159edo/Interval names and harmonies: Difference between revisions
No edit summary |
No edit summary |
||
| Line 138: | Line 138: | ||
| 160/153 | | 160/153 | ||
| Rkm2, rKuA1 | | Rkm2, rKuA1 | ||
| Wide Subminor Second, | | Wide Subminor Second, Lesser Sub-Augmented Prime | ||
| Eb↓/, Dt<↑ | | Eb↓/, Dt<↑ | ||
| This interval acts as a type of semitone, however, whether it's a diatonic or chromatic semitone depends on the situation. | | This interval acts as a type of semitone, however, whether it's a diatonic or chromatic semitone depends on the situation. | ||
| Line 150: | Line 150: | ||
| ? | | ? | ||
| rm2, KuA1 | | rm2, KuA1 | ||
| Narrow Minor Second, | | Narrow Minor Second, Greater Sub-Augmented Prime | ||
| Eb\, Dt>↑ | | Eb\, Dt>↑ | ||
| Not only does this interval serve as a type of leading tone, but it should be noted that six of these add up to a Perfect Fourth. | | Not only does this interval serve as a type of leading tone, but it should be noted that six of these add up to a Perfect Fourth. | ||
| Line 174: | Line 174: | ||
| [[18/17]] | | [[18/17]] | ||
| Rm2, RkA1 | | Rm2, RkA1 | ||
| Artomean Minor Second, | | Artomean Minor Second, Artomean Augmented Prime | ||
| | | | ||
| | | | ||
| Line 186: | Line 186: | ||
| '''[[17/16]]''' | | '''[[17/16]]''' | ||
| rKm2, rA1 | | rKm2, rA1 | ||
| Tendomean Minor Second, | | Tendomean Minor Second, Tendomean Augmented Prime | ||
| | | | ||
| | | | ||