Marvel: Difference between revisions
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'''Marvel''' is a [[rank-3 temperament|rank-3]] [[regular temperament|temperament]] with the same [[lattice]] structure as [[5-limit]] [[JI]], while identifying the [[7/4|harmonic seventh (7/4)]] as a stack of two [[15/8|classical major sevenths (15/8)]] [[octave reduction|octave-reduced]], [[tempering out]] [[225/224]]. It is the head of the [[marvel family]], and the canonical [[11-limit]] [[extension]] adding [[385/384]] and [[540/539]] to the comma list makes it a member of both [[keenanismic temperaments|keenansimic]] and [[swetismic temperaments]]. | |||
The temperament was named by [[Gene Ward Smith]] in 2002–2003, when the 11-limit version was found first<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5145.html#5184 Yahoo! Tuning Group | ''Relative complexity and scale construction''] – first mention of ''marvel''.</ref><ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5687.html Yahoo! Tuning Group | ''Top 135 11-limit planar temperaments''] – establishment as an 11-limit temperament.</ref>. Gene carried it to the 7-limit restriction in 2004<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_50829.html Yahoo! Tuning Group | ''Marvel'']</ref>. | The temperament was named by [[Gene Ward Smith]] in 2002–2003, when the 11-limit version was found first<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5145.html#5184 Yahoo! Tuning Group | ''Relative complexity and scale construction''] – first mention of ''marvel''.</ref><ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5687.html Yahoo! Tuning Group | ''Top 135 11-limit planar temperaments''] – establishment as an 11-limit temperament.</ref>. Gene carried it to the 7-limit restriction in 2004<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_50829.html Yahoo! Tuning Group | ''Marvel'']</ref>. | ||
See [[Marvel family #Marvel]] for technical data. | Extending marvel to the 13-limit is not as obvious. While Gene has chosen [[351/350]] as the canonical extension, '''hecate''', tempering out [[325/324]] and [[729/728]], arguably makes more sense as it is closer in tuning<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_101722.html Yahoo! Tuning Group | ''13-limit marvel'']</ref>. Hecate has a natural extension to the no-17 19-limit, by tempering out [[400/399]] and [[513/512]]. | ||
See [[Marvel family #Marvel]] for technical data. | |||
== Interval lattice == | == Interval lattice == | ||
<gallery> | |||
File:Lattice Marvel.png|11-limit marvel | |||
File:Lattice Marvel-hecate13.png|13-limit marvel/hecate | |||
File:Lattice Marvel-hecate19.png|2.3.5.7.11.13.19 subgroup marvel/hecate | |||
</gallery> | |||
== Notation == | == Notation == | ||
Marvel can be notated the same as [[5-limit]] [[just intonation]] since they share the same lattice structure. | Marvel can be notated the same as [[5-limit]] [[just intonation]] since they share the same lattice structure. One way to do this is to take the conventional [[circle-of-fifths notation]] with an additional module of accidentals for the [[81/80]] comma. In this system, 5/4 is a major third, 7/4 an augmented sixth, and 11/8 a double diminished 5th. | ||
{| class="wikitable center-1 center-3" | |||
|+Marvel/hecate nomenclature<br>for selected intervals | |||
{| class="wikitable center- | |||
|+Marvel nomenclature for selected intervals | |||
! Ratio | ! Ratio | ||
! Nominal | ! Nominal | ||
Line 20: | Line 24: | ||
|- | |- | ||
| 3/2 | | 3/2 | ||
| Perfect | | Perfect fifth | ||
| C-G | | C-G | ||
|- | |- | ||
| 5/4 | | 5/4 | ||
| Down major | | Down major third | ||
| C-vE | | C-vE | ||
|- | |- | ||
| 7/4 | | 7/4 | ||
| Dudaugmented | | Dudaugmented sixth | ||
| C-vvA# | | C-vvA# | ||
