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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | =Division of the sixth harmonic into n equal parts= |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-11-29 23:42:21 UTC</tt>.<br>
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| : The original revision id was <tt>600976038</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=Division of the sixth harmonic into n equal parts=
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| The sixth harmonic is particularly wide as far as equivalences go.<span class="commentBody"> There are (at absolute most) ~4.3 hexataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hexatave equivalence, </span>this fact shapes one's musical approach dramatically. Even so, the hexatave is one of the three particularly interesting composite harmonics whereof there are enough within the human hearing range to fill three periods of keyboard (the 10th, and to a lesser extent, the 12th share this property). Following this, the quintessential reason for using a hexatave based tuning is that it will split the difference between octave and tritave based tunings, which is a potentially very desirable thing for a tuning to do given the importance of these harmonics in the musics of much of the world (see [[44ed6]] and [[49ed6]]). However, this is not to say of ed6s not supporting this important 13&18 temperament that they can be dismissed out of hand as entirely worthless, for to do that would shut off all non-patent musical approaches to this equivalence. In fact, taking the nth root of 6 is itself an approach to finding temperaments like squares, tritonic, and sensi. This approach can of course be used indiscriminately. | | The sixth harmonic is particularly wide as far as equivalences go.<span style=""> There are (at absolute most) ~4.3 hexataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hexatave equivalence, </span>this fact shapes one's musical approach dramatically. Even so, the hexatave is one of the three particularly interesting composite harmonics whereof there are enough within the human hearing range to fill three periods of keyboard (the 10th, and to a lesser extent, the 12th share this property). Following this, the quintessential reason for using a hexatave based tuning is that it will split the difference between octave and tritave based tunings, which is a potentially very desirable thing for a tuning to do given the importance of these harmonics in the musics of much of the world (see [[44ed6|44ed6]] and [[49ed6|49ed6]]). However, this is not to say of ed6s not supporting this important 13&18 temperament that they can be dismissed out of hand as entirely worthless, for to do that would shut off all non-patent musical approaches to this equivalence. In fact, taking the nth root of 6 is itself an approach to finding temperaments like squares, tritonic, and sensi. This approach can of course be used indiscriminately. |
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| 4ed6 [[Squares|squares]] generator (with octaves) | | 4ed6 [[Squares|squares]] generator (with octaves) |
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| 5ed6 [[Tritonic|tritonic]] generator (with octaves) | | 5ed6 [[Tritonic|tritonic]] generator (with octaves) |
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| 6ed6 compare 7ed8 | | 6ed6 compare 7ed8 |
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| 7ed6 [[Sensi|sensi]] generator (with octaves) | | 7ed6 [[Sensi|sensi]] generator (with octaves) |
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| 8ed6 [[Würschmidt|würschmidt]] generator (with octaves) | | 8ed6 [[Würschmidt|würschmidt]] generator (with octaves) |
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| 9ed6 compare 7ed4 | | 9ed6 compare 7ed4 |
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| 10ed6 [[Myna|myna]] generator (with octaves) | | 10ed6 [[Myna|myna]] generator (with octaves) |
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| 11ed6 compare 17ed16 | | 11ed6 compare 17ed16 |
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| 12ed6 compare 14ed8 | | 12ed6 compare 14ed8 |
| 13ed6 compare [[5edo]] and [[8edt]] | | |
| | 13ed6 compare [[5edo|5edo]] and [[8edt|8edt]] |
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| 14ed6 | | 14ed6 |
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| 15ed6 | | 15ed6 |
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| 16ed6 [[Hemiwuerschmidt|hemiwuerschimdt]] generator (with octaves) | | 16ed6 [[Hemiwuerschmidt|hemiwuerschimdt]] generator (with octaves) |
| 17ed6 [[Minortonic family|Minortonic]] generator (with octaves) | | |
| 18ed6 compare [[7edo]] and [[11edt]] | | 17ed6 [[Minortonic_family|Minortonic]] generator (with octaves) |
| 19ed6 [[Porcupine]] generator (with octaves) | | |
| | 18ed6 compare [[7edo|7edo]] and [[11edt|11edt]] |
