14edo: Difference between revisions
What's "composition theory" about this lol |
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== Scales == | == Scales == | ||
=== MOS scales === | |||
{{Main|List of MOS scales in {{PAGENAME}}}} | {{Main|List of MOS scales in {{PAGENAME}}}} | ||
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[[File:Screen Shot 2020-04-23 at 11.47.30 PM.png|none|thumb|870x870px|5\14 MOS using 1L 1s, 2L 1s, 3L 2s, 3L 5s, 3L 8s]] | [[File:Screen Shot 2020-04-23 at 11.47.30 PM.png|none|thumb|870x870px|5\14 MOS using 1L 1s, 2L 1s, 3L 2s, 3L 5s, 3L 8s]] | ||
=== Beep[9] === | ==== Beep[9] ==== | ||
14edo is also the largest edo whose patent val [[support]]s [[beep]] temperament, tempering out the chromatic semitone (21:20), and falling toward the "brittle" (fifths wider than in 9edo) end of that spectrum. beep is one of the simplest 7-limit temperaments, although rather inaccurate (the 7:5 is mapped onto 6\14, over 70 cents flat). Its otonal/major and utonal/minor tetrads are inversions of one another, which allows a greater variety of chord progressions (since different inversions of the same chord may have very different expressive qualities). Despite being so heavily tempered, the tetrads are still recognizable and aren't unpleasant-sounding as long as one uses the right timbres ("bell-like" or opaque-sounding ones probably work best). beep forms enneatonic modes which are melodically strong and are very similar to diatonic modes, only with two mediants and submediants instead of one. Beep[9] has similarities to mavila, slendro, and pelog scales as well. | 14edo is also the largest edo whose patent val [[support]]s [[beep]] temperament, tempering out the chromatic semitone (21:20), and falling toward the "brittle" (fifths wider than in 9edo) end of that spectrum. beep is one of the simplest 7-limit temperaments, although rather inaccurate (the 7:5 is mapped onto 6\14, over 70 cents flat). Its otonal/major and utonal/minor tetrads are inversions of one another, which allows a greater variety of chord progressions (since different inversions of the same chord may have very different expressive qualities). Despite being so heavily tempered, the tetrads are still recognizable and aren't unpleasant-sounding as long as one uses the right timbres ("bell-like" or opaque-sounding ones probably work best). beep forms enneatonic modes which are melodically strong and are very similar to diatonic modes, only with two mediants and submediants instead of one. Beep[9] has similarities to mavila, slendro, and pelog scales as well. | ||
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* 13\14: Major 9th<sub>9</sub>: A high, incisive leading tone. | * 13\14: Major 9th<sub>9</sub>: A high, incisive leading tone. | ||
* 14\14: The 10th<sub>9</sub> or "enneatonic decave" (i. e. the octave, 2:1). | * 14\14: The 10th<sub>9</sub> or "enneatonic decave" (i. e. the octave, 2:1). | ||
=== Others === | |||
* 2 2 2 2 2 2 2 - [[Equiheptatonic]] (exactly [[7edo]]) | |||
* 2 2 2 2 1 4 1 - Fennec{{idiosyncratic}} (original/default tuning) | |||
* 1 4 1 2 2 2 2 - Inverse fennec{{idiosyncratic}} (original/default tuning) | |||
== Diagrams == | == Diagrams == | ||