|- | |- | ||
| 11/8 | | 11/8 | ||
| Trup double-diminished | | Trup double-diminished fifth | ||
| C-^<sup>3</sup>Gbb | | C-^<sup>3</sup>Gbb | ||
|- | |||
| 13/8 | |||
| Dup minor sixth | |||
| C-^^Ab | |||
|- | |||
| 19/16 | |||
| Minor third | |||
| C-Eb | |||
|} | |} | ||
Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third, and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be | Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third, and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be less convenient. | ||
== Chords == | == Chords == | ||
Marvel enables [[essentially tempered chord]]s of [[Marvel chords|marvel]], [[Keenanismic chords|keenanismic]], [[Swetismic chords|swetismic]], and [[Undecimal marvel chords|undecimal marvel]]. Extending the temperament to the 13-limit through 325/324, resulting in hecate, enables chords of [[Marveltwin chords|marveltwin]] and [[Squbemic chords|squbemic]]. [[Hecate hexad]] is a chord peculiar to this temperament. | |||
Alternative 11-limit extensions give different sets of chords. One notable example, tempering out [[441/440]], enables [[prodigy chords]]. | |||
== Scales == | == Scales == | ||
Line 67: | Line 78: | ||
* [[Pump17]] | * [[Pump17]] | ||
* [[Pump18]] | * [[Pump18]] | ||
* [[Diamond9plus-marvel]] | |||
== Tuning spectrum == | == Tunings == | ||
In the 7-limit, the optimal way such as that taken by [[TE]] and derivatives to close out the comma 225/224 is to tune primes 3 and 5 flat, and 2 and 7 sharp. If we tune the octave pure, the other inclinations remain. This indicates that the diminished third [[~]][[256/225]] should be sharp (towards [[~]][[8/7]]), the augmented second [[~]][[75/64]] be flat (towards [[~]][[7/6]]), the diminished fourth [[~]][[32/25]] be sharp (towards [[~]][[9/7]]) and the tritone [[~]][[45/32]] be flat (towards [[~]][[7/5]]), such that every [[7-limit]] [[9-odd-limit]] interval is tuned between itself and the [[5-limit]] interpretation it is separated from by [[225/224]]. If we take these as hard constraints, then [[53edo]] and [[84edo]] are the smallest edo tunings to satisfy them, but if overtempering is allowed, many smaller edos are possible, such as [[31edo|31-]] and [[41edo]]. Interestingly, [[72edo]], though very performant as a 7- and 11-limit tuning, is overtempered for some of these constraints, whereas 53edo, though satisfying these constraints, tempers the intervals closer to the more complex [[5-limit]] interpretations, though the 7-limit concordances of the 9-odd-limit still clearly work. [[84edo]], another superset of 12edo, is an interesting edo to look at for its high performance in large odd-limits. Going up to larger edos, [[125edo|125-]], [[166edo|166-]], [[178edo|178-]], [[197edo|197-]], and [[240edo]] are all great choices with different intonational characteristics. | |||
The marvel extension [[hecate]] has the no-17's [[19-limit]] as its subgroup, and tridecimal marvel, the extension chosen by [[Gene Ward Smith]], is in the 13-limit. They merge in the rank-2 temperament [[catakleismic]], which can be conceptualized as accepting both rank-3 marvel structures simultaneously. One such tuning is excellently given by [[125edo]]. If we are looking for a small edo tuning instead, 53edo and 72edo are also reasonable edo tunings for the full no-17's 19-limit catakleismic, though in 53edo the 11 and 19 are a little off and in 72edo the 13 and 19 are a little off instead; 72edo is positioned better as a full [[17-limit]] marvel system while 53edo is positioned better as a (potentially no-11's) [[13-limit]] marvel system. If we focus on the 11-limit of undecimal marvel (discarding the mapping of 13), 31edo and 41edo are the smallest to clearly succeed, though many accept 41edo's mapping of [[~]][[13/8]] to the neutral sixth and some accept that mapping for 31edo as contextually usable too. | |||