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| | 19ed6 [[Porcupine|Porcupine]] generator (with octaves) |
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| 20ed6 | | 20ed6 |
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| 21ed6 [[Progression|progression]] generator (with octaves) | | 21ed6 [[Progression|progression]] generator (with octaves) |
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| 22ed6 compare 17ed4 | | 22ed6 compare 17ed4 |
| 23ed6 compare [[9edo]] and [[14edt]] | | |
| | 23ed6 compare [[9edo|9edo]] and [[14edt|14edt]] |
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| 24ed6 [[Twothirdtonic|twothirdtonic]] generator (with octaves) | | 24ed6 [[Twothirdtonic|twothirdtonic]] generator (with octaves) |
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| 25ed6 | | 25ed6 |
| 26ed6 compare [[10edo]] and [[16edt]] | | |
| | 26ed6 compare [[10edo|10edo]] and [[16edt|16edt]] |
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| 27ed6 | | 27ed6 |
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| 28ed6 | | 28ed6 |
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| 29ed6 | | 29ed6 |
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| 30ed6 | | 30ed6 |
| 31ed6 compare [[12edo]] and [[19edt]] | | |
| | 31ed6 compare [[12edo|12edo]] and [[19edt|19edt]] |
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| 32ed6 | | 32ed6 |
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| 33ed6 | | 33ed6 |
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| 34ed6 | | 34ed6 |
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| 35ed6 [[Octacot|octacot]] generator (with octaves) | | 35ed6 [[Octacot|octacot]] generator (with octaves) |
| 36ed6 compare [[14edo]] and [[22edt]] | | |
| | 36ed6 compare [[14edo|14edo]] and [[22edt|22edt]] |
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| 37ed6 | | 37ed6 |
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| 38ed6 | | 38ed6 |
| 39ed6 compare [[15edo]] and [[24edt]] | | |
| | 39ed6 compare [[15edo|15edo]] and [[24edt|24edt]] |
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| 40ed6 [[Valentine|valentine]] generator (with octaves) | | 40ed6 [[Valentine|valentine]] generator (with octaves) |
| 41ed6 compare [[16edo]] and [[25edt]] | | |
| | 41ed6 compare [[16edo|16edo]] and [[25edt|25edt]] |
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| 42ed6 | | 42ed6 |
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| 43ed6 | | 43ed6 |
| [[44ed6]] compare [[17edo]] and [[27edt]] | | |
| | [[44ed6|44ed6]] compare [[17edo|17edo]] and [[27edt|27edt]] |
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| 45ed6 | | 45ed6 |
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| 46ed6 | | 46ed6 |
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| 47ed6 | | 47ed6 |
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| 48ed6 compare 56ed8 | | 48ed6 compare 56ed8 |
| [[49ed6]] compare [[19edo]] and [[30edt]] | | |
| | [[49ed6|49ed6]] compare [[19edo|19edo]] and [[30edt|30edt]] |
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| 50ed6 | | 50ed6 |
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| 51ed6 | | 51ed6 |
| 52ed6 compare [[20edo]] and [[32edt]] | | |
| | 52ed6 compare [[20edo|20edo]] and [[32edt|32edt]] |
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| 53ed6 | | 53ed6 |
| 54ed6 compare [[21edo]] and [[33edt]] | | |
| | 54ed6 compare [[21edo|21edo]] and [[33edt|33edt]] |
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| 55ed6 | | 55ed6 |
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| 56ed6 | | 56ed6 |
| 57ed6 compare [[22edo]] and [[35edt]] | | |
| | 57ed6 compare [[22edo|22edo]] and [[35edt|35edt]] |
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| 58ed6 | | 58ed6 |
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| 59ed6 | | 59ed6 |
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| 60ed6 | | 60ed6 |
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| 61ed6 | | 61ed6 |
| 62ed6 compare [[24edo]] and [[38edt]] | | |
| | 62ed6 compare [[24edo|24edo]] and [[38edt|38edt]] |
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| 63ed6 | | 63ed6 |
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| 64ed6 | | 64ed6 |
| 65ed6 (compare [[25edo]] and [[40edt]]) | | |
| | 65ed6 (compare [[25edo|25edo]] and [[40edt|40edt]]) |
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| 66ed6 compare 51ed4 | | 66ed6 compare 51ed4 |
| 67ed6 compare [[26edo]] and [[41edt]] | | |
| | 67ed6 compare [[26edo|26edo]] and [[41edt|41edt]] |
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| 68ed6 | | 68ed6 |
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| 69ed6 | | 69ed6 |
| 70ed6 compare [[27edo]] and [[43edt]] | | |
| | 70ed6 compare [[27edo|27edo]] and [[43edt|43edt]] |
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| 71ed6 compare 55ed4 | | 71ed6 compare 55ed4 |
| 72ed6 compare [[28edo]] and [[44edt]] | | |
| | 72ed6 compare [[28edo|28edo]] and [[44edt|44edt]] |
