33edo

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33edo

34edo →

Prime factorization	3 x 11
Step size	36.3636 ¢
Fifth	19\33 (690.909 ¢)
Semitones (A1:m2)	1:4 (36.36 ¢ : 145.5 ¢)
Consistency limit	3
Distinct consistency limit	3

The 33 equal division divides the octave into 33 equal parts of 36.3636 cents each. It is not especially good at representing all rational intervals in the 7-limit, but it does very well on the 7-limit 3*33 subgroup 2.27.15.21.11.13. On this subgroup it tunes things to the same tuning as 99edo, and as a subgroup patent val it tempers out the same commas. The 99 equal temperaments hemififths, amity, parakleismic, hemiwuerschmidt, ennealimmal and hendecatonic can be reduced to this subgroup and give various possibilities for MOS scales, etc. In particular, the terrain subgroup temperament can be tuned via the 5\33 generator. The full system of harmony provides the optimal patent val for slurpee temperament in the 5, 7, 11 and 13 limits.

While relatively uncommon, 33edo is actually quite an interesting system. As a multiple of 11edo, it approximates the 7th and 11th harmonics via orgone temperament (see 26edo). 33edo also tunes the 13th harmonic slightly flat, allowing it to approximate the 21st and 17th harmonics as well, having a 3L 7s with L=4 s=3. It tunes the perfect fifth about 11 cents flat, leading to a near perfect 10/9. The <33 52 76| or 33c val tempers out 81/80 and so leads to a very flat meantone tuning where the major tone is approximately 10/9 in size. Leaving the scale be would result in a "flattone" 5L 2s with L=5, s=4.

Instead of the flat 19\33 fifth you may use the sharp fifth of 20\33, over 25 cents sharp. Two of these lead to a 9/8 of 7\33, which is about 22/19 in size and may be counted as a small third. Between the flat 5\33 version of 9/8 and the sharp 7\33 version there is, of course, a 6\33 = 2\11 11edo interval of 218 cents. Now 6\33 + 5\33 = 11\33 = 1\3 of an octave, or 400 cents, the same major third as 12edo. Also, we have both a 327 minor third from 9\33 = 3\11, the same as the 22edo minor third, and a flatter 8\33 third of 291 cents, which if you like could also be called a flat 19th harmonic, but much more accurately a 13/11 sharp by 1.7 cents (if you use the patent val it is an extremely inaccurate 6/5). Another talent it has is that 7/5 is tuned quite accurately by 16\33, and we may put two 8\33 versions of 13/11 together to produce the cuthbert triad. The 8\33 generator, with MOS of size 5, 9 and 13, gives plenty of scope for these, as well as the 11, 13 and 19 harmonics (taking the generator as a 19/16) which are relatively well in tune.

So while it might not be the most harmonically accurate temperament, it's structurally quite interesting, and it approximates the full 19-limit consort in it's way. You could even say it tunes the 23rd and 29th harmonics ten cents flat if you were so inclined; as well as getting within two cents of the 37th.

Other notable 33edo scales are diasem with L:m:s = 5:3:1 and 5L 4s with L:s = 5:2. This step ratio for 5L 4s is great for its semitone size of 72.7¢.

Approximation of odd harmonics in 33 EDO

Odd harmonic		3	5	7	9	11	13	15	17	19	21	23	25	27	29	31
Error	absolute (¢)	-11.0	+13.7	+13.0	+14.3	-5.9	-4.2	+2.6	+4.1	-6.6	+1.9	-10.1	-9.0	+3.2	-11.4	-17.8
	relative (%)	-30	+38	+36	+39	-16	-11	+7	+11	-18	+5	-28	-25	+9	-31	-49
Steps (reduced)		52 (19)	77 (11)	93 (27)	105 (6)	114 (15)	122 (23)	129 (30)	135 (3)	140 (8)	145 (13)	149 (17)	153 (21)	157 (25)	160 (28)	163 (31)

Intervals

Step #	ET	Just		Difference (ET minus Just)	Extended Pythagorean Notation
	Cents	Interval	Cents
0	0¢	1/1	0	0	Perfect Unison	P1	D
1	36.364	48/47	36.448	+0.085	Augmented Unison	A1	D#
2	72.727	24/23	73.681	−0.953	Double-aug 1sn	AA1	Dx
3	109.091	16/15	111.731	−2.640	Diminished 2nd	d2	Ebb
4	145.455	12/11	150.637	−5.183	Minor 2nd	m2	Eb
5	181.818	10/9	182.404	−0.586	Major 2nd	M2	E
6	218.182	17/15	216.687	+1.495	Augmented 2nd	A2	E#
7	254.545	15/13	247.741	+6.804	Double-aug 2nd/Double-dim 3rd	AA2/dd3	Ex/Fbb
8	290.909	13/11	289.210	+1.699	Diminished 3rd	d3	Fb
9	327.273	6/5	315.641	+11.631	Minor 3rd	m3	F
10	363.636	16/13	359.472	+4.164	Major 3rd	M3	F#
11	400.000	5/4	386.314	+13.686	Augmented 3rd	A3	Fx
12	436.364	9/7	435.084	+1.280	Double-dim 4th	dd4	Gbb
13	472.727	21/16	470.781	+1.946	Diminished 4th	d4	Gb
14	509.091	4/3	498.045	+11.046	Perfect 4th	P4	G
15	545.455	11/8	551.318	−5.863	Augmented 4th	A4	G#
16	581.818	7/5	582.513	−0.694	Double-aug 4th	AA4	Gx
17	618.182	10/7	617.488	+0.694	Double-dim 5th	dd5	Abb
18	654.545	16/11	648.682	+5.863	Diminished 5th	d5	Ab
19	690.909	3/2	701.9550	−11.046	Perfect 5th	P5	A
20	727.273	32/21	729.219	-1.946	Augmented 5th	A5	A#
21	763.636	14/9	764.9159	−1.280	Double-aug 5th	AA5	Ax
22	800.000	8/5	813.686	−13.686	Double-dim 6th	d6	Bbb
23	836.364	13/8	840.5276	−4.164	Minor 6th	m6	Bb
24	872.727	5/3	884.359	−11.631	Major 6th	M6	B
25	909.091	22/13	910.7903	−1.699	Augmented 6th	A6	B#
26	945.455	12/7	933.129	+12.325	Double-aug 6th/Double-dim 7th	AA6/dd7	Bx/Cbb
27	981.818	30/17	983.313	−1.495	Diminished 7th	d7	Cb
28	1018.182	9/5	1017.596	+0.586	Minor 7th	m7	C
29	1054.545	11/6	1049.363	+5.183	Major 7th	M7	C#
30	1090.909	15/8	1088.268	+2.640	Augmented 7th	A7	Cx
31	1127.273	23/12	1126.319	−0.953	Double-dim 8ve	dd8	Dbb
32	1163.636	47/24	1163.551	0.085	Diminished 8ve	d8	Db
33	1200	2/1	1200	0	Perfect Octave	P8	D

Nearby Equal Temperaments:

Notable scales

• ultrasoft 5L 2s (L/s = 5/4)
• semihard 5L 4s
• 5:3:1 diasem

Music

• Deluge Peter Kosmorsky
• 5 5 1 mode of 33 equal (with video) play by Chris Vaisvil
• Bach Contrapunctus 4 Claudi Meneghin version