44edo

Revision as of 11:26, 11 May 2026 by FloraC (talk | contribs) (Intervals: consolidate as a 19-limit temp)

44 equal divisions of the octave (abbreviated 44edo or 44ed2), also called 44-tone equal temperament (44tet) or 44 equal temperament (44et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 44 equal parts of about 27.3 ¢ each. Each step represents a frequency ratio of 21/44, or the 44th root of 2.

← 43edo 44edo 45edo →
Prime factorization 22 × 11
Step size 27.2727 ¢ 
Fifth 26\44 (709.091 ¢) (→ 13\22)
Semitones (A1:m2) 6:2 (163.6 ¢ : 54.55 ¢)
Consistency limit 5
Distinct consistency limit 5

Theory

44edo is a double of 22edo, to which it adds the ratios of 13, 19, and 23. While not the most accurate 2.3.5.7.11 tuning, 22edo is certainly a relatively compact one, and it's natural to extend it this way. The most practically useful of these additions is easily the 13th harmonic with its neutral intervals, but the 17th, 19th, and 23rd are not to be dismissed.

It is on the optimal ET sequence for 7-, 11- and 13-limit nautilus temperament, for 11-limit spell temperament, and for 13-limit cantrip temperament. In the 13-limit it supplies the optimal patent val for vigin temperament.

The 2*44 subgroup of 44edo is 2.9.5.21.11.13.17.19.23, on which 44 tempers out the same commas as the patent val for 88edo.

Harmonics

Approximation of odd harmonics in 44edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) +7.1 -4.5 +13.0 -13.0 -5.9 +4.9 +2.6 +4.1 +2.5 -7.1 -1.0
Relative (%) +26.2 -16.5 +47.6 -47.7 -21.5 +18.1 +9.7 +15.2 +9.1 -26.2 -3.7
Steps
(reduced)
70
(26)
102
(14)
124
(36)
139
(7)
152
(20)
163
(31)
172
(40)
180
(4)
187
(11)
193
(17)
199
(23)
Approximation of odd harmonics in 44edo (continued)
Harmonic 25 27 29 31 33 35 37 39 41 43 45
Error Absolute (¢) -9.0 -5.9 +6.8 +0.4 +1.3 +8.5 -5.9 +12.1 +7.3 +6.7 +9.8
Relative (%) -33.0 -21.5 +24.9 +1.5 +4.7 +31.2 -21.6 +44.2 +26.8 +24.4 +35.8
Steps
(reduced)
204
(28)
209
(33)
214
(38)
218
(42)
222
(2)
226
(6)
229
(9)
233
(13)
236
(16)
239
(19)
242
(22)

Subsets and supersets

44edo has subsets 2, 4, 11, 22.

One step of 44edo is very close (only 0.0086 cents sharp) to 64/63 (the septimal comma). Ruthenium temperament realizes this proximity through a regular temperament perspective, and it is supported by a large number of edos which are a multiple of 44 - for example 1012edo, 1848edo, and 2684edo. The aforementioned 88edo, which doubles it, is a meantone tuning that corrects the 7th harmonic to near-just, although at the expense of increasing relative error of the 13th and 19th harmonics; alternatively, if it is treated as directly approximating the 9th harmonic, then it also corrects the 9th harmonic to near-just.

Intervals

In 44edo, sharps and flats alter pitch by 6 edosteps. This means intervals can be notated with half sharps and half flats equal to 3 edosteps, in addition to ups and downs. The table below uses only sharps, flats, and ups and downs. When translating music from 22edo to 44edo, single ups and downs simply become double ups and downs (vEb in 22edo would be vvEb in 44edo).

