|
833.684
|
366.316
|
8:5
|
1.600
|
|
|
|
|
|
|
|
107\154
|
833.766
|
366.234
|
13:8
|
1.625
|
|
|
|
|
|
41\59
|
|
|
833.898
|
366.102
|
5:3
|
1.667
|
Semisoft 10L 3s
|
|
|
|
|
|
|
98\141
|
834.043
|
365.957
|
12:7
|
1.714
|
|
|
|
|
|
|
57\82
|
|
834.146
|
365.854
|
7:4
|
1.750
|
|
|
|
|
|
|
|
73\105
|
834.286
|
365.714
|
9:5
|
1.800
|
|
|
|
16\23
|
|
|
|
|
834.783
|
365.217
|
2:1
|
2.000
|
Basic 10L 3s Scales with tunings softer than this are proper
|
|
|
|
|
|
|
71\102
|
835.294
|
364.706
|
9:4
|
2.250
|
|
|
|
|
|
|
55\79
|
|
835.443
|
364.557
|
7:3
|
2.333
|
|
|
|
|
|
|
|
94\135
|
835.556
|
364.444
|
12:5
|
2.400
|
|
|
|
|
|
39\56
|
|
|
835.714
|
364.286
|
5:2
|
2.500
|
Semihard 10L 3s
|
|
|
|
|
|
|
101\145
|
835.862
|
364.138
|
13:5
|
2.600
|
|
|
|
|
|
|
62\89
|
|
835.955
|
364.045
|
8:3
|
2.667
|
|
|
|
|
|
|
|
85\122
|
836.066
|
363.934
|
11:4
|
2.750
|
|
|
|
|
23\33
|
|
|
|
836.364
|
363.636
|
3:1
|
3.000
|
Hard 10L 3s
|
|
|
|
|
|
|
76\109
|
836.697
|
363.303
|
10:3
|
3.333
|
|
|
|
|
|
|
53\76
|
|
836.842
|
363.158
|
7:2
|
3.500
|
|
|
|
|
|
|
|
83\119
|
836.975
|
363.025
|
11:3
|
3.667
|
|
|
|
|
|
30\43
|
|
|
837.209
|
362.791
|
4:1
|
4.000
|
Superhard 10L 3s
|
|
|
|
|
|
|
67\96
|
837.500
|
362.500
|
9:2
|
4.500
|
|
|
|
|
|
|
37\53
|
|
837.736
|
362.264
|
5:1
|
5.000
|
|
|
|
|
|
|
|
44\63
|
838.095
|
361.905
|
6:1
|
6.000
|
|
| 7\10
|
|
|
|
|
|
840.000
|
360.000
|
1:0
|
→ ∞
|
Collapsed 10L 3s
|