User:Lucius Chiaraviglio/Keyboard Layout Lab/Various other Lumatone mappings: Difference between revisions
→65edo (demonstrated to work): Fix typo pointed out by YourMusic Productions |
→63edo (demonstrated to work): Add the aureusma as the pseudo-meantone comma |
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=== 63edo (demonstrated to work) === | === 63edo (demonstrated to work) === | ||
[[Bryan Deister]] has demonstrated a [[6L 1s]] (10:3 step ratio) mapping for [[63edo]] in [https://www.youtube.com/shorts/IYLzF4ogl_w ''microtonal improvisation in 63edo''] (2025). The generator 10\93 is the quasi-meantone ~[[19/17]], which is composed of highly inaccurate harmonics whose errors nearly cancel out, rendering it just slightly flat; two of them make a somewhat flat classic major third ~[[5/4]]. (In contrast to actual [[meantone]] temperament, 63edo represents ~19/17, ~[[10/9]], and ~[[9/8]] as distinct intervals.) Although 10\63 can reach all of the notes of 63edo without the need for a second generator, a second generator 7\63 (upward, as a tridecimal supraminor/neutral second that functions as both ~[[13/12]] and ~[[14/13]]) is convenient for quick access to additional common intervals — for instance, three rightward generators plus one upward generator reach the just slightly sharp fifth ~[[3/2]]; while five rightward generators minus one upwards generator reach a mildly sharp minor sixth ~[[8/5]]. The range is somewhat over four octaves (which slant up mildly) with no missed notes and no repeated notes. | [[Bryan Deister]] has demonstrated a [[6L 1s]] (10:3 step ratio) mapping for [[63edo]] in [https://www.youtube.com/shorts/IYLzF4ogl_w ''microtonal improvisation in 63edo''] (2025). The generator 10\93 is the quasi-meantone ~[[19/17]], which is composed of highly inaccurate harmonics whose errors nearly cancel out, rendering it just slightly flat; two of them make a somewhat flat classic major third ~[[5/4]]. (In contrast to actual [[meantone]] temperament, 63edo represents ~19/17, ~[[10/9]], and ~[[9/8]] as distinct intervals — the syntonic comma [[81/80]] is not tempered out, and instead the aureusma [[1445/1444]] equates two quasi-meantones to a classic major third.) Although 10\63 can reach all of the notes of 63edo without the need for a second generator, a second generator 7\63 (upward, as a tridecimal supraminor/neutral second that functions as both ~[[13/12]] and ~[[14/13]]) is convenient for quick access to additional common intervals — for instance, three rightward generators plus one upward generator reach the just slightly sharp fifth ~[[3/2]]; while five rightward generators minus one upwards generator reach a mildly sharp minor sixth ~[[8/5]]. The range is somewhat over four octaves (which slant up mildly) with no missed notes and no repeated notes. | ||
{{Lumatone EDO mapping|n=63|start=6|xstep=10|ystep=-7}} | {{Lumatone EDO mapping|n=63|start=6|xstep=10|ystep=-7}} | ||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:52, 23 July 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:52, 23 July 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 05:44, 27 July 2025 (UTC) | ||
== Semaphore/Semiquartal Lumatone mappings == | == Semaphore/Semiquartal Lumatone mappings == |