User:Mousemambo/Workbench: Difference between revisions
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***The development of [[wikipedia:Meantone_temperament|meantone temperaments]] in European music expanded the number of acceptably consonant intervals ([[wikipedia:List_of_meantone_intervals|List of meantone intervals]]), while listeners became more accepting of less pure intervals as consonant (most extremely in [[wikipedia:Emancipation_of_the_dissonance|Emancipation of the dissonance]]), allowing expansion and exploration of triadic and larger harmonies. | ***The development of [[wikipedia:Meantone_temperament|meantone temperaments]] in European music expanded the number of acceptably consonant intervals ([[wikipedia:List_of_meantone_intervals|List of meantone intervals]]), while listeners became more accepting of less pure intervals as consonant (most extremely in [[wikipedia:Emancipation_of_the_dissonance|Emancipation of the dissonance]]), allowing expansion and exploration of triadic and larger harmonies. | ||
**[[Dyadic chord]] | **[[Dyadic chord]] | ||
** | **Harmony in Specific Tunings | ||
***[[Blacksmith temperament modal harmony (in 15edo)]] | ***[[Blacksmith temperament modal harmony (in 15edo)]] | ||
***[[Harmony of 23edo]] | ***[[Harmony of 23edo]] | ||
** | **Monographs | ||
***[[User:Aura/Aura's Ideas on Functional Harmony|Aura's Ideas on Functional Harmony]] | ***[[User:Aura/Aura's Ideas on Functional Harmony|Aura's Ideas on Functional Harmony]] | ||
***[[User:FloraC/Analysis on the 13-limit just intonation space: episode ii#Chapter VI. Overview on Functional Harmony|FloraC's Overview on Functional Harmony]] | ***[[User:FloraC/Analysis on the 13-limit just intonation space: episode ii#Chapter VI. Overview on Functional Harmony|FloraC's Overview on Functional Harmony]] | ||