# Cents Approximate ratios* Ups and downs notation
0 0.0 1/1 Perfect 1sn P1 D
1 27.3 65/64 Up 1sn ^1 ^D
2 54.5 28/27, 32/31, 33/32, 34/33, 36/35 Minor 2nd m2 Eb
3 81.8 19/18, 20/19, 23/22, 24/23 Upminor 2nd ^m2 ^Eb
4 109.1 15/14, 16/15, 17/16, 18/17 Dupminor 2nd, downmid 2nd ^^m2, v~2 ^^Eb
5 136.4 13/12, 14/13 Mid 2nd ~2 vvvE, ^^^Eb
6 163.6 11/10, 12/11, 32/29, 10/9 Dudmajor 2nd, upmid 2nd vvM2, ^~2 vvE
7 190.9 19/17 Downmajor 2nd vM2 vE
8 218.2 8/7, 9/8, 17/15 Major 2nd M2 E
9 245.5 15/13, 22/19 Upmajor 2nd, downminor 3rd ^M2, vm3 ^E, vF
10 272.7 7/6, 20/17 Minor 3rd m3 F
11 300.0 13/11, 19/16 Upminor 3rd ^m3 ^F
12 327.3 6/5, 17/14, 11/9 Dupminor 3rd, downmid 3rd ^^m3, v~3 ^^F
13 354.5 16/13, 26/21, 39/32 Mid 3rd ~3 ^^^F, vvvF#
14 381.8 5/4 Dudmajor 3rd, upmid 3rd vvM3, ^~3 vvF#
15 409.1 19/15, 24/19 Downmajor 3rd vM3 vF#
16 436.4 9/7, 14/11 Major 3rd M3 F#
17 463.6 13/10, 17/13 Upmajor 3rd, down 4th ^M3, v4 ^F#, vG
18 490.9 4/3 Perfect 4th P4 G
19 518.2 19/14 Up 4th ^4 ^G
20 545.5 11/8, 15/11, 26/19 Dup 4th, downmid 4th, dim 5th ^^4, v~4, d5 Ab, ^^G
21 572.7 18/13, 32/23 Mid 4th, Updim 5th ~4, ^d5 ^^^G, vvvG#
22 600.0 17/12, 24/17, 7/5, 10/7 Upmid 4th, downmid 5th ^~4, v~5 vvG#, ^^Ab
23 627.3 13/9, 23/16 Downaug 4th, mid 5th vA4, ~5 vvvA, ^^^Ab
24 654.5 16/11, 19/13, 22/15 Aug 4th, upmid 5th, dud 5th A4, ^~5, vv5 G#, vvA
25 681.8 28/19 Down 5th v5 vA
26 709.1 3/2 Perfect 5th P5 A
27 736.4 20/13, 26/17 Up 5th, downminor 6th ^5, vm6 ^A, vBb
28 763.6 14/9, 11/7 Minor 6th m6 Bb
29 790.9 19/12, 30/19 Upminor 6th ^m6 ^Bb
30 818.2 8/5 Dupminor 6th, downmid 6th ^^m6, v~6 ^^Bb
31 845.5 13/8, 21/13 Mid 6th ~6 ^^^Bb, vvvB
32 872.7 5/3, 28/17, 18/11 Dudmajor 6th, upmid 6th vvM6, ^~6 vvB
33 900.0 22/13, 32/19 Downmajor 6th vM6 vB
34 927.3 12/7, 17/10 Major 6th M6 B
35 954.5 19/11, 26/15 Upmajor 6th, downminor 7th ^M6, vm7 ^B, vC
36 981.8 7/4, 16/9, 30/17 Minor 7th m7 C
37 1009.1 34/19 Upminor 7th ^m7 ^C
38 1036.4 11/6, 20/11, 29/16, 9/5 Dupminor 7th, downmid 7th ^^m7, v~7 ^^C
39 1063.6 13/7, 24/13 Mid 7th ~7 ^^^C, vvvC#
40 1090.9 15/8, 17/9, 28/15, 32/17 Dudmajor 7th, upmid 7th vvM7, ^~7 vvC#
41 1118.2 19/10, 36/19, 44/23, 23/12 Downmajor 7th vM7 vC#
42 1145.5 27/14, 31/16, 33/17, 35/18, 64/33 Major 7th M7 C#
43 1172.7 128/65 Upmajor 7th, down 8ve ^M7, v8 ^C#, vD
44 1200.0 2/1 Perfect 8ve P8 D

* As a 19-limit temperament, with additional ratios of 23, 29, and 31

Notation

Ups and downs notation

44edo can be notated with ups and downs, spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc.

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
 
               
 
                  
 
Flat symbol                
 
                    

Half-sharps and half-flats can be used to avoid triple arrows:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12
Sharp symbol
 
    
 
      
 
      
 
      
 
Flat symbol     
 
      
 
      
 
        

Alternative ups and downs have sharps and flats with arrows borrowed from extended Helmholtz–Ellis notation:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14
Sharp symbol
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Flat symbol
 
 
 
 
 
 
 
 
 
 
 
 
 
 

If double arrows are not desirable, arrows can be attached to quarter-tone accidentals:

Step offset 0 1 2 3 4 5 6 7 8 9 10 11 12 13
Sharp symbol
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Flat symbol
 
 
 
 
 
 
 
 
 
 
 
 
 

Sagittal notation

This notation uses the same sagittal sequence as edos 23b, 30, and 37, and is a superset of the notations for edos 22 and 11.

Evo flavor

 Sagittal notationPeriodic table of EDOs with sagittal notation513/51281/8027/26

Revo flavor

 Sagittal notationPeriodic table of EDOs with sagittal notation513/51281/8027/26

Evo-SZ flavor

 Sagittal notationPeriodic table of EDOs with sagittal notation513/51281/8027/26

In the diagrams above, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol's primary comma (the comma it exactly represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it approximately represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this edo.

Regular temperament properties

Rank-2 temperaments

Table of rank-2 temperaments by generator
Periods
per 8ve
Generator* Cents* Associated
ratio*
Temperaments
1 3\44 81.82 22/21 Nautilus (44d)
1 7\44 190.91 9/8 Spell (44def) / cantrip (44de)
1 9\44 245.46 15/13 Immunity (44cff, 2.3.5.13)
1 13\44 354.55 11/9 Beatles / ringo (44e)
1 15\44 409.09 5/4 Hocus (44)
2 3\44 81.82 22/21 Harry (44ceff)
4 4\44 109.09 16/15 Bidia (44d, 7-limit)

* Octave-reduced form, reduced to the first half-octave

Scales

  • Evacuated planet[idiosyncratic term] (approximated from 66afdo): 5 13 8 12 6
  • Approximations of gamelan scales:
    • 5-tone pelog: 4 6 15 4 15
    • 7-tone pelog: 4 6 9 6 4 10 5
    • 5-tone slendro: 9 9 8 9 9

Instrument layouts

Music

Bryan Deister