9/8: Difference between revisions
m Text replacement - " {{Interval_Edo_Approximation | " to "{{Interval edo approximation|" |
→Approximation: Fix typo that made Interval edo approximation not work |
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When this ratio is taken as a comma to be [[tempering out|tempered out]], it produces [[Very low accuracy temperaments #Antitonic|antitonic]] temperament. Edos that temper it out include [[2edo]] and [[4edo]]. If it is instead used as a generator, it produces, among others, [[Subgroup temperaments #Baldy|baldy]]. | When this ratio is taken as a comma to be [[tempering out|tempered out]], it produces [[Very low accuracy temperaments #Antitonic|antitonic]] temperament. Edos that temper it out include [[2edo]] and [[4edo]]. If it is instead used as a generator, it produces, among others, [[Subgroup temperaments #Baldy|baldy]]. | ||
== Approximation == | == Approximation == | ||
{{Interval edo approximation|9/8} | {{Interval edo approximation|9/8}} | ||
== Notation == | == Notation == | ||
In musical notations that employ the [[5L 2s|diatonic]] [[chain-of-fifths notation|chain-of-fifths]], such as the [[ups and downs notation]], the whole tone is represented by the distances between A and B, between C and D, between D and E, between F and G, as well as between G and A. | In musical notations that employ the [[5L 2s|diatonic]] [[chain-of-fifths notation|chain-of-fifths]], such as the [[ups and downs notation]], the whole tone is represented by the distances between A and B, between C and D, between D and E, between F and G, as well as between G and A. | ||