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| 73ed6 | | 73ed6 |
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| 74ed6 | | 74ed6 |
| 75ed6 compare [[29edo]] and 46edt</pre></div> | | |
| <h4>Original HTML content:</h4>
| | 75ed6 compare [[29edo|29edo]] and 46edt |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ed6</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Division of the sixth harmonic into n equal parts"></a><!-- ws:end:WikiTextHeadingRule:0 -->Division of the sixth harmonic into n equal parts</h1>
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| <br />
| |
| The sixth harmonic is particularly wide as far as equivalences go.<span class="commentBody"> There are (at absolute most) ~4.3 hexataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hexatave equivalence, </span>this fact shapes one's musical approach dramatically. Even so, the hexatave is one of the three particularly interesting composite harmonics whereof there are enough within the human hearing range to fill three periods of keyboard (the 10th, and to a lesser extent, the 12th share this property). Following this, the quintessential reason for using a hexatave based tuning is that it will split the difference between octave and tritave based tunings, which is a potentially very desirable thing for a tuning to do given the importance of these harmonics in the musics of much of the world (see <a class="wiki_link" href="/44ed6">44ed6</a> and <a class="wiki_link" href="/49ed6">49ed6</a>). However, this is not to say of ed6s not supporting this important 13&amp;18 temperament that they can be dismissed out of hand as entirely worthless, for to do that would shut off all non-patent musical approaches to this equivalence. In fact, taking the nth root of 6 is itself an approach to finding temperaments like squares, tritonic, and sensi. This approach can of course be used indiscriminately.<br />
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| <br />
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| 4ed6 <a class="wiki_link" href="/Squares">squares</a> generator (with octaves)<br />
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| 5ed6 <a class="wiki_link" href="/Tritonic">tritonic</a> generator (with octaves)<br />
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| 6ed6 compare 7ed8<br />
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| 7ed6 <a class="wiki_link" href="/Sensi">sensi</a> generator (with octaves)<br />
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| 8ed6 <a class="wiki_link" href="/W%C3%BCrschmidt">würschmidt</a> generator (with octaves)<br />
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| 9ed6 compare 7ed4<br />
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| 10ed6 <a class="wiki_link" href="/Myna">myna</a> generator (with octaves)<br />
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| 11ed6 compare 17ed16<br />
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| 12ed6 compare 14ed8<br />
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| 13ed6 compare <a class="wiki_link" href="/5edo">5edo</a> and <a class="wiki_link" href="/8edt">8edt</a><br />
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| 14ed6<br />
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| 15ed6<br />
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| 16ed6 <a class="wiki_link" href="/Hemiwuerschmidt">hemiwuerschimdt</a> generator (with octaves)<br />
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| 17ed6 <a class="wiki_link" href="/Minortonic%20family">Minortonic</a> generator (with octaves)<br />
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| 18ed6 compare <a class="wiki_link" href="/7edo">7edo</a> and <a class="wiki_link" href="/11edt">11edt</a><br />
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| 19ed6 <a class="wiki_link" href="/Porcupine">Porcupine</a> generator (with octaves)<br />
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| 20ed6<br />
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| 21ed6 <a class="wiki_link" href="/Progression">progression</a> generator (with octaves)<br />
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| 22ed6 compare 17ed4<br />
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| 23ed6 compare <a class="wiki_link" href="/9edo">9edo</a> and <a class="wiki_link" href="/14edt">14edt</a><br />
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| 24ed6 <a class="wiki_link" href="/Twothirdtonic">twothirdtonic</a> generator (with octaves)<br />
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| 25ed6<br />
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| 26ed6 compare <a class="wiki_link" href="/10edo">10edo</a> and <a class="wiki_link" href="/16edt">16edt</a><br />
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| 27ed6<br />
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| 28ed6<br />
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| 29ed6<br />