=== Tuning spectrum === | |||
This spectrum assumes pure 2 and 7. | This spectrum assumes pure 2 and 7. | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
|- | |- | ||
! [[ | ! [[Eigenmonzo|Eigenmonzo<br>(Unchanged-interval)]] | ||
! | ! Fifth<br>(¢) | ||
! | ! Major<br>Third (¢) | ||
! | ! Comments | ||
|- | |- | ||
| 5/4 | | 5/4 | ||
Line 155: | Line 172: | ||
== Music == | == Music == | ||
* [http:// | ; [[Billy Stiltner]] | ||
* [http://micro.soonlabel.com/ | * [http://micro.soonlabel.com/gene_ward_smith/Others/Stiltner/marvel10_2.mp3 notJoelTaylorsTreeSpirit-Marvel10-2]{{dead link}} | ||
; [[Chris Vaisvil]] | |||
* [http://micro.soonlabel.com/pump_tunings/pump1/daily20111029-a-pump1-woodwinds-no-verb.mp3 ''Pump1''] – in pump12 1, [[197edo]] tuning | |||
* [http://chrisvaisvil.com/?p=314 ''Semimarvelous Blue Drawf''] (2010) – in Dwarf17marv, equal-beating tuning | |||
== See also == | |||
* [[Marvel temperaments]], the collection of rank-2 temperaments that temper out the marvel comma | |||
== Notes == | == Notes == | ||
<references/> | <references/> | ||
[[Category:Marvel| ]] <!-- main article --> | [[Category:Marvel| ]] <!-- main article --> | ||
[[Category:Rank-3 temperaments]] | |||
[[Category:Marvel family]] | [[Category:Marvel family]] | ||
[[Category:Keenanismic temperaments]] | [[Category:Keenanismic temperaments]] | ||
[[Category:Swetismic temperaments]] | [[Category:Swetismic temperaments]] |
Latest revision as of 07:51, 7 June 2025
Marvel is a rank-3 temperament with the same lattice structure as 5-limit JI, while identifying the harmonic seventh (7/4) as a stack of two classical major sevenths (15/8) octave-reduced, tempering out 225/224. It is the head of the marvel family, and the canonical 11-limit extension adding 385/384 and 540/539 to the comma list makes it a member of both keenansimic and swetismic temperaments.
The temperament was named by Gene Ward Smith in 2002–2003, when the 11-limit version was found first[1][2]. Gene carried it to the 7-limit restriction in 2004[3].
Extending marvel to the 13-limit is not as obvious. While Gene has chosen 351/350 as the canonical extension, hecate, tempering out 325/324 and 729/728, arguably makes more sense as it is closer in tuning[4]. Hecate has a natural extension to the no-17 19-limit, by tempering out 400/399 and 513/512.
See Marvel family #Marvel for technical data.
Interval lattice
-
11-limit marvel
-
13-limit marvel/hecate
-
2.3.5.7.11.13.19 subgroup marvel/hecate
Notation
Marvel can be notated the same as 5-limit just intonation since they share the same lattice structure. One way to do this is to take the conventional circle-of-fifths notation with an additional module of accidentals for the 81/80 comma. In this system, 5/4 is a major third, 7/4 an augmented sixth, and 11/8 a double diminished 5th.
Ratio | Nominal | Example |
---|---|---|
3/2 | Perfect fifth | C-G |
5/4 | Down major third | C-vE |
7/4 | Dudaugmented sixth | C-vvA# |
11/8 | Trup double-diminished fifth | C-^3Gbb |
13/8 | Dup minor sixth | C-^^Ab |
19/16 | Minor third | C-Eb |
Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third, and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be less convenient.
Chords
Marvel enables essentially tempered chords of marvel, keenanismic, swetismic, and undecimal marvel. Extending the temperament to the 13-limit through 325/324, resulting in hecate, enables chords of marveltwin and squbemic. Hecate hexad is a chord peculiar to this temperament.
Alternative 11-limit extensions give different sets of chords. One notable example, tempering out 441/440, enables prodigy chords.
