Perfect fourth

From Xenharmonic Wiki
Revision as of 10:17, 14 March 2025 by VectorGraphics (talk | contribs)
Jump to navigation Jump to search
This page is about the interval region. For the just perfect fourth, see 4/3.
← Major third Interval region Semi-augmented fourth
Tritone →
Name Perfect fourth
Lower bound 450¢ – 480¢
Upper bound 514¢ – 550¢
Generated MOSes 5L 2s, 2L 5s, 5L 3s, 7L 2s, 2L 7s
Example JI intervals
Intervals 4/3 (498¢)
Related regions
Complement Perfect fourth
English Wikipedia has an article on:

A perfect fourth (P4) is an interval that spans three steps of the diatonic scale with a perfect quality, i.e. the quality that exists in all but one modes. Depending on the specific tuning, it ranges from 480 to 514 ¢ (2\5 to 3\7).

In just intonation, the just perfect fourth is 4/3. Other intervals are also classified as perfect fourths, sometimes called wolf fourths or imperfect fourths, if they are reasonably mapped to 3\7 and 10\24 (precisely three steps of the diatonic scale and five steps of the chromatic scale). The use of 24edo's 10\24 as the mapping criteria here rather than 12edo's 5\12 better captures the characteristics of many intervals in the 11- and 13-limit.

As a concrete interval region, it is typically near 500 ¢ in size, distinct from the semiaugmented fourth of roughly 550 ¢. A rough tuning range for the perfect fourth is about 470 to 530 ¢ according to Margo Schulter's theory of interval regions. Another common range is the stricter range from 480 to 514 ¢, which generates a diatonic scale.

This article covers intervals from 450 to 540 ¢, but intervals between 540 and 550 cents have been "grandfathered in" due to the fact that superfourths and subfifths were not originally given their own articles.

In just intonation

By prime limit

The only "perfect" fourth in JI is the Pythagorean perfect fourth of 4/3, about 498 ¢ in size, which corresponds to the mos-based interval category of the diatonic perfect fourth and is the octave complement of the perfect fifth of 3/2. However, various "out of tune" fourths exist, such as the Pythagorean wolf fourth 177147/131072, which is sharp of 4/3 by one Pythagorean comma, and is about 522 ¢ in size.

Other "out of tune" fourths in higher limits include:

  • The 5-limit acute fourth is a ratio of 27/20, and is about 520 ¢
  • The 7-limit subfourth is a ratio of 21/16, and is about 471 ¢.
  • The 11-limit augmented fourth is a ratio of 15/11, and is about 537 ¢.
    • There is also an 11-limit grave fourth, which is a ratio of 33/25, and is about 480 ¢.
  • The 13-limit infrafourth is a ratio of 13/10, and is about 454 ¢, but it might be better analyzed as an ultramajor third. Despite that, it is also here for completeness.

By delta

See Delta-N ratio.

Delta 1 Delta 3 Delta 4 Delta 5 Delta 6
4/3 498 ¢ 13/10 454 ¢ 15/11 537 ¢ 19/14 529 ¢ 23/17 523 ¢
17/13 464 ¢ 21/16 471 ¢ 25/19 475 ¢

In edos

The following table lists the best tuning of 4/3, as well as other fourths if present, in various significant edos.

Edo 4/3 Other fourths
5 480 ¢
7 514 ¢
12 500 ¢
15 480 ¢
16 525 ¢ 450 ¢ ≈ 13/10
17 494 ¢
19 506 ¢
22 491 ¢ 545 ¢ ≈ 15/11
24 500 ¢ 450 ¢ ≈ 13/10, 550 ¢ ≈ 15/11
25 480 ¢ 528 ¢ ≈ 27/20
26 508 ¢ 462 ¢ ≈ 21/16, 13/10
27 489 ¢ 533 ¢ ≈ 15/11
29 496 ¢ 455 ¢ ≈ 13/10, 537 ¢ ≈ 15/11
31 503 ¢ 464 ¢ ≈ 21/16, 541 ¢ ≈ 15/11
34 494 ¢ 458 ¢ ≈ 13/10, 529 ¢ ≈ 27/20, 15/11
41 498 ¢ 468 ¢ ≈ 21/16, 526 ¢ ≈ 27/20
53 498 ¢ 452 ¢ ≈ 13/10, 476 ¢ ≈ 21/16, 521 ¢ ≈ 27/20, 543 ¢ ≈ 15/11

In temperaments

The simplest perfect 4th ratio is 4/3. The following notable temperaments are generated by it:

Temperaments that use 4/3 as a generator

  • Compton, the temperament of the Pythagorean comma, equivalent to 12edo
  • Archy, the temperament flattening 4/3 such that three 4/3's stack to 7/6
  • Meantone, the temperament sharpening 4/3 such that three 4/3's stack to 6/5
  • Mavila, the temperament sharpening 4/3 such that three 4/3's stack to 5/4
  • Various historical well temperaments generated by tempered 4/3's or 3/2's, equivalent to 12edo as compton and meantone

In moment-of-symmetry scales

Intervals between 450 and 545 cents generate the following mos scales:

These tables start from the last monolarge mos generated by the interval range.

Scales with more than 12 notes are not included.

Range Mos
450–480 ¢ 1L 1s 2L 1s 3L 2s 5L 3s
480–500 ¢ 2L 3s 5L 2s 5L 7s
500–514 ¢ 7L 5s
514–533 ¢ 2L 5s 7L 2s
533–545 ¢ 2L 7s 9L 2s


ViewTalkEditInterval classification
Seconds and thirds UnisonComma and diesisSemitoneNeutral secondMajor second • (Interseptimal second-third) • Minor thirdNeutral thirdMajor third
Fourths and fifths (Interseptimal third-fourth) • Perfect fourthSuperfourthTritoneSubfifthPerfect fifth • (Interseptimal fifth-sixth)
Sixths and sevenths Minor sixthNeutral sixthMajor sixth • (Interseptimal sixth-seventh) • Minor seventhNeutral seventhMajor seventhOctave
Diatonic qualities DiminishedMinorPerfectMajorAugmented
Tuning ranges Neutral (interval quality)Submajor and supraminorPental major and minorNovamajor and novaminorNeogothic major and minorSupermajor and subminorUltramajor and inframinor