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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{Infobox Interval |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | | Name = just major seventh, classic(al) major seventh, ptolemaic major seventh |
| : This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-09-29 18:37:23 UTC</tt>.<br>
| | | Color name = y7, yo 7th |
| : The original revision id was <tt>259802992</tt>.<br>
| | | Sound = jid_15_8_pluck_adu_dr220.mp3 |
| : The revision comment was: <tt></tt><br>
| | }} |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| | {{Wikipedia|Major seventh}} |
| <h4>Original Wikitext content:</h4>
| | In [[5-limit]] [[just intonation]], '''15/8''' is the '''just major seventh''', '''classic(al) major seventh''', or '''ptolemaic major seventh'''<ref>For reference, see [[5-limit]]. </ref> of about 1088.3¢. It is also the [[octave-reduced]] 15th [[harmonic]], and appears as a complex consonance in chords such as [[8:10:12:15]], a just version of a major seventh chord. Since 15/8 = [[3/2]] × [[5/4]], it can be seen as a perfect fifth above a major third or vice versa, and this understanding works in [[12edo]], as the sum of [[~]]3/2 and ~5/4 is 700{{c}} + 400{{c}} = 1100{{c}}, which 15/8 is mapped to. |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[5-limit]] [[Just Intonation]], 15/8 is a slightly narrow major seventh of about 1088.3¢. It is also the 15th overtone, and appears as a complex consonance in chords such as 8:10:12:15, a just version of a major seventh chord. Since 15 is 3*5, it can be seen as a perfect fifth above a major third or vice versa, and this understanding is compatible with the 1100¢ interval of [[12edo]]. Since 15 it is a [[3_2|3/2]] perfect fifth above 10, [[List of root-3rd-P5 triads in JI|root-3rd-P5 triads]] can be formed with the 10th harmonic as root and 15th harmonic as perfect fifth. The simplest and most familiar example is the classic minor triad 10:12:15 -- a [[6_5|6/5]] with a [[5_4|5/4]] stacked on top of it. Another is the Barbados triad, 10:13:15 -- a [[13_10|13/10]] on bottom and a [[15_13|15/13]] on top. And a particularly uncommon but mentionable example is the [[23-limit]] inframinor triad 20:23:30.
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| See: [[Gallery of Just Intervals]]</pre></div>
| | Since 15 is a perfect fifth above 10 (15/10 = [[3/2]]), seventh chords can be formed with the 10th harmonic as major third and 15th harmonic as major seventh. The simplest and most familiar example is the classical major seventh chord 8:10:12:15 with steps 5/4, 6/5 and 5/4. Another example replaces the 12 with 13, which leads to [[8:10:13:15]] with steps 5/4, 13/10 and 15/13, and contains the [[10:13:15]] barbados triad. A particularly uncommon but mentionable example is the [[23-limit]] seventh chord [[16:20:23:30]]. |
| <h4>Original HTML content:</h4>
| | == Approximation == |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>15_8</title></head><body>In <a class="wiki_link" href="/5-limit">5-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 15/8 is a slightly narrow major seventh of about 1088.3¢. It is also the 15th overtone, and appears as a complex consonance in chords such as 8:10:12:15, a just version of a major seventh chord. Since 15 is 3*5, it can be seen as a perfect fifth above a major third or vice versa, and this understanding is compatible with the 1100¢ interval of <a class="wiki_link" href="/12edo">12edo</a>. Since 15 it is a <a class="wiki_link" href="/3_2">3/2</a> perfect fifth above 10, <a class="wiki_link" href="/List%20of%20root-3rd-P5%20triads%20in%20JI">root-3rd-P5 triads</a> can be formed with the 10th harmonic as root and 15th harmonic as perfect fifth. The simplest and most familiar example is the classic minor triad 10:12:15 -- a <a class="wiki_link" href="/6_5">6/5</a> with a <a class="wiki_link" href="/5_4">5/4</a> stacked on top of it. Another is the Barbados triad, 10:13:15 -- a <a class="wiki_link" href="/13_10">13/10</a> on bottom and a <a class="wiki_link" href="/15_13">15/13</a> on top. And a particularly uncommon but mentionable example is the <a class="wiki_link" href="/23-limit">23-limit</a> inframinor triad 20:23:30.<br />
| | {{Interval edo approximation|15/8}} |
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| See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html></pre></div> | | == See also == |
| | * [[16/15]] – its [[octave complement]] |
| | * [[8/5]] – its [[twelfth complement]] |
| | * [[Ed15/8]] |
| | * [[Gallery of just intervals]] |
| | |
| | == Notes == |
| | <references/> |
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| | [[Category:Seventh]] |
| | [[Category:Major seventh]] |