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| 30ed6<br />
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| 31ed6 compare <a class="wiki_link" href="/12edo">12edo</a> and <a class="wiki_link" href="/19edt">19edt</a><br />
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| 32ed6<br />
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| 33ed6<br />
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| 34ed6<br />
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| 35ed6 <a class="wiki_link" href="/Octacot">octacot</a> generator (with octaves)<br />
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| 36ed6 compare <a class="wiki_link" href="/14edo">14edo</a> and <a class="wiki_link" href="/22edt">22edt</a><br />
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| 37ed6<br />
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| 38ed6<br />
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| 39ed6 compare <a class="wiki_link" href="/15edo">15edo</a> and <a class="wiki_link" href="/24edt">24edt</a><br />
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| 40ed6 <a class="wiki_link" href="/Valentine">valentine</a> generator (with octaves)<br />
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| 41ed6 compare <a class="wiki_link" href="/16edo">16edo</a> and <a class="wiki_link" href="/25edt">25edt</a><br />
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| 42ed6<br />
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| 43ed6<br />
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| <a class="wiki_link" href="/44ed6">44ed6</a> compare <a class="wiki_link" href="/17edo">17edo</a> and <a class="wiki_link" href="/27edt">27edt</a><br />
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| 45ed6<br />
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| 46ed6<br />
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| 47ed6<br />
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| 48ed6 compare 56ed8<br />
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| <a class="wiki_link" href="/49ed6">49ed6</a> compare <a class="wiki_link" href="/19edo">19edo</a> and <a class="wiki_link" href="/30edt">30edt</a><br />
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| 50ed6<br />
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| 51ed6<br />
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| 52ed6 compare <a class="wiki_link" href="/20edo">20edo</a> and <a class="wiki_link" href="/32edt">32edt</a><br />
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| 53ed6<br />
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| 54ed6 compare <a class="wiki_link" href="/21edo">21edo</a> and <a class="wiki_link" href="/33edt">33edt</a><br />
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| 55ed6<br />
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| 56ed6<br />
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| 57ed6 compare <a class="wiki_link" href="/22edo">22edo</a> and <a class="wiki_link" href="/35edt">35edt</a><br />
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| 58ed6<br />
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| 59ed6<br />
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| 60ed6<br />
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| 61ed6<br />
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| 62ed6 compare <a class="wiki_link" href="/24edo">24edo</a> and <a class="wiki_link" href="/38edt">38edt</a><br />
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| 63ed6<br />
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| 64ed6<br />
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| 65ed6 (compare <a class="wiki_link" href="/25edo">25edo</a> and <a class="wiki_link" href="/40edt">40edt</a>)<br />
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| 66ed6 compare 51ed4<br />
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| 67ed6 compare <a class="wiki_link" href="/26edo">26edo</a> and <a class="wiki_link" href="/41edt">41edt</a><br />
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| 68ed6<br />
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| 69ed6<br />
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| 70ed6 compare <a class="wiki_link" href="/27edo">27edo</a> and <a class="wiki_link" href="/43edt">43edt</a><br />
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| 71ed6 compare 55ed4<br />
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| 72ed6 compare <a class="wiki_link" href="/28edo">28edo</a> and <a class="wiki_link" href="/44edt">44edt</a><br />
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| 73ed6<br />
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| 74ed6<br />
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| 75ed6 compare <a class="wiki_link" href="/29edo">29edo</a> and 46edt</body></html></pre></div>
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