User:Godtone: Difference between revisions

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== Diatonic functions ==

TODO: Expand & revise this section. Topics to expand on:

* Defining mediant and contramediant in different cases following on from analysis of the cases.

* Defining emergent ambiguous areas between the 10 basic functions.

* Defining generalised functions that apply across all MOSSes following on from the analysis of the cases; the lead and contralead are a simple example of this as they are mostly the same in all reasonable cases.

* (Maybe?) How to create natural progressions - both in terms of melody and chords, following on from all previous points, as well as from the perspective of harmony and an analysis of its meaning. This implies an analysis of various [[#Intervals]] and JI [[#Scales]] is needed in conjunction with this step. This is the goal.

This section is largely inspired by [[User:Aura/Aura's_Ideas_on_Functional_Harmony|Aura's Ideas on Functional Harmony]] combined with my own observations, intuitions and simplifications, as I admittedly do not understand nearly as much as Aura on this subject, but I do intuitively understand my musical sense, which I wish to approximately translate here. This will also focus on generalisation from the [[5L 2s|diatonic]] MOSS to other MOSSes.

@@ Line 136: / Line 136: @@
 == Diatonic functions ==
+TODO: Expand & revise this section. Topics to expand on:
+* Defining mediant and contramediant in different cases following on from analysis of the cases.
+* Defining emergent ambiguous areas between the 10 basic functions.
+* Defining generalised functions that apply across all MOSSes following on from the analysis of the cases; the lead and contralead are a simple example of this as they are mostly the same in all reasonable cases.
+* (Maybe?) How to create natural progressions - both in terms of melody and chords, following on from all previous points, as well as from the perspective of harmony and an analysis of its meaning. This implies an analysis of various [[#Intervals]] and JI [[#Scales]] is needed in conjunction with this step. This is the goal.
 This section is largely inspired by [[User:Aura/Aura's_Ideas_on_Functional_Harmony|Aura's Ideas on Functional Harmony]] combined with my own observations, intuitions and simplifications, as I admittedly do not understand nearly as much as Aura on this subject, but I do intuitively understand my musical sense, which I wish to approximately translate here. This will also focus on generalisation from the [[5L 2s|diatonic]] MOSS to other MOSSes.