5/3: Difference between revisions
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{{Infobox Interval | {{Infobox Interval | ||
| Name = just major sixth, classic(al) major sixth, ptolemaic major sixth | |||
| Name = classic major sixth | |||
| Color name = y6, yo 6th | | Color name = y6, yo 6th | ||
| Sound = jid_5_3_pluck_adu_dr220.mp3 | | Sound = jid_5_3_pluck_adu_dr220.mp3 | ||
}} | }} | ||
{{Wikipedia|Major sixth}} | |||
In [[5-limit]] [[ | In [[5-limit]] [[just intonation]], '''5/3''' is the '''just major sixth''', '''classic(al) major sixth''', or '''ptolemaic major sixth'''<ref>For reference, see [[5-limit]]. </ref> of about 884.4¢. It represents the difference between the 5th and 3rd [[harmonic]]s, and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is [[6/5]], the 5-limit minor third. It differs from the Pythagorean major sixth of [[27/16]] (about 905.9¢) by the syntonic comma of [[81/80]] (about 21.5¢). This means that in systems which temper out the syntonic comma, such as [[12edo]] and [[meantone]] systems, 5/3 and [[27/16]] are conflated. | ||
5/3 has a more mellow sound than 27/16, owing to its | 5/3 has a more mellow sound than 27/16, owing to its simpler beating pattern as well as its smaller size. | ||
== Approximation == | |||
5/3 is very accurately approximated by [[19edo]] (14\19), and hence the [[enneadecal]] temperament. | |||
{{Interval edo approximation|5/3}} | |||
== See also == | == See also == | ||
* [[6/5]] – its [[octave complement]] | * [[6/5]] – its [[octave complement]] | ||
* [[ | * [[9/5]] – its [[twelfth complement]] | ||
* [[ | * [[Ed5/3]] | ||
* [[Gallery of just intervals]] | |||
== Notes == | |||
<references/> | |||
[[Category:Sixth]] | [[Category:Sixth]] | ||
[[Category:Major sixth]] | [[Category:Major sixth]] | ||
[[Category:Over-3]] | [[Category:Over-3 intervals]] | ||
[[Category:Tritave-reduced harmonics]] | |||
[[Category:Taxicab-2 intervals]] | |||