User talk:Xenwolf: Difference between revisions

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:: So, anything I need to think about in terms of my reasoning for assigning the 11-limit such a high priority? What are the objections I need to answer? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:06, 15 October 2020 (UTC)

:: All I know in this case is that if the 3-limit is used to assign pitch relations between the standard notes, and you want to have a standard for assigning pitch relations for keys like G-Demisharp Major, which Jacob Collier uses in his rendition of "In the Bleak Midwinter", we need some sort of relatively simple limit by which we can build off of the 3-limit in order to access such keys. Furthermore, we need to ensure maximal separation from the standard keys in a case like this. It may be true that when the rastma isn't tempered out, there's ~~two~~ possibilities, but given what I demonstrated on constructing a 9/8 whole tone using just four 11-limit intervals in my recent response to Kite's recent comments on [[Talk:159edo_notation#My_Second_Idea_for_a_Notation System|the talk page for 159edo notation]], I can't help but think that 33/32 is bound to be perhaps the most important among quartertones... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:19, 15 October 2020 (UTC)

:: All I know in this case is that if the 3-limit is used to assign pitch relations between the standard notes, and you want to have a standard for assigning pitch relations for keys like G-Demisharp Major, which Jacob Collier uses in his rendition of "In the Bleak Midwinter", we need some sort of relatively simple limit by which we can build off of the 3-limit in order to access such keys. Furthermore, we need to ensure maximal separation from the standard keys in a case like this. It may be true that when the rastma isn't tempered out, there's multiple possibilities, but given what I demonstrated on constructing a 9/8 whole tone using just four 11-limit intervals in my recent response to Kite's recent comments on [[Talk:159edo_notation#My_Second_Idea_for_a_Notation System|the talk page for 159edo notation]], I can't help but think that 33/32 is bound to be perhaps the most important among quartertones... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:19, 15 October 2020 (UTC)

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	:: So, anything I need to think about in terms of my reasoning for assigning the 11-limit such a high priority? What are the objections I need to answer? --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 18:06, 15 October 2020 (UTC)		:: So, anything I need to think about in terms of my reasoning for assigning the 11-limit such a high priority? What are the objections I need to answer? --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 18:06, 15 October 2020 (UTC)

	:: All I know in this case is that if the 3-limit is used to assign pitch relations between the standard notes, and you want to have a standard for assigning pitch relations for keys like G-Demisharp Major, which Jacob Collier uses in his rendition of "In the Bleak Midwinter", we need some sort of relatively simple limit by which we can build off of the 3-limit in order to access such keys. Furthermore, we need to ensure maximal separation from the standard keys in a case like this. It may be true that when the rastma isn't tempered out, there's ~~two~~ possibilities, but given what I demonstrated on constructing a 9/8 whole tone using just four 11-limit intervals in my recent response to Kite's recent comments on [[Talk:159edo_notation#My_Second_Idea_for_a_Notation System\|the talk page for 159edo notation]], I can't help but think that 33/32 is bound to be perhaps the most important among quartertones... --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 18:19, 15 October 2020 (UTC)		:: All I know in this case is that if the 3-limit is used to assign pitch relations between the standard notes, and you want to have a standard for assigning pitch relations for keys like G-Demisharp Major, which Jacob Collier uses in his rendition of "In the Bleak Midwinter", we need some sort of relatively simple limit by which we can build off of the 3-limit in order to access such keys. Furthermore, we need to ensure maximal separation from the standard keys in a case like this. It may be true that when the rastma isn't tempered out, there's multiple possibilities, but given what I demonstrated on constructing a 9/8 whole tone using just four 11-limit intervals in my recent response to Kite's recent comments on [[Talk:159edo_notation#My_Second_Idea_for_a_Notation System\|the talk page for 159edo notation]], I can't help but think that 33/32 is bound to be perhaps the most important among quartertones... --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 18:19, 15 October 2020 (UTC)