Scales
Marvel hobbit scales
Undecimal marvel hobbit scales
Other marvel scales
Tunings
In the 7-limit, the optimal way such as that taken by TE and derivatives to close out the comma 225/224 is to tune primes 3 and 5 flat, and 2 and 7 sharp. If we tune the octave pure, the other inclinations remain. This indicates that the diminished third ~256/225 should be sharp (towards ~8/7), the augmented second ~75/64 be flat (towards ~7/6), the diminished fourth ~32/25 be sharp (towards ~9/7) and the tritone ~45/32 be flat (towards ~7/5), such that every 7-limit 9-odd-limit interval is tuned between itself and the 5-limit interpretation it is separated from by 225/224. If we take these as hard constraints, then 53edo and 84edo are the smallest edo tunings to satisfy them, but if overtempering is allowed, many smaller edos are possible, such as 31- and 41edo. Interestingly, 72edo, though very performant as a 7- and 11-limit tuning, is overtempered for some of these constraints, whereas 53edo, though satisfying these constraints, tempers the intervals closer to the more complex 5-limit interpretations, though the 7-limit concordances of the 9-odd-limit still clearly work. 84edo, another superset of 12edo, is an interesting edo to look at for its high performance in large odd-limits. Going up to larger edos, 125-, 166-, 178-, 197-, and 240edo are all great choices with different intonational characteristics.
The marvel extension hecate has the no-17's 19-limit as its subgroup, and tridecimal marvel, the extension chosen by Gene Ward Smith, is in the 13-limit. They merge in the rank-2 temperament catakleismic, which can be conceptualized as accepting both rank-3 marvel structures simultaneously. One such tuning is excellently given by 125edo. If we are looking for a small edo tuning instead, 53edo and 72edo are also reasonable edo tunings for the full no-17's 19-limit catakleismic, though in 53edo the 11 and 19 are a little off and in 72edo the 13 and 19 are a little off instead; 72edo is positioned better as a full 17-limit marvel system while 53edo is positioned better as a (potentially no-11's) 13-limit marvel system. If we focus on the 11-limit of undecimal marvel (discarding the mapping of 13), 31edo and 41edo are the smallest to clearly succeed, though many accept 41edo's mapping of ~13/8 to the neutral sixth and some accept that mapping for 31edo as contextually usable too.
Tuning spectrum
This spectrum assumes pure 2 and 7.
Eigenmonzo (Unchanged-interval) |
Fifth (¢) |
Major Third (¢) |
Comments |
---|---|---|---|
5/4 | 698.099 | 386.314 | |
6/5 | 700.027 | 384.386 | 7-odd-limit minimax |
15/11 | 700.351 | 384.062 | |
10/9 | 700.670 | 383.743 | 9-odd-limit minimax |
11/10 | 700.885 | 383.528 | |
15/13 | 700.916 | 383.497 | 15-odd-limit hecate minimax |
13/10 | 701.065 | 383.348 | 13-odd-limit hecate minimax |
13/11 | 701.199 | 383.214 | |
18/13 | 701.361 | 383.052 | |
13/12 | 701.480 | 382.933 | |
16/13 | 701.559 | 382.854 | |
4/3 | 701.955 | 382.458 | |
14/11 | 702.278 | 382.135 | |
11/8 | 702.278 | 382.135 | |
12/11 | 702.602 | 381.811 |
Music
- Pump1 – in pump12 1, 197edo tuning
- Semimarvelous Blue Drawf (2010) – in Dwarf17marv, equal-beating tuning
See also
- Marvel temperaments, the collection of rank-2 temperaments that temper out the marvel comma
Notes
- ↑ Yahoo! Tuning Group | Relative complexity and scale construction – first mention of marvel.
- ↑ Yahoo! Tuning Group | Top 135 11-limit planar temperaments – establishment as an 11-limit temperament.
- ↑ Yahoo! Tuning Group | Marvel
- ↑ Yahoo! Tuning Group | 13-